Hurricane Katrina approached the Gulf Coast and New Orleans as the sun rose on the West End of Jones Beach on Long Island, August 28, 2005. This amazing sunrise was an element of the unusual atmospheric effects that are evidence of the power of this storm.
The featured image (heading this blog) is my print, “Katrina Sunrise”. This work is enjoyed by hundreds of my clients. Use the link, below, to acquire your own. Custom framing is available.
Click this link for Katrina Sunrise from my Memory Dreams Reflections Online gallery The following images are the rough drafts taken in the early morning hours. The beach was literally deserted as I mounted the camera and framed the view for this series. Many image captions include the file time stamp, for example 6:07:13 is 6 am and 7 minutes 13 seconds.
6:07:13 First image of the set. Below the horizon the sun lights the upper atmosphere.6:07:34 As the sun approaches the horizon the lower clouds catch light. My Camera was a Sony DSC-F828 tripod mounted with a polarizing filter.6:07:56 I panned slightly to the east. ISO was set to 64 throughout.6:08:16 Gradual brightening. The lens is 7.1 – 51.0 mm f/2.0-2.8.6:08:38 All levels are brighter. It seems those low clouds will block the horizon. That was not the case. The variable focal length is 15.6 mm.6:09:05 It is happening!!!! Exposure was set to automatic on a f stop of 8.0. It was 1/3 second for this image.6:14:34 The view is panned west. That is the Robert Moses water tower of Jones Beach State Park looking like a rocket ready to blast off.6:15:15 Will those low clouds block the sun? Looks promising.6:16:11 Clouds on the upper margin catching the sun. Horizon brightening….. Exposure 1/20 second.6:14:39 This will be a disappointment if that sun does not show. Exposure 1/25 second.6:18:27 Almost there….1/15 second exposure….6:19:07 Quick framing adjustment to bring the lighting of shore margin into the composition. The final version was created from two images captured seconds after this.As the sun rose a rainbow formed in the western sky.
Today, enjoy two videos of shorebirds taking flight at once. Starlings can flock and swarm in clouds of birds, called murmuration. My videos of a shorebird colony taking fright, at something unknown as the beach was empty, are from my IPhone 7.
This is a still image, high resolution, similar to the view of the second video. A repeat from yesterday.
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With a tripod it is simpler to achieve a level horizon….
Canon EOS-1Ds Mark III
December 3, 2014 President Obama warned of the coming pandemic and passed along plans and a team to the incoming Trump administration. By December 2019, the pandemic unleashed in China, Trump gutted this capability and, while Pam and I were planning out January 10th Walt Disney World trip, hid the truth from United States Citizens.
We were keeping an eye on China, by January 10th the Chinese communist government was lying, “there is no human-to-human” transmission they told the WHO (World Health Organization). Knowing the truth, our plans for that day would be different.
One week before January 10, the dawning of the day photographed here, “the CDC Director Robert Redfield was notified by a counterpart in China that a “mysterious respiratory illness was spreading in Wuhan [China]”. Redfield notified HHS Secretary Alex Azar shortly thereafter, who shared his report with the National Security Council (NSC). According to The Washington Post, warnings about the virus were included in the President’s Daily Brief in early January, an indicator of the emphasis placed on the virus by the intelligence community.” December( and maybe October/November), 2019 through January, 2020: COVID-19 was spreading across the USA as visitors from Wuhan disembarked from planes.
The following images compare IPhone 7 to a dslr mounted on a tripod.
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IPhone 7
With a tripod it is simpler to achieve a level horizon….
Canon EOS-1Ds Mark III
I heard the word “shroomed” (as a verb) used in Episode 1, Season 6, of Bosch. As in “the Federal Government treats us like mushooms”: grown in excrement and kept in the dark.
One day after my “Sunrise Texture” series as the sun rose on Cocoa Beach I was waiting with the same photographic kit. It was perfect weather for a visit to Walt Disney World, planned for that day: unsettled.
This image couple demonstrates the effect of long / short exposure without using filters. I changed the ISO and F-stop to achieve these effects.
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ISO 50 F/32
With a tripod it is simpler to achieve a level horizon….
ISO 500 f/6.3
I turned around to observe the colonies of shore birds…..
Betelgeuse, AKA “Alpha Orionis”, was the first star disk, other than our Sun, measured. One hundred years ago the apparent size of Betelgeuse was then as now 0.003% of the sun. I bring this up because this “red” star at the end of its life cycle, is in the news, being now 40% of its brightness last year.
