A Ride to Reavis Ranch

Some history and exploration

….continued from the chapter “Desert Luxuries”

After hitching the saddled buckskin, named “Nugget,” and lightly packed pinto to trees beside the trail, The Searcher climbed up to my camp for a visit. I started water for tea and soon we were chatting. Right from the start The Searcher asked for privacy. Devoted to searching the Superstitions for the gold of the “Lost Dutchman Mine,” he organized his expeditions from a staging point near Phoenix and spent nearly sixty days each year in the wilderness. Part of his preparation was a desert survival course provided by the Reavis Mountain School, conducted by Peter Bigfoot.

An Invitation from The Searcher

The Searcher described a place near Pine Creek, he called it “Circlestone,” a large, almost perfect circle of precisely fitted stone walls, on the slopes of Mound Mountain above the headwaters of Pine Creek. My sister, Diane, and I found Circlestone on backpack expeditions March and November 2006. WThe site exceeded our expectations, the walls appeared less built than patiently persuaded from the mountain itself.

Here is a panorama from March 2006, southwest from the forests of juniper and pinion on the slopes of Mound Mountain.. The southern tip of Reavis Valley is to the right, from there Arizona Trail lead to White Mountain in the distance. It was taken on a later trip, in November of 2006 when my sister, Diane, and I visited Circlestone.

Click any photograph for a larger image.

The Searcher also told of Elisha Marcus Reavis, who settled the Valley west of Pine Creek in 1874. At one point, a band of Apaches planned to kill Reavis, but were respectful of his reputation as a rifle shot. They were waiting him out across from the his dugout, when Reavis stripped naked and, with wild hair and a flaming red beard, charged their camp, knives in both hands. The Apaches rode off, wary of his insane behavior, and never bothered him again.

We talked about my prospects and plans when The Searcher offered to take me to the Reavis Valley the next day, on horseback. There is a large apple orchard there and, this being April, we’d be treated to masses of apple blossoms. The day after Reavis Ranch, I could pack out with him down the Arizona Trail, past the Reavis Mountain School, over Campaign Creek and drive back to the Lost Dutchman Park. I readily agreed.

To Reavis Ranch on Horseback

The following morning rose slowly from colorless darkness, accompanied by thin birdsong and the whitening glow of high clouds. When the Searcher arrived around 8 am he was leading the pinto, introduced as Colorado, equipped with a western saddle instead of a pack. As an absolute novice trail rider, I rode while The Searcher held Colorado’s lead rope. The reins were wrapped around the saddle horn, leaving me to hang on and enjoy the view and the swishing tail of Nugget, the buckskin.

The 2.5 mile trail to Reavis from Pine Creek is typical of the eastern Superstitions, minimally improved, dramatically uneven, littered with boulders polished smooth by decades of hooves, floodwater, and erosion. From Pine Creek there’s a climb of a 631 feet to a 5,278 foot elevation, where the trail meanders beneath a dramatic red cliff with a view of the pinyon/juniper forests on the slopes of Mound Mountain. As he picked our way, The Searcher pointed out the sights. “Circlestone is somewhere over there, a ring of stones overgrown with Alligator Juniper.” I could do little more than observe; photography was entirely out of the question. The trail twisted around the mountain like a dry stream remembering water.

A cliff along the trail to Reavis Ranch offered the ledges and shadowed cover preferred by cougars. In daylight it posed little danger to mounted riders, and attacks against horses were rare. In all our years in Arizona, neither of us had seen more than the tip of a tail slipping behind brush.

This had been a lush April after a wet winter, and small game was plentiful. Only a sick cat would have been desperate enough to stalk horses. The darker possibility—a cougar infected with rabies after encountering a diseased animal at a water source—was a thought neither of us lingered on for long.

Eventually, the path descended steeply to Reavis Creek, the valley floor and intersected with the Reavis Ranch trail. Heading south the Reavis Ranch trail passes the site of a long abandoned ranch. What remained of the adobe and stone ranch house stood on a level bench overlooking what had once been the corral and a broad open meadow.

Open field at near the juncture of the trail from Pine Creek with the Reavis Ranch trail.

