By way of personal inventory, our home has two types of woody peonies in different hues. Last posting I gave you red, au natural. Today, you get yellow in a studio setting, back-dropped by black velvet. There is a story behind that long sheet of fabric. Back in the day, a nephew of mine named Chris and I used to hang out together in the Catskills and Adirondacks. Later, I offered to photograph James, his first born. In preparation, I purchased this six foot length of fabric. It served well for that job and, since then, has done double duty as a wintertime cage cover for the parakeet.
This week, I told Pam our yellow wooden peony was in bloom. A largish bush of full leaves that tend to cover the drooping blooms, Pam harvested six blooms to created an arrangement. These “babies” look great against the black velvet.
Yesterday I used the Canon EF 100mm f/2.8 Macro USB lens and a tripod to capture the following two portraits of Pam’s Yellow Wooden Peony arrangement. In deference to the unanimous reader choice for crisp flower petals the following two versions differ in the crispness of the velvet backdrop.
My timing was fortuitous, last evening the petals started to drop. Pam reports 12 more blossoms are hidden in the bush, so we’ll have at least one more bouquet to enjoy.
Click either photograph for a larger version.
f 5.0 Black Velvet Backdropf 7.1 Black Velvet Backdrop
Copyright 2019 All Rights Reserved Michael Stephen Wills
May 2019 Pam and I visited the New York State historical site of Olana, the former home of Fredrick Church of the Hudson River School of painting. Off the walk was a small planting of flowers, among them a type of “woody” peony in full bloom on Memorial Day weekend, well before the “herbaceous” type that is setting flower buds at that time. These were a striking reddish hue.
On returning home we were pleased to find our own “woody” peonies of the same hue in full bloom as well. On Memorial Day I used the Canon EF 100mm f/2.8 Macro USB lens and a tripod to capture the following two macros of the flower center with the lens aperture fully open (f 2.8) and at its smallest (f 32).
Question for readers: Which do you prefer, and why?
Click either photograph for a larger version.
f 32f 2.8
Copyright 2019 All Rights Reserved Michael Stephen Wills
Questions about speciation of flora can be complex and are so in the case of trillium. A straightforward answer is “yes,” white and red trillium are different species with distinct characteristics, as can be seen from the first photograph.
The white trillium below are in the species Trillium grandiflorum as evidenced by coloration, the shapes of the flower petals and anthers. For this discussion I will focus on the flower petal shape and coloration. The grandiflorum petals are broad at the base and wavy, compared to the more blade-like red trillium, Trillium erectum, straight-edged petals.
There is the obvious difference of color, but Trillium erectum has a white form, not seen here.
Click any photograph for a larger view.
Then, there is this specimen, below, with a stippling of red on blade-like petals with wavy edges. Here is where the experts differ and, in summary, many believe trillium species are an interrelated complex with the possibility of hybridization, sharing of genetic material between the different species to produce fertile offspring. This specimen may be an example of this hybridization.
An access road, now blocked with huge boulders by the State Park, leads to this dam at the head of Fillmore Glen. I stop here for reflection at times and have climbed behind the dam for photographs. It is possible to drive up the south side of the glen on a poorly maintained road and park next to the boulders. In this season (spring) the surrounding forest is carpeted in wildflowers. Hepatica, trillium, dutchman’s breeches. One day, years ago, I pulled in behind a late model convertible with a license plate holder advising the owner was a member of the 10th Mountain division and a World War II veteran.
They were a well dressed and groomed couple. The white haired driver, in his late 80’s at least, patiently waited while she, a frail woman, walked the margins of the forest, enjoying the wildflowers. It was my impression this was a ritual for them, developed over the years. One of the few spring outings left to them.
Wildflower displays such as what I shared last posting develop over hundreds of years. The massed trillium are on land not disturbed for thousands of years, since the last ice age. These same spring wonders were certainly enjoyed by the Iroquois before us.
Click either photograph for a larger view.
On the gorge slope below the parking area, in a hollow on the north side of a large (I recall) oak, one early sunny spring morning I discovered the last resting place of a deer. Only the bones and some fur remained, the visible portion resembles the Capitulum and trochlea of a human arm bone and, indeed, there was a scapula close by. The season is evoked by the unfurling fern against the based of the oak.
