Red Near and Far

Yesterday, Pam and I headed to the peneplane behind our home to enjoy the Finger Lakes terrain graced by fall colors.  The day before I noticed the Japanese Maple leaves had turned from maroon to vermillion.  While waiting for Pam to get ready, I capture the following two shots.

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This tree was planted by my father and mother in-laws.  Developed over the centuries by the Japanese, specimens reached England in the 1820 and spread from there.  It is not strictly accurate to call the color vermillion, since cinnabar finely ground produces the pigment for which the color is named, when the sun strikes the leaves vermillion is a metaphor for the impression made.

The scientific name for these trees is Acer palmatum with common names Palmate Maple (for the shape of the leaves “like a palm tree”, as for the scientific name), Japanese Maple or Smooth Japanese-Maple (for the bark).

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We drove under the clouds, enjoying the rare dramatic shafts of sunlight and I gave up, finally, tying to time my shots.  Here is the view from Connecticut Hill.

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The previous photos were taken with a hand held Sony Alpha 700 with variable lens.  The next two are with an Apple iPhone I had a hand when Pam and I returned home for a walk around the neighborhood to witness the transformations.

We were surprised by this orange maple, never recalling this shade before.  Like our Japanese Maple were assume it is a non-native ornamental.

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Our Japanese Maple is a challenge to capture photographically as it grows beneath a larger “nut” (don’t recall the kind at the moment) tree.  We are working together to improve that, so I don’t have an overall photograph.

Here is our neighbor’s Japanese Maple.  They have a story of carrying this tree, as a sapling, on the bus from Long Island.   I love the impression of dark limbs among the clouds of red foliage. 

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This photograph (the “far” of the “near and far”) is from a remote corner of Chiricahua National Monument, during the trip mentioned in my post, “History and Ghosts of the Triangle T Ranch”.  To get there, I drove over a mountain pass to a location was featured in an “Arizona Highways” I read long ago.

I call this photograph “Red Dragon,” the formation is known as a “maple ”

dragon”, from the long sinuous form of the tree limb.  Known for this reddish orange autumn color, this is a Big Tooth Maple, AKA Canyon Maple.  Scientific Name Acer grandidentatum (as in “big tooth”).  It is a wild specimen, living along the north fork of Cave Creek.  It is a area well know to avid bird watchers and ornithologists.

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The camera was my Kodak, DSC slr-c with a Canon 50 mm lens mounted on a tripod.

Copyright 2018 All Rights Reserved Michael Stephen Wills

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The Haw in Hawthorn

I originally published these blossoms as “wild  rose”.  It was my Facebook friends who pointed  out these are hawthorn flowers.  The key to identification was the shape of the leaves.

Hawthorne Blossoms on the former McArdle Home
Blossoms of Hawthorne taken on the site of the former McCardle Home, Proleek Townland, County Louth, Ireland.

In correcting my mistake, I learned the young leaves of Hawthorn are excellent for salads.  Wonder how the fairy folk, associated with single hawthorns (as in the following photograph from the Hill of Tara), react to picking leaves from their trees?  I didn’t hear of the practice during our time in Ireland.

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Speaking Stone Hill of Tara
View northwest from Hill of Tara looking across County Meath with views of Counties Westmeath and Cavan. On the horizon, right, is Hag’s Mountain, (Irish: Sliabh na Caillí) , site of the Loughcrew Cairns. The standing stone is the “Stone of Destiny: (Irish: Lia Fáil), which served in coronation the coronation of the High Kings of Ireland. It stands on the Inauguration Mound (Irish: an Forrad) of Tara. This photograph was taken the morning of May 27, 2014 hours before the stone was vandalized, doused with green and red paint.

My mistake was understandable, in botany the hawthorn is in the same family as the rose.  The flowers are similar, having five petals.  The “haw” in hawthorn is from the Old English word for hedge, as is this linear standoff the tree lining the way up to the Loughcrew Cairns.

Path on Hag's Mountain, Loughcrew
Reaching highest point of County Meath, Ireland means a steep path, not too long, to glorious views on all points plus Lough Craobh (Lake of the Branches).

I read these votive offerings are made at Beltane, in which case these are fresh from placement May 1.

Hawthorn Tree with Offerings
A hawthorn tree in bloom on May 27, 2016. Growing on the slope of Hag’s Mountain

The following year Pam underwent double total knee replacements, never the less, she was great company for all our adventures on the island.  Even this steep climb.

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Pam and the Offering Hawthorn
The steep path to Loughcrew passes a hawthorn covered with flowers and May offerings.

These views were our reward for reaching the top.

Loughcrew View, North by Northwest
View from Loughcrew Cairns, “Hags Mountain”

The Emerald Isle, we fully understood this name.

Standing Stone, Loughcrew
Loughcrew Megalithic Site, County Meath, Ireland. A solitary standing stone below the trail to the Loughcrew site surrounded by whin bush (gorse) and hawthorn hedge rows. A fieldstone fence, farmhouses, a patchwork quilt of fields completes the view.

