Waterfall Textures

Unrestrained chaos at the foot of Arizona’s highest waterfall

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I received notice of IStock acceptance of select photographs from my last posting,  “Wilderness Textures”, was accepted.  Click to view my IStock Portfolio, including  photographs from today’s posting included in the acceptance notice.

In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls.  With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons.  The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.

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In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet. 

Talus is the geological term for this formation.  Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.” 

 

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Reavis Falls and Talus – CLICK ME for more abstract photography.

The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle.  The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle.  I was alone and very careful to check each rock for stability before putting my weight on it.

A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens.  All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head.  The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens.   I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point.  The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

My goals was a composite photo of the falls.  I have yet to succeed with this project.  Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

I find in this series the vertical aspect is more artistic.  The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist.  The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.

In the following version I experimented with color, moving from the narrow range of hues, to more contrast.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

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Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

Wilderness Textures

Abstract Beauty of the Superstition Wilderness of Arizona

These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness.  For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders.  There is no trail.  The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.

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Reavis Creek Water and Light – CLICK ME for more abstract photography.

My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head.  The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a  Kodak dSLR body, allowing me to take crisp shots.  The tripod legs can be adjusted to precise positions for stability.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I can feel the bright afternoon desert spring sunshine in this photos.  It was after the spring floods, the flow of Reavis Creek and ample still but slow.  Gathering in pools over the rough stones of the creek bed, the water absolutely clear.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

I held the shot over many minutes, capturing ever changing diffraction patterns.

We see in all these photos, not a homogenous blend of stones from a shared geology.  Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.

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Reavis Creek Water and Light – CLICK ME for more abstract photography.

This is a series of photographs of smooth, white igneous boulders with shadows of  still leafless sycamore and cottonwood trees.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Graceful shadows

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Strong, demonstrative shadows.

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Reavis Creek Water and Light – CLICK ME for more abstract photography.

A leaning cairn, not a trail marker….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

A metamorphic conglomerate stone….

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Another metamorphic conglomerate.

Reavis Creek Water and Light – CLICK ME for more abstract photography.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.

Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

A Dry Piece of Paradise

A hellish shriek assaulted the cold 3 am darkness.

A hellish shriek assaulted the cold 3 am darkness.

The scream was instantly recognizable. Anything but terrified, after a confused scramble I reinserted the pin into a personal security device hung from my backpack. Wrapped in a silly waffle weave blanket, tossing restless in the cold, the pin lanyard hung up then pulled free. Several minutes had passed with that sound flowing out over the canyon, calling all carnivores to breakfast.

I had drifted off with the wind shaking my tent like a drunken prankster and now all was totally and absolutely quiet. In spite of the cold, the inadequate blanket and the imaginary creatures looking for the source of that scream, the next two hours sped by in a fitful doze.

Agave Heart

At 5 am I crawled out to find the thinnest crescent moon imaginable gracing the eastern sky, kept company by a century plant silhouetted against the early dawn light.

Century Plant Dawn
Century Plant Dawn
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These stalks raise the golden flowers of this agave 10 to 15 feet above the green prickly rosette. Century plant stalks can be seen throughout the Superstitions, even at the high elevations among towering Ponderosa Pine.

Here is an agave in predawn light I caught on the next day, in Pine Creek canyon.

Agave
Agave in PreDawn Light

The leaves are used as needle and thread with the very sharp tip as the needle and the long leaf fibers, when properly dried and shredded, as thread. These leaves guard the agave heart from the harvest. A poke from an agave spike can be deep and painful.

The young shoots of the stalks are a succulent delicious treat raw. Roasted, the agave heart is a fresh, somewhat sweet delight. The earliest residents of this desert left numerous roasting pits on the mountain slopes, located where the agave still grows.

Dawn and the Pretty Hedgehogs

Although cold, the still dry air felt marvelous and even distant objects appeared absolutely clear. In this environment the spread of sun with its rising is a ritual. Here’s a photograph of the canyon walls a few minutes before the sun reached them.

