Enjoying travel on a horse trap, a type of carriage, on Inishmore (Inis Mór), the largest Aran Island in Galway Bay we headed up Cottage Road from Kilronan, the main island settlement. It was there we embarked from the ferry, hired the driver, his horse drawn trap. Our destination an iron age fort, Dun Aengus (Dún Aonghasa, the Irish language name) and the sights along the way.
Headed up Cottage Road, I captured this view of dry stone walls and homes against the May sky over the shoulder of our horse.
Another aspect of the gradual 1/2 mile inclined path to the central ring of the prehistoric Dun Aonghasa ruins of County Galway, Ireland.
The view north, northwest from this way to Dun Aonghasa (Dun Aengus). In early June, looking across wildflowers, karst landscape, walled fields, farms, the North Atlantic Ocean, coast of Connemara and the 12 Bens (12 Pins) mountains.
Note the doorway (with long lintel) in the surrounding wall, to left of center in middle distance.
Hurricane Katrina approached the Gulf Coast and New Orleans as the sun rose on the West End of Jones Beach on Long Island, August 28, 2005. This amazing sunrise was an element of the unusual atmospheric effects that are evidence of the power of this storm.
The featured image (heading this blog) is my print, “Katrina Sunrise”. This work is enjoyed by hundreds of my clients. Use the link, below, to acquire your own. Custom framing is available.
Click this link for Katrina Sunrise from my Memory Dreams Reflections Online gallery The following images are the rough drafts taken in the early morning hours. The beach was literally deserted as I mounted the camera and framed the view for this series. Many image captions include the file time stamp, for example 6:07:13 is 6 am and 7 minutes 13 seconds.
6:07:13 First image of the set. Below the horizon the sun lights the upper atmosphere.6:07:34 As the sun approaches the horizon the lower clouds catch light. My Camera was a Sony DSC-F828 tripod mounted with a polarizing filter.6:07:56 I panned slightly to the east. ISO was set to 64 throughout.6:08:16 Gradual brightening. The lens is 7.1 – 51.0 mm f/2.0-2.8.6:08:38 All levels are brighter. It seems those low clouds will block the horizon. That was not the case. The variable focal length is 15.6 mm.6:09:05 It is happening!!!! Exposure was set to automatic on a f stop of 8.0. It was 1/3 second for this image.6:14:34 The view is panned west. That is the Robert Moses water tower of Jones Beach State Park looking like a rocket ready to blast off.6:15:15 Will those low clouds block the sun? Looks promising.6:16:11 Clouds on the upper margin catching the sun. Horizon brightening….. Exposure 1/20 second.6:14:39 This will be a disappointment if that sun does not show. Exposure 1/25 second.6:18:27 Almost there….1/15 second exposure….6:19:07 Quick framing adjustment to bring the lighting of shore margin into the composition. The final version was created from two images captured seconds after this.As the sun rose a rainbow formed in the western sky.
With grandchildren in the Miami Area and a sister in Daytona Beach, Florida was on my mind this morning and memories of this beautiful experience on Cocoa Beach came to mind. After an eventful day touring the NASA launch control center, Pam and I took an evening walk during the golden hour, me with camera in hand.
Full in expectation of catching the passing scene with lots of shot I set to full size jpeg mode using a Sony Alpha 700 dslr with a DT 18-200mm f3.5-6.3 lens. The light was exceptional, so I did not expect much post production work.
My first impression was of the line of cruise ships heading south from Port Canaveral, the starboard side lit perfectly behind human denizens of the Cocoa Beach shore, in full enjoyment mode. A synergy of the images struck me. I took a few experimental shots then, as we progressed down the beach front this unusual tableau came into view.
Newlyweds on Cocoa Beach give rapt attention to a distant cruise ship, it looks like an elegant child’s toy.
The session proceeded smoothly and professionally, it was a pleasure to watch. I felt no compunction for capturing these private moments on a public beach, the transcendence of the images reflect well on all participants.
Bride and groom pose while photographer composes the shot, her assistant behind.
Gulls, an omnipresent element of any beach stroll. Pestiferous, abounding and incessant the gull is simple to deal with. Keep any and all foodstuffs under wraps.
Conversely, for those who adore a crowd of raucous opportunists simply pull out the food and offer it to the air. There is more about this photograph at this post, “Lady Feeding Gulls, Cocoa Beach Dawn.”
Click any photograph for a larger view.
Beach Walking
Pam and I developed a habit of hanging out in Florida during Finger Lakes Winters when the gorges are closed for safety and even walking the streets is perilous, stray black ice encounters abound. We trade icy falls for beach walks.
It is natural to become inured to the flight of gulls along the shore. For all my carting along the Sony Alpha 700 with a variable lens ( 18 – 200 mm) there is not a single photograph of a gull in flight. Yet, I have my eye on them until my blindness was lifted by a peculiar individual. It seemed to be a white gull, yet it had a watchful eye.
Gliding shoreline parallel with head down, how could I have mistaken it for a gull?
Osprey occupy an environmental niche along 700,000+ shoreline miles worldwide as a single species Pandion haliaetus. A unique bird with its own family, Pandionidae, and genus, Pandion, some experts recognize sub-species in geographic regions. Ours is the Western Osprey.
The following photograph is of a wing shape very different from the gull.
