The elements come into focus, revealing Ludlowville Falls, near Lansing, New York. On the eastern side of Cayuga Lake, Salmon Creek plunges 35 feet over this limestone shelf. Pioneers constructed a grist mill at this site.
Here we see The Fang hanging over the entrance to The Cave. There is falling water overall, but especially the center section (can you see it?). The weight of accumulated ice fractured a portion of the frozen cascade.
Flowing water eroded away until this durable limestone strata. The majority of sedimentary rock is shale, only 6% is limestone. Throughout the Finger Lakes and elsewhere, this is why when flowing water exposed the edge of a limestone strata, the underlying, soft shales are worn away to reveal a waterfall, ever deepening. Eventually, the support of the limestone washes away to form this ledge. Here it is an ephemeral cave behind a curtain of ice.
See “The Fang?” for the first post of this series.
a vineyard in context
Here is a fourth post from a trip Pam and I enjoyed to the Dr. Frank Winery on the west side of Keuka Lake. The previous posts are “Keuka Lake Winter I”, “Iron Grace”, “Keuka Lake Fall Winter”. Let’s talk about the environment of these vineyards.
For this photograph I came down from the overlook building, right next to the vines, where it all starts, each plant growing from and clinging to the soil. Genetics play an important role, particularly the epigenetics, the expression of a crop’s genetic traits as affected by the context of the local environment. Here we see row after row of vines on the west side of Keuka Lake, the land sloping enough so the lake is clearly visible below. On the other side the land is clearly forested with few, if any, vines, on a steeper slope. There is more sunlight on the west side, the land tilts a bit to the southeast and northwest on the east side. In the northern hemisphere, a southern exposure means more sunlight.
There is a geological reason for this topography. In this part of New York State sequential, long plates of land aligned on a general north-south axis each sloping to the east causing longer, more gradual slopes on the east side and, one the west shorter, steeper slopes as we see in this photograph. The crease where the plates meet is where each of the Finger Lakes formed. It is the combination of the lake water holding of warmth and the long slope exposure to sunlight that creates a microclimate favorable to the vines.
Click this link for another posting about the Finger Lakes.
Copyright 2018 All Rights Reserved Michael Stephen Wills
We visited Keuka Lake on a December day for my last two posts,
“Keuka Lake Winter” and “Iron Grace”. October 5, 2014 found Pam and I at the same overlook after my son completed the Wine Glass Marathon. Here we are at the finish line in Corning, home of the Corning Glass Factory. You may know it from your set of Correlle dinnerware.
Afterwards, Pam and I made it up to the Dr. Frank Winery for a tasting followed by dinner at a local restaurant. Here is a photograph from the same viewpoint, using the “zoom” setting of my Sony DSLR A700. The view is more interesting than the winter shot of “Keuka Lake Winter I” from the autumn clouds and the burst of late day sun on the eastern lake shore.
This is the juncture of the “Y” shaped lake where the two arms joint the long foot. The pointed high headland is the point where the two arms meet. We are looking north here. The western arm, on the right, is unique in that the water is flowing down into the juncture. In Keuka Lake the water flows in two directions. The flow of lake foot and eastern arm is in the opposite direction, Keuka Lake empties at the top of the eastern arm, eventually reaching Lake Ontario.
Here is the eastern view, from the overlook, looking over a vineyard ready for harvest, covered with fruit and leaves. Every once in awhile there is a loud “bang” from a noisemaker used to discourage birds from feasting on grapes. The buildings along the shore are summer cottages, Keuka is lined with them.
The same view, from our December 2018 visit. The vines are bare, the fallen leaves cleared, the vine roots covered under banked earth to protect them from the cold.
Pam and I, enjoying wine after the 2014 Wine Glass Marathon. Cheers!!
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Copyright 2018 All Rights Reserved Michael Stephen Wills
explore a slot canyon
Here the red rock of the northwestern corner of the Navajo Nation was pulverized into sand by the action of wind, water, sun and cold. The red sand flows here over a water-shaped bench, having blown into the darkness of a narrow canyon, called a slot.
I waited in the dry darkness of upper Antelope Canyon for the perfect moment to capture the spirit of the place.
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Click this link for another Arizona post, “A Dry Piece of Paradise.”
Copyright 2018 All Rights Reserved Michael Stephen Wills
a ghost story
In my last post, Homecoming Parade 2003, I described my initial reconnection with the University of Arizona (U of A) as a 1975 graduate and alumnus. This personal project of involvement with U of A and Arizona continued through 2011 with annual autumn trips to coincide with Homecoming. The travel was as a CALS (College of Agriculture and Life Sciences) Alumni Board of Directors member, a primary responsibility was raising funds for scholarships.
I met, Linda Kelly, the owner of the Triangle T Guest Ranch, while camping in the Chiricahua Mountains. I arrived a week before homecoming to photographing the landscape, nature and rock formations of the Chiricahua National Monument. Click this link for my Arizona Online gallery, including some work from that time. Linda and a friend were visiting that day and we struck up a conversation about the area and her Triangle T Guest ranch. The next day I was scheduled to guest lecture a class at the U of A, as an alumnus of CALS. The ranch was on the way and I needed a place to stay, so Linda gave me directions and I checked in.
She gave me a tour of the incredible weather granite rock formations of Texas Canyon and, meanwhile, shared stories of the history of Texas Canyon. It is appropriate for the Amerind Foundation to be here (see first photograph), the winter camp of an Apache tribe for generations.
That night, my request was for a room storied to be haunted by a spirit they call “Grandma,” as in when her foot steps wake you from a sound sleep you say, “It’s all right, Grandmother.” She woke me that night, footsteps in the dark, hollow on the wood floor, the room filled with a hard cold. I talked to her, without a response, while swinging my legs out of bed to reach the gas heater in the wall. I turned on the heat and the sound of expanding metal heat fins lulled me to sleep.
It made a good story for the students. They were surprised I could fall back asleep, but after all I had to be there the following morning.
I gave Linda a few of my photographs from that day and we made arrangements for the Triangle T to supply a two night package for the CALS “Dean’s Almost World Famous Burrito Breakfast” silent auction during 2008 homecoming.
Abstract Beauty of the Superstition Wilderness of Arizona
These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness. For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders. There is no trail. The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.
My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head. The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a Kodak dSLR body, allowing me to take crisp shots. The tripod legs can be adjusted to precise positions for stability.
I can feel the bright afternoon desert spring sunshine in this photos. It was after the spring floods, the flow of Reavis Creek and ample still but slow. Gathering in pools over the rough stones of the creek bed, the water absolutely clear.
I held the shot over many minutes, capturing ever changing diffraction patterns.
We see in all these photos, not a homogenous blend of stones from a shared geology. Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.
This is a series of photographs of smooth, white igneous boulders with shadows of still leafless sycamore and cottonwood trees.
Graceful shadows
Strong, demonstrative shadows.
A leaning cairn, not a trail marker….
A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.
A metamorphic conglomerate stone….
Another metamorphic conglomerate.
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Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
Copyright 2018 Michael Stephen Wills All Rights Reserved
