Autumn Evening Hike, turning home

through Devil’s Kitchen to Lucifer Falls

In this third part, we continue hiking Treman gorge, approaching Lucifer Falls, viewing another waterfall further downstream and returning to the trailhead.

 Tiny Trumpet, unknown

I have never achieved a satisfactory capture of the waterfall in the Devil’s Kitchen, a place where the creek flow is diverted south by a projecting ridge. Less than 100 feet later the easterly direction is regained where the water plummets over Lucifer Falls.

The annual in fall of rock in Devil’s Kitchen uproots and crushes plants growing there. There is scant soil, the roots of this shiny purple trumpet bloom took hold in a microscopic crack. The plant is so thin, the flower so tiny it is lucky my gaze found it.

Click link for my fine art print “After the Rain: Showy Lady Slippers.”

After searching all my plant identification references, this plan is unknown to me.  Please help with identification. The bloom is 1/4 inch long.

Not far away, these asters grow from a slightly wider crack.  Pam pointed them out to me. I was drawn by the striking color difference of the heads growing from a single stalk.

Click link for my fine art print “Purple Asters.”

As trail winds around the ridge a stone wall rises on the right and for good reason.  The stream shortly reaches the brink of Lucifer Falls, 115 feet high.  Gorge walls fall away, the trail steepens.  Here is the view from the trail next to the brink.

At hand, on the right, a growth of ferns has survived many seasons.  Flowering plants are, in geological time (across billions of years), a relatively recent development compared to these non-flowering ferns.  The first flowering plants appears 120 million years ago compared to the first ferns, 360 million years ago.  Oddly enough, the spread of flowering plants affected evolution of ferns, an increase of fern speciation in parallel to the rise of flower plants.

While descending the stairs next to the falls brink, look to the right to see this ecosystem, a result of water seeping from the sedimentary rock stratification.

Here you can see how, at lower flow levels, the inactive sections of the fall lip become a garden.  In our climate, the entire brink is active for rare and brief intervals during spring thaws.  Note how, closer to the active brink, the grasses give way to mosses.  Where grasses grow the brink is almost never active.

The trail wall is a lighter color than the cliff, this is how you can see, on the right, the steep trail descent.

Pam and I turned around here.  This is some work I did August 2014 of a notable fall downstream from Lucifer.  I used the 24 mm Canon lens here, cropping the image.  My goal was to include the stair, for interest, with sunlight on the upper stairs; the water in shade.

Click link for my fine art print “Woodland Falls.”

Myrtle borders the trail as it rises from the gorge entrance.

Tree trunks fallen from the gorge walls are left to decay, restoring the soil.  The trunks are covered by moss among a thick growth of myrtle and a few ferns.

To finish, here is an image that may broaden your understanding of sunflowers. These smaller, ornamental sunflowers are, at first, difficult to place. Look carefully at the center, composed of many tiny flowers (florets). In crop sunflowers each of these becomes a seed. In this image, shiny beetles are feasting.

The End of this Evening Hike in Treman Gorge

Click me for more postings of Autumnal Beauty

Copyright 2017 Michael Stephen Wills All Rights Reserved

Autumn Evening Hike Part 2 of 3

Water runs through it

 Portrait of Mill Falls

In part 2 of this series, we return to the starting point. Siting of a water mill requires immediate access to the potential energy of falling water, something called “head.” Upper Treman Park was once a prosperous hamlet with the mill as the kernel. Today, the head that drove the mill is a lovely cascade behind the substantial and intact mill building. Easy walking distance from parking, this is a well known park feature.

Here are three versions of a portrait of Mill Falls using different lenses for varying effects. All were taken in the same season and approximate time of day, being early evening.

Click link for “Mill Waterfall at low flow”, a fine art print from my gallery.

This is the uncropped image used in part 1 of this series. I found the secondary cascade a distraction. Exposure of the secondary is difficult to balance against the primary and more shaded primary.

Click link for “Mill Waterfall Primary Low Flow” fine art print.

Stone Span

Let’s return to where part 1 left off, the stone bridge across the eastern side of the gorge entrance gallery.

This segmental arch is an illusion, the beautiful stone work is the facing of the concrete structure that carries to load of the stone, itself and visitors.

