On Being Thankful

A garden, migrating geese, an unexpected balloon and flowers opening after dark remind me that gratitude begins by noticing the extraordinary within ordinary life.

There are times when gratitude arrives not as a grand revelation but quietly, almost unnoticed. It can begin by looking out a window, walking through a garden, hearing the calls of birds overhead, or watching something unexpected drift across an otherwise familiar sky. My video is made of such moments. It is a collection of things close at hand, yet when gathered together and accompanied by music, they become something more: a reminder of how extraordinarily rich an ordinary life can be.

I have much to be thankful for.

I am thankful, first, for home, a place on Earth intimately known to me. The opening views of the garden convey that sense wonderfully. There are great white clusters of hydrangea against deep green foliage, scattered pink blossoms, lawn, trees and the familiar boundaries of a yard. None of it is monumental. That is exactly the point. These are not the Alps or some distant wilderness. They are the landscape of everyday life, made beautiful by familiarity, care and the changing seasons.

A garden teaches gratitude because nothing in it remains still. Flowers arrive, flourish and disappear. Leaves that emerge with the almost translucent green of spring deepen through summer and eventually blaze red before falling. Brilliant red foliage is particularly striking, it carries within it both beauty and departure. Autumn diminishes and completes summer.

And then there are those remarkable white flowers opening in darkness—the extravagant, almost otherworldly blossoms of the night-blooming cactus. They seem fashioned from moonlight: long, narrow petals radiating from their centers, magnificent for such a brief interval. Their fleeting existence makes them more precious. To witness one requires being present at the right moment.

Perhaps that is true of much of life.

I am thankful that I have retained the impulse to notice.

There is a considerable difference between seeing something and noticing it. The world is filled with people who look at flowers, birds and skies every day without really seeing them. Curiosity changes that. It makes a flock of geese more than birds crossing the sky. they form their wavering lines beneath pale blue heavens shared with our moon. They are travelers following routes far older than our roads, houses or cities. Their passage reminds me that my home is part of a much larger landscape and that the seasons unfolding in my yard belong to rhythms extending across a continent.

I am thankful for the ability to look upward.

The balloon drifting above the neighborhood makes that thought almost literal. Suddenly an ordinary sky contains a great yellow, red and blue vessel, sometimes distant among the trees, sometimes passing wonderfully close overhead. We see the basket beneath it and the people aboard—human beings temporarily liberated from the ground, carried through the same air in which the geese travel.

There is something optimistic about a hot-air balloon. It accomplishes wonderfully nothing particularly urgent. It rises because people still want to know what the world looks like from somewhere else. Its presence in the video celebrates imagination, adventure and the persistence of wonder.

Yet gratitude also grows downward, into the earth.

The images of lush plants growing in raised beds and then harvested in abundance speak of another kind of wealth. Food does not simply appear. A seed becomes roots and leaves; sunlight is captured; water rises through stems; soil gives up minerals; human hands tend what is growing. Eventually the garden gives something back. To harvest food from plants one has watched develop is to participate, however modestly, in one of humanity’s oldest relationships with the living world.

I am thankful for that abundance—not abundance measured by possessions, but by experiences.

The sculpture of the young boy and girl quietly sharing a book adds a different note. Amid flowers, birds, harvests and skies is an image of companionship. Two figures sit close together, absorbed in the same story. It suggests affection, learning, intimacy and the pleasure of sharing something with another person. A life becomes immeasurably richer when its experiences are not ours alone.

That may be the deepest source of gratitude: the people with whom life has been shared. Family and friends give meaning to places and memories. A garden is more than plants when someone has walked through it with us. A meal is more than food when others sit at the table. A photograph becomes more valuable when it preserves something we want another person—or another generation—to see.

The music running through the video strengthens this sense of reflection. It does not demand attention so much as give the images emotional space. As the photographs succeed one another, the music turns observation into remembrance. The effect is almost like leafing through an album while realizing that the apparently unrelated pictures are chapters of the same story.

And perhaps that is why I find the video inspirational.

None of its subjects needs to be spectacular to matter. A flower opens. Geese cross the sky. Vegetables grow. Leaves turn red. Two children read together. A balloon unexpectedly floats over the neighborhood. Hydrangeas bloom beside a fence.

Meanwhile, time passes.

That last fact could make these images melancholy, but I do not think it does. Their transience is precisely what gives them value. Gratitude does not require pretending that beautiful things last forever. It comes from understanding that they do not—and loving them anyway.

I am thankful for the years behind me: for places visited, things learned, people loved, photographs made and memories accumulated. But I am equally thankful that the world still contains things capable of surprising me. There are still flowers I want to examine more closely, birds whose journeys I want to understand, stars I want to find through a telescope, landscapes I want to photograph, stories I want to tell, and mornings when I do not yet know what will appear outside my window.

That may be one of life’s greatest gifts: there is still something to look forward to.

The world does not owe us another summer, another migration overhead, another flower opening after dark, or another unexpected balloon sailing across a blue September sky. When such moments come, the proper response is not merely to record them.

It is to recognize them.

And to be thankful.

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Apple Harvest Abstracts

Organic, abstract, ripe apples ready for harvest on Malloryville Road in the Finger Lakes

One late afternoon in early autumn, Pam and I strolled along Malloryville Road from our old home, discovering these ripe apples ready for harvest beside a barn.

Thank You for viewing.