Apple trees in bloom sween from the former site of the ranch house. There used to be a pond near this spot. With a little imagination, the trail from Pine Creek can be seen on the far ridge.

Reavis Ranch Trail, foreground, traverses the valley length north to south. The Arizona Trail from Pine Creek following below the red rock cliffs in the distance.

The US Forest Service razed the building after it “burned to the ground” Thanksgiving 1991. I would not call what is left “a foundation,” it is a platform where the house stood. In the photograph, the surviving tiles still suggest the modest warmth of a lived-in home. I’ve seen old photographs of the structure with a large pond to the left of this view, a door and simple porch face east and the pond used to hold irrigation water. The leveled ruin possessed the melancholy geometry of abandoned human hope.

Turning from the ruin, another structure came into view. Built into the western slope above the valley floor was a hexagonal adobe foundation overlooking the remains of the ranch house across the trail.

My interpretation rests partly on the surrounding terrain. South of the structure runs the shallow trace of an excavated canal, suggesting that water from upper Reavis Creek—or one of its tributaries—was diverted into a catchment basin before being stored or directed toward irrigation.

Whatever its exact purpose, the site commands sweeping views of the central valley and is a beautiful place to watch evening settle over the orchard.

Turning from the ruin, another structure came into view. Built into the western slope above the valley floor was a hexagonal adobe foundation overlooking the remains of the ranch house across the trail.

The Searcher led me to a place a few hundred yards south, in a narrowing of the valley, where he let Colorado and Nugget roam free. The horses appreciated the level, open spaces and I enjoyed the Ponderosa pines on the west valley slope. We sat on the smooth trunks of fallen trees, 4 feet in diameter, near Reavis Creek.

Colorado took this opportunity to bolt, headed south. We took off after him into and through a thicket of locust trees where The Searcher cornered Colorado to regain control. “He was abused by a previous owner and can be difficult at times” was how The Searcher put it.

We were close to the end of Reavis Valley where Reavis Creek originates from the drainage of White Mountain, to the west.

We headed north here, back to the ranch house site, to the lush new grass of the apple orchard.

Nugget in Horse Heaven

Nugget grazed, tethered with plenty of slack, with the calm assurance of an animal that knew it had arrived in horse heaven. This photograph of the pair shows their personalities, Colorado edgy, Nugget content to feast while the grass is available. The orchard grass rolled in waves around their legs like green water beneath anchored boats.

Colorado on the alert while Nugget grazes, typical of their personalities.

Click me for the next post for photographs and more history of this Apple Orchard in the Superstition Wilderness.

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Copyright 2026 All Rights Reserved Michael Stephen Wills

Discover Cushendun: A Coastal Gem in Northern Ireland

Cushendun (from Irish: Cois Abhann Doinne, meaning “foot of the River Dun”) is a small coastal village in County Antrim, Northern Ireland. It sits off the A2 coast road between Cushendall and Ballycastle.

It has a sheltered harbor and lies at the mouth of the River Dun and Glendun, one of the nine Glens of Antrim. The Mull of Kintyre in Scotland is only about 15 miles away across the North Channel and can be seen easily on clear days.

In the 2001 Census it had a population of 138 people. Cushendun is part of Causeway Coast and Glens district.

SONY DSC

Here are several of the information placards near the harbor explaining some local history.

Ballyteerin townland, where Shane O’Neill was killed, is on the road to Torr Head.

Reference: Wikipedia, “Cushendun.”

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A Dance of Light and Sand in Antelope Canyon

Antelope Canyon, a sacred space in the Navajo Nation, reveals the dance of light and sand within its ancient walls. The interplay of erosion and transformation highlights beauty in impermanence, emphasizing patience and reverence for nature’s ever-changing essence.

Enveloped by shadows and light in the stillness of Antelope Canyon the air carries silence—vast and ancient—interrupted only by the whispers of grains shifting under unseen currents. Here the red rock of the northwestern corner of the Navajo Nation was pulverized into sand by the action of wind, water, sun, and cold. The walls, carved by patient time, cradle the moment as if holding a sacred breath.