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Slopes of Two Bar Mountain in PreDawn Light

And, a few minutes later, as the sun passed the ridges of Two Bar Mountain.…

SlopesOfTwoBarMtnAtDawn
Dawn on the Slopes of Two Bar Mountain

By the way, that’s a desiccated agave stalk to the lower right, on the rocks.

At my feet, spread at intervals on the brown red broken rock, small Hedgehog cacti bloomed lavender.

Lavender Hedgehog, overview
Lavender Hedgehog Blossoms
Lavender Hedgehog Blossoms
Lavender Hedgehog Blossoms
Lavender Hedgehog Blossoms
Lavender Hedgehog Blossoms with Buds

Cacti, such as the blossoming lavender Hedgehog seen above, require a space which enjoys full sunlight for most of the day. The thick grown of juniper trees limited sunlight and compete with the cacti for water. This image will give you an idea of the extent of the juniper growth.

Nameless Canyon in the Dawn
Nameless Canyon in the Dawn

Looking into Nameless Canyon

In the above photograph you are looking west over a canyon that is unnamed on maps. The dramatic flat ridge bathed in light is a landmark marking the canyon of Reavis Falls, on the far side in this view. Make your way down the canyon where is joins Reavis Creek, turn left and the falls are a few miles upstream. This is NOT the easiest path to the falls.

As the sun rose I needed to prepare for the day’s trekking, but took one more portrait of this lovely nameless canyon traversed by an almost non-existent path.

Nameless Canyon Morning
Nameless Canyon Morning

This season, a cold stream ran at canyon bottom. Flowing among the rocks the water produced peals of a crystal bell, but this was not my last memory of this place.

In the “Nameless Canyon Morning” image, on the left there is the almost vertical (no exaggeration) canyon wall I climbed in 4.5 hours that morning. It traversed 800 feet altitude in less than a mile. The path was substantially longer because it followed the contour lines of the land in long loops called switchbacks. As I proceeded up the canyon wall, to the southeast, above the opposite canyon wall, the memorable Four Peaks gradually appeared. Here’s the view from my lunchtime perch…..

Four Peaks from Nameless Canyon
Four Peaks from Nameless Canyon

This view looks over the basin of Reavis Creek and includes the, out of sight, 140 foot high Reavis Fall, the highest free fall in Arizona.

Click link for the first chapter of this tale, “Racing the Sun.”

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Copyright 2017 Michael Stephen Wills All Rights Reserved

Racing the Sun

Through that afternoon the wind gusts hit me as a physical force like a cat playing with her next meal.

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Mexican Poppies bloomed in profusion throughout the Superstitions after the plentiful winter rains of 2008.
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The four mile climb up the 2,000 foot eastern Superstition Wilderness bajada and escarpment consumed the morning and much of the afternoon.  It was the 80 pound backpack that did it.  Ten days of supplies, tent, equipment and 3.5 gallons (28 pounds) of water; enough food for a trek across the Superstition Wilderness, water enough for two days.  One day in, one day out if the water could not be replenished.  Mine was a water commitment, enough water storage to allow two days to trekking to another source.

Two Bar Mountain
Two Bar Mountain from Tule Canyon trail with corral made from mesquite trunks and barbed wire. Yucca and prickly pear in foreground.

Here the canyon rim view from atop the escarpment…..

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Here I found the huge mountain lion track in the dry mud from the spring rain, where water pooled and the cat drank.

…over trail 122, the Tule Canyon Trail, looking out from the wilderness.  Tule Canyon trail is very lightly used and only present in the form of occasional cairns.  There is a red rock cairn in the midground.  Theodore Roosevelt Lake of the Salt river is in the distance, as is the dirt road to the trail head.  A settlement is visible, on the right.

After that climb to the escarpment rim I was in a race to reach a safe campsite at an unknown location, the other side of Two Bar ridge, before sunset at 6:46 pm mountain time.  Yes, the time was exact to the minute.  If sunset found me on the mountain side or ridge, rapid fall of darkness would force me to set camp.

