On Being Thankful

A garden, migrating geese, an unexpected balloon and flowers opening after dark remind me that gratitude begins by noticing the extraordinary within ordinary life.

There are times when gratitude arrives not as a grand revelation but quietly, almost unnoticed. It can begin by looking out a window, walking through a garden, hearing the calls of birds overhead, or watching something unexpected drift across an otherwise familiar sky. My video is made of such moments. It is a collection of things close at hand, yet when gathered together and accompanied by music, they become something more: a reminder of how extraordinarily rich an ordinary life can be.

I have much to be thankful for.

I am thankful, first, for home, a place on Earth intimately known to me. The opening views of the garden convey that sense wonderfully. There are great white clusters of hydrangea against deep green foliage, scattered pink blossoms, lawn, trees and the familiar boundaries of a yard. None of it is monumental. That is exactly the point. These are not the Alps or some distant wilderness. They are the landscape of everyday life, made beautiful by familiarity, care and the changing seasons.

A garden teaches gratitude because nothing in it remains still. Flowers arrive, flourish and disappear. Leaves that emerge with the almost translucent green of spring deepen through summer and eventually blaze red before falling. Brilliant red foliage is particularly striking, it carries within it both beauty and departure. Autumn diminishes and completes summer.

And then there are those remarkable white flowers opening in darkness—the extravagant, almost otherworldly blossoms of the night-blooming cactus. They seem fashioned from moonlight: long, narrow petals radiating from their centers, magnificent for such a brief interval. Their fleeting existence makes them more precious. To witness one requires being present at the right moment.

Perhaps that is true of much of life.

I am thankful that I have retained the impulse to notice.

There is a considerable difference between seeing something and noticing it. The world is filled with people who look at flowers, birds and skies every day without really seeing them. Curiosity changes that. It makes a flock of geese more than birds crossing the sky. they form their wavering lines beneath pale blue heavens shared with our moon. They are travelers following routes far older than our roads, houses or cities. Their passage reminds me that my home is part of a much larger landscape and that the seasons unfolding in my yard belong to rhythms extending across a continent.

I am thankful for the ability to look upward.

The balloon drifting above the neighborhood makes that thought almost literal. Suddenly an ordinary sky contains a great yellow, red and blue vessel, sometimes distant among the trees, sometimes passing wonderfully close overhead. We see the basket beneath it and the people aboard—human beings temporarily liberated from the ground, carried through the same air in which the geese travel.

There is something optimistic about a hot-air balloon. It accomplishes wonderfully nothing particularly urgent. It rises because people still want to know what the world looks like from somewhere else. Its presence in the video celebrates imagination, adventure and the persistence of wonder.

Yet gratitude also grows downward, into the earth.

The images of lush plants growing in raised beds and then harvested in abundance speak of another kind of wealth. Food does not simply appear. A seed becomes roots and leaves; sunlight is captured; water rises through stems; soil gives up minerals; human hands tend what is growing. Eventually the garden gives something back. To harvest food from plants one has watched develop is to participate, however modestly, in one of humanity’s oldest relationships with the living world.

I am thankful for that abundance—not abundance measured by possessions, but by experiences.

The sculpture of the young boy and girl quietly sharing a book adds a different note. Amid flowers, birds, harvests and skies is an image of companionship. Two figures sit close together, absorbed in the same story. It suggests affection, learning, intimacy and the pleasure of sharing something with another person. A life becomes immeasurably richer when its experiences are not ours alone.

That may be the deepest source of gratitude: the people with whom life has been shared. Family and friends give meaning to places and memories. A garden is more than plants when someone has walked through it with us. A meal is more than food when others sit at the table. A photograph becomes more valuable when it preserves something we want another person—or another generation—to see.

The music running through the video strengthens this sense of reflection. It does not demand attention so much as give the images emotional space. As the photographs succeed one another, the music turns observation into remembrance. The effect is almost like leafing through an album while realizing that the apparently unrelated pictures are chapters of the same story.

