History and Ghosts of the Triangle T Ranch

a ghost story

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In my last post, Homecoming Parade 2003, I described my initial reconnection with the University of Arizona (U of A) as a 1975 graduate and alumnus.  This personal project of involvement with U of A and Arizona continued through 2011 with annual autumn trips to coincide with Homecoming.  The travel was as a CALS (College of Agriculture and Life Sciences) Alumni Board of Directors member, a primary responsibility was raising funds for scholarships.

Texas CanyonGranite2007-5

The Amerind Foundation and weathered boulders of Texas Canyon granite.  Beyond are the Dragoon Mountains

I met, Linda Kelly, the owner of the Triangle T Guest Ranch, while camping in the Chiricahua Mountains.  I arrived a week before homecoming to photographing the landscape, nature and rock formations of the Chiricahua National Monument.  Click this link for my Arizona Online gallery, including some work from that time.  Linda and a friend were visiting that day and we struck up a conversation about the area and her Triangle T Guest ranch.  The next day I was scheduled to guest lecture a class at the U of A, as an alumnus of CALS.  The ranch was on the way and I needed a place to stay, so Linda gave me directions and I checked in.

She gave me a tour of the incredible weather granite rock formations of Texas Canyon and, meanwhile, shared stories of the history of Texas Canyon.  It is appropriate for the Amerind Foundation to be here (see first photograph), the winter camp of an Apache tribe for generations.

Texas CanyonGranite2007-1

Weathered granite boulders greet visitors to the Triangle T Ranch.

That night, my request was for a room storied to be haunted by a spirit they call “Grandma,” as in when her foot steps wake you from a sound sleep you say, “It’s all right, Grandmother.”  She woke me that night, footsteps in the dark, hollow on the wood floor, the room filled with a hard cold.  I talked to her, without a response, while swinging my legs out of bed to reach the gas heater in the wall.  I turned on the heat and the sound of expanding metal heat fins lulled me to sleep.

Texas CanyonGranite2007-2

I call this pair, “Father and Son.”  The restaurant is built around a round boulder. 

It made a good story for the students.  They were surprised I could fall back asleep, but after all I had to be there the following morning.

Texas CanyonGranite2007-3

Your imagination roams among the natural forms.

I gave Linda a few of my photographs from that day and we made arrangements for the Triangle T to supply a two night package for the CALS “Dean’s Almost World Famous Burrito Breakfast” silent auction during 2008 homecoming.

Texas CanyonGranite2007-4

A tableau of figures keep silent watch with the ghosts of Texas Canyon.

 

War Memorial with Sunbeams

the approach of hurricane Sandy

Some background on the World War I Memorial

October 23, 2006 was the 75th anniversary of the War Memorial, dedicate in 1932 to the memory of Cornell’s 264 casualties during World War I. The War Memorial building group is formed by the Army and Navy towers and the cloister connecting them.

The Story “War Memorial with sunbeams”

This view of the War Memorial and the west campus housing complex is across Libe Slope.

Taken late on an October Friday afternoon as hurricane Sandy approached the east coast, the view looks across Ithaca to the distant ridge of Connecticut Hill.

Click photograph for my Online Gallery “Finger Lakes Memories”

Views of the Valley, Glendalough

A dramatic natural setting

Looking out over the Valley of the Two Lakes from the Glendalough Monastic City.

One of the lakes for which the valley is named, above the headstones in the mid-distance

Look closely at the carved scroll at the foot of the cross.

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Memorial from a mother to her 6 year old son and husband

The site is within a semi-natural oak woodland.

Valley walls are dramatic and steep

For more background of this site, see my posting “The Cloigheach of Glendalough.”

Copyright 2017 Michael Stephen Wills All Rights Reserved

Native American Dance Demonstration

A native American village among the crowds

Another posting from the 2018 New York State Fair.

The Agricultural Society of the Six (Iroquois) Nations hosts a large area of booths, exhibits, Native American food service and this stage for dance demonstrations. It is called the “Indian Village.”

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Those unsightly black plastic enclosed somethings in the mid-foreground forced me to photograph performers only from the right stage margin, out of sight in this image.

I used a Canon EOS-1Ds Mark III with the Canon Lens EF 70-300 mm lens fitted with the Hoya UV filter.

