Zion National Park 2007

My Zion Photography on Getty

I finished my Zion photographs from oyr 2007 trip. Click this link for the 22 images accepted by Getty.

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows XII

Family Group with child

In this series of three exposures from a tripod mounted Kodak DSC Pro SLR/c and Canon EF 50 mm f/1.4 USM lens, all were ISO 250, at f/8. The difference was the exposure time. In is the shortest exposure, 1.6 second, the human figures are blurred, though to a lesser extent than the second image, released earlier.

This is the last image of our trip to Zion National Park.

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows XI

Blurred water and human figures

The image is from a tripod mounted Kodak DSC Pro SLR/c and Canon EF 50 mm f/1.4 USM lens, ISO 250, exposure 3.5 sec at f/8. The flowing water in forground has an appealing blur, fellow waders, in the distance under beeteling cliffs, are blurred and unrecognizable.

Here the canyon turns sharply to the right.

Copyright 2021 Michael Stephen Wills All Rights Reserved

Autumn Stroll in Sapsucker Woods

a meditaton

On Halloween morning 2004 I set out with a camera upgrade purchased spring of that year, a Sony “Cyber Shot, DSC-F828” with an inexpensive tripod. My photograph “Autumn Stroll in Sapsucker Woods”, the feature photograph and below, achieved prizes with the Photographic Society of American and a few sales of self-produced prints. It was an early success.

Click any photograph to visit my Online Gallery “Finger Lakes Memories.”

It is available on my Finger Lakes Memories online gallery where I provide recommendations for sizing, the best print medium with ideas for frame and matt.

The fall of 2005 I invested in a Kodak DCS Pro dslr-c and a Canon EF 50mm f/1.4 USM lens.  October 30, 2005, one day short of the 2004 Halloween shoot, found me driving down Fall Creek Road on a mission of revisiting Sapsucker Woods to possibly improve upon my offerings.

Over the years, travelling Fall Creek Road on my daily commute, I admired this well formed maple next to a farm field.  At 6:45 am the sun was about this rise, the frost limned grass not yet burned off.  This tree turned a bright yellow, here a green-yellow and dull.  The form of the tree is perfect.  I was never able to catch this at the right moment, it is still there and maybe I can time it this year during a pick-up of my grandson.  If I do, my intention is to climb the fence and use the 24 mm lens to capture the tree and shed with less sky (unless there are some dramatic clouds).  That day, I needed to make time for Sapsucker woods.

On site, thirty minutes later, as the leaves of the Fall Creek Road maple predicted, Sapsucker Woods foliage is behind last year’s by a week or so.  In “Autumn Stroll in Sapsucker Woods” the over story leaves have fallen and the understory is at peak.  Here, I believe the overstory is gone, the understory leaves are yellow-green.

I carefully choose the sites and this one is a risen walk of boards.  In the nine years since, the walk as deteriorated and this scene will be different, possibly.

This is a match for the 2004 photograph as far as the camera position.  What I enjoy from the 2004 version, aside from the foliage, are the details of the fallen leaves taking up the foreground, a carpet filling the field to lead the eye up through the trees, path fading from view to the right.

This effect is not possible on the boardwalk, above.  With the fixed focus 50 mm lens it might be possible with effort.  Today, the 24 mm is my first choice to capture this effect.

Here we can see the leaf carpet is possible, if the f-stop is higher to allow a crisp focus.  In this scene it is f2 because I happened upon a buck in a daze.  He was just standing there as I headed back to the car.  I did not risk changing out lenses to the telephoto, so I moved forward slowly.

The best I did was this rear view as he looked backward.  Lack of flexibility is a draw back of a fixed-focus lens.

In 2004 my day concluded with Robert Treman State Park.  In 2005 the 50 mm fixed focus with a ND filter and tripod was in its element.  The sun is higher and overcast, one background tree is a peak foliage.  The moderate water flow and stair complete the effect.  This was my best work of that day.  I need to get this up on the “Finger Lakes Memories” gallery.

Other postings of interest. Click the link to go there.
“Last Sunlight” — the Gorge Waterfall
“Autumn Evening Hike Part 1 of 3”
Copyright 2018 Michael Stephen Wills All Rights Reserved

Zion Narrows X

Flash Flood Refuge?

The first of three long exposures of the Virgin River from the Narrows on the way back to Pam. Earlier on Pam headed back, concerned about thunderstorms and the possibility of flash floods. I hung on, for the perfect photo. I came pretty close here, with the flowing water coming aound this outcrop of picturesque boulders, canyon turning sharply right up ahead.. The Narrows, Zion National Park, Springdale, Utah

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows IX

highwater?

Three long exposures of the Virgin River, long may it flow. The Narrows, Zion National Park, Springdale, Utah

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows VIII

highwater?

Anywhere outside the water challenged southern Utah desert the Virgin River would be a creeks. The volume of flow does not exceed our Fall Creek, the largest stream of the Finger Lakes Region. Here I present two identical long exposures of the river backed by cross bedded Navajo Sandstone. The Narrows, Zion National Park, Springdale, Utah

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows VII

highwater?

Mysterious alcoves through cross-bedded Navajo Sandstone, 15 feet, or more, above the streambed. I use mysterious in the sense I wished the formations were mysterious, standing there with nowhere to climb, witnessing the effects of floods that high above. The location is The Narrows just above Orderville Canyon junction, Zion National Park, Springdale, Utah

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows VII

laying around in The Narrows

This polished basalt, the product of volcanic eruptions and eons-long weathering, is common on the Virgin River bed. Zion National Park, of The Narrows just above Orderville Canyon junction.

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion Narrows VI

long and narrow

I combined two 50 mm exposures for this view of an interesting rock and beetling canyon walls. Upstream from here it is a day’s walk to reach ground safe from flash floods, downstream at least one hour. Narrows of Zion National Park, Utah

Copyright 2021 Michael Stephen Wills All Rights Reserved