First Water Trailhead

A desert garden with plans

First Water Trail Head

Notable Sonoran Desert Plants, all in the same frame. From the left, back row: staghorn cholla, ocotillo, saguaro. Front row: teddy bear cholla, yucca. I am not certain the greenery to the left of the yucca is brittle bush.

First Water trail head is the most used access point to the Superstition Wilderness, being the closest to Phoenix and its satellite cities and suburbs. For day hikers there are ample and interesting route choices as all foot trails of the west side terminate at First Water making for a variety of loops and incredible views. For horse people there are facilities to park huge trailers.

The ready access from Mesa, where my sister and husband had their home, was the primary reason I planned to finish my cross wilderness hike on the Dutchman Trail. Named for Jacob Waltz of the fabulous legend of the Lost Dutchman mine, the inspiration for The Searcher’s Superstition Wilderness expeditions and, ultimately, why he and I met and my change of plans.

On our ride over from Roosevelt he told of his difficulties building a home in Apache Junction, sleepless nights spent guarding building supplies from thieves. He looked forward to moving day.

This photographic record of five days in the wilderness would be much different without that meeting yet, there I was that afternoon with plenty of time for photography during the golden hours of late afternoon as I wandered the desert gardens until my sister arrived.

Wild Barley

The long distant ridge beyond the rugged near hills is the backbone of the famed “Superstition Mountain.” On the far right are hoodoos, appearing as so many teeth on a jaw. Gorgeous saguaros in the foreground.

Weavers Needle is the distant peak, 5.5 dry miles away in this view to the west / southwest.

I’ve always been partial to how the dense spines of cactus catch the evening light. These staghorn chollas are in front of the same ridge of the Superstition Mountain. A famous formation, “The Flatiron” is visible on the far right.

The road to the trail head, Service Road 78, winds through 2.6 miles of hills. Here is another overview of Sonoran desert life.

You might remember hedgehog cactus blossoms from my posting “A Dry Piece of Paradise”. The following are from the large hedgehog cactus in the foreground of the preceding photograph.

Future Plans

During the drive back with my sister, Diane, we talked of plans for returning to the Reavis Ranch together, as a backpack expedition. In coming days I met with The Searcher to explore possibilities for a horse expedition and, three years later, these plans came together for a trip kicked off from this same First Water trail head.

Hedgehog Cactus Blooms

Here is a gallery of the same photos. It is fun to flip back and forth with me disappearing from the scene.

Click me for the first post of this series.

End of the Beginning

Exploring Arizona in my Fifth Decade of Life

….continued from the chapter “A Rocky End to a Perfect Day.”

The Searcher arrived after breakfast. My camp was bundled up to join the rest of The Searchers equipment and supplies on Colorado’s panniers that replaced the saddle where I sat, and was dumped from, yesterday. This fifth morning of the adventure, I was to have the experience of a light pack for the 4.7 mile trail from Pine Creek to Campaign Creek, past the Reavis Mountain School of Self Reliance.

First, there was the climb to the edge of Pine Creek canyon where we, for the last time, enjoyed the view to the north of the Arizona Trail and, in the distance, the Four Peaks Wilderness.

North from Reavis Gap

At Reavis Gap we took a rest before the 1500 descent to Campaign Creek on a trail rated as so difficult backpackers go miles out of the way to access Reavis Ranch.

I split an energy bar and took a swig of water before setting up the tripod to capture the following view of our path. The ridge, hazy in the distance of 22 miles, is Apache Peaks, the near descending ridges an improbable green after a wet winter. In the previous photograph, “North from Reavis Gap” you can clearly see the transition from the desert to a grassland biome as the elevation increases.

Generations

On this, the southern shoulder of Two Bar Mountain, we enjoyed desert grasslands almost the entire length, starting with this unlikely oat field. The higher, eastern Superstitions are the western and northern-most Sky Island of Southern Arizona: rising from the desert as isolated mountain systems, catchments for passing storms, with life zones progressing with altitude, the highest typical of Canada. As with oceanic islands, each is a haven for life with potential for evolution of unique species from the isolating effect of the surrounding desert.

These oats are domesticated grain spilled from a horse or donkey pack to thrive in the decades since, sprouting into this spread of light green after a wet winter, ripening, then turning gold with the summer, the grains falling to wait for the next opportunity. This green hue is my first impression of Reavis Gap, see my post “Two Meetings” for a video of the morning breezes rippling along the hillside.

