Fresh Snow
In Dawn’s Light, Untouched
Tag: dawn
Bullet Dodge Series 3
Not quite murmuration
Today, enjoy two videos of shorebirds taking flight at once. Starlings can flock and swarm in clouds of birds, called murmuration. My videos of a shorebird colony taking fright, at something unknown as the beach was empty, are from my IPhone 7.
This is a still image, high resolution, similar to the view of the second video. A repeat from yesterday.
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With a tripod it is simpler to achieve a level horizon….
December 3, 2014 President Obama warned of the coming pandemic and passed along plans and a team to the incoming Trump administration. By December 2019, the pandemic unleashed in China, Trump gutted this capability and, while Pam and I were planning out January 10th Walt Disney World trip, hid the truth from United States Citizens.
We were keeping an eye on China, by January 10th the Chinese communist government was lying, “there is no human-to-human” transmission they told the WHO (World Health Organization). Knowing the truth, our plans for that day would be different.
Copyright 2020 All Rights Reserved Michael Stephen Wills
References:
CNN YouTube, “Hear what Barack Obama said in 2014 about pandemics.”
Daily KOS, “How the Obama administration tried to save us from what Trump is doing right now.”
FOX News, “WHO haunted by January tweet saying China found no human transmission of coronavirus.”
Bullet Dodge Series 2
Shroomed (Happy May Day)
One week before January 10, the dawning of the day photographed here, “the CDC Director Robert Redfield was notified by a counterpart in China that a “mysterious respiratory illness was spreading in Wuhan [China]”. Redfield notified HHS Secretary Alex Azar shortly thereafter, who shared his report with the National Security Council (NSC). According to The Washington Post, warnings about the virus were included in the President’s Daily Brief in early January, an indicator of the emphasis placed on the virus by the intelligence community.” December( and maybe October/November), 2019 through January, 2020: COVID-19 was spreading across the USA as visitors from Wuhan disembarked from planes.
The following images compare IPhone 7 to a dslr mounted on a tripod.
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With a tripod it is simpler to achieve a level horizon….
I heard the word “shroomed” (as a verb) used in Episode 1, Season 6, of Bosch. As in “the Federal Government treats us like mushooms”: grown in excrement and kept in the dark.
Click to open video in a new browser tab for better experience.
Want to see more? Click me to visit my Florida photography on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Reference: the quote is from the Wikipedia article “Timeline of the 2020 coronavirus pandemic in the United States.”
Bullet Dodge Series 1
First of a looooonnnngggg series
One day after my “Sunrise Texture” series as the sun rose on Cocoa Beach I was waiting with the same photographic kit. It was perfect weather for a visit to Walt Disney World, planned for that day: unsettled.
This image couple demonstrates the effect of long / short exposure without using filters. I changed the ISO and F-stop to achieve these effects.
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ISO 50 F/32
With a tripod it is simpler to achieve a level horizon….
ISO 500 f/6.3
I turned around to observe the colonies of shore birds…..
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Want to see more? Visit this my “Sunrise Textures” series on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Sunrise Texture Series 7
Final Series, Sunrise Completion
Betelgeuse, AKA “Alpha Orionis”, was the first star disk, other than our Sun, measured. One hundred years ago the apparent size of Betelgeuse was then as now 0.003% of the sun. I bring this up because this “red” star at the end of its life cycle, is in the news, being now 40% of its brightness last year.
Betelgeuse is so far away this dimming is 700 year old news, the time it takes for light span the distance. News of our sun is more recent, sunlight informs us of the Sun’s surface from 8.33 minutes ago. Sunlight bursts from clouds to the camera in an instant of a second. In comparison my reactions to capture it are glacial. Sixteen seconds passed since the images of Series 6, time for three exposures at a slowed pace now the sun breaks free from the clouds.
Twelve minutes, fifty four seconds elapsed from the first images of this series. Seventy nine exposures taken with 16 selected moments, these last without the sand mirror.
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Exposure: 1/400 sec at f / 4.5, Focal Length: 24 mm, ISO 100
A Willet feeds in the new day. This is a species sandpipers, a cousin of the Sanderling of yesterday’s post.
