Above Muirthemne Plain

Romance of Ruins

Advertisements

This series of posts started with “Proleek, Grandfather McCardle’s home” where we explored the site of great grandfather James McCardle’s Proleek farm.  A kilometer from there, at Proleek Dolmen, the ancient portal stones line up to face the plain rising to Slieve Gullion, a name for the mountain taken from the Irish,  Sliabh gCuillinn, meaning “mountain of the steep slope” or Sliabh Cuilinn, “Culann’s mountain.”

Click photograph to view my Ireland photography gallery

There is an connection between Proleek and Slieve Gullion.  Cycles of Irish Myth place a boy named Sétanta living on Muirthemne Plain, of which what we call Proleek Townland was a part.  One day, the king Conchobar was passing his kingdom, Muirthemne, on the way to a feast on the slopes of Slieve Gullion hosted by the blacksmith Culann when he stopped to watch boys playing hurling, Sétanta among them (it is ironic the Proleek Dolmen is surrounded by a golf course in modern times).

Impressed by the Sétanta’s skill, the king invites him to the feast.  Having a game to finish Sétanta promises to follow.  As evening falls the boy approaches the smith’s house to find himself attacked by a huge, aggressive dog.  Acting in the moment, Sétanta dispatches the dog with the hurley and ball he had at hand, driving the ball down the hound’s throat.  (In another version he smashes the hound against a standing stone.)

Feeling Culann mourn the loss of his beloved animal, Sétanta promises to raise and train a guard dog equal to the one he slew.  Until that time he also pledged to guard Culann’s home.  From that time Sétanta was known as “the hound of Cullann”, Cú Chulainn in Irish.

References
Wikipedia articles “Slieve Gullion” “Cú Chulainn” and “Conaille Muirtheimne.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

War Memorial with Sunbeams

the approach of hurricane Sandy

Some background on the World War I Memorial

October 23, 2006 was the 75th anniversary of the War Memorial, dedicate in 1932 to the memory of Cornell’s 264 casualties during World War I. The War Memorial building group is formed by the Army and Navy towers and the cloister connecting them.

The Story “War Memorial with sunbeams”

This view of the War Memorial and the west campus housing complex is across Libe Slope.

Taken late on an October Friday afternoon as hurricane Sandy approached the east coast, the view looks across Ithaca to the distant ridge of Connecticut Hill.

Click photograph for my Online Gallery “Finger Lakes Memories”

Details From Arcosanti, Paolo Solari’s Timeless Vision of a human environment

A Vision of a Human Environment

Bell – CLICK ME for more Arizona Photography.

Paolo Soleri passed away five years ago, April 9, 2013 at the age of 93.  I was fortunate to attend a University of Arizona lecture by Dr. Soleri in the 1970’s. He was at the height of his accomplishments that afternoon and for an hour we vicariously shared his vision and philosophy.  What most impressed me was Dr. Soleri’s openness and humanity.  Solari’s vision was of an architecture of a dense occupation of humanity that has a minimal environmental impact, Arcology was the term he coined for this idea.  I remembered that hour and Arcosanti, his desert village north of Phoenix since then.

Thirty years later my personal project of reconnecting to the University of Arizona brought me for the first time to Arcosanti. In that time, Dr. Soleri’s trained thousands of students and his desert village grew slowly. Arcosanti is now a vision that achieved a center while events which seemed to pass it by, actually are stones with the strength of Dr. Solari’s ideas and humanity.

Here is a sampling of architectural details from Arcosanti, a place that is real enough and quite charming.  To find the site, head north on US Route 17 in Phoenix, travel about 67 miles to Cordes Lakes and take Arcosanti Road to the site.

 

Pam Checking Her Equipment prior to our visit the summer of 2008.

Click any photograph to visit my “Arizona” online gallery.

Pam – CLICK ME for more Arizona Photography.

Entrance and a Tower of the Crafts III building

Pam – CLICK ME for more Arizona Photography.

Ceramics Apse Sand Cast Panels I

Ceramics – CLICK ME for more Arizona Photography.

Ceramics Apse Sand Cast Panels II

Ceramics – CLICK ME for more Arizona Photography.

Ceramics Apse Sand Cast Panels III

Ceramics – CLICK ME for more Arizona Photography.

Bell and Panel from the Colly Soleri Amphitheater

Bell Casting was and continues to be a major source of income.

Ceramics – CLICK ME for more Arizona Photography.

View from the East Housing complex to the East Across Arcosanti

View Across Arcosanti – CLICK ME for more Arizona Photography.

View to the South with Cypress Trees from a Portal of the Crafts III Building

Portal View – CLICK ME for more Arizona Photography.

Bench Sitting Nature Watch

a monarch in steady progress south

On a sunny autumn morning we set out, my soon to be three grandson Sam and I, to the Lime Hollow Nature Center near Cortland for an adventure.  For the first time I brought a newly purchased iPhone 7 instead of the usual slr camera.  The phone can be carried in a pocket and is simpler to us, to allow me to give full attention to Sam.