And perhaps that is why I find the video inspirational.

None of its subjects needs to be spectacular to matter. A flower opens. Geese cross the sky. Vegetables grow. Leaves turn red. Two children read together. A balloon unexpectedly floats over the neighborhood. Hydrangeas bloom beside a fence.

Meanwhile, time passes.

That last fact could make these images melancholy, but I do not think it does. Their transience is precisely what gives them value. Gratitude does not require pretending that beautiful things last forever. It comes from understanding that they do not—and loving them anyway.

I am thankful for the years behind me: for places visited, things learned, people loved, photographs made and memories accumulated. But I am equally thankful that the world still contains things capable of surprising me. There are still flowers I want to examine more closely, birds whose journeys I want to understand, stars I want to find through a telescope, landscapes I want to photograph, stories I want to tell, and mornings when I do not yet know what will appear outside my window.

That may be one of life’s greatest gifts: there is still something to look forward to.

The world does not owe us another summer, another migration overhead, another flower opening after dark, or another unexpected balloon sailing across a blue September sky. When such moments come, the proper response is not merely to record them.

It is to recognize them.

And to be thankful.

Click me to visit Michael Stephen Wills Online Finger Lakes Gallery.

Enter your email to receive notification of future postings. I will not sell or share your email address.

Nesting Chronicles: The Life of A Cayuga Lake Osprey

Imagine you’re soaring with ospreys over Cayuga’s shimmering waters, preparing the nest, embracing the ritual of spring—a majestic cycle of life awaits you.

As the first warm breezes of early spring ruffle the chilled waters at the south end of Cayuga Lake, anticipation rises in me. I am a female Osprey, returning alone from far to the south along the old sky-roads. We do not migrate as a pair; my mate often reaches the nest ahead of me to reclaim the site and begin repairs. Still, this is the place we claim again, season after season.

Two Osprey perched on the nest near the Birding Trail of Cass Park. Cayuga Lake in the distance.

On arrival I wheel high above the shoreline, searching for the platform we left to winter. There it stands—the tall sentinel above the lake. He is there, too, calling once as he lifts, and the rim already shows the first fresh sticks of the year. Against the bright sky the nest looks rough-hewn, yet every branch lies to a purpose.

Two Osprey perched on the nest near the Birding Trail of Cass Park.

As I settled onto the platform, tthe familiar tilt of the timbers and the dry rattle of last year’s sticks steady me. I meticulously inspected our creation, the repository of our hopes and future lineage. My mate and I ferry fresh twigs and weeds, wedging them into the rim and lacing the walls tight against the spring winds.

In due time, beneath the sheltering rim, I laid a small clutch of mottled eggs—the culmination of our bond, the promise of continuity. Through the weeks that follow I keep them warm and dry, turning them with my beak and settling the heat of my breast upon them. My mate does the heavy work of provision—fish after fish to the rail—and stands guard, calling when intruders drift close. Now and then he eases onto the eggs while I feed, but the watching and warming are chiefly mine.

Two Osprey perched on the nest near the Birding Trail of Cass Park.

The world around us burgeoned with life. The lake’s surface now rippled with the activity of fish – a bounty for our growing family. Days turned into weeks, and our vigilance was rewarded as the first cracks appeared in the eggs. The chicks emerged, delicate yet voracious, their mouths agape for the nourishment we unceasingly provide.

Click Me for another Osprey Post

Thank you Candace E. Cornell of the Cayuga Lake Osprey Network for your helpful advice.

For further information: —–Poole, Alan F. ; 2019, “Ospreys: The Revival of a Global Raptor”; Johns Hopkins University Press —Mackrill, Tim; 2024; “The Osprey”; Bloomsbury Publishing

Enter your email to receive notification of future postings. I will not sell or share your email address.

Tuxedos on Tour: Three Majestic Mergansers

Join the escapade as you witness three majestic Mergansers, donning nature’s finest tuxedos, in a graceful ballet on the springtime stage of Cayuga Lake.