Betelgeuse is so far away this dimming is 700 year old news, the time it takes for light span the distance. News of our sun is more recent, sunlight informs us of the Sun’s surface from 8.33 minutes ago. Sunlight bursts from clouds to the camera in an instant of a second. In comparison my reactions to capture it are glacial. Sixteen seconds passed since the images of Series 6, time for three exposures at a slowed pace now the sun breaks free from the clouds.
Twelve minutes, fifty four seconds elapsed from the first images of this series. Seventy nine exposures taken with 16 selected moments, these last without the sand mirror.
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Exposure: 1/400 sec at f / 4.5, Focal Length: 24 mm, ISO 100
A Willet feeds in the new day. This is a species sandpipers, a cousin of the Sanderling of yesterday’s post.
Exposure: 1/400 sec at f / 5/0, Focal Length: 24 mm, ISO 100
All sixteen Sunrise Texture moments are presented below.. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/6 sec at f / 22, Focal Length: 24 mm, ISO 125
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
Exposure: 1/10 sec at f / 22, Focal Length: 24 mm, ISO 125
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 125
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Exposure: 1/15 sec at f / 22, Focal Length: 24 mm, ISO 250
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Exposure: 1/500 sec at f / 5.6, Focal Length: 24 mm, ISO250
A sanderling is a species of sandpiper. Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 100
Exposure: 1/8 sec at f / 22, Focal Length: 24 mm, ISO 50
Exposure: 1/400 sec at f / 4.5, Focal Length: 24 mm, ISO 100
Two minutes pass from Series 5, and not because I have stopped snapping. My routine is to insert a (automated) sequential number into each filename. Using this it is possible to calculate the number of exposures in a series. Since Series 5, 16 were snapped before the first I could use in Series 6. Ten exposures between the first and last of Series 6, during which a minute, twenty eight seconds elapsed..
The sun disk is above the horizon, bursting from clouds.
Ten minutes, eighteen seconds elapsed from the first images of this series. Seventy one exposures taken with 14 selected moments of shining sand mirror, a strong curving return flow.
The small bird feeding, of the first image, is a Sanderling, one of the smallest species of Sandpipers.
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Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 100
In this second image, the mirror is erased as sand absorbs surf. I needed to show the developing sun burst.
Exposure: 1/8 sec at f / 22, Focal Length: 24 mm, ISO 50
A slide show of these images. This set compares short exposure with open aperture (f 4.5) to a much longer exposure driven by a narrow aperture (f 22) and the lowest film sensitivity of the camera (ISO 50). Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/320 sec at f / 4.5, Focal Length: 24 mm, ISO 100
Exposure: 1/8 sec at f / 22, Focal Length: 24 mm, ISO 50
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Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
I selected moments of shining sand mirror, a strong curving return flow with a continuing mark of a southeast wind of seventeen miles per hour, with bursts above twenty. Wind, waves, even the rounded particles of sand all created from the energy of the celestial body I am waiting to appear.
Exposure: 1/500 sec at f / 5.6, Focal Length: 24 mm, ISO250
A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Exposure: 1/500 sec at f / 5.6, Focal Length: 24 mm, ISO250
Thirty three seconds pass from Series 3, the high clouds shine less bright, the sun disk now blocked by those clouds on the horizon, the rising sun brings darkness yet a first hint of sunburst.
Seemingly, the first image foam-wave swath will erase the mirror.
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Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Fifty seconds later, instead of erasure the new water brings clarity.
A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
You will notice the sky changing, compared to the first set published here , Almost 6 minutes have passed, 4 minutes from the last image from Sunrise Texture Series 2. From behind the horizon, the first rays of sunlight catch the sky undersides. Unseen. the sun disk broaches the horizon.
Working fast, I used the dial to change from aperture-priority to shutter-priority with settings saved from the last use. In this way the duration is only twelve seconds between shots. The sun disk is near to/passed the horizon hidden behind those distant clouds.
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Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Breaking of a small wave.
Exposure: 1/15 sec at f / 22, Focal Length: 24 mm, ISO 250
A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.
Exposure: 1/400 sec at f / 5.0, Focal Length: 24 mm, ISO 250
Exposure: 1/15 sec at f / 22, Focal Length: 24 mm, ISO 250
Twelve minutes, fifty four seconds separate the first and list images of this series of 16 images, starting with the first set published here fourteen days ago.
Almost a minute, fifty two seconds, separates the images of this post, enough time for a wave to sweep over a boss of sand, forming a mirror, and to start a return flow to the sea.
Happy turning of February to March.
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Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
A sand boss held water briefly each cycle to form a mirror.
A slide show of these images.
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
Michael Stephen Wills Photography 
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