The Greek name for the Hawthorn species is formed from two words meaning “strength” and “sharp”, referring to the thorny branches.

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Charlemagne of County Cork
For County Cork we stayed with Marantha House B&B.   Our day of arrival, that evening, I visited Charlemagne and fed him an apple, saved from dinner. We learned from our hosts, Olwen and Douglas Venn, he is a retired show horse they rescued. The following morning I visited Charlemagne again with an apple and my camera. As I walked up, starting from the far end of his field, Charlemagne rewarded me with a series of astounding poses, trotting toward me in fine form. The morning mists, hawthorn in bloom, distant hills came together for this memory.

We marveled at the hawthorn hedges in field after field.  I first notice them from the World Heritage Site, Newgrange (Brú na Bóinne, “Palace of the Boyne”).  Here is one on the Dingle Peninsula, on the other side of the island.

Field of Yellow Iris Flowers, Dingle Peninsula
A roadside field of yellow Iris flowers with flowering Hawthorn and Whin Bush in the windbreaks. Looking northwest toward Killeenagh and Caherpierce on the R561 between Lack West and Inch. Dingle Peninsula, County Kerry, Ireland.

Another Ireland post of interest, “Proleek, Grandfather McCardle’s home.”

War Memorial with Sunbeams

the approach of hurricane Sandy

Some background on the World War I Memorial

October 23, 2006 was the 75th anniversary of the War Memorial, dedicate in 1932 to the memory of Cornell’s 264 casualties during World War I. The War Memorial building group is formed by the Army and Navy towers and the cloister connecting them.

The Story “War Memorial with sunbeams”

This view of the War Memorial and the west campus housing complex is across Libe Slope.

Taken late on an October Friday afternoon as hurricane Sandy approached the east coast, the view looks across Ithaca to the distant ridge of Connecticut Hill.

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Bench Sitting Nature Watch

a monarch in steady progress south

On a sunny autumn morning we set out, my soon to be three grandson Sam and I, to the Lime Hollow Nature Center near Cortland for an adventure.  For the first time I brought a newly purchased iPhone 7 instead of the usual slr camera.  The phone can be carried in a pocket and is simpler to us, to allow me to give full attention to Sam.

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At the start is a large, today sunlit, field with an “art trail.”  There are various anthropomorphic transformations on the trees and a very large sculpture of a blue face.  Here is a tree from another place near here, to give you an idea.

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I do not point out the tree faces to Sam.  His Mom likes to say he enjoys being frightened and, when the blue face came into view, he turned back and said, “home.”  Sam was mildly anxious, so I carried him and tried to turn him up the trail away from the face.  He turned to keep an eye on it while I assured him it could not move.  This and a climb up a 230 foot hill were the only times he didn’t walk the half mile to a open grassy knoll with a bench.

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There we sat for 30 minutes, still and watching, Sam and I talked about our sightings:
1. The sunlit sky of clouds, from a milky blue towards the north to, overhead, a bright robins egg blue.
2. A circling hawk, shadow crossing over us.
3. One blue jay in a maple turning red, loudly calling over and over.
4. A little while after a second jay, landing in a tree turned yellow, drawn in and giving answer.
5. A monarch butterfly’s steady progress south. Such a strong gliding path.
6. A yellow butterfly who did not leave us, fluttering round and round.
7. Four honking Canadian geese flying north east, turned to check out a nearby pond, the returned to the original heading.
8. The sound of wind through the trees, listening to the sound made by each tree.
9. The late season golden rod, now dried gray.
10. A distant chittering red squirrel.
11. Distant peeper frogs in the swamps at the foot of the hill.

Sam did not want to leave the bench, eventually we headed on to the pond the geese checked out.

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I used the “panoramic” feature of the iPhone 7 for this shot. On the hill we were sheltered by trees and bushes from the steady northeast wind. Here, on a bench by the pond, that direction was open to the wind. The sun kept us warm. It was clear why the geese did not land, the water surface was deserted, filled only by rippling wind driven waves.

On our walk back we sat on a bench on the edge of the art trail field, the blue face out of sight. A woman, the only other person encountered, emerged from one of the trails cut from the brush, camera in hand. She was collecting images for a Cortland Historical Society publication and asked to take our photograph. “OK,”, I said and gave the story of living here for 25 years in the house on Fall Creek where my son’s family lives now. She replied, “My daughter is in San Francisco. We don’t know who will have our house when we are gone.”

Click me for “Celestial Geese with two haiku by Issa”.

Copyright 2018 Michael Stephen Wills All Rights Reserved

Wilderness Textures

Abstract Beauty of the Superstition Wilderness of Arizona

These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness.  For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders.  There is no trail.  The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.

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Reavis Creek Water and Light – CLICK ME for more abstract photography.

My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head.  The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a  Kodak dSLR body, allowing me to take crisp shots.  The tripod legs can be adjusted to precise positions for stability.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I can feel the bright afternoon desert spring sunshine in this photos.  It was after the spring floods, the flow of Reavis Creek and ample still but slow.  Gathering in pools over the rough stones of the creek bed, the water absolutely clear.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I held the shot over many minutes, capturing ever changing diffraction patterns.