The following photograph was taken the winter of February 2006 from a campsite below Castle Dome on Reavis Ranch Trail.  A red line, starting to the left, is Trail 119, my path along Two Bar mountain ridge, beneath the mountain peaks, with switchbacks into a nameless canyon.

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Overview of my path to the nameless canyon behind Two Bar Mountain.

Ahead of me was a 400 foot ascent in a half mile to Two Bar Ridge, two miles along the glorious ridge providing endless views to the west and northwest.  An 800 foot descent to a nameless canyon below Two Bar Mountain.  This left no time for photography!!

This photograph, taken 4 miles to the west and 10 months later, is similar to what I enjoyed, and dreaded, that day.  A flowering century plant stalk grows at the end of the plant’s long life, usually 10 – 30 years.  After death, the plant is reborn through suckers from its roots.

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A Superstition Wilderness Sunset from a February 2006 backpack.

My hope was to find some flat terrain in that canyon, for a camp site. If only there was time enough to reach it. My progress was bedeviled by sudden gusts of wind, grabbing like a large cat, throwing off-balance.  A huge mountain loin track I knew a mountain lion attack was improbable: I ran more risk of being run down on a New York City sidewalk by a madman or, even more so, of having a heart attack.  Still, during my brief lunch I faced east, looking over Apache Lake for the possibility of a cat leaping up from the canyon.  On all other sides was an open area until, a quarter-mile uphill, there was a thick growth of Manzanita reaching to the ridge.

The west wind was whipping the bushes as I entered the Manzanita.  Here is a photo of the plant from a later backpack to the Rincon Mountain Wilderness.  Yes, the truck is a dark, rich red.  “Manzana” is apple is spanish, the plan is named “Little Apple” for the small green fruits much loved by bears.

Manzanita.
A mature Manzanita growing along the Miller Trail of the Rincon Mountain Wilderness. There is an enlargement of the flowers, to the right.

Manzanita leaves were thick around me snapping in the wind, making it seem at all moments a large creature was moving. The trail was difficult and several times I needed to turn back to find it, all the while climbing continuously.

On ridge was the highest point for a hundred or more miles to the west, so the wind was free to run which it did in huge gusts.  You can get an idea of the openness from the Superstition sunset photo.  For awhile the Manzanita acted as protection, then I descended along the west face of the Two Bar Mountain ridge.

Evening from Lime Mountain to East with Risen Moon
Two Bar Mountain and Ridge from Lime Mountain with rising moon.

My hat tie-down were tested on that two miles of ridge, the brim was molded around the right side of my head. The backpack acted as a sail so that it was taken in the wind gusts, affecting my balance.

On mountain trails the path is full of stones of all sizes and,  aside from the occasional rattlesnakes, critter scat or, at lower elevations, Gila monsters, it is the rock that forces hikers to look four steps ahead, planning moves carefully to avoid falls.  The 80 pound backpack, wind, rocks, high perch and, not forgetting the prickly pear cactus and jumping cholla, all slowed me to less than a mile an hour.  I was jumpy walking through that Manzanita and this slowed me down more.

Trail 122 joins Trail 119 on Two Bar Ridge.  On the ridge a substantial barbed wire fence separates federal land from the working ranch.  Where the trails crosses, the fence has a break.  The hiker needs to wend through a simple maze impassable to cattle.

Of all the trail, this is the most clearly marked.  Fences have deep historical significance for the western United States.  Range wars were fought between men who had different beliefs about land use and ownership.  Many historians associate the building of barbed wire fences with the passing of the Old West.

Up until the fence, cattle grazing visibly damaged the land and plants.  After the fence, the land was free to become as it was since the beginning of time.  Up here, there’s wonderful grass that was, in this season after heavier than normal winter rains, was lush and green.

The trail followed the fence for a ways, then descends steeply into a fold of the land, leaving me in shade as the sun, low in a cloudless sky, raked over the mountainside with a brilliant golden light.  The Two Bar Mountain and Ridge with Moon photograph, above, gives an idea of the effect.

Below, the canyon floor seemed a mass of prickly pear cactus groves.  I decided the lower canyon wall was the best choice for camp…as unlikely as that sounds.