The camera sweeps 180 degrees for all the views from this spot, including prickly pear cactus among the grasses, a butte-like formation to the west, as in the following photograph.

Upper Horrell, the end of the beginning.

We passed the length of the Reavis Mountain School of Self Reliance, the Reavis Gap trail is 100 feet or so higher on the north side. The name “Upper Horrell” is attached to this location. Reavis Gap trail used to start at a ranch house, part of the “Upper Horrell Ranch.” Horrell is the family name of the former owners.

Upper Horrell is a fortunate location for the school, with the perennial Campaign Creek flowing parallel to their 13 acres on which is a large garden, many fruit trees, livestock and poultry. The school provides lodging and classes throughout the year.

The Searcher initiated his time in the Superstitions with wilderness survival classes and they allowed him to park is horse trailer and pickup outside the gates. We were loaded and out of there with a stop at Roosevelt, population 28, where we were the only customers for mesquite grilled hamburgers and french fries. We talked about the potential for future trips and I took him up on an offer to store my stuff until then. In the following years I did more Superstition Wilderness day trips, backpack expeditions, some with my sister Diane, and one horse expedition with The Searcher and a friend.

Here is a gallery of this post’s photographs, for you to flip through.
Click me for the first post of this series.

Abstracts: graceful shadows

Shadow and Rock

Two Nature Abstracts, macros of Reavis Creek below the falls

The light of a early spring desert afternoon on a broad rock shelves along the creek.

I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.

Click this Link for a Superstition Wilderness Adventure

Waterfall Textures

Unrestrained chaos at the foot of Arizona’s highest waterfall

I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted.  Click to view my IStock Portfolio, including  photographs from today’s posting included in the acceptance notice.

In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls.  With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons.  The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet. 

Talus is the geological term for this formation.  Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.” 

 

The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle.  The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle.  I was alone and very careful to check each rock for stability before putting my weight on it.

A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.

A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens.  All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head.  The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens.   I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point.  The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.

I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.

My goals was a composite photo of the falls.  I have yet to succeed with this project.  Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.

I find in this series the vertical aspect is more artistic.  The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist.  The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.

In the following version I experimented with color, moving from the narrow range of hues, to more contrast.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.

Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Wilderness Textures

Abstract Beauty of the Superstition Wilderness of Arizona

These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness.  For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders.  There is no trail.  The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head.  The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a  Kodak dSLR body, allowing me to take crisp shots.  The tripod legs can be adjusted to precise positions for stability.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I can feel the bright afternoon desert spring sunshine in this photos.  It was after the spring floods, the flow of Reavis Creek and ample still but slow.  Gathering in pools over the rough stones of the creek bed, the water absolutely clear.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I held the shot over many minutes, capturing ever changing diffraction patterns.

We see in all these photos, not a homogenous blend of stones from a shared geology.  Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

This is a series of photographs of smooth, white igneous boulders with shadows of  still leafless sycamore and cottonwood trees.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Graceful shadows

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Strong, demonstrative shadows.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A leaning cairn, not a trail marker….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A metamorphic conglomerate stone….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Another metamorphic conglomerate.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.

Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Sandfall

explore a slot canyon

Here the red rock of the northwestern corner of the Navajo Nation was pulverized into sand by the action of wind, water, sun and cold.  The red sand flows here over a water-shaped bench, having blown into the darkness of a narrow canyon, called a slot.

I waited in the dry darkness of upper Antelope Canyon for the perfect moment to capture the spirit of the place.

Click this link for my Fine Art Photography gallery.

Click this link for another Arizona post, “A Dry Piece of Paradise.”

Ocotillo Sunset from Saguaro National Park, a diary Part 3

View from the bajada

 

SaguaroEast20051104-4

This is a retrospective diary of the day I created my print “Octillo Sunset.” You can visit “Octillo Sunset” on my online gallery by clicking on any of my blog photographs.

Choices of the Evening

Angled to the Sun

The following photograph of saguaros and distant Santa Catalina mountains is a similar view from Part 2 of this diary.  Notice the saguaro on the right is also on the left in the Part 2 photo. What is happening is I turned the lens more toward the west and the sun. At this angle the lens hood offers less protection, especially as the sun is lower in the west and the time of day is passing to the best light from the lowering sun that rakes across the landscape.  All this means I can bring the lens further to the west even though the lens hood is less effective.

Click any photograph to view Ocotillo Sunset Catalinas, Finger Rock, and Saguaros – CLICK ME to view Ocotillo Sunset.

