Winter 2020 I posted “Winter People Watching” featuring the Sony F828 and candid street photography.
What I love about this place, a unique feature, is the size and different vantage points making it possible to view the same place from different angles. November 2019, readers were shown “The Bend,” a place with Taughannock gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here are photographs from spot overlooked by that post.
Here the camera faces away from the sun, the graduated neutral density filter allowing me to capture the cloudless blue sky, a little milky the way it is here February with a hint of spring.
The gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here is am in the creek bed facing east.
This little one is studying the information placard with rapt attention, learning how the African continent, pushing against North America, across the eaons, formed the right angle fractures mirrored by this dramatic change in Taughannock Gorge. For the Big Bend photographs I was standing behind them, along the stream bed.
Here is a broader slice of that sky.
The gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here is am in the creek bed facing east.
Can you see the tiny figures of hikers, dwarfed by the frozen cliff?
The gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here is am in the creek bed facing east.
Copyright 2023 All Rights Reserved Michael Stephen Wills
Purling of the water beneath this foot high waterfall was enhanced by reducing ISO to 100, tamping down the aperture to f/22 resulting in an shutter speed of 1/10th second. I set the graduated Neutral Density filter to shade the left side.
On the cliffs ahead is where the observation platform is cut into the rock. It has a great view of the waterfall, in some ways the experience of the falls is enhanced, compared to hiking the 3/4 mile path and standing below.
The Gorge Walls, hundreds of feet above the creek are very dangerous to stand below.
A marvelous forest grows on talus from the high gorge walls.
A sign on a disused pier warns waders to leave the creek bed. Ahead the gorge walls tower above the creek. Rocks dislodge and crash down unexpectedly, crushing foolish waders. It is appalling to see, in warmer months, people walking below those cliffs gathering the fallen rocks to make delicately balanced cairns.
Copyright 2023 All Rights Reserved Michael Stephen Wills
Colored lights of our skies are a trigger for the imagination. The sky is a storybook to be written by the mind and passed along in language. The 3,000 observable stars and planets visible on any one moonless, clear night away from artificial lights draw on the human obsessional skill for pattern recognition. Over millennia, […]
Colored lights of our skies are a trigger for the imagination. The sky is a storybook to be written by the mind and passed along in language. The 3,000 observable stars and planets visible on any one moonless, clear night away from artificial lights draw on the human obsessional skill for pattern recognition.
Over millennia, stars along the path of the planets and sun through the sky held a special place for careful observers. Twelve patterns were imagined, each a named constellation. The word “constellation” means “to know from the stars.” Indeed, we can know much from the constellations. For example, it is winter in the northern hemisphere when the constellation “Cancer” (The Crab) is high in the night sky.
Click photograph for my OnLine Galleries. Clicking the other photographs in this post will yield a larger image.
On the evening of January 20/21, 2019 the full moon climbed from the horizon (Click this link for the first post of this series “Total Lunar Eclipse of 2019…”) to a point high overhead were it appeared to float among the stars of Cancer, the crab. On the way, the disk darkened as its orbital path brought it into the earth’s shadow. The surrounding stars emerged from the darkening full moon glow. I captured the sight using a Canon dslr, the Canon EF 24 mm f/1.4L II USM lens mounted on a tripod by setting the ISO to 3200 to reduce the exposure to 1.3 second and placing the auto exposure area (a feature of the dslr/lens combination) away from the full moon.
Additionally, the moon is overexposed on the original image, for the following I used Photoshop to cut and paste the moon from the last photograph of this blog, reduced it to the approximate angular diameter of the moon and pasted it over the overexposed disk. There are better astrophotography images of this event, this image is mine to use and adequate for this purpose.
The Moon on the Crab’s back
Cancer is difficult to trace, the constituent stars are all dim. Hint: click on any of the following photographs and a new page will open with a larger resolution image. What is striking in the following photograph are the number of apparently paired stars. Our sun is an exception, it is not part of a star system; even so, most of these pairings are line of sight, not physical star systems. For example, starting from the “red” moon there is a faint star, “Delta” of Cancer. Trace an imaginary line between the moon and Delta, in your mind move the line down and a little to the right to a pair of dim stars, “Nu” and “Gamma” of Cancer (left to right). The two are not a system, being 390 and 181 light years away. Each is a multiple star system in itself as is Delta. The three are on the back of Cancer, with two stars on the upper right being “Alpha” and “Beta”.
