My third wilderness evening was unlike the others. I rested with an unhurried exploration of the camp area. Underfoot was a scatter of dry oak leaves, acorns on hardened desert soil not much softer than the numerous lichen encrusted boulders, all of which formed a bench above Pine Creek.
Pumping a gallon of drinking water though the ceramic filter takes more time than meal preparation. The four gallons I packed up were almost used and I enjoyed the luxury of pumping two days supply, 3 gallons in all and planned to down a quart or two of “gator aid” before dinner with the luxurious enjoyment of a flowing Pine Creek for company.
Pine Creek is the most common type for Arizona, recurring. To recur means to happen periodically or repeatedly and, for streams, this means for part of the year no water flows. For these days the flow was low, the water clear, what was left from the plentiful winter rains of 2004/2005.
The wind gently rustled the manzanita and the sun just above the western cliffs as I settled on a boulder to enjoy a quart of fluid. I mulled over my next steps.
Initially, the plan was to walk across the Superstition Wilderness, starting on the remote eastern end and emerging on the populated west side, in the Lost Dutchman State Park. My sister expected me there on day 10, but today was the end of day three. I didn’t know at that time the climb on my second day was the steepest of the wilderness and the way forward was much, much easier.
Before a decision could be reach, my thoughts were broken by a different sound from the manzanita: several horses approaching on the trail.
Compare these Arizona Sycamores with the struggling specimen from the last chapter, “A Peaceful Day at Pine Creek.” Many Sycamores such as this one flourish along Reavis Creek, a perennial stream of the eastern Superstition Wilderness. The drainage that feeds Pine Creek is far less acreage than that of Reavis Creek and, when the Pine Creek flow fades in the driest seasons, plants go into survival mode and halt growth and may even slough off limbs to conserve water.
These Sycamores grace a stream that seldom stops flowing, even in the driest of seasons. I had the good fortune to visit the Reavis valley of the Superstition Wilderness in November 2007, when these trees were at peak autumn foliage.
The tree requires a supply of water to thrive. This specimen demonstrates the species growth habit growing multiple trunks with a shape driven by water availability and the environmental context. The multiple trunks may be a desert survival mechanism. In dry periods a trunk or trunks are sloughed off to reduce moisture loss. This is why the Sycamore of “A Peaceful Day at Pine Creek” has a single trunk.”
To encounter a riparian space of the Arizona desert is a revelation, to progress from Sonoran desert spaces assailed by the breath of dry wind, to see the first signs of water in the distance as a welcome fluttering of leaves, to feel a welcome odor of water.
Yes, the first effect of a riparian space on the senses is the smell of water. Let’s finish this post with limbs of the Reavis Creek Arizona Sycamore reaching for the sky.
The spring gales persisted through my late afternoon arrival in Pine Creek, into the night and next morning. Protected from the west wind by the rising land, the tent was not buffeted like I described in the chapter “A Dry Piece of Paradise.” The song of soughing pines was my last impression of the evening and the first of the next morning.
Where the Arizona trail crosses, Pine Creek flows at 4,600 foot elevation through a canyon of broadly sloping sides. The flow originates at the foot of Mound Mountain to the southwest, at 6,253 feet the highest elevation in the Superstitions. There are 5,500 foot peaks to the east and west. The land falls away to the north giving great views of the Four Peaks Wilderness.
I chose a flat site to camp above the creek among Arizona White Oak, Arizona Sycamore, Ponderosa Pine and Manzanita. Of these, it’s Manzanita fruit for which the bears come in the summer. Manzanita thickets made approach to the camp site difficult from all directions but the path. Bear sign was thick among this growth. Go to my chapter, “Racing the Sun,” to see the red barked Manzanita and pink blossoms from which grow tiny green fruits that ripen summertime into a bright red, like tiny apples. Indians used this bland tasting fruit containing five hard seeds for food and a cider beverage.
Well before dawn I grabbed warm clothes, hat, camera to head out for a full day of leisure.
On a shallow rise above Pine Creek I took the two shots of agave (Century Plant) stalks in dawn light. These start the chapter, “A Dry Piece of Paradise.” One dry agave flower is to the left in this North view, looking down the creek not far from the creek crossing.
Click any photograph for a larger view
In the photograph notice how the canyon narrows as the creek flows north, the walls rising above it for hundreds of feet.
When I climbed about 200 feet above the creek to a ledge that provided great views, the protective canyon walls fell away and wind gusts threatened to up end the light tripod. It was necessary to anchor it with the daypack and I tied down my hat as well.