We see in all these photos, not a homogenous blend of stones from a shared geology.  Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.

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Reavis Creek Water and Light – CLICK ME for more abstract photography.

This is a series of photographs of smooth, white igneous boulders with shadows of  still leafless sycamore and cottonwood trees.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Graceful shadows

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Strong, demonstrative shadows.

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Reavis Creek Water and Light – CLICK ME for more abstract photography.

A leaning cairn, not a trail marker….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A metamorphic conglomerate stone….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Another metamorphic conglomerate.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

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Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

Autumn Stroll in Sapsucker Woods

a meditaton

On Halloween morning 2004 I set out with a camera upgrade purchased spring of that year, a Sony “Cyber Shot, DSC-F828” with an inexpensive tripod. My photograph “Autumn Stroll in Sapsucker Woods”, the feature photograph and below, achieved prizes with the Photographic Society of American and a few sales of self-produced prints. It was an early success.

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It is available on my Finger Lakes Memories online gallery where I provide recommendations for sizing, the best print medium with ideas for frame and matt.

The fall of 2005 I invested in a Kodak DCS Pro dslr-c and a Canon EF 50mm f/1.4 USM lens.  October 30, 2005, one day short of the 2004 Halloween shoot, found me driving down Fall Creek Road on a mission of revisiting Sapsucker Woods to possibly improve upon my offerings.

Over the years, travelling Fall Creek Road on my daily commute, I admired this well formed maple next to a farm field.  At 6:45 am the sun was about this rise, the frost limned grass not yet burned off.  This tree turned a bright yellow, here a green-yellow and dull.  The form of the tree is perfect.  I was never able to catch this at the right moment, it is still there and maybe I can time it this year during a pick-up of my grandson.  If I do, my intention is to climb the fence and use the 24 mm lens to capture the tree and shed with less sky (unless there are some dramatic clouds).  That day, I needed to make time for Sapsucker woods.

On site, thirty minutes later, as the leaves of the Fall Creek Road maple predicted, Sapsucker Woods foliage is behind last year’s by a week or so.  In “Autumn Stroll in Sapsucker Woods” the over story leaves have fallen and the understory is at peak.  Here, I believe the overstory is gone, the understory leaves are yellow-green.

I carefully choose the sites and this one is a risen walk of boards.  In the nine years since, the walk as deteriorated and this scene will be different, possibly.

This is a match for the 2004 photograph as far as the camera position.  What I enjoy from the 2004 version, aside from the foliage, are the details of the fallen leaves taking up the foreground, a carpet filling the field to lead the eye up through the trees, path fading from view to the right.

This effect is not possible on the boardwalk, above.  With the fixed focus 50 mm lens it might be possible with effort.  Today, the 24 mm is my first choice to capture this effect.

Here we can see the leaf carpet is possible, if the f-stop is higher to allow a crisp focus.  In this scene it is f2 because I happened upon a buck in a daze.  He was just standing there as I headed back to the car.  I did not risk changing out lenses to the telephoto, so I moved forward slowly.

The best I did was this rear view as he looked backward.  Lack of flexibility is a draw back of a fixed-focus lens.

In 2004 my day concluded with Robert Treman State Park.  In 2005 the 50 mm fixed focus with a ND filter and tripod was in its element.  The sun is higher and overcast, one background tree is a peak foliage.  The moderate water flow and stair complete the effect.  This was my best work of that day.  I need to get this up on the “Finger Lakes Memories” gallery.

Other postings of interest. Click the link to go there.

“Last Sunlight” — the Gorge Waterfall

“Autumn Evening Hike Part 1 of 3”

 

Copyright 2018 Michael Stephen Wills All Rights Reserved

Antique Silo Apple Harvest

A Bumper Apple Crop

More from the day Pam and I walked up the hill from our Malloryville Mill House.

The setting sun works its magic on a century plus maple tree on an esker bank.  The glaciers deposited this esker, under the tree, when waters from the melting flowed under the ice to carve a tunnel later filled with glacier debris.

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The light brings out the beauty of two this pair of silos from the early 20th century abutting an abandoned barn and active cornfields.

Pam is using my first camera, a Sony Mavica.  It writes to a 4.5″ disk that limits the number of exposures and I carried a number of the disks.  It has a decent variable lens.  We still have that camera.  These photos are from my Sony dslr Apha700 with a variable lens.

At that time, our three apple trees gave a bountiful harvest.  We spent two days making and canning apple sauce.  For some batches we’d grind in blackberries or concord grapes.  We enjoyed the work over the next year.  Our grandchildren loved that stuff.

These apples hung from a tree of the farm house next to the abandoned barn.  A young family lived there, their toddler daughter recognized us from other walks and came over for a “hello”.

Other postings this Harvest View evening.  Click the link to go there.

“Celestial Geese”

“Harvest Views”

Copyright 2018 Michael Stephen Wills All Rights Reserved