A most interesting object of this photograph, well worth the price of binoculars, is between Nu and Gamma and a little higher, towards the moon. It was what I saw the first time viewing this photograph: a cluster of stars called “The Beehive.” This was how I identified the location of the moon on the back of this crab.
Total Lunar Eclipse and Surrounding Sky with labels for primary element of the Cancer constellation
For the following photograph I cut/pasted/enlarged a square with the (enhanced) Moon, Delta. Nu and Gamma, below, with the Beehive between them. See that the stars, though “fuzzy”, have colors. Delta is a orange giant, also known as the “Southern Donkey”. Gamma, the “Northern Donkey,” and NU are white. The back of the Crab holds a two donkeys eating from a manger, a Galactic Stellar Cluster name “The Beehive.” This night the moon joined the feast.
“Beehive” with Total Lunar Eclipse with labels for primary elements of Cancer Constellation
The Beehive
With binoculars (or telescope with a wide field eyepiece), the Beehive is a glorious spectacle of 1,000 gravitationally bound stars, a mixture of colors from blue to red. It was one of the first objects Galileo viewed through the telescope, picking out 40 stars. In later years it was here we found the first planets orbiting sun-like (i.e. having the characteristics of our yellow star) stars within a stellar cluster. In spite of being 600+ light years distant the Beehive was known since ancient times, being visible without a telescope in clear, dark skies.
The Total Eclipse
A glorious moon at full totality is captured in the following two photographs. I used the dslr at 3200 ISO with the Canon EF 70-300mm f/4-5.6L lens at 300 mm. Setting the exposure area to the Moon, the exposure was 3.2 seconds.
In the first photograph, I especially enjoy the effect modeling of the shadows does to make the disk appear round. The field of view does not include Delta, Gamma, Nu or the Beehive. At this time I was not aware how close the Beehive was, or even that the Moon was in Cancer. The beauty of the moon floating among the stars is apparent.
My dear wife Pam is the heart of Christmas in our home. Over the years we have collected a treasure of ornaments and knick-knacks she crafts into displays around our home. Pam completed the project well in advance of our grandchild holiday visits, before card writing and gift wrapping.
My contribution is a photographic time capsule. Here is some of my artistic output from this work.
This grouping of five cozy snowmen (three males, two females) are warmly dressed in knit sweaters and stocking caps; the women with long skirts. The five hold hands in a ring, rising from a common platform. We place a cup and devotional candle in the center.
The tiny group evokes community, harmony, amity. I captured them with a Canon EOS 1Ds Mark III dslr, a fixed Canon EF 100mm f/2.8L macro lens mounted on a Manfrotto studio tripod and hydrostatic ball head. Fixed lenses provide the sharpest macros. The mounting allowed precise framing and use of the widest aperture and a low ISO. The light sources were sunlight from a large north facing bay window, a Canon Speedlite 600Ex-Rt and the candle. When used, the flash was angled in various ways toward the ceiling.
I start with a tight shot, maximum aperture. A single figure is in clear focus, the remaining gradually lost in the bokeh. The flash was used. I can almost see then circling around the candle in a winter wind.
Here the candle is lighted, aperture narrow to f8 using only the candle and ambient light (no flash). The group is visible within surrounding figures. I backed away and the viewpoint is higher.
The candle light enhances the perception of community.
Viewpoint is closer, still only the candle and ambient light. Aperture widened to 3.5. I must remove the hair in lightroom.
I backed off, aperture at the max with only the candle and ambient light. The figures are placed in a tableau with other snowmen and a structure, a birdhouse.
For this overview I swapped in a Canon 24mm f/1.4L II USM with a flash, aperture f2.2.
Christmas 2017 snowman display laid out in our den on top of the entertainment cabinet.
Copyright 2022 Michael Stephen Wills All Rights Reserved
A previous post, “Christmas Tableau”, provides some context. The photographs from that set were accepted by Getty for stock images. Click the link to take a look: “Cozy Snowmen” on Getty Stock.
This is part of my project to document our Christmas memories through photography. Here we explore the Irish and Ireland themes of our decorated Christmas Tree.
Where would we be without Saint Patrick? He was a force, to be sure. A favorite story, is the landing of his return to the island 432 AD. The tides on the eastern coast of the Irish Sea can be strong. His plan was to sail up to coast further north than what we call today Strangford Lough. On passing this inlet the boat was swept into the lough tidal narrows. Circumstances called for a landing, rather than wait for the tide. Patrick came ashore where the Slaney River enter the lough and “quickly converted” the local chieftan, Dichu, who provided a barn for holding services. The name of the town “Saul” in Irish is Sabhall Phádraig, translated as “Patrick’s Barn.”