Want more? Click the link for my Online Gallery

My composition emphasizes the mass of rock wall above the bench and into which it is placed.  The limestone slabs are from a different source, they are not built from the material removed from the cliff.

Seeds and Flowers

A dandelion on steroids.  If you can help with identification of this plant, please post a comment.

Click the link for my “Ad Astra” fine art print, in my gallery.

Click the link for my “Purple Asters” fine art print, in my gallery.

Look Back!!

Many first time visitors do not look back to appreciate these scene.  When we give advice, our recommendation is to return on the same gorge trail.  The different viewpoints make for a fresh experience.

Mr. Toad

Want more? Click the link for my Online Gallery

The are like people, sitting there.  Kenneth Graham’s genius, in writing “Wind in the Willows”, was to recognize the likable characteristics of the toad.  I find myself concerned about their survival, although they must survive.  Earlier in the season they are pea sized.  I resist an inclination to move them to what may be a more promising location, preferably with a stone house and chrome brilliant motor car.

Copyright 2017 Michael Stephen Wills All Rights Reserved

Lucifer Falls on an Autumn Evening

celebrate Halloween on Lucifer Falls

A reader’s comment to this blog, thank you “Urban Liaisons” prompted me to explore the word, Lucifer. “Lucifer”, in Christian tradition, refers to the devil as it was in a time of glory before the fall from grace. The original, ancient meaning of Lucifer is the planet Venus as it rises just before the sun at dawn.  In this sense, the name refers to the bright beauty of the spot.  The effect is heightened at midday when the hiker passes from the relative gloom of Devils Kitchen to the full light and sweep of the waterfall chasm.

Standing next to the falls on the Gorge Trail, the stone wall of the Rim Trail Overlook is overpowered by the grandeur of the 300+ foot cliff. The falls photographs were taken from behind the wall.

Occasionally, we have experienced individuals climbing over the wall to stand on the other side. “Why?”

Summertime thick stands of tiger lilies flourish on the cliff face. Can you find the withered leaves?

This session I finally “cracked” the puzzle of the Devil’s Kitchen Waterfall. I posted the results to the online gallery yesterday, for your enjoyment. Click the link to go there.

Click link for my fine art print “Devils Kitchen.”

Copyright 2020 Michael Stephen Wills All Rights Reserved

Island Shrine

part of the Irish landscape

Modern stonework borders the 1/2 mile path to the inner Dún Aonghasa walls, keeping tourists off delicate plants, maintaining the integrity of this ancient site. 

The view north, northwest over the walled path to Dun Aonghasa (Dun Aengus) looking across karst landscape, walled fields, farms, the North Atlantic Ocean, coast of Connemara and the 12 Bens (12 Pins) mountains. Aran Islands, County Galway, Ireland.ng lintel) in the surrounding wall, to left of center in middle distance.

Click the photograph for a larger view.

Click the link for my Getty IStock photography of the Aran Islands

A roadside shrine on Cottage Road, Inishmore. The faith brought by the saints has deep roots here.

A large crucifix set with wet stone walls with cut flowers. The walls are the native limestone.

It is a spring (early June) afternoon and there are fern and wildflowers. The white flowers are Greater Burnet saxifrage (Scientific Name: Pimpinella major).

The existing dry stone wall was interrupted by the shrine. In the distance are dry stone walls around fields, a stone shed, feeding horses and the sea, being Galway Bay, storm clouds with distant rain.

Aran Islands, County Galway, Ireland.

Click me for the first post of this series, “Horse Trap on Inishmore.”

References: search google “Wet Stone”

Copyright 2019 Michael Stephen Wills All Rights Reserved

Cliff Edge II

Flowers on the edge

From the commanding location of Dun Aonghasa, looking northeast across Inishmore island, we can understand why the ancient builders chose this location.

We also see the transition from exposed limestone to the fields built literally from the ground up (see my post “The How of Soil”).  For a closer view of island houses see my posts “Settled In” and “Cottage Road Cottage.”

The field walls are described in my posts, “What is a rock, what is a stone?” and “Stone on Stone.”

Click the photograph for a larger view.  Enjoy!!

Click the link for my Getty IStock photography of the Aran Islands

Breaking waves, turquoise sea below the dramatic cliffs of the ancient fort Dun Aonghasa (Dun Aengus),

in the distance the karst landscape of Inishmore with clouds of an approaching storm over Galway Bay.

