Tag: Shimadaijin

Like the previous year, spring 2022, though cold, is early. As I write this the peony blooms presented here, photographed May, 2021 are seeding. Every year, Pam and I marvel at the color. 2019 this peony was in full bloom only by the end of May, around Memorial Day.

These photographs were taken with a Canon EOS 5D Mark IV dslr, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. Color results from the Canon dslr are impressive. In prior years I favored shooting late evening in the shade with a slight underexposure. This year I experimented with full sunlight. I found a slight under exposure captured the plum – fine burgundy wine nature of this Japanese cultivar, “Shimadaijin,” planted in the 1970’s or 1980’s.

This set brings out the petal’s fiery nature. In the wild, woody (also called tree) peonies favored cliffs and scrub of western and central China, eastern Himalayas (southeastern Tibet).

By a happy accident our neighbor’s honeybees foraged the nectar and pollen of these newly opened blooms. The woody stems hold the profusion of large flowers each one erect. “Tree” is a misnomer as this plant is a shrub growing mid-thigh high. One of the classic ornamental genera of China, known there as moutan or hua wang “King of Flowers.”

Cultivation in China began in Chekiang in the early 4th century AD. By the early Tang period (circa 700 AD) hundreds of varieties were grown.

The bees happily rolled around among the stamens, notice their full pollen sacs.

References

Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133

Wikipedia “Magenta” color

Copyright 2023 All Rights Reserved Michael Stephen Wills

Here is a Sunny Sunday reader assignment. Which handling of this woody peony blossom do you prefer? Please leave your preferences in the comments section with details of your reasoning. Thank you!!

These photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. This setup allowed me to fiddle with camera settings, here you see a variation in the width of the shutter diaphragm opening, or F-stop. The smaller the opening (higher F-stop) less light is let through to the image sensor, longer exposure time (allowing the subject to move, as in the morning breeze) offset by greater depth of field, more of which provides sharp focus as the subject elements are further from the lens.

In this first photograph, the F-stop is moderately high. The entire blossom and plant are in focus, the background moderately blurred though still recognizable.

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For the second photograph F-stop is low, opening up the shutter diaphragm, allowing more light in for a faster shutter release, less time for the morning breeze to rise up and ruin the shot. The beautiful background blurring, bokeh, is a feature of this 50 mm lens. At the same time, at F/4.0 the shutter diaphragm is not wide open. The blossom is entirely in focus, many plant leaves and the other blossom, to left, are out of focus. This places emphasis on the primary subject of the photograph while providing a feel for the surroundings.

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Here are the same photographs, click on one to open a gallery for you to flip back and forth to compare.

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Copyright 2021 All Rights Reserved Michael Stephen Wills

Spring 2021, though cold, is early. As I write this the peony blooms presented here, photographed May 20, 2021 are seeding, the gorgeous purple magenta petals strewn beneath the woody stems. In my last posting, from Memorial Day 2019, the plant is in full bloom the end of May.

These photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. Color results from the Canon dslr are impressive, the first time the unique purple magenta is accurately represented here. I found a slight under exposure captured the plum – fine burgundy wine nature of this Japanese cultivar, “Shimadaijin,” planted in the 1970’s or 1980’s.

Here is the last unopened bud of this season, enclosed by a calyx of 5 green sepals with reddish highlights . In the wild, woody (also called tree) peonies favored cliffs and scrub of western and central China, eastern Himalayas (southeastern Tibet).

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The bud is toward the back, slightly out of focus, of this overview. The woody stems hold the profusion of large flowers each one erect. “Tree” is a misnomer as this plant is a shrub growing mid-thigh high. One of the classic ornamental genera of China, known there as moutan or hua wang “King of Flowers.”

• 

Cultivation in China began in Chekiang in the early 4th century AD. By the early Tang period (circa 700 AD) hundreds of varieties were grown.

• 

Copyright 2021 All Rights Reserved Michael Stephen Wills

References

Wikipedia “Magenta” color

Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133