In this posting I’ll go lighter on descriptions of technique. Leave it to say I held to the Canon fixed lens EF 50mm f1.2L USM throughout. Some, like the photograph of Saint Patrick, used a tripod. Others, like the latter two of the following Irish Themed Cross set were handheld. Generally a flash was used to supplement ambient sunlight from a large north-facing bay window.
Here the “celtic” cross is converted to an Irish theme through a substitution of a shamrock with golden decoration inspired by pagan neolithic petroglyphs for the nimbus (circle) intersecting the central intersection of arms and stem.
For the first three I played with aperture, taking advantage of the stability of a tripod. The final two of the set are handheld.
Note the fanciful leprechaun snowman with pot o’ gold, on the left.
Blown glass Irish dancers.
“Travel memories”
the suitcase for our 2014 tour of the island and re-connection with family. Also a symbol of our ancestors travel across the Atlantic ocean to North America.
My Sony Alpha captured our October 16 drive to Fillmore Glen. As we traversed landscapes, the spectacle of Tompkins and Cayuga Counties autumn glory passed by the open passenger side window and, even, the front windshield. Thank You, Pam, for driving.
A turn around our home: Smoke tree, Japanese Maple, Pam’s flower baskets, fallen Oak leaves
.TT.
Panoramas from our front porch and on to Hector Street descending into and through Ithaca
Headed up Route 34 along Cayuga Lake, into “Farm Country”
Turning onto Locke Road and crossing from Tompkins to Cayuga County
Travelling through Cayuga County, the town of Locke, then Moravia and Fillmore Glen State Park
..
This is my farewell to “Fall” for now.
Copyright 2022 All Right Reserved Michael Stephen Wills
Knights of the Red Branch appear towards the end of “Deirdre and the sons of Uisneach”, a tale from 1st century AD Ireland, as protectors of the lovers Dierdre and one of the sons of Uisneach, named Naoise. The two fled to Rathlin Island, seen in the distance in the following photograph.
Distant Rathelin Island from Torr Head
From Rathlin Island they passed over the Irish Sea to Scotland where they lived happily for a term of years.
Barrach’s fort no longer exists, a Coast Guard Station was built over the site. There are other intact ruins on this picturesque coast. Here is one close to the Giant’s Causeway, Dunseverick Castle.
Dunseverick Castle
Copyright 2022 All Rights Reserved Michael Stephen Wills
Torr in Irish is a steep rocky height. Likewise, Corr means odd, uneven, rounder, convex, curved, peaked, projecting, smooth. Combined Torcorr is the townland where we stopped on the Torr Road, halted by our wonder at this sight.
In the distance, Torr Head projects into North Channel, the closest land to Scotland. Following the coast, the cliffs in front of Torr Head are home to numerous sea birds such as Fulmars (family Procellariidae) nad Oystercatchers (family Haematopodiadae). Along the rock beaches next Eider Ducks (genus Somateria). You might see the Common Buzzard (species Buto buteo).
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In the following photograph Torr Head seen from immediately above. I stand on the ancient site of Barrach’s fort, a knight of the Red Branch. After some internet research I cannot find another reference to this knight, other than the information placard on Torr Head.
Copyright 2022 All Rights Reserved Michael Stephen Wills
2014, the count of townlands on and around the island of Ireland was 61,098 with most of Irish Gaelic origin predating the Norman invasion, first recorded in 12 century church records. The names have a pride of place reflected in the beauty of the namestones along Torr Road.
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Namestone on Torr Road in Coolranny townland.
The 82 acres of Coolranny forms a slice of land running from a ridge to Loughan Bay off the North Channel of the Irish Sea across from Scotland.
Pam and I arrived early to Cass Park for our grandson’s October afternoon soccer match, in time for a 2 mile walk on the generous footpaths. This is my impression of that time, from the IPhone 7’s camera.
Around the marina on Cayuga Lake
Red Accents
Watery Impressions from Linderman Creek flowing into Cayuga Inlet
Trees and Our Sky
Gracious Willows Line the Cayuga Lake Inlet
Cornell University on East HillLake Excursioin Heading Out from Farmer’s MarketCarl Sagan’s former study perched above Ithaca FallsView Across Cayuga Lake Inlet
A Packed Excursion Boat Under A Stunning Sky
A Few Animals and a wildflower
This completes our Sunday afternoon walk around Cass Park, Ithaca, New York.
Copyright 2022 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 
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