On Being Thankful

A garden, migrating geese, an unexpected balloon and flowers opening after dark remind me that gratitude begins by noticing the extraordinary within ordinary life.

There are times when gratitude arrives not as a grand revelation but quietly, almost unnoticed. It can begin by looking out a window, walking through a garden, hearing the calls of birds overhead, or watching something unexpected drift across an otherwise familiar sky. My video is made of such moments. It is a collection of things close at hand, yet when gathered together and accompanied by music, they become something more: a reminder of how extraordinarily rich an ordinary life can be.

I have much to be thankful for.

I am thankful, first, for home, a place on Earth intimately known to me. The opening views of the garden convey that sense wonderfully. There are great white clusters of hydrangea against deep green foliage, scattered pink blossoms, lawn, trees and the familiar boundaries of a yard. None of it is monumental. That is exactly the point. These are not the Alps or some distant wilderness. They are the landscape of everyday life, made beautiful by familiarity, care and the changing seasons.

A garden teaches gratitude because nothing in it remains still. Flowers arrive, flourish and disappear. Leaves that emerge with the almost translucent green of spring deepen through summer and eventually blaze red before falling. Brilliant red foliage is particularly striking, it carries within it both beauty and departure. Autumn diminishes and completes summer.

And then there are those remarkable white flowers opening in darkness—the extravagant, almost otherworldly blossoms of the night-blooming cactus. They seem fashioned from moonlight: long, narrow petals radiating from their centers, magnificent for such a brief interval. Their fleeting existence makes them more precious. To witness one requires being present at the right moment.

Perhaps that is true of much of life.

I am thankful that I have retained the impulse to notice.

There is a considerable difference between seeing something and noticing it. The world is filled with people who look at flowers, birds and skies every day without really seeing them. Curiosity changes that. It makes a flock of geese more than birds crossing the sky. they form their wavering lines beneath pale blue heavens shared with our moon. They are travelers following routes far older than our roads, houses or cities. Their passage reminds me that my home is part of a much larger landscape and that the seasons unfolding in my yard belong to rhythms extending across a continent.

I am thankful for the ability to look upward.

The balloon drifting above the neighborhood makes that thought almost literal. Suddenly an ordinary sky contains a great yellow, red and blue vessel, sometimes distant among the trees, sometimes passing wonderfully close overhead. We see the basket beneath it and the people aboard—human beings temporarily liberated from the ground, carried through the same air in which the geese travel.

There is something optimistic about a hot-air balloon. It accomplishes wonderfully nothing particularly urgent. It rises because people still want to know what the world looks like from somewhere else. Its presence in the video celebrates imagination, adventure and the persistence of wonder.

Yet gratitude also grows downward, into the earth.

The images of lush plants growing in raised beds and then harvested in abundance speak of another kind of wealth. Food does not simply appear. A seed becomes roots and leaves; sunlight is captured; water rises through stems; soil gives up minerals; human hands tend what is growing. Eventually the garden gives something back. To harvest food from plants one has watched develop is to participate, however modestly, in one of humanity’s oldest relationships with the living world.

I am thankful for that abundance—not abundance measured by possessions, but by experiences.

The sculpture of the young boy and girl quietly sharing a book adds a different note. Amid flowers, birds, harvests and skies is an image of companionship. Two figures sit close together, absorbed in the same story. It suggests affection, learning, intimacy and the pleasure of sharing something with another person. A life becomes immeasurably richer when its experiences are not ours alone.

That may be the deepest source of gratitude: the people with whom life has been shared. Family and friends give meaning to places and memories. A garden is more than plants when someone has walked through it with us. A meal is more than food when others sit at the table. A photograph becomes more valuable when it preserves something we want another person—or another generation—to see.

The music running through the video strengthens this sense of reflection. It does not demand attention so much as give the images emotional space. As the photographs succeed one another, the music turns observation into remembrance. The effect is almost like leafing through an album while realizing that the apparently unrelated pictures are chapters of the same story.

And perhaps that is why I find the video inspirational.

None of its subjects needs to be spectacular to matter. A flower opens. Geese cross the sky. Vegetables grow. Leaves turn red. Two children read together. A balloon unexpectedly floats over the neighborhood. Hydrangeas bloom beside a fence.

Meanwhile, time passes.

That last fact could make these images melancholy, but I do not think it does. Their transience is precisely what gives them value. Gratitude does not require pretending that beautiful things last forever. It comes from understanding that they do not—and loving them anyway.

I am thankful for the years behind me: for places visited, things learned, people loved, photographs made and memories accumulated. But I am equally thankful that the world still contains things capable of surprising me. There are still flowers I want to examine more closely, birds whose journeys I want to understand, stars I want to find through a telescope, landscapes I want to photograph, stories I want to tell, and mornings when I do not yet know what will appear outside my window.