Antelope Canyon is in the Navajo Nation near Page, Coconino County, Arizona

Antelope Canyon, timeless and transient, has summoned me to witness something unique—a dance between light and matter. The delicate, insistent sand flows like water from a carved bench, shaping the scene with quiet power. It tumbles as if alive, forming ephemeral cascades, revealing that erosion is not destruction but transformation. Each grain a story—a fragment of the ages, polished smooth by untold moments of pressure and release.

A Slot of Shadows and Light


I wait in the dry darkness of upper Antelope Canyon for the perfect moment to capture the spirit of the place. Light penetrates the narrow slot above, a thin beam spilling through the crevice, drawn by something deep below. In this confined space, sunlight becomes an entity. It touches the red sand and animates the space, revealing stone textures and the fleeting movement of sand in freefall.

Antelope Canyon is in the Navajo Nation near Page, Coconino County, Arizona

The play between dark and light reminds me that beauty often lies in contrast. The polished walls that surround me were once jagged, raw stone. They have become smooth under nature’s relentless touch—proof that endurance shapes elegance. The canyon’s walls, though fixed in place, seem to sigh as the sand slips over them, embodying a paradox of permanence and impermanence.

An Elemental Meditation


I am a visitor as well as part of a conversation held in languages older than words—spoken by rock, sand, shadow, and light. I sense the ancient stories etched into the stone and carried within each grain that spills like an hourglass. Here, nothing is wasted; everything contributes to a continuous process of becoming. The sand, which once formed the walls, now shapes the canyon floor, each element recycling into the next chapter of this landscape’s life.

Antelope Canyon is in the Navajo Nation near Page, Coconino County, Arizona

The act of waiting for a right moment teaches me that patience is both passive and an active engagement with time. I am reminded that what I witness will never be exactly the same again. Even though the canyon may stand for millennia, each second contains a uniqueness. The sand cascading before my eyes will settle, be disturbed, and flow again—but never in quite the same way.

Capturing the Spirit of Place


I set the camera on a rented tripod, knowing photography is an imperfect attempt to hold onto what cannot be possessed. This place does not belong to me—it belongs to itself, shaped by forces far greater than any human hand. My role is not to own the scene but to honor it, to acknowledge its fleeting magnificence by framing a moment within the lens.

The shutter clicks, the cascade of sand becomes immortalized held in that instant. Yet I know that the photograph, while capturing the image, will not fully encompass the spirit of what I have experienced. This place is a meditation, a reminder that life itself flows in ways we cannot control. Like the red sand, we are carried by forces—sometimes gentle, sometimes fierce—shaping and reshaping us through time.

As I gaze at the sand, a quiet sense of reverence flows through me. This moment, like the grains tumbling in front of me, is already slipping into the past. But in its passing, it leaves behind something intangible yet enduring—a memory of beauty found not in permanence but in change.

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Sunrise at Cocoa Beach: A Symphony of Colors on the Space Coast

Experience the breathtaking sunrise at Cocoa Beach, where the sky and sea blend in a symphony of colors. Discover the tranquility and beauty that awaits as the day dawns on Florida’s stunning Space Coast.

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Cocoa Beach, nestled in Brevard County, Florida, is renowned for its pristine sandy shores and the rhythmic lullaby of the Atlantic Ocean. It’s a place where the day often begins with an awe-inspiring sunrise. On the Space Coast, the first light of day is a daily masterpiece, a silent symphony of colors that paints the sky and reflects off the water.

As dawn approaches, the eastern horizon begins to glow with a soft, pre-dawn light. This quiet time, when the world is still asleep, offers a unique tranquility. The beach, usually bustling with surfers, sunbathers, and families, is calm and serene. The sand, cool underfoot, stretches out like a vast canvas, waiting for the sun to begin its artwork.

The first hues of sunrise start as a gentle blush, a hint of pink that softly caresses the sky. As the moments pass, this blush deepens into shades of orange and red, reminiscent of a painter’s palette. The ocean mirrors these colors, creating a breathtaking scene where sky and sea blend into one continuous expanse. It’s a moment that feels almost sacred, as if nature itself is preparing for a grand reveal.

The sun finally peeks above the horizon, a fiery orb that illuminates the world in golden light. This is the crescendo of the sunrise, a moment that seems to hold the breath of the world. The rays of light stretch out across the water, casting a shimmering path that invites the eyes to follow. It’s a path that feels both real and ethereal, leading not just across the sea, but into a day full of possibilities.