Here are two shots of the fair crowds.

Click this link or any of the following two images for my online galleries.

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The Indian Village, set among large trees, is a welcome refuge from the crowds.

We caught the 4pm native dance demonstration.  The western sun was a dramatic highlight for some of the following shots.

For a larger image, click the photograph, a page will open and click it a second time.

Entrance

Smoke Dance

Female/Male Dance Competition

Master of Ceremonies Smoke Dance

Finale

Loughan Bay Ruins, County Antrim

Deserted Cottages above the Irish Sea

We pulled off the side of Torr Road for this fine view on the way to Torr Head to take in this view of the Irish Sea.  The steeply rising distant headland is the Mull of Kintyre. Loughan an Lochan, County Antrim, Northern Ireland.

Michael Wills – CLICK ME for my Getty Portfolio.

We parked on a turnout above the Loughan Cottages, near this farmer’s sheep pen.  He drove up in a huge tractor and conversed with Pam while I was below shooting the cottages. He made a good impression.

Loughan Bay Farmer – CLICK ME for my Getty Portfolio.

Roofless walls of a cottage more substantial than the other deserted ruins above Loughan Bay, with two fireplaces a walled porch with a view. A number of outbuilding foundations lay around. The integrity of the walls, chimneys and gables speaks to the quality of construction. A freighter in the North Channel of the Irish Sea is visible in the distance above the upper ridge. Beyond is the island of Islay, Scotland, about 30 miles distant. Loughan an Lochan, County Antrim, Northern Ireland.

I am happy to report a series of thirteen (13) photographs of these ruins were accepted for publication by Getty.  You can click any of the photographs in this posting for my Getty portfolio.

Loughan Cottages Ruins above Crockan Point – CLICK ME for my Getty Portfolio.

The land slopes steeply to a rocky beach.

Ruin Above Loughan Bay – CLICK ME for my Getty Portfolio.

A thick growth of ferns, grass on the gable was once a home with a view of Scotland’s Mull of Kintyre 13 miles across the North Channel of the Irish Sea.  The Isle of Sanda just visible on the right of the far gable.  A landform named Alisa Crag is just visible in the distance, to the left of the nearest gable. 

Single Room Loughan Bay Cottage – CLICK ME for my Getty Portfolio.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Ireland” Fine Art Gallery.

Interested in learning more about this site?  I have a series of postings on Loughan Bay.  Click for the first posting in this series.

Copyright 2018 Michael Stephen Wills, All Rights Reserved.

Saint Patrick’s Return to Ireland

Thoughts on the Fifth Century return of Saint Patrick to Ireland

In follow-up to my last post my IStock photograph of Saint Patrick on the Hill of Tara was accepted and is available for viewing (click the link to go there).

Since July 2008 SeaGen produces electricity (1.2 MW) for between 18 and 20 hours a day while the tide is forced in and out of Strangeford Lough through the Narrows where the generator is installed. SeaGen is the first large scale commercial production of electricity from the tide. Located between the Northern Ireland towns of Strangeford and Portaferry, the strength of the tides there were used by the earliest tidal mill known, the Nendrum Monastery mill dating 787 based on archeological excavation.

History records Patrick converted the island of Erin (Ireland) to Christianity in the Fifth Century AD as a return to his place of captivity and slavery.

Saint Patrick legend, Down Cathedral
An informational plaque mounted on granite next to the grave of Saint Patrick.

There is a connection between SeaGen and the return of Patrick to Ireland. The first sanctuary dedicated by Patrick was at Saul, County Down not far from River Quoile that drains into Strangeford Lough. Historians identify Patrick’s first landing site, upon return, as Wicklow where he was forced to leave by the locals. Heading north in the boats of the time, the strong tide of Strangeford Narrows pulled them into the Lough and, from there, headed up the River Quoile to encounter the local chieftain, Díchu mac Trichim. Patrick’s first Irish convert to Christianity, the feast of Saint Dichu is April 29.

On June 7, 2014 Pam and I visited this area. Here are some photographs of the traditional burial place of Saint Patrick.