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Copyright 2023 Michael Stephen Wills All Rights Reserved

Diorama Country

Happy Thanksgiving (USA) 2022

A diorama of the Museum of Natural History, New York City, features this north view, first viewed as a young teen on a school field trip — the duplicated sight was imprinted on my memory. Over the years I passed this spot repeatedly for trips to Long Island for family Thanksgiving celebrations. October 22nd, 2022, the field was planted with soybeans ready to harvest. The rounded hill, a drumlin, finishing the left side of the ridge, is the “star” of this photograph and the diorama.

A drumlin, from the Irish word droimnín (“littlest ridge”), first recorded in 1833, is an elongated hill in the shape of an inverted spoon or half-buried egg formed by glacial ice acting on underlying unconsolidated till or ground moraine.

Same exposure cropped to remove road and poles to perfect the image.

I am not sure the north/northwest view is an improvement, as seen in the following photograph.

Copyright 2022 Michael Stephen Wills All Rights Reserved

Three Autumn Views

Driven Wells in Cortland County

For this series I travelled a short distance south from where Palmer Road intersects with Virgil Road, crossing the border from Tompkins to Cortland County, closer to Carpenter Hill.

In the 19th Century driven wells (also called tube wells) were an innovation developed in Cortland County under the command of a Civil War era Colonel Nelson W. Green who sought for twenty-two years to impose royalties on use of driven wells. I.H. Palmer assisted John W. Sugget, both of Cortland County, in a seminal patent law case they won in U.S. Supreme Court seeking the release from royalty payments from thousands of driven well installations throughout the Eastern and Midwestern United States. Their successful argument was for two years before any patent application, in Cortland County, driven wells were in use. I cannot say Palmer Road has a connection to I.H. Palmer, though it is an interesting historical aside.

View east from Palmer Road across corn stubble. A feeder stream to Virgil Creek is marked by the nearest line of trees, beyond the land rises over the shoulder of Owego Hill.

View east/southeast from Palmer Road across corn stubble. A feeder stream to Virgil Creek flows through the first tree line on left with the creek itself in the far trees, center at the foot of Carpenter Hill. The green field at edge of corn stubble is the fallow field of the next photograph.

View east/southeast from the east edge of a fallow field along Palmer Road. Looking across Virgil Creek to the slope of Carpenter Hill. Cortland County, New York.

Copyright 2022 Michael Stephen Wills All Rights Reserved

Dryden Drumlin

Drumlin, from the Irish word droimnín (“littlest ridge”)

Carpenter Hill from Virgil Road, Route 392, looking across cornstalk stubble and McClintock Road, a faded yellow barn with “Vinda Acres” written on the doors.

The hill is clearly a drumlin. A drumlin, from the Irish word droimnín (“littlest ridge”), first recorded in 1833, is an elongated hill in the shape of an inverted spoon or half-buried egg formed by glacial ice acting on underlying unconsolidated till or ground moraine.

Distant ridges on the right include Hammond Hill. The road to Virgil above the town of Dryden, Tompkins County, New York.

Copyright 2022 Michael Stephen Wills All Rights Reserved

Apple Orchard in the Wilderness

Persistence of agriculture

….continued from the chapter “A Ride to Reavis Ranch”

Imagine walking across the ranch house ruin towards where I described the former pond. Looking to the east and north from the elevation you see this sight.

In the near distance a grass pasture slopes into Reavis Creek. The creek has flowing water in all but the longest dry seasons. By the way, the trail from Pine Creek is on the slopes of that conical feature in the distance, to the left.

Click any photograph for a larger version.
Looking from the former house site towards the Arizona Trail running beneath the distant red rock ridge. Not the fence rails on the left and apple trees in bloom.

From the ruin, walk down the Arizona Trail, south, for a few hundred feet and turn left into the fields to encounter the same apple tree, and a close up of pure white apple blossoms.

Portrait of a Blooming Apple Tree

At Rest and History

This tree is an outlier of a thick stand of several hundred trees to the north. The Searcher and I rode into the middle of the grove for a rest and chat. The horses were allowed to graze in the abundant new grass brought on by the winter rains.

The Searcher told me the story of the valley and that it was a man named Clemans who planted 600+ apple trees, trees in bloom all around us. The Reavis Valley was long a site of agriculture, starting in the 19th century with Elisha Reavis, who passed away in 1896 and is buried on the slopes of White Mountain, and continued with a series of ranchers and entrepreneurs in the 20th: John Fraser, William Clemans, who planted the trees, and John A. “Hoolie” Bacon, then Bacon’s son-in-law Floyd Stone who sold the land to the U.S. Department of Agriculture in 1967.

We talked about some earthwork I noticed, in the southern part of the valley. It was part of a water system that diverted Reavis creek flow at the head of the valley to the ranch house. We decided that strange hexogonal structure on the elevation above the house ruin was the site of water storage. At that location the structure would provide a pressure feed for the house and much else.

Abandoned Hay Rake

A mix of winter rains and fertile soil were exploited in the Reavis Valley for a handful of decades, the enterprise now is set aside. This abandoned hay rake and chassis, used to harvest grass in seasons past, is evidence of the work. The apple trees produce to this day without irrigation.

The Searcher touched upon the subject of the “Circlestone” ruin he mentioned on our morning ride. He had never been there, but mentioned some books on the subject. It is a wide circle of rough stone wall enclosing mysterious structures. At this point, I was hooked, and decided to check Circlestone on a later trip. Here are some photographs from one of those trips, in November 2006.

Reavis Ranch Apple Orchard Tree

Reavis Ranch Apples Yellow

Reavis Ranch Apples Red

In my next post The Searcher and I return to Pine Creek, Colorado gives me some trouble and we visit a stand of wild oats in the Reavis Gap.

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