Sea Campion (scientific name: Silene uniflora) (irish name: Coireán mara) clings to the edge.

Inishmore, Aran Islands, County Galway, Ireland.

Click me for the first post of this series, “Horse Trap on Inishmore.”

Copyright 2019 Michael Stephen Wills All Rights Reserved

Cliff Edge I

Beware of falling rock

From the commanding location of Dun Aonghasa, looking northeast across Inishmore island, we can understand why the ancient builders chose this location.

We also see the transition from exposed limestone to the fields built literally from the ground up (see my post “The How of Soil”).  For a closer view of island houses see my posts “Settled In” and “Cottage Road Cottage.”

The field walls are described in my posts, “What is a rock, what is a stone?” and “Stone on Stone.”

Click the photograph for a larger view.  Enjoy!!

Click the link for my Getty IStock photography of the Aran Islands

Breaking waves below the dramatic cliffs of the ancient fort Dun Aonghasa (Dun Aengus),

in the distance the karst landscape of Inishmore with clouds of an approaching storm over Galway Bay.

A crack in the limestone foretells the next cliff erosion, “don’t step there!!.”

Inishmore, Aran Islands, County Galway, Ireland.

Click me for the first post of this series, “Horse Trap on Inishmore.”

Copyright 2019 Michael Stephen Wills All Rights Reserved

Where a fort falls away

An abrupt emptiness

Here is the east side of the inner enclosure wall of Dun Aonghasa (Dun Aengus) where it ends at a cliff edge over the Atlantic ocean.

Visible are the last 60 feet or so of the limestone strata supporting the inner ring.

When first constructed, the inner ring was complete, the western side 1,000 feet from the cliff.. Today’s form of a semi-circle was created by nature when the force of Atlantic Ocean waves eroded the cliff, undercutting the strata.

Look close to see a fracture where the next block of limestone will fall into the waves.

Wishing a blessed All Saints Day (November 1st) for all my readers.

Click me for the first post of this series, “Horse Trap on Inishmore.”

Reference: wikipedia Dún Aonghasa, Sea Campion

Copyright 2019 Michael Stephen Wills All Rights Reserved

Inner Ring, entrance

a storm threatens

In my last posts, “Inner Ring, at last” and “Inner Ring, look down,” we passed over the entrance to the inner enclosure.

A long path through fields, karst landscapes and outer walls leads to this entrance to the inner ring of Dun Aonghasa (Dun Aengus) of Inishmore, Aran Islands, County Galway, Ireland. The image composition is as a dramatic landscape with the surrounding walls and the cloudscape of an approaching storm.

Click me for the first post of this series, “Horse Trap on Inishmore.”

Reference: wikipedia Dún Aonghasa

Copyright 2019 Michael Stephen Wills All Rights Reserved

Inner Ring, look down

A time of wildflowers

My previous post, “Inner Ring, ssss”, lowered the horizon. Here, we study the base of the inner wall.

A detail of the interior wall of Dun Aonghasa (Dun Aengus) in springtime. White flowers of Sea Campion (Scientific Name: Silene uniflora) (Irish Name: Coireán mara) set against the ancient dry stone wall. Inishmore, Aran Islands, County Galway, Ireland.

We found Sea Campion throughout the west Ireland coast.

Wishing a blessed All Saints Day (November 1st) for all my readers.

Click me for the first post of this series, “Horse Trap on Inishmore.”

Reference: wikipedia Dún Aonghasa, Sea Campion

Copyright 2019 Michael Stephen Wills All Rights Reserved

Inner Ring, at last

Site of earliest construction, 1,100 BC

A view to the northwest from within Dun Aonghasa in springtime. The interior a karst formation (see my post, ” Galway Bay View from Dún Aonghasa”), the grikes (see my post, “Grykes and Clints”) filled with grass and a sprinkling of white and yellow flowers, a cloudscape rising over the walls. Inishmore, Aran Islands, County Galway, Ireland.

Wishing a blessed All Saints Day (November 1st) for all my readers.

Click me for the first post of this series, “Horse Trap on Inishmore.”

Reference: wikipedia Dún Aonghasa

Copyright 2019 Michael Stephen Wills All Rights Reserved