As you gaze upon these three fine feathered fellows, all members of the exclusive Common Merganser men’s club, they seem to glide upon the watery stage of Cayuga Lake with all the confidence of Broadway stars on opening night. They are the aquatic equivalent of a sharply dressed barbershop quartet, minus one, in their matching tuxedos, ready to sing the springtime serenade of their species.

The chap at the forefront is Captain Black-Crest, sporting a glossy noggin that shimmers with an inner light, undoubtedly the envy of every duck on the pond. He’s streamlined and debonair, with a white body that’s as crisp as the first snowfall and a dark back that’s as sleek as a shadow in moonlight. If ducks had monocles and top hats, he’d be first in line.

In the middle, there’s Sir Dapper-Diver, a mirror image of his companion, with a neck as white as the driven snow and a dignified black back that gleams like polished onyx in the dappled sunlight. He’s the quiet achiever of the group, poised and ready to make the plunge into the depths below, proving that style need not be sacrificed for substance.

And to the right, meet Admiral Feather-Finesse. His poise on the water suggests a mastery of the waves, a commander of the current. He carries his elegant attire with an air of grace that only comes with a natural pedigree. In synchronized perfection, he and his brethren form a regatta of refinement, a display of nature’s own black-tie affair.

These are male Common Merganser (Mergus merganser) in breeding plumage, characterized the body white with a variable salmon-pink tinge, the head black with an iridescent green gloss, the rump and tail grey, and the wings largely white on the inner half, black on the outer half. Like the other mergansers, these piscivorous ducks have serrated edges to their bills to help them grip their prey, so they are often known as “sawbills”. In addition to fish, they take a wide range of other aquatic prey, such as molluscs, crustaceans, worms, insect larvae, and amphibians; more rarely, small mammals and birds may be taken. As in other birds with the character, the salmon-pink tinge shown variably by males is probably diet-related, obtained from the carotenoid pigments present in some crustaceans and fish. When not diving for food, they are usually seen swimming on the water surface, or resting on rocks in midstream or hidden among riverbank vegetation, or (in winter) on the edge of floating ice.

Together, these three Common Mergansers (Mergus merganser) in their prime are a trifecta of elegance, a testament to the timeless beauty found in nature’s simplicity. They paddle forth with purpose, their matching plumage a striking contrast to the rippling blues and grays of the water, a parade of poise and plumage that delights the observant eye.

So, dear reader, as you observe this photo, take a moment to appreciate the charming uniformity and the subtle quirks that make each bird, despite their shared wardrobe, uniquely magnificent. It’s a snapshot of life at its most graceful, a picture worth far more than a mere thousand words.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Harvest Views

One October Evening

When Pam and I lived in an converted mill house on Malloryville Road one walk we’d take with cameras was out the front door, turn right and walk the road to the hilltop to take in the views.

“October Evening on Fall Creek Farmland”

Ripe corn on Malloryville Road from a hill above the Fall Creek valley.

Click any photograph to visit my OnLine Gallery “Finger Lakes Memories.”

“Into the Distance”

Fall Creek Valley view from Malloryville Road looking southwest.  In the far distance is Connecticut Hill.  You can see the towers of Ithaca College from here, but not in this photograph.

“Harvested Field”

Here are more views from this Harvest View evening.  Click the link to go there.

“Celestial Geese”

“Antique Silo Apple Harvest?”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Whale Sighting

Right Whales in February

No, the Manatee mailbox on Atlantic Avenue is NOT the whale sighted….more of that later. February 3rd 2022 dawned with scattered clouds to fracture sunbeams.

Walking south I made the 2+ mile point where, up from the beach on South Atlantic Avenue, is a memorable facade.

Also exotic schefflera, paths to the beach through Sea Grapes.

February is the time for Right Whale sightings on the Florida Atlantic Coast. On the beach, near the blue dot on the following map, were lines of people facing the ocean, some with binoculars and cameras with long lenses.