As the sun rises higher, the colors in the sky shift and change. The deep reds and oranges give way to softer yellows and then to the clear, bright light of morning. The ocean, too, transforms, taking on a deeper blue as the sunlight penetrates its depths. The waves, which had been gentle ripples in the pre-dawn light, now dance and sparkle, as if celebrating the arrival of the new day.

For those fortunate enough to witness it, a sunrise at Cocoa Beach engages all the senses. The cool breeze carries the fresh scent of saltwater, a reminder of the ocean’s vastness and power. The sound of the waves, steady and rhythmic, provides a soothing background score, while the occasional cry of a seabird adds a touch of the wild to the scene.

Click on a photo for a closer look.

There is a sense of community among the early risers who gather to watch the sunrise. Strangers often share nods and smiles, united by the shared experience of witnessing something so beautiful and ephemeral. It’s a reminder that, no matter our differences, moments of natural beauty can bring people together, fostering a sense of connection and shared humanity.

Cocoa Beach, known for its proximity to the Kennedy Space Center and its surf culture, offers much more than meets the eye. The sunrise is a daily reminder of the simple yet profound beauty of nature, a beauty that exists beyond the man-made attractions and the hustle and bustle of everyday life. It’s a call to pause, reflect, and appreciate the world around us.

In a place where rockets soar into the sky, touching the very edge of space, the sunrise at Cocoa Beach brings us back to Earth, grounding us in the timeless rhythm of the natural world. It’s a moment of peace and renewal, a gift from the universe to start the day with a heart full of wonder and gratitude.

So, whether you’re a local or a visitor, taking the time to watch the sunrise at Cocoa Beach is an experience not to be missed. It’s a chance to witness the world waking up, to feel a part of something larger than oneself, and to start the day with a renewed sense of awe and possibility.

Copyright 2024 Michael Stephen Wills All Rights Reserved

224 Steps

Each wall is support for the next flight of stairs

The stairs are cut into a cliff, using switchbacks with landings and strategically placed benches.

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This work was accomplished by the Civilian Conservation Corps in the 1930’s, during the Great Depression.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

So Like A Christmas Tree

Icicles Catch The Light

Approaching the Cliff Stair after a sudden April frost.

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Lucifer Falls in spring flood is a constant roar.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

April Freeze Slideshow

Here is a recapitulation of my latest posts in the form of a slideshow.

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Robert H. Treman New York State Park.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Through a Veil

A Hemlock Curtain

Early April the Gorge Trail along Lucifer Falls is closed, here we look up to the falls in flood from a safe distance.

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The Rim Trail gate to the Cliff Stairs is open. We are headed that way.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Up the Rim Trail

Key words: steep, icy

It is the Gorge Trail that’s closed for the cold months, November through April. The Rim Trail remains open for those who dare icy, steep paths Unlike Gorge Trail, Rim Trail climbs above the dangerous cliffs from which rocks are wedged free by ice to fall on the trail. On an early spring day, after a sudden frost, we walked the Rim Trail to capture the moment.

Here is the steep start, climbing up from the Upper Park where a footbridge crosses Fish Kill. Kill is the old Dutch word for creek. Fish Kill mergers with Enfield Creek a few hundred feet downstream.

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This north facing slope stays frozen into May. Here layers of the sedimentary rock shale, laid down in a shallow warm sea over 350 million years ago, are slowly pried apart. Hemlock tree roots wedge between rock layers, slowly growing. The action of ice, water expands in volume at the point of freezing, aids the process.

In places the rock face appears to be a hastily made dry stone wall, the rock layers are so disrupted by plant and frost.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills

Ascent

Andrew Wyeth effect

Here the Rim Trail climbs out of the flats beneath the Cliff Stairs, away from Enfield Creek, onto the upper slopes of the gorge.

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Early spring snow highlights the path, threading between hemlocks. The American realistic painter Andrew Wyeth comes to mind with I see the mottled texture of this light snow. He captured some of this in landscape paintings such as “Snow Flurries.”

Here is more of this effect……

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Fertile Flats sequence.
Copyright 2024 All Rights Reserved Michael Stephen Wills