Finger Rock!!

One reason why I am offering it, is high on the Catalina mountains, in the distance, you can just see a formation called “Finger Rock”.
This time of day, the lower angle of the sun brings out the canyon-shadows.  Finger Rock canyon has a high western wall, you can see it as a high long shadow starting toward the very center of the picture and building up and to the right.

The following photograph is the view of Finger Rock from the floor of that canyon taken during a Spring 2011 Tucson visit. I started hiking in pre-dawn hours to catch the dawn rays on the finger.

Click any photograph to view Ocotillo Sunset Catalinas, Finger Rock, and Saguaros – CLICK ME to view Ocotillo Sunset.

The Importance of Knowing Topography

Another aspect of this photograph is the landscape. There is a sloping bajada (alluvial fan) formed by water breaking up the mountain (in this case the Rincons) and washing it into the valley. It is the reason the saguaros appear to march into the distance. The same effect is used in movie theaters to allow the people in the rear to see over the head of people in the front.

This bajada and the higher elevation is the reason I moved from Sabino Canyon to here for a better position to view the sunset. Here is a nearly identical view, same 200 mm lens, in landscape format. The sloping land of the bajada is more visible.

Click any photograph to view Ocotillo Sunset Catalinas, Finger Rock, and Saguaros – CLICK ME to view Ocotillo Sunset.

Changing the Lens/Sun Angle

Looking in the opposite direction, back over Lime Kiln Falls to the Rincon (mountain) foothills, the lens hood offers maximum protection. The sun is at my back and, even though it is low in the sky at the beginning of the Golden Hour, this aspect gives great color depth at the expense of loss of shadows losing some depth of field.  Still, this is an interesting photograph.

Click any photograph to view Ocotillo Sunset NortheastFromLimeKilnsCopyrightSmall – CLICK ME to view Ocotillo Sunset.

Click me for the next post in this series.

Click me for the first post in this series.

Copyright 2021 Michael Stephen Wills All Rights Reserved

Zion National Park 2007

My Zion Photography on Getty

I finished my Zion photographs from oyr 2007 trip. Click this link for the 22 images accepted by Getty.

Copyright 2021 Michael Stephen Wills All Rights Reserved

Keuka Lake Fall Winter

October 5, 2014 found Pam and I at Keuka Lake after my son completed the Wine Glass Marathon.  Here we are at the finish line in Corning, home of the Corning Glass Factory.  You may know it from your set of Correlle dinnerware.

Marathoner and his proud father

Afterwards, Pam and I made it up to the Dr. Frank Winery for a tasting followed by dinner at a local restaurant.  Here is a photograph from the same viewpoint, using the “zoom” setting of my Sony DSLR A700.  The view is more interesting than the winter shot of “Keuka Lake Winter I”  from the autumn clouds and the burst of late day sun on the eastern lake shore.

This is the juncture of the “Y” shaped lake where the two arms joint the long foot.  The pointed high headland is the point where the two arms meet.  We are looking north here.  The western arm, on the right, is unique in that the water is flowing down into the juncture.  In Keuka Lake the water flows in two directions.  The flow of lake foot and eastern arm is in the opposite direction, Keuka Lake empties at the top of the eastern arm, eventually reaching Lake Ontario.  

North View from Overlook using “Zoom” lens

Here is the eastern view, from the overlook, looking over a vineyard ready for harvest, covered with fruit and leaves.  Every once in awhile there is a loud “bang” from a noisemaker used to discourage birds from feasting on grapes.  The buildings along the shore are summer cottages, Keuka is lined with them.

East View on an autumn afternoon

The same view, from our December 2018 visit.  The vines are bare, the fallen leaves cleared, the vine roots covered under banked earth to protect them from the cold.

Pam and I, enjoying wine after the 2014 Wine Glass Marathon.  Cheers!!

Click this link for my Fine Art Photography Gallery.

Copyright 2018 All Rights Reserved Michael Stephen Wills

Zion Narrows XII

Family Group with child

In this series of three exposures from a tripod mounted Kodak DSC Pro SLR/c and Canon EF 50 mm f/1.4 USM lens, all were ISO 250, at f/8. The difference was the exposure time. In is the shortest exposure, 1.6 second, the human figures are blurred, though to a lesser extent than the second image, released earlier.

This is the last image of our trip to Zion National Park.

Copyright 2021 Michael Stephen Wills All Rights Reserved