About 500 feet out, beyond where the wave roll begins, a person sat on a paddle board looking to my right. In the following IPhone videos an occasional black hump, roiling water, a flipper and the signature spout are visible. It is too far for identification, I call it a Right Whale from their reputation for visiting these shores in late January/February.

An hour later, I left the beach at South 4th Street to capture the following local color.

Copyright 2022 Michael Stephen Wills All Rights Reserved

Valparaiso Connections VI

Memories of Allende and Italy

Memories of Allende and Italy

Ricardo left a blank between the French Memorial Column of the Parque Italia, seen above.  He made of mention of Salvadore Allende Plaza.  The above photograph includes a graffiti inscribed corner of the set of steps, a platform and the area in front, a plaza, dedicated to the memory of Allende and named “Plaza del Pueblo Salvador Allende Gossens” on the 100th anniversary of his birth, 2008.  The structure was not new, it was called “The People’s Plaza”, the name change was pushed through by Alberto Neumann, communist councilor.  So the suppression and torture (see “Valparaiso Connections V”) was not successful in wiping out the ideals, such as they are.  

The accomplishments of the Allende Presidency are another matter.  The Macroeconomic Populism policies he implemented left the economy in tatters.  We have only to look at the current state of Venezuela to see the entirely expected results of this economic model: hyperinflation followed by stagflation and implosion.  The reactionary military coup of 1973 was, in the essentials, a rational response and a rescue from economic and social disaster until the reaction itself descended into madness.

The following series of photographs are from a neighboring country, Peru, are an illustration of the pressures the political elites of Chile are negotiating.  Taken from the road between the port of Mollendo and the city of Arequipa, on a vast, waterless plain.

Migrants from the Titicaca Region formed a cooperative named “Asociacion Las Caymenos Agro Exportadores”.  It is the named scrawled on the small cement brick wall.

Desperate people from rural areas migrate to cities, form associations or regional clubs based on a common origin, and grab land as a group.   

In this case, it is property useless for the named purpose, “agricultural export.”  What they have is a dream. a dream of the government directing water to the area.  

Towards this end, individuals of the group mark out plots using rocks and build structures from concrete brick and metal roofing.  

This small patch of water is the basis of their desperate hope.

This is a more consolidate group of migrate squatters on the road called “1S” near the turnoff for Lima and a place named La Reparticion.

Dreams for a better life, offset by desperate circumstances bring us back to Valparaiso and the Parque Italia adjacent to Allende Plaza.  The park is a small patch of green, some wonderful trees, with statuary and monuments dedicated to people of Italian heritage.

Beyond the sleeper are statues each on a plinth.  The second from the right is a bust of Giovanni Battista Pastene, a gift from the city of Genoa dedicated October 12, 1961.  Pastene was the first governor of Valparaiso (the region, not the city) in the 16th century.  He came to Honduras in his own ship, enter the service of Pizzaro and, as master of the ship Conception, was a maritime explorer.

P

The Italian refugee collectivity of Valparaiso presented this column, in 1936, surmounted by a bronze sculpture of the Capitoline Wolf feeding the infant founders of Rome, Romulus and Remus.  It is a copy of an ancient statue kept on Capitoline Hill, Rome, Italy.


The wife of Allende was of Italian heritage, Hortensia Bussi.  The 
Fire Brigade Sesta Compagnia di Pompieri Cristoforo Colombo, operates today from Independence Avenue.

Here we have a gathering of friends, sharing the shade and beverages on this Saturday summer morning.

Click this link for the next posting in this series Valparaiso Connections VII.

Celestial Geese with two haiku by Issa

Celestial Geese

None of Them Come Down

To My Pine

~Kobayashi Issa

Click any photograph view my Finger Lakes Memory gallery

The Bright Moon

In Raindrops from the Eves

The Geese Depart

~Kobayashi Issa

 

Other postings this evening. Click the link to go there.

“Harvest Views”

“Antique Silo Apple Harvest”

Copyright 2018 Michael Stephen Wills All Rights Reserved