Dark, Unwritten Forest Secrets
Copyright 2019 All Rights Reserved Michael Stephen Wills
Life for me changed September 1971 with my matriculation at the University of Arizona. The next five years (4 for a BS degree and 1 year dietetics internship) were busy with study and supporting myself leaving minimal time for travel. Then came 27 years of work and family until in my 49th year of life, with the graduation of my son, Sean, from college planned for January 2003, I anticipated having time and resources to see more of the world. The Arizona postings here flowed the outcomes of this decision that spanned the years 2003 through my Mother breaking her hip just before New Years Day 2009.
Click the links for previous Arizona postings related to the post text.
November 2003 saw our first Arizona tour. Sean was scheduled to be home from USS Observation Island. He served as an engineering officer working for Maersk contracted by the US Navy to operate the ship. We flew into Phoenix and headed north for a tour of the Mogollon Rim onto Winslow, the Painted Desert, Canyon del Chelly, Monument Valley, the Grand Canyon South Rim, the western edge of the Painted Desert north of Flagstaff to finish up at University of Arizona Homecoming.
Homecoming 2003
My 2003 homecoming schedule including a meeting with the head of the Department of Nutrition Sciences, Dr. Houtkooper. We talked of ways to re-connect with the University, leading to an invitation to serve on the College of Agriculture and Life Sciences (CALS) Alumni Board of Directors beginning November 2005. From then until November 2008 I flew to Tucson two to three times a year for planning and educational meetings: planning fund raising activities, learning how CALS benefits and connects with the people of Arizona.
These baskets from our home are reminders of my original Arizona connection and of one story of re-connection. The larger, birds, design is from my student years from a first trip to Kitt Peak. It was a gift to my parents and for decades was in their china cabinet, I’d see it each holiday visit and recall driving desert with friends, the road up the mountain, seeing the newly constructed Mayall Telescope building loom over us, the smells and views of the Sonora desert.
Meeting Native American Artists
Working for the CAL Alumni Board the first time, November 2005, I had an idea to approach Native American artists for donations of their work for student scholarships. My first outing to meet artists was to an event at the Saguaro National Monument, west of Tucson, where I met Olvera and Simon Valenzuela. They were a happy couple devoted to continuing a tradition of basket weaving. Olvera was the youngest active weaver from generations of Tohono O’odham women. Her husband, Simon, a Pascua Yaqui, learned weaving from Olvera and her family. I purchased the turtle basket, upper left, and obtained contact information.
Click either photograph for a larger view.
From the bottom clockwise. Birds by Anmelia Juan of Geawuk (Kitt Peak 1972), Turtle by Olvera and Simon Valenquela (Sqguaro National Monument 2005) Stars by Simon Valenzuela for hsi daughter Pasquala Valenquela 16th Birthday (2018). Simon is of the Pascua Yaqui tribe who Learned basketmaking from his wife’s family.
Over the course of months, communicating with Arizona contacts, I came to the conclusion donations by Native American artists was not a sustainable model for financing donations. The individuals were not prosperous enough and there were too few of them. Instead, during the travels documented here, I made contacts. In the Chiricahua National Monument I met Linda Kelly the owner of Triangle T Ranch who donated stays there. The Searcher had a side farrier (care of horses feet) and donated services.
With the permission of Simon and family we started the Olvera Valenzuela Memorial Scholarship. The application is an essay on the subject: “A Proposal for Native American Cultural Conservation.” The qualified applicants are Native Americans enrolled at the University of Arizona College of Agriculture and Life Sciences (CALS) in a course of study leading to a baccalaureate. The designation “Native American” is defined for the purposes of these criteria as being a documented member of a North American tribe. It was an annual award of $500 to the successful applicant. To start I contributed $1,000 to fund it for two years.
Over the next year, Simon and I contacted potential donors, but were unsuccessful in funding the scholarship beyond two years. In the meantime, when I visited Tucson for CALS board meetings Simon and I would do outings with his daughters. Here is one from the 2006 University of Arizona Homecoming football game. This is after the game, a win for the team, with the field covered in celebrating fans.
The third basket of the photograph, a stars design, was raffled to fun Pascuala’s sixteen birthday celebration in 2018 and I won!!!!
Cheers!!
Copyright 2019 All Rights Reserved Michael Stephen Wills