WillsSamuelJackBenchsitting20181014-1

At the start is a large, today sunlit, field with an “art trail.”  There are various anthropomorphic transformations on the trees and a very large sculpture of a blue face.  Here is a tree from another place near here, to give you an idea.

PumpkinFarmTreeFace2012

I do not point out the tree faces to Sam.  His Mom likes to say he enjoys being frightened and, when the blue face came into view, he turned back and said, “home.”  Sam was mildly anxious, so I carried him and tried to turn him up the trail away from the face.  He turned to keep an eye on it while I assured him it could not move.  This and a climb up a 230 foot hill were the only times he didn’t walk the half mile to a open grassy knoll with a bench.

WillsSamuelJackBenchsitting20181014-2

There we sat for 30 minutes, still and watching, Sam and I talked about our sightings:
1. The sunlit sky of clouds, from a milky blue towards the north to, overhead, a bright robins egg blue.
2. A circling hawk, shadow crossing over us.
3. One blue jay in a maple turning red, loudly calling over and over.
4. A little while after a second jay, landing in a tree turned yellow, drawn in and giving answer.
5. A monarch butterfly’s steady progress south. Such a strong gliding path.
6. A yellow butterfly who did not leave us, fluttering round and round.
7. Four honking Canadian geese flying north east, turned to check out a nearby pond, the returned to the original heading.
8. The sound of wind through the trees, listening to the sound made by each tree.
9. The late season golden rod, now dried gray.
10. A distant chittering red squirrel.
11. Distant peeper frogs in the swamps at the foot of the hill.

Sam did not want to leave the bench, eventually we headed on to the pond the geese checked out.

WillsSamuelJackBenchsitting20181014-3

I used the “panoramic” feature of the iPhone 7 for this shot. On the hill we were sheltered by trees and bushes from the steady northeast wind. Here, on a bench by the pond, that direction was open to the wind. The sun kept us warm. It was clear why the geese did not land, the water surface was deserted, filled only by rippling wind driven waves.

On our walk back we sat on a bench on the edge of the art trail field, the blue face out of sight. A woman, the only other person encountered, emerged from one of the trails cut from the brush, camera in hand. She was collecting images for a Cortland Historical Society publication and asked to take our photograph. “OK,”, I said and gave the story of living here for 25 years in the house on Fall Creek where my son’s family lives now. She replied, “My daughter is in San Francisco. We don’t know who will have our house when we are gone.”

Click me for “Celestial Geese with two haiku by Issa”.

Copyright 2018 Michael Stephen Wills All Rights Reserved

Wilderness Textures

Abstract Beauty of the Superstition Wilderness of Arizona

These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness.  For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders.  There is no trail.  The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.

Click Any Photograph for my Fine Art Gallery 

Reavis Creek Water and Light – CLICK ME for more abstract photography.

My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head.  The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a  Kodak dSLR body, allowing me to take crisp shots.  The tripod legs can be adjusted to precise positions for stability.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I can feel the bright afternoon desert spring sunshine in this photos.  It was after the spring floods, the flow of Reavis Creek and ample still but slow.  Gathering in pools over the rough stones of the creek bed, the water absolutely clear.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I held the shot over many minutes, capturing ever changing diffraction patterns.

We see in all these photos, not a homogenous blend of stones from a shared geology.  Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.

Click Any Photograph for my Fine Art Gallery 

Reavis Creek Water and Light – CLICK ME for more abstract photography.

This is a series of photographs of smooth, white igneous boulders with shadows of  still leafless sycamore and cottonwood trees.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Graceful shadows

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Strong, demonstrative shadows.

Click Any Photograph for my Fine Art Gallery 

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A leaning cairn, not a trail marker….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A metamorphic conglomerate stone….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Another metamorphic conglomerate.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.

Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

Indian Summer Afternoons

Each year I make a point of walking Cascadilla Gorge at least once in the fall.  This week on a 84 degree October 9th afternoon Pam was too busy with chores, I parked in “downtown” Ithaca and stopped by the grandchildren’s.  They were hanging out with Mom and were “just too tired” after school to do anything.  Well the middle child, 4 years old, was open to visiting the skate board park and ,for me, that was not going to happen.  I ambled from there, up Court Street, past the Buddhist monk residence at the entrance to Cascadilla Gorge.

The gorge is part of Cornell Botanic Gardens (until recently it was called the Plantations), the organization of the university bureaucracy responsible for elements of the campus.  Cascadilla Gorge, running from Ithaca and through the campus, is one of those elements.  Today, the traffic of people going into and out of the gorge was light and a sign provided the reason: the path was closed at Stewart Avenue, there the bridge crosses above the gorge.  Instead to passed by the Christian Scientist Church on the north side of the gorge and walk up the winding Cascadilla Park Road to the gorge rim trail that climbs East Hill to the Cornell Campus.

The trail is lined with homes, porches on the gorge side where the sounds of creek and falls can be enjoyed.  I was not feeling ambitious, so took a few snapshots with my phone.  Here is path approaches a porch build from the “bluestone”, a type of feldspathic sandstone, native to this area.

Click the photographs for my OnLine Gallery “Finger Lakes Memories.”