That may be one of life’s greatest gifts: there is still something to look forward to.

The world does not owe us another summer, another migration overhead, another flower opening after dark, or another unexpected balloon sailing across a blue September sky. When such moments come, the proper response is not merely to record them.

It is to recognize them.

And to be thankful.

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Memories of Valentine’s Day: Family Beginnings and a Lifetime of Shared Journeys

A Valentine’s Day reflection spanning childhood, family, and partnership—where a homemade cake, a living room, and an ocean voyage reveal love’s enduring thread.

Our culture insists that Valentine’s Day is about hearts and chocolates, about gestures that can be wrapped, written, or eaten. My memories tell a longer and more intricate story. Valentine’s Day is thread that runs through decades—binding childhood, family, and shared journeys into a single, evolving narrative.

An early Valentine’s Day memory of mine is anchored in a living room at 107 Deepdale Parkway in Albertson, New York. It is 1959. The room is familiar and ordinary, yet in memory it glows with a particular warmth. My sister Theresa is two, Christine is four, and I am five. We are gathered together, small figures in a modest suburban home, unaware that this fleeting domestic moment will outlast nearly everything else in the room. What I remember most is not an event, but a feeling: the sense of being held within something stable and loving, a family rhythm that proved enduring.

Theresa (2), Michael (5), Christine (4) in the livingroom of 107 Deepdale Parkway, Albertson, New York on Valentines Day 1959

As the years passed, Valentine’s Day shifted its shape, as it does for everyone. Childhood gave way to adolescence, and later to adulthood, when the holiday began to carry expectations and interpretations shaped by romance and partnership. Yet even then, my earliest associations lingered beneath the surface. Valentine’s Day was was beyond an exchange between two people; it was about continuity, about the quiet reassurance that one was part of a larger story.

A part of our celebration this Valentine’s Day cake—chocolate, homemade, and unapologetically generous.  Baked by my wife, Pamela, whose acts of care often expressed themselves through the kitchen. The cake was not elaborate by modern standards, but it does not need to be. Its value lay in what it represented: time taken, effort given, and love made tangible. Long after the plates are washed, the memory of that cake remains inseparable from the idea of Valentine’s Day itself. Love, I learned early, could be simple, nourishing, and shared.

Chocolate Valentines Day cake by Pamela Wills

That understanding deepened over time, especially through my life with Pam. One Valentine’s Day memory stands apart not for its extravagance, but for its improbability. Pam and I found ourselves aboard the Oceania ship “Regatta”, sailing the Pacific Ocean off the coast of Chile. The vastness of the water, the steady rhythm of the ship, and the sense of being suspended between sky and sea created a striking contrast to the small living room of my childhood. Yet the emotional register was remarkably similar. Once again, Valentine’s Day was marked not by spectacle, but by presence.

The following day we reached Puerto Montt, a port city framed by water and volcanoes. The journey itself became a metaphor for the way love matures. Where childhood love had been rooted in home and routine, this later expression unfolded through shared experience and mutual trust. Standing on the deck together, watching the coastline emerge, I was struck by how Valentine’s Day had come to encompasses where we had been and where we were going.

Pam and I aboard the Oceania Regatta sailing the Pacific Ocean off Chile. The following day we reached Puerto Montt.

In that sense, Valentine’s Day functions much like memory itself. It selects certain moments and holds them fast, allowing others to fade. A cake, three young children in a living room, two partners standing together on the open sea. These are not scenes one could have predicted would endure, yet they do, because they are threaded with care, attention, and shared time.

Now, looking back across the span of years, I understand Valentine’s Day as a recurring prompt that asks us to remember where love first took root, how it was tended, and how it has carried us forward. The details change, but the essence remains remarkably constant.

In the end, Valentine’s Day does not demand grand gestures or perfect words. It asks only that we recognize the quiet continuity of love as it moves through our lives—sometimes in a childhood living room, sometimes on the open ocean, always leaving its mark in ways we only fully understand in retrospect.

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Bells for Christmas

The symbolic power of the numeral three, reflected in various cultural, religious, and secular contexts, underscores its universal significance. From the mystical trinities of gods to the practical applications in rhetoric and storytelling, and the fundamental structure of our physical world, the number three resonates with a sense of completeness, balance, and harmony. Its pervasive presence in different aspects of human thought and culture attests to its enduring and profound symbolism.

Continue reading “Bells for Christmas”

Christmas Vibrations II

Time to Move On and Remember

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Christmas Vibrations I

Warm Wishes of Christmas

Click Me to view my photographs on Getty.

CLICK ME to read the first post in this series. 

Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com