Yellow Hibiscus I

flower, buds, bee

Yellow hibiscus, the state flower of Hawaii was recorded in ancient Greece. In the photograph is captured several unopened buds, behind the flower, and a bee in the flower throat, attracted by nectar there. It is a small bee, of the Halictidae family, that lives alone in a ground nest and also called a “sweat bee,” from being attracted to perspiration.

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References

Wikipedia – “sweat bee” and “hibiscus.”

Weedy Orchid IV

Presenting a macro of a Broad-leaved Helleborine (Epipactis helleborine) growing in our rose garden, in full bloom, a profusion of orchid flowers.

Helleborine, the scientific name species designation, means like a Hellebore. It must refer calyx, the outer leaves forming the flower bud, these open to reveal the flower. In this macro, the unopened buds are upper right. Bottom center the calyx, fully open, with the flower ready to accept pollination, fertilization. After opening, the calyx seems to be part of the flower, a characteristic of hellebore (see Helleborus argutifolius).

The flowers attract a variety of Hymenoptera. I observed wasps, yellow-jackets visiting. Today, each flower is a ripening fruit. I need to photograph is stage.

Click photograph for a larger view and use Ctrl-x to zoom in closer.

Photograph is from a 100mm “macro” lens, f6.3.

Thank You for visiting.

Copyright 2020 Michael Stephen Wills All Rights Reserved

Weedy Orchid III

This series reveals an an interesting plant I encountered July 2019. the Broad-leaved Helleborine (Epipactis helleborine), a wild orchid.

Each flower produces a seed capsule with an uncountable profusion of minuscule seeds. Germination is only possible if a fungus is present, mycorrhizal symbiosis the scientific term from the root words myco (fungus) and rhiz- as in rhízōma “mass of roots.”

Click photograph for a larger view and use Ctrl-x to zoom in closer.

This photograph minimizes the clutter of this rose garden site, lost in a beautiful bokeh, at a cost of much flower detail. Many of the numerous blooms are out of focus. F-stop is set to wide open, f1.2. The apparent image distortion, upper left hand quadrant, is the blurred arc of a juniper bush limb.

Today’s header image is from yesterday’s post, by way of comparison.

Click me for the first post of this series.

.to be continued.

Copyright 2019 Michael Stephen Wills All Rights Reserved

Weedy Orchid II

July 2019 I photographed an interesting plant growing in the wild. Motivated by curiosity I identified it as Broad-leaved Helleborine (Epipactis helleborine), a wild orchid.

A few years back we fenced in the rose garden as protection against marauding deer. This orchid specimen thrived within the enclosure, possibly turbocharged by rose fertilization.

The number of tiny flowers on a single stalk give a freakish, monstrous impression.

Click photograph for a larger view and use Ctrl-x to zoom in closer.

Here, the tripod is moved to the fully illuminated side, at f9 the details of the interesting leaves, entire flower stalk including the top bent toward the view, are in focus. The background fencing is a distraction.

Click me for the first post of this series.

.to be continued.

Copyright 2019 Michael Stephen Wills All Rights Reserved

Weedy Orchid I

July 2019, while hiking Fillmore Glen I photographed an interesting, till then unknown to me, plant growing on shale till beneath the gorge wall. Motivated by curiosity I identified it as Broad-leaved Helleborine (Epipactis helleborine), a wild orchid.

Using this information, I found the plant growing in our yard as a persecuted weed, observed closely a specimen surviving in a neglected nook and discovered the tiny face of an orchid flower.

2020, on my request, germinating plants with the same leaf form were spared weeding, even allowed to grow among the roses were the specimen of today’s photographs thrived.

Click photograph for a larger view and use Ctrl-x to zoom in closer.

I captured this and all following (posts) photographs of this orchid in late afternoon light, after the sun was behind the hemlock hedge to the west, mounting on a portable tripod made the shot possible in this light.

This specimen benefited from the ample fertilizer applied to the surrounding roses. Compare with the specimen photographed in Fillmore Glen, in post header. I needed to fit into a tight space, so the smaller tripod was used. The lens is a 50 mm, f-stop 5.6. I could open up the diaphragm to 1.2, though the additional blur would not improve the background very much (over f 5.6) at a cost of much of the plant out of focus. Each orchid is smaller than a “pinky” fingernail.

..to be continued.

Copyright 2019 Michael Stephen Wills All Rights Reserved

Lemon Yellow

With us since ancient times

Enjoyed since ancient times throughout the Middle East and China, our European roses were cultivated from Chinese introduced in the late 18th Century. One evening this June, unusually quiet with no breeze, Pam asked me to photograph this tall shrub in full bloom. These are protected from grazing deer by a stout fence, six feet tall.

At first it appears the blooms are a mix of colors from lemon yellow to cream.

The variation is an indication of each bloom’s age since opening. At first each opens to a lemon yellow. Here is a combination of opening and tightly closed bud. Throughout this set I used the Canon EOS 5D Mark IV dslr with the EF 50 mm f/1.2L USM stabilized with a Manfrotto 468MG tripod with Hydrostatic Ball Head. The stabilization allowed me to present the following comparison, at right the very fast 50 mm lens allows the opening bud to be highlighted. Left side, the lens diaphragm is somewhat closed and the opening bud, tightly closed and leaves are all seen. The pinnate, serrated leaves have one terminal lobe and two lateral for a set of three. There are fewer thorns than some, but sharp enough to be careful.

Flowers bloom throughout the late spring, summer and fall. Pam stops fertilizing in late summer to allow the plant to harden for our Zone 4b winters. Here you can see the plentiful flower buds, compare the opening to mature flower colors.