Shadows of night lie below, dominated by Four Peaks Wilderness. A unique long flat ridge is behind the near dramatic ridge above Pine Creek. This view leads me to daydreams. The long ridge is clearly visible in two photographs titled “Nameless Canyon in the Dawn” and “Nameless Canyon Morning” of my post “A Dry Piece of Paradise.” A view from the west is available in my post “Racing the Sun.” Look at the photograph captioned, “Overview of my path to the Nameless Canyon behind Two Bar Mountain,” the flat ridge is just above the shadow of Castle Dome. The view from that spot must be incredible across the lower Reavis Creek valley. From here it is a day trip 4+ mile roundtrip bushwhack over the cliffs above Pine Creek.
Those evergreens in the following photograph are Oneseed Juniper (“Shagbark Juniper”) of the three species common to the Superstitions, this has this spherical, bushy appearance. Here the elevation is just high enough for junipers because there are none down below. The trail crosses Pine Creek to ascend the lower slopes of these red cliffs, following it around to the west and over to the next valley, Reavis Ranch, a distance of 3.5 miles. In my “Two Meetings” blog is a sweeping view of Pine Creek Canyon, from the southern approach.
For most people a 400+ foot climb over these steep cliffs is impossible. Fortunately, a saddle to the right of this photograph is a possible route.
The saddle is 100 feet lower without cliffs. Still, this entrance to remote, fascinating locations is a steep 300+ climb.
“The Searcher” arrived around this time riding the buckskin gelding and leading a pinto. He saw me and my camera equipment and stopped for a chat. His plan was to follow the trail I came up yesterday to find a rumored camp with good water. The howling wind made conversation difficult. I wondered where his camp of last night was located, since there was no sign of him. Before I could ask, his cowboy hat flew away with a wind gust. He hopped off the gelding, “That’s my best beaver hat.” After a quick brush and tie-down they were off.
Heading back down to the creek, here is a macro of lichen that covered the crumbling surfaces of boulders that littered the slope.
During the previous night fresh primrose blossoms opened, this one flourishing in the earth of a south facing slope. There is a reddish spent blossom at lower left. The soil here formed over eons by the action of the creek water, atmosphere and plant life. I have more about the Primrose and these yellow flowers in the background in my “Two Meetings” blog.
Turn left (up stream) where the Arizona Trail crosses Pine Creek and jump boulder to boulder for a hundred feet or so and you come to this view. The creek bank, covered by vegetation, rises on both sides and makes it difficult to leave the creek. Those are Arizona White Oak leaves floating along the large foreground boulder.
This is a very young Arizona White Oak, common species growing along the creek. The leaves are not what you’d expect from an oak, being 2 – 3 inches long in the shape of a lance blade and without obvious lobes Mature Arizona White Oak has a rough bark and, at most, 24 inch trunks.
There are better examples of grand Arizona Sycamores along the perennial Reavis Creek. Pine Creek does not flow in the driest seasons, this tree sloughed its branches in order to survive. You can see from the many young Sycamores in the Pine Creek Pool photograph the previous photo the sycamores are successful in this environment.
I spent some time with this Sycamore, capturing abstract patters of the bark.
The abundance of Ponderosa Pines here demonstrate the species thrives at this altitude and dry environment. This specimen grows on the creek bank. Those are shrubby Arizona Oaks around the trunk.
Abstract patterns in the bark of this Ponderosa. The popular and scientific name (Pinus ponderosa) for this species is from the dense weight of the wood.
The tree is over 100 feet tall. I patched together four shots for this view.
In the afternoon I explored the Arizona Trail to Reavis Ranch. It crosses the creek to ascend the cliff in broad switchbacks. Eventually it follows a contour below a cliff with fine views of Pine Creek Canyon. I turned back to leave the hike to Reavis Ranch for another day.
The many names for this plant are reflective of how wide spread it is. Called Arisaema triphyllum (scientific name), jack-in-the-pulpit, bog onion, brown dragon, Indian turnip, American wake robin, or wild turnip this secretive plant flourishes in moist soils across eastern North America, everywhere north to south. I say “secretive” because the varieties I am familiar with hide the flower under the leaves, three of them growing from a stalk.
Those of you who know Georgia O’Keefe may be familiar with the form and coloring of Jack-in-the-pulpit from the series of six oil canvasses from 1930, her time in the east living near a spring. There is a spathe, the pulpit, strongly colored in dramatic vertical, flowing stripes, wrapped around a spandix, the “jack”, being a stem covered with male and female flowers.
Around the time my photography habit started in 2002 I was surprised by the jacks growing from the walls of Fillmore Glen, spying the distinctive forms flowing a bit above eye level under the three large leaves. Seeing them was like recognizing a friend in Halloween disguise, the exotic O’Keefe shapes in a known place.