Here, the trail was anything but straight and almost invisible, descending in looping curves called switchbacks.

Here’s a photo from the following morning.  I found a small shelf on a ridge overlooking the canyon floor, amongst wonderful shrubby Juniper trees.  Tiny hedgehog cactuses were covered in lavender blooms.  There is a decrepit stalk of a Century (yucca) plant lying over the rock.

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Morning view from my camp in a nameless canyon below Two Bar Mountain.

On approaching the shelf, the air turned suddenly cold as the sun fully set and the wind gained even more in strength flowing up the canyon and over Two Bar Mountain.  Stony ground made it impossible to stake the tent, instead I used small boulders to fix the corners and sides of the tent.  Once inside, I was grateful for an excellent mat to protect me from the small jagged stones at one with the ground.  The tent walls held back the wind.  I forgot to back an excellent sleeping bag for the trip.  Instead of buying one in Phoenix, my sister lent me a light waffle weave blanket.  “What was I thinking???”  It was a restless, cold night.  The sun was very welcome the following day.

Lavender Hedgehog Cactus Blooms
Lavender Hedgehog Cactus Blooms in pre-dawn light
Click for “Rincon Peak Summit”, another Arizona Adventure Posting.
Click for the first chapter of this Superstition Wilderness adventure.
Copyright 2017 Michael Stephen Wills All Rights Reserved

Peter’s Mesa Sunset

Can You Find the Eye of the Needle?

Peter’s mesa is at the center of Superstition Wilderness treasure legends. I was a member of an expedition to the top of the Mesa March 2008. This is a sunset view, looking south, southwest. Light raking across the desolation and an approaching storm behind Miner’s Needle create a fascinating spectacle. Ancient volcanism, apparent throughout the Superstition Wilderness, is here seen in the texture, form and type of rock as well as the mineral deposits. Miner’s Needle, like Weaver’s Needle (no seen in this view), are eroded volcanic summits. Look closely for the “eye” of Miner’s Needle, backlit by the storm cloud itself lit by the setting sun. To this day, hopeful prospectors search for gold nuggets around the Needle. There is one form of volcanism present today as an eerie rumble or hiss, similar to an enormous distant jet engine. We heard now and then during our two days on the mesa, louder and closer than a overhead plane could produce. The view includes many notable Sonoran desert plants. Many young Saguaro cactus are in the form of green poles and, on the rim of the ravine running left to right below the closer ridge, an excellent specimen with multiple arms. Catching the dramatic light, on the ridge is a tall single flower of an Agave, known as the “Century Plant” it flowers once in a long life and dies.

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Peters Mesa is named after “Old Pete” Gottfried Petrasch, father of Hermann and Rhiney Petrasch. Old Pete worked for Jim Bark for awhile in the 1890s doing odd jobs. Irregular employment gave Pete and Sons time to s searched for the Lost Dutchman Mine in the years following the death of the source of the legend, the “Dutchman” Jacob Waltz. The Petrasches were one of the first groups to search for the mine, and gold in general. They covered almost the entire Superstition range in their combined searches.

On our first day on the Mesa we came across the remains of one of these camp, on the top of Squaw Canyon. This was only deplorable junk a presumably disappointed bunch of searchers were too lazy to cart out. That March, we were lucky to find the remants of winter rains in the form of a meager trickle at the bottom of a shallow draw off Peter’s Mesa trail up from La Barge canyon. We had a good time of it until the trip was cut short by a storm front and torrential rains. We were back in Apache Junction before they hit.
This panorama is from our last evening on the Mesa. As the sun set I put the Kodak DSLR with a 50 MM lens on a Manfrotto tripod and hiked a mile higher onto the mesa for a view of Miner’s Needle. I quit only after the last light was extinguished by the approaching front. My reward for persistence was this dramatic light ennobling a craggy desolation. This is a composite of several images, combined using Photoshop. I have since invested in a Canon 24 mm wide angle lens.

Here is another Superstition Wilderness Episode

Copyright 2017 Michael Stephen Wills All Rights Reserved