View of Downpatrick
View of Downpatrick from the hill of the Cathedral Church of Holy Trinity (Down Cathedral)
Downpatrick High Cross
The High Cross of Downpatrick fronts Down Cathedral on a hill overlooking the town. The informational placard reads
“The granite head and shaft date to about 900 AD and were once re-used as part of a Market Cross at the bottom of English Street. The pieces were found in various places in town, reassembled and presented to the Dean and Chapter of the Cathedral in 1897.”
St Patrick's Grave
The placard text reads:
“A large memorial stone of Mourne granite was place here in 1900 to mark the traditional burial-place of St. Patrick. The stone was quarried at Slieve-na-largie near Castlewellan, and it took 12 men 14 days to cut from the quarry.”
Inscription, St Patrick Grave
Inscription on the upper surface of stone marking grave of Saint Patrick.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Ireland” Fine Art Gallery.

Here’s another of my Ireland postings featuring Irish history, “Irish Countryside: Aghameen Schoolhouse.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

Saint Patrick’s Return to the Hill of Tara

The year 2000 AD return of Saint Patrick to the Hill of Tara

To continue my posting “Endless Views of Ireland from Hill of Tara” my first submission of three Hill of Tara photographs to Getty Istock had two of the photographs returned for revision.

For the fenced statue of Saint Patrick the reviewed wrote:

Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.

Hmmmm….What I do while capturing a photograph of a statue is take photos of any plaque, sign, whatever to acquire the name of the creator, how it came to be there, community connections. There was nothing around the statue nor the very informative Office of Public Works placards at the entrance.  I was proud to submit the statue photograph, as it turned out so well, and hoped for the best.

Last week, I put in a query to Ireland’s Office of Public Works (OPW), the agency responsible for the Hill of Tara, and did not receive a response when, for other queries, they were helpful.  This Saturday and Monday mornings, several hours of internet research revealed this history.

The original statue was placed on Tara sometime after the 1829 Catholic emancipation.  It was molded concrete, created by Thomas Curry of Navan at his own expense to honor the connection of Saint Patrick to Tara.

The OPW removed Curry’s statue 1992 for repair of a century of wear.  During the removal the statue was damaged beyond repair and, afterwards, was further damaged by vandals who decapitated and used it for target practice.

Initially, the OWP decided not to replace Saint Patrick citing the “pagan” nature of the place. After an angry meeting of local people at the Skryne Parish Hall.  In this meeting the local Rathfeigh Historical Society formed the “Committee to Restore St. Patrick to Tara.”  In turn, pressure was put on Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht (and the OPW). It was decided a new statue was to be created, based on a competition, and instead of it former place at the hill summit (called Rath na Rí), it was to be near the entrance, outside the Interpretative Center, to offer a Céad Míle Fáilte to visitors and be seen on departure.

The outcome was the competition winner was rejected by locals.  The winning entry, by sculptor Annette Hennessy, did not follow competition rules that specified the statue incorporate traditional features to include shamrocks, harp, miter, a crozier and, perhaps, fleeing snakes. Hennessy’s design was of a shaven headed teenage boy in a short (“mini-skirt”) kilt, a handbag-shaped bell in hand.  She agreed hers was “not a traditional style statue” saying it “acknowledges our Pagan Celtic history.”

The rejection included a statement from Dr. Leo Curran, chairman of the Rathfeigh Historical Society, “We agreed that most of the monuments in Tara are from the pre-Christian era, but St. Patrick should be at the uppermost layer, representing Christian tradition extinguishing paganism.”

By this time, a new government and minister were in place.  The decision was made to search Ireland to find a suitable, existing, replacement statue.  By 2000 the present statue, donated by the Sisters of Charity, was in place at the Hill of Tara entrance.

At the end of this post I provide the two references from my internet research and from which many facts and all the quotes were used here.  I concluded the statue author was anonymous without copyright protection and submitted a revised image description, attaching a copy of my research.

Let’s see what happens to my IStock photograph of Saint Patrick on the Hill of Tara.

Please browse my reasonably priced stock photography.  License a photograph, download and use it for your website or blog.  Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Ireland” Fine Art Gallery.

Here’s another of my Ireland postings featuring another IStock photograph, “On the River Cong.”

References :
“Should St Patrick stand again on Tara?” Independent, Dublin, Ireland March 17, 1999.
“Statue of Saint Patrick”, Meath Roots web site. The page includes photograph of the Thomas Curry statue.

Copyright 2018 Michael Stephen Wills All Rights Reserved