Osprey Stalking Behavior
IPhone 8 always in my pocket, I captured this clip of an Osprey stalking fish in the Atlantic Ocean surf. You will have a better viewing experience by clicking on the title of the embedded YouTube, then click on the Full Screen icon at the lower right.
Copyright 2021, Michael Stephen Wills All Rights Reserved
For 32 years of work dreams about work visited occasionally, then when retirement approached and overtook me these became an almost nightly visitation.
It brings to mind, a few years ago Pam and I took lessons at Cornell’s Merrill Family Sailing Center followed by several seasons of memberships. We’d take out sailboats the size on the one enjoyed by the fellow above in Northport Harbor.
We’d spend entire days on the water, looking up at the people driving the hill up and down route 13. “How lucky we are here and not there”, I’d say.
The Stories
Willy Vanderbilt named his Centerport estate “Eagle’s Nest” after his first yacht, “Eagle” that was anchored in Northport harbor along the estate shoreline. In 1932 the German Krupp Germaniawerft company build a new yacht named Alva, after his mother.
The mansion garden features several fountains and pools. Northport harbor and Long Island Sound are the view.
Willy had a “thing” about the infant Baccus. My first Vanderbilt Museum posting “A Taste of Gatsby: details from the Vanderbilt Museum”included the following depictions of the infant Baccus. the name preferred by the Romans.
Statue of a young Bacchus in the Mansion Garden with Northport Harbor and the Long Island Sound reflection
To the Greeks he was Dionysus. Also known as the “twice born” from the myth of his being carried in his father Zeus’ thigh after Hera, the jealous wife, plotted the death of his mother, the mortal Semele.
The infancy of Dionysus was perilous, with Hera plotting revenge Zeus found safe haven for the child at a place of earth called Mount Nysa, with beings named Rain Nymphs. The fascination of Vanderbilt with the story continued with the acquisition and display of a statue of the infant Dionysus with a protective nymph.
Dionysus and protector, a Rain-nymph of Nysa
The Things
The statue and plinth are at the stairs into the garden.
Rounding the Aysen Region headland of the Penas Gulf. Next land will be the Magellian Region extending to Cape Horn. In the Penas Gulf we will enter the Messier Channel and the fjords.
Taken with a tripod mounted Sony DSLR A 700 DT 18-200 variable lens set to 18 mm. 1/40 second at f4.5 ISO 6400. The sun was still low, after sunrise with gathering storm clouds from the terrace of our state room (a moving ship).
Our early morning traverse of the Penas Gulf was smooth sailing in route for Tarn Bar, entrance to the Messier Channel. We’ll pass Wager Isle where May 14, 1741 the H.M.S. Wager wrecked, stranding the crew. Speaking to the conditions on board, immediately some of the crew broke into the “Spirit Room, got drunk, armed themselves and began looting, dressing up in officers’ clothes and fighting,” many drowning the next day when the Wager flooded and sank.
The original fronts piece to Byron’s Narrative; “Being an Account of the Shipwreck of The Wager and the Subsequent Adventures of Her Crew.”
The remaining 140 officers and crew manned the boat to make for shore in the Patagonian winter. Five years later, midshipman John Byron, grandfather to the poet Lord Byron, made it back to England with the Captain David Cheap. Just west of Wager Isle is the larger Byron Isle, named in his honor.
On this south heading our cabin on the port side faced east. In these early morning hours, I set up on the stateroom balcony, so for better or worse there is no views of either Wager or Byron Isle.
While most of our fellow passengers were sleeping, as usual I woke at 5 am to pull the gear together, dress warmly, step out onto our magic window on the world. Our decision to request a port side cabin continues to pay off. The Cape Rapier lighthouse flashes every few seconds. One of these shots caught the light.
Since 1914 the lighthouse on Cape Rapier, Aysen Provence, Chile, has protected ships on the northern approach to the Gulf of Penas.
Before dawn, February 17, 2016, the light protected us on the Oceania Regatta as we rounded Cape Rapier to enter the Gulf of Penas on route of the Messier Channel, the Fjords of Chile and an encounter with the Iceberg Glacier of Fjord Tempanos.
We pulled off the side of Torr Road for this fine view on the way to Torr Head to take in this view of the Irish Sea. The steeply rising distant headland is the Mull of Kintyre. Loughan an Lochan, County Antrim, Northern Ireland.
We parked on a turnout above the Loughan Cottages, near this farmer’s sheep pen. He drove up in a huge tractor and conversed with Pam while I was below shooting the cottages. He made a good impression.
Roofless walls of a cottage more substantial than the other deserted ruins above Loughan Bay, with two fireplaces a walled porch with a view. A number of outbuilding foundations lay around. The integrity of the walls, chimneys and gables speaks to the quality of construction. A freighter in the North Channel of the Irish Sea is visible in the distance above the upper ridge. Beyond is the island of Islay, Scotland, about 30 miles distant. Loughan an Lochan, County Antrim, Northern Ireland.
I am happy to report a series of thirteen (13) photographs of these ruins were accepted for publication by Getty. You can click any of the photographs in this posting for my Getty portfolio.
The land slopes steeply to a rocky beach.
A thick growth of ferns, grass on the gable was once a home with a view of Scotland’s Mull of Kintyre 13 miles across the North Channel of the Irish Sea. The Isle of Sanda just visible on the right of the far gable. A landform named Alisa Crag is just visible in the distance, to the left of the nearest gable.
Michael Stephen Wills Photography 
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