This pot is visible in the previous shot, here is a closer view of the bluestone.

The fall to the gorge floor is steep, several hundred feet in places.  The barrier fence here appears solid, in places it barely exists.  A few years ago a recent Cornell graduate, coming home late from a bar on this path, was found dead in the gorge the following day from a fall.  I continued along the trail until the path fork over to the Ithaca City Cemetery where it is possible to climb West Hill to Stewart Avenue.  Turn right to reach the bridge over Cascadilla Gorge, another right onto the Gorge Rim Trail and back down to Ithaca.  I noticed at the bridge part of the work that closed the gorge was a repainting of the bridge and the suicide prevention fence below the bridge.  On September 24, 15 days before, a senior year Cornell student jumped off the bridge into the fence and was rescued by the fire department.

It is possible to stand next to the concrete barrier of the above snapshot to see this view into the gorge.  I enjoy the beautiful view, the sound of the water and leave the dark stuff where it belongs, at least until I notice the bridge and net are freshly painted.

Last year Pam and I walked Cascadilla with our granddaughter, here she is on that walk next to Cascadilla Creek.  There are large and small waterfalls the length of the gorge trail.

I took this photograph in 2005, the September before my previous post, “Autumn Stroll in Sapsucker Woods” with the Kodak DSC pro slr-c, an ND filter, 50 mm lens and a tripod. It was a planned session, I work waterproof boots and was able to stand in the creek after a series of rain-free days. At this time of the year the gorge opens to the setting sun. I waited, taking a series of photographs for the perfect amount of light on the footbridge. The feature photograph (the header to this posting) is a detail from a shot with the bridge more fully lit.

We have this photograph print framed, I had it mounted as a gift to Pam on our first Valentine’s day. It will make an excellent Christmas or Birthday gift.

Click the photograph for this offering in my OnLine Gallery “Finger Lakes Memories”
“September Sunset in Cascadilla Gorge”

Autumn Stroll in Sapsucker Woods

a meditaton

On Halloween morning 2004 I set out with a camera upgrade purchased spring of that year, a Sony “Cyber Shot, DSC-F828” with an inexpensive tripod. My photograph “Autumn Stroll in Sapsucker Woods”, the feature photograph and below, achieved prizes with the Photographic Society of American and a few sales of self-produced prints. It was an early success.

Click any photograph to visit my Online Gallery “Finger Lakes Memories.”

It is available on my Finger Lakes Memories online gallery where I provide recommendations for sizing, the best print medium with ideas for frame and matt.

The fall of 2005 I invested in a Kodak DCS Pro dslr-c and a Canon EF 50mm f/1.4 USM lens.  October 30, 2005, one day short of the 2004 Halloween shoot, found me driving down Fall Creek Road on a mission of revisiting Sapsucker Woods to possibly improve upon my offerings.

Over the years, travelling Fall Creek Road on my daily commute, I admired this well formed maple next to a farm field.  At 6:45 am the sun was about this rise, the frost limned grass not yet burned off.  This tree turned a bright yellow, here a green-yellow and dull.  The form of the tree is perfect.  I was never able to catch this at the right moment, it is still there and maybe I can time it this year during a pick-up of my grandson.  If I do, my intention is to climb the fence and use the 24 mm lens to capture the tree and shed with less sky (unless there are some dramatic clouds).  That day, I needed to make time for Sapsucker woods.

On site, thirty minutes later, as the leaves of the Fall Creek Road maple predicted, Sapsucker Woods foliage is behind last year’s by a week or so.  In “Autumn Stroll in Sapsucker Woods” the over story leaves have fallen and the understory is at peak.  Here, I believe the overstory is gone, the understory leaves are yellow-green.

I carefully choose the sites and this one is a risen walk of boards.  In the nine years since, the walk as deteriorated and this scene will be different, possibly.

This is a match for the 2004 photograph as far as the camera position.  What I enjoy from the 2004 version, aside from the foliage, are the details of the fallen leaves taking up the foreground, a carpet filling the field to lead the eye up through the trees, path fading from view to the right.

This effect is not possible on the boardwalk, above.  With the fixed focus 50 mm lens it might be possible with effort.  Today, the 24 mm is my first choice to capture this effect.

Here we can see the leaf carpet is possible, if the f-stop is higher to allow a crisp focus.  In this scene it is f2 because I happened upon a buck in a daze.  He was just standing there as I headed back to the car.  I did not risk changing out lenses to the telephoto, so I moved forward slowly.

The best I did was this rear view as he looked backward.  Lack of flexibility is a draw back of a fixed-focus lens.

In 2004 my day concluded with Robert Treman State Park.  In 2005 the 50 mm fixed focus with a ND filter and tripod was in its element.  The sun is higher and overcast, one background tree is a peak foliage.  The moderate water flow and stair complete the effect.  This was my best work of that day.  I need to get this up on the “Finger Lakes Memories” gallery.

Other postings of interest. Click the link to go there.

“Last Sunlight” — the Gorge Waterfall

“Autumn Evening Hike Part 1 of 3”

 

Copyright 2018 Michael Stephen Wills All Rights Reserved