References

“The Botanical Garden” Vol 1, Roger Phillips and Martyn Rix, Firefly Books, Buffalo, N.Y. 2002 pp 228 – 233

Copyright 2021 Michael Stephen Wills All Rights Reserved

Betty Boop

A cartoon come to life

These Floribunda, semi-double petaled blooms were captured along with the yellow double cluster roses of the previous post, in the evening shade of a late spring day, June 23rd.

Above is a mix of just opened (the dark red, center bottom), fully opened new (just to right of center) and aging (all the rest).

Throughout this set I used the Canon EOS 5D Mark IV dslr with the EF 50 mm f/1.2L USM stabilized with a Manfrotto 468MG tripod with Hydrostatic Ball Head.

Floribundas, sometimes called cluster flowered roses, originated with Poulsen’s nursery in Denmark from crossed with Hybrid Teas with Polyantha Roses, themselves crosses between dwarf Chinas and a dwarf, repeat-flowering form of R. multiflora. Texas-based rose hybridizer Tom Carruth released Betty Boop in 1999, naming it after a cartoon character from the 1930’s. Pam found this plant around 2008 offered by the K-mart store in Cortland. She is amazed by the beauty of the Betty Boops.

Another beloved characteristic is the longevity of the blooms. Pam collected and arranged this vase last week, for Father’s Day. I provided the setting. In this controlled environment the low ISO provides better colors and contrast with minimal digital noise.

References

“The Botanical Garden” Vol 1, Roger Phillips and Martyn Rix, Firefly Books, Buffalo, N.Y. 2002 pp 228 – 233.

Wikipedia search for “Betty Boop rose” and ” Tom Carruth rose.”

Copyright 2021 Michael Stephen Wills All Rights Reserved

Woody Peony 100 mm

Macro series

See my May Woody Peony postings for background on this peony variety.

These photographs were taken with a Canon EOS 5D Mark IV dslr and the Canon EF 100mm f/2.8 Macro USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head.

The morning breezes of May caused me to “up” ISO to 1600 for a faster shutter speed at higher f-stop.

Taking full advantage of the macro lens, the higher ISO helped to maintain sharper focus on the highlighted feature, in this case the stamens.

A gallery of macros with various settings and aspects of the bloom.

Copyright 2021 All Rights Reserved Michael Stephen Wills

Woody Peony Reader Query

“It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.” Asphodel that Greeny Flower WC Williams

Here is a Sunny Sunday reader assignment. Which handling of this woody peony blossom do you prefer? Please leave your preferences in the comments section with details of your reasoning. Thank you!!

These photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. This setup allowed me to fiddle with camera settings, here you see a variation in the width of the shutter diaphragm opening, or F-stop. The smaller the opening (higher F-stop) less light is let through to the image sensor, longer exposure time (allowing the subject to move, as in the morning breeze) offset by greater depth of field, more of which provides sharp focus as the subject elements are further from the lens.

In this first photograph, the F-stop is moderately high. The entire blossom and plant are in focus, the background moderately blurred though still recognizable.

For the second photograph F-stop is low, opening up the shutter diaphragm, allowing more light in for a faster shutter release, less time for the morning breeze to rise up and ruin the shot. The beautiful background blurring, bokeh, is a feature of this 50 mm lens. At the same time, at F/4.0 the shutter diaphragm is not wide open. The blossom is entirely in focus, many plant leaves and the other blossom, to left, are out of focus. This places emphasis on the primary subject of the photograph while providing a feel for the surroundings.

Here are the same photographs, click on one to open a gallery for you to flip back and forth to compare.

Copyright 2021 All Rights Reserved Michael Stephen Wills

Woody Peony, Yellow Still Life 50 mm

Yellow for this last day of May 2021

This yellow woody (also called tree) peony blooms later than our red varieties. The first set of three were photographed May 26, 2021 have unopened buds. Yet, these are early compared to those photographed June 6, 2019 used in the last still life.

These first photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, fitted with a 600EX-RT Speedlite (flash) and the Canon EF 70-300 mm (variable) f/4-5.6L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head.

Our Itoh yellow tree peony has flowers on stalks too slender to hold the heavy blooms upright. The flowers open hidden among thick leaves. Here they are a still life of cut blossoms and leaves. The cultivars of Paeonia, the mouton, or hua wang, king of flowers, are ofe of the classic ornamental genera of China. By the 11th and 12th centuries the center off cultivation was in Sichuan, and there yellow-flowered varieties appeared.

Crossbreeding of yellow-flowered P. delavayi with traditional double-flowered P. suffruticosa cultivars by Victor Lemoine in Nancy, France has led to the introduction of the color yellow into the cultivated double-flowered tree-peonies. These hybrids are known as the Paeonia × lemoinei group. In 1948 horticultulturist Toichi Itoh from Tokyo used pollen from ‘Alice Harding’ to fertilize the herbaceous P. lactiflora ‘Katoden’, which resulted in a new category of peonies, the Itoh or intersectional cultivars. These are herbaceous, have leaves like tree peonies, with many large flowers from late spring to early autumn, and good peony wilt resistance. I am guessing our Yellow Wooden Peony is a type of this hybrid because the long stems are more herbaceous than woody, the heavy flowers droop so the best form to capture them is the still life.

Compare the above two exposures to appreciate the effect of the f-stop and excellent bokeh of the Canon “L” lens.

This still life from the 2019 bloom was taken with a Canon EOS-1Ds Mark III dslr and the Canon EF 50 mm f/1.2L USM lens used above. Stabilization provided by a Manfrotto 3036 (studio) tripod with the 468MG hydrostatic ball head. That room is bright from large, east-facing windows. Late afternoon light is soaked up by the black velvet backdrop leaving the lemon yellow leaves to shine.

Copyright 2021 All Rights Reserved Michael Stephen Wills

References
Wikipedia “Paeonia × suffruticosa
Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133