We spotted this stuff within minutes of arriving at McKee Gardens for an afternoon visit with the grandchildren. Festooned above our heads from thick Oak branches, I could not resist pulling out the camera for this photograph to capture the flavor of Southern Gothic. Fortunately, our group included neither deeply flawed nor disturbing characters, though we can confess to a touch of eccentricity.
Above the Cafe tables
Spanish Moss produces inconspicuous flowers with tiny seeds. Spanish Moss also propagates from fragments of the fine leaves.
Spanish Moss is neither moss nor Spanish. Scientific name Tillandsia usneoides, this flowering plant is in the family Bromeliaceae that includes pineapple. Here we have two epiphytic bromelias sharing the trunk of a palm.
Spanish Moss with other Bromeliads
A rootless epiphyte native to the tropical / semi-tropical Americas, Spanish Moss has a preference for southern live oak (Quercus virginiana) and bald cypress (Taxodium distichum) because of their high rates of foliar mineral leaching (calcium, magnesium, potassium, and phosphorus) that provides an abundant supply of nutrients to the epiphytic plant.
Spanish Moss on PalmsSpanish Moss on Southern Live Oak
My two volume “go to” resource for plants and trees had sparse information about Spanish Moss and no wonder as it is a burden on trees, though not parasitic, and so more a pest than a decorative element to cherish. Surprisingly, Spanish Moss was purposely introduced to Hawaii where it is now known as “Pele’s Hair” after their fire goddess.
Working as a consulting dietitian, back in the 1980s, on a early June drive from Canisteo, New York on route 19 north of Mansfield, Pennsylvania, where the road goes through the Tioga-Hammond Lakes Recreation area there were miles of phlox growing on the east side of the road. The fragrance of phlox was pervasive with the window down and to this day I remember that time when phlox is in bloom as it was on June 5th, last week.
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The species name (Phlox) divaricata means “with a spreading and straggling habit”.
On the way to Treman State Park, to check out wildflowers, on an afternoon that threatened rain I came upon these stands of phlox, growing as it does under trees in damp soil on the east side of Colegrove Road. We’ve had plentiful rain this spring.
Phlox is abundant here
Looking it up in my reference book, “The Botanical Garden”, the plentiful number of species was daunting. (CLICK ME for more about this reference.) Bloom times spread across the calendar from May through August and into autumn. Species blooming in June were just not a good match.
The blooms seem to go on forever into the woods.
It was a surprising result, though in retrospect given the wide distribution and abundance of species, is to be expected. So I poked around the internet search engines, results from varied search strings, until Phlox divaricata popped up as a wildflower with a late May / early June bloom and growth habit and flowers matching these.
I captured macros of the two hues from roadside specimens.
Copyright 2019 All Rights Reserved Michael Stephen Wills
My dear wife Pam is the heart of Christmas in our home. Over the years we have collected a treasure of ornaments and knick-knacks she crafts into displays around our one. Pam completed the project well in advance of our grandchild holiday visits, before card writing and gift wrapping.
My contribution is a photographic time capsule. Here is some of my artistic output from this work.
This grouping of five cozy snowmen (three males, two females) are warmly dressed in knit sweaters and stocking caps; the women with long skirts. The five hold hands in a ring, rising from a common platform. We place a cup and devotional candle in the center.
The tiny group evokes community, harmony, amity. I captured them with a Canon EOS 1Ds Mark III dslr, a fixed Canon EF 100mm f/2.8L macro lens mounted on a Manfrotto studio tripod and hydrostatic ball head. Fixed lenses provide the sharpest macros. The mounting allowed precise framing and use of the widest aperture and a low ISO. The light sources were sunlight from a large north facing bay window, a Canon Speedlite 600Ex-Rt and the candle. When used, the flash was angled in various ways toward the ceiling.
I start with a tight shot, maximum aperture. A single figure is in clear focus, the remaining gradually lost in the bokeh. The flash was used. I can almost see then circling around the candle in a winter wind.
Here the candle is lighted, aperture narrow to f8 using only the candle and ambient light (no flash). The group is visible within surrounding figures. I backed away and the viewpoint is higher.
The candle light enhances the perception of community.
Viewpoint is closer, still only the candle and ambient light. Aperture widened to 3.5. I must remove the hair in lightroom.
I backed off, aperture at the max with only the candle and ambient light. The figures are placed in a tableau with other snowmen and a structure, a birdhouse.
For this overview I swapped in a Canon 24mm f/1.4L II USM with a flash, aperture f2.2.
Christmas 2017 snowman display laid out in our den on top of the entertainment cabinet.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Two Nature Abstracts, macros of Reavis Creek below the falls
The light of a early spring desert afternoon on a broad rock shelves along the creek.
I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
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In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
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The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
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A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
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I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
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My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
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I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness. For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders. There is no trail. The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.
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My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head. The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a Kodak dSLR body, allowing me to take crisp shots. The tripod legs can be adjusted to precise positions for stability.
I can feel the bright afternoon desert spring sunshine in this photos. It was after the spring floods, the flow of Reavis Creek and ample still but slow. Gathering in pools over the rough stones of the creek bed, the water absolutely clear.
I held the shot over many minutes, capturing ever changing diffraction patterns.
We see in all these photos, not a homogenous blend of stones from a shared geology. Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.
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This is a series of photographs of smooth, white igneous boulders with shadows of still leafless sycamore and cottonwood trees.
Graceful shadows
Strong, demonstrative shadows.
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A leaning cairn, not a trail marker….
A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.
Wednesday last I enjoyed shuffling along a forest carpet along the South Rim Trail of Taughannock Falls Park. It is a lost pleasure now the first snow is with us.
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Leaf Carpet on South Rim Trail
Oak Leaves, forest floor
Understory Autumn
Photographs in Gallery
Leaf Carpet on South Rim Trail
Oak Leaves, forest floor
Understory Autumn
Copyright 2021 All Rights Reserved Michael Stephen Wills
Michael Stephen Wills Photography 
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