High Water
Here is the third waterfall in the Fillmore Glen Gallery of Waterfalls, shaded by hemlocks, below bridge eight (8) on an early spring morning of high-water volume.
A high dynamic range rendering from several exposures from a Kodak DSC Pro SLR/c with a Canon EF 50 mm f/1.4 USM all mounted on a very stable Manfrotto 468MG tripod with Hydrostatic Ball Head.
Fillmore Glen State Park Moravia, Cayuga County, New York.
Portrait orientation expands the view
Portrait orientation of the waterfall beneath the dam reveals the length the water takes across a cliff face. A shattered Hemlock destroyed over previous winter is in foreground.
A high dynamic range rendering from several exposures from a Kodak DSC Pro SLR/c with a Canon EF 50 mm f/1.4 USM all mounted on a very stable Manfrotto 468MG tripod with Hydrostatic Ball Head.
Fillmore Glen State Park Moravia, Cayuga County, New York.
A very wet “Dry Creek”
The upper portion of a high waterfall flowing from the outlet from the dam of Dry Creek on a spring morning just after the solstice.
A high dynamic range rendering from several exposures from a Kodak DSC Pro SLR/c with a Canon EF 50 mm f/1.4 USM all mounted on a very stable Manfrotto 468MG tripod with Hydrostatic Ball Head.
Fillmore Glen State Park Moravia, Cayuga County, New York.
On a late winter morning on the cusp of Spring 2007 I ventured from my home on Fall Creek on a photo expedition.
Form here is revealed through the fine snowfall dusting the evergreen boughs of this stand of pines, not enough to stop the wind for which is tract of the Cornell Thompson Research Farm is known.
Meadow Idyll
Snow under the gathering light of February, edges rounded by sunlight. Can you identify the animal tracks?
All were from a tripod mounted Kodak DSC pro SLR-C with the Canon lens EF 50mm f/1.4 USM
Meadow Idyll
The glacial marls through which this water flows to emerge here clear and pure were under threat from development in the 1980’s and 1990. Thanks to the efforts of the landowner, the uniqueness of this environment was preserved.
The first two photographs are combined and enhanced in photoshop to yield the third, combination, photograph.
All were from a tripod mounted Kodak DSC pro SLR-C with the Canon lens EF 50mm f/1.4 USM
Meadow Idyll
This water emerges from glacial marls, pure and clear, before flowing into a kettle pond. Here we see it on a winter afternoon meandering across a meadow before joining the Fall Creek of the previous postings of this week.
The first two are the same photograph. One has been enhanced in Photoshop. The other was perfected in Lightroom. The third is a different photograph taken about the same time, also peracted in Lightroom.
All were from a tripod mounted Kodak DSC pro SLR-C with the Canon lens EF 50mm f/1.4 USM
“Princess of the Night” one evening
Our Night Blooming Cereus produced to date fifteen (15) flowers this spring and summer. These opened July 26th after sunset.
These were captured with the Canon EOS 5D Mark IV dslr with a 50mm f/1.4 lens on a Manfrotto tripod. In the following closeup from the lower right is visible a flower bud and spent bloom among the flowers.
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Unrestrained chaos at the foot of Arizona’s highest waterfall
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
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Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
My Zion Photography on Getty
I finished my Zion photographs from oyr 2007 trip. Click this link for the 22 images accepted by Getty.
Michael Stephen Wills Photography 
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