From this gift, an awareness of the possibility lead me to recognize “jacks” in many other places. I have yet to exhaust the possibilities.
2015 I acquired a Canon EF 70-300mm f/4-5.6 L IS USM lens for our cruise around South American. It proved very useful for an unending combination of situations. Here, it allowed me to frame this specimen, the former covering of three leaves now sere brown and collapsed, the berries revealed in startling clarity among evergreen ferns, Christmas red and green. The strangely named Dry Creek, the driving force of Fillmore Glen, flowing below this humus layered shelf moist with a constant flow from the gorge walls.
The park trails make for a pleasant choice at the start of each excursion. This day, Pam and I visited Cowshed Falls at the foot of the glen, climbed the north rim trail to walk among the hemlocks, listening the leisurely calls of Hermit Thrust like breaking crystal. The time of mushrooms was past in late September, instead we enjoyed the Indian Summer sun and breeze safe in knowing it will not last.
“Jacks” are part of the known lore of the Native American woodland tribes. These berries are poisonous, so beware of handing them. Wikipedia tells me a ploy was to mix the berry juice with meat to leave for enemies. Hidden by the meat flavor, the heartily enjoyed poison lead to death. The plant grows from a thick root, a corm. Correctly dried and prepared, the corm is food. I can imaging these plants an entities haunting the forest, choosing to reveal themselves, or not, to knowing souls. Maybe this is was drew O’Keefe to these woodland shapes growing around the springs of her summer homes. Leisure and an open, wandering glance are important, anyway, for noticing them. Most strangers wander by, engrossed in conversations, memories, evanescent distractions.
Trundled along within our bubble, the Mercedes tour bus proceeded up Avenue Montt when Ricardo pointed out this statue for ridicule. A depiction of the Chilean national bird, the Condor, porteños derisively call it “The Chicken,” and in truth the wing span is undersized. From the vantage of the above photograph, the statue form does capture an impression of soaring among the hills of Valparaiso. Keep in mind, beyond those hills is Aconcagua, the highest mountain of the western hemisphere, home to Condors.
A reason for writing multiple Varparaiso “connection” posts is to better understand the jumbled impressions from that day. In a previous post I coined the term Varparasians for natives of the city. I found in researching this post the residents, as for Buenos Aires, call themselves porteños (people of the port). This cast iron statue speaks to the contributions of French immigrants to the city and nation.
Here the view is south towards (what I believe is) Cerro Florida (Florida Hill). France Avenue continues, beyond the monument, following a steep and winding path up the hills, at the crest intersecting with German Avenue. Adjacent, on the right, is Park Italia where we’ll visit in part VI. Above a cast iron basin, at each corner of the commemorative column base is a female mask, above them a gold band inscribed (from the) “The French of Valparaiso” with 1810 – 1910 to denote the centennial. A condor with outspread wings surmounts the column.
The artist, Nicanor Plaza, born in Santiago, Chile was living in Florence, Italy at the time of this commission. He was a natural choice for the commission. Trained in Chile and Paris, Plaza taught for the Academy of Fine Arts of Santiago. It is of cast iron, produced by the French company Val Osne, an art foundry dating back to 1835. The owner, Jean Pierre Andre Victor, invented a cast iron ornamental technique originally used to produce street furniture.
From 1854 to 1895 immigration from France burgeoned, from a country total of 1,654 to 8,266. This cohort is credited with developing the vineyards of the Central Valley, still famous today. The Chilean president Augusto Pinochet descended on his father’s side from an 18th-century French Breton immigrant from Lamballe and his mother was a descendant from 17th century immigrants, partially Basque. Pinochet’s legacy can only be attributed to himself and the ruling Junta. What is of concern is (1) Pinochet was protected against prosecution throughout his life. (2) The same people who protected him still hold power. A case in point is the Esmeralda, still in service.
I took this photograph at dawn from our stateroom balcony, it is the Esmeralda, a four-masted top sail schooner, from Spain, christened May 12, 1953. From 1973 to 1980 it was a floating torture chamber where up to 100 persons were subjected to hideous treatment by the Pinochet regime. Protests erupt wherever it docks in a foreign port yet it remains in service. A relatively small part of the puzzle, yet it serves as an unacknowledged monument to the failure of Chile’s ruling elite to come to terms with the recent past.
To end on a positive note, there is the memory of the more than 10,000 Chilean citizens of French ancestry who joined the Free French Forces in the fight against the Nazi occupation of France in World War II.