Exposure: 1/400 sec at f / 5/0, Focal Length: 24 mm, ISO 100
All sixteen Sunrise Texture moments are presented below.. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/6 sec at f / 22, Focal Length: 24 mm, ISO 125 
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125 
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125 
Exposure: 1/10 sec at f / 22, Focal Length: 24 mm, ISO 125 
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125 
Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 125 
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250 
Exposure: 1/15 sec at f / 22, Focal Length: 24 mm, ISO 250 
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250 
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250 
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250 
Exposure: 1/500 sec at f / 5.6, Focal Length: 24 mm, ISO250 
A sanderling is a species of sandpiper. Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 100 
Exposure: 1/8 sec at f / 22, Focal Length: 24 mm, ISO 50 Exposure: 1/400 sec at f / 4.5, Focal Length: 24 mm, ISO 100
Want to see more? Visit this series on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Sunrise Texture Series 6
Sunburst
Two minutes pass from Series 5, and not because I have stopped snapping. My routine is to insert a (automated) sequential number into each filename. Using this it is possible to calculate the number of exposures in a series. Since Series 5, 16 were snapped before the first I could use in Series 6. Ten exposures between the first and last of Series 6, during which a minute, twenty eight seconds elapsed..
The sun disk is above the horizon, bursting from clouds.
Ten minutes, eighteen seconds elapsed from the first images of this series. Seventy one exposures taken with 14 selected moments of shining sand mirror, a strong curving return flow.
The small bird feeding, of the first image, is a Sanderling, one of the smallest species of Sandpipers.
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Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 100
In this second image, the mirror is erased as sand absorbs surf. I needed to show the developing sun burst.
Exposure: 1/8 sec at f / 22, Focal Length: 24 mm, ISO 50
A slide show of these images. This set compares short exposure with open aperture (f 4.5) to a much longer exposure driven by a narrow aperture (f 22) and the lowest film sensitivity of the camera (ISO 50). Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 100 Exposure: 1/8 sec at f / 22, Focal Length: 24 mm, ISO 50
Want to see more? Visit this series on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Sunrise Texture Series 5
a paradox
A scant five seconds pass from Series 4, with the sun above the horizon I strive to catch the moment.
The sun disk is above the horizon, shining behind the clouds.
Seven minutes, 34 seconds elapsed from the first images of this series.
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Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
I selected moments of shining sand mirror, a strong curving return flow with a continuing mark of a southeast wind of seventeen miles per hour, with bursts above twenty. Wind, waves, even the rounded particles of sand all created from the energy of the celestial body I am waiting to appear.
Exposure: 1/500 sec at f / 5.6, Focal Length: 24 mm, ISO250
A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250 Exposure: 1/500 sec at f / 5.6, Focal Length: 24 mm, ISO250
Want to see more? Visit this series on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Sunrise Texture Series 4
a paradox
Thirty three seconds pass from Series 3, the high clouds shine less bright, the sun disk now blocked by those clouds on the horizon, the rising sun brings darkness yet a first hint of sunburst.
Seemingly, the first image foam-wave swath will erase the mirror.
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Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Fifty seconds later, instead of erasure the new water brings clarity.
Six minutes, 39 seconds elapsed from the first images of this series.
A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Want to see more? Visit this series on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Sunrise Texture Series 3
Gathering Light
You will notice the sky changing, compared to the first set published here , Almost 6 minutes have passed, 4 minutes from the last image from Sunrise Texture Series 2. From behind the horizon, the first rays of sunlight catch the sky undersides. Unseen. the sun disk broaches the horizon.
Working fast, I used the dial to change from aperture-priority to shutter-priority with settings saved from the last use. In this way the duration is only twelve seconds between shots. The sun disk is near to/passed the horizon hidden behind those distant clouds.
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Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Breaking of a small wave.
Exposure: 1/15 sec at f / 22, Focal Length: 24 mm, ISO 250
A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250 Exposure: 1/15 sec at f / 22, Focal Length: 24 mm, ISO 250
Want to see more? Visit this series on Getty IStock.
Copyright 2020 All Rights Reserved Michael Stephen Wills
Sunrise Texture Series 2
Time measured by the waves
Twelve minutes, fifty four seconds separate the first and list images of this series of 16 images, starting with the first set published here fourteen days ago.
Almost a minute, fifty two seconds, separates the images of this post, enough time for a wave to sweep over a boss of sand, forming a mirror, and to start a return flow to the sea.
Happy turning of February to March.
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Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
A sand boss held water briefly each cycle to form a mirror.
A slide show of these images.
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125 
Want to see more? Visit this series on Getty IStock.
