On Being Thankful

A garden, migrating geese, an unexpected balloon and flowers opening after dark remind me that gratitude begins by noticing the extraordinary within ordinary life.

There are times when gratitude arrives not as a grand revelation but quietly, almost unnoticed. It can begin by looking out a window, walking through a garden, hearing the calls of birds overhead, or watching something unexpected drift across an otherwise familiar sky. My video is made of such moments. It is a collection of things close at hand, yet when gathered together and accompanied by music, they become something more: a reminder of how extraordinarily rich an ordinary life can be.

I have much to be thankful for.

I am thankful, first, for home, a place on Earth intimately known to me. The opening views of the garden convey that sense wonderfully. There are great white clusters of hydrangea against deep green foliage, scattered pink blossoms, lawn, trees and the familiar boundaries of a yard. None of it is monumental. That is exactly the point. These are not the Alps or some distant wilderness. They are the landscape of everyday life, made beautiful by familiarity, care and the changing seasons.

A garden teaches gratitude because nothing in it remains still. Flowers arrive, flourish and disappear. Leaves that emerge with the almost translucent green of spring deepen through summer and eventually blaze red before falling. Brilliant red foliage is particularly striking, it carries within it both beauty and departure. Autumn diminishes and completes summer.

And then there are those remarkable white flowers opening in darkness—the extravagant, almost otherworldly blossoms of the night-blooming cactus. They seem fashioned from moonlight: long, narrow petals radiating from their centers, magnificent for such a brief interval. Their fleeting existence makes them more precious. To witness one requires being present at the right moment.

Perhaps that is true of much of life.

I am thankful that I have retained the impulse to notice.

There is a considerable difference between seeing something and noticing it. The world is filled with people who look at flowers, birds and skies every day without really seeing them. Curiosity changes that. It makes a flock of geese more than birds crossing the sky. they form their wavering lines beneath pale blue heavens shared with our moon. They are travelers following routes far older than our roads, houses or cities. Their passage reminds me that my home is part of a much larger landscape and that the seasons unfolding in my yard belong to rhythms extending across a continent.

I am thankful for the ability to look upward.

The balloon drifting above the neighborhood makes that thought almost literal. Suddenly an ordinary sky contains a great yellow, red and blue vessel, sometimes distant among the trees, sometimes passing wonderfully close overhead. We see the basket beneath it and the people aboard—human beings temporarily liberated from the ground, carried through the same air in which the geese travel.

There is something optimistic about a hot-air balloon. It accomplishes wonderfully nothing particularly urgent. It rises because people still want to know what the world looks like from somewhere else. Its presence in the video celebrates imagination, adventure and the persistence of wonder.

Yet gratitude also grows downward, into the earth.

The images of lush plants growing in raised beds and then harvested in abundance speak of another kind of wealth. Food does not simply appear. A seed becomes roots and leaves; sunlight is captured; water rises through stems; soil gives up minerals; human hands tend what is growing. Eventually the garden gives something back. To harvest food from plants one has watched develop is to participate, however modestly, in one of humanity’s oldest relationships with the living world.

I am thankful for that abundance—not abundance measured by possessions, but by experiences.

The sculpture of the young boy and girl quietly sharing a book adds a different note. Amid flowers, birds, harvests and skies is an image of companionship. Two figures sit close together, absorbed in the same story. It suggests affection, learning, intimacy and the pleasure of sharing something with another person. A life becomes immeasurably richer when its experiences are not ours alone.

That may be the deepest source of gratitude: the people with whom life has been shared. Family and friends give meaning to places and memories. A garden is more than plants when someone has walked through it with us. A meal is more than food when others sit at the table. A photograph becomes more valuable when it preserves something we want another person—or another generation—to see.

The music running through the video strengthens this sense of reflection. It does not demand attention so much as give the images emotional space. As the photographs succeed one another, the music turns observation into remembrance. The effect is almost like leafing through an album while realizing that the apparently unrelated pictures are chapters of the same story.

And perhaps that is why I find the video inspirational.

None of its subjects needs to be spectacular to matter. A flower opens. Geese cross the sky. Vegetables grow. Leaves turn red. Two children read together. A balloon unexpectedly floats over the neighborhood. Hydrangeas bloom beside a fence.

Meanwhile, time passes.

That last fact could make these images melancholy, but I do not think it does. Their transience is precisely what gives them value. Gratitude does not require pretending that beautiful things last forever. It comes from understanding that they do not—and loving them anyway.

I am thankful for the years behind me: for places visited, things learned, people loved, photographs made and memories accumulated. But I am equally thankful that the world still contains things capable of surprising me. There are still flowers I want to examine more closely, birds whose journeys I want to understand, stars I want to find through a telescope, landscapes I want to photograph, stories I want to tell, and mornings when I do not yet know what will appear outside my window.

That may be one of life’s greatest gifts: there is still something to look forward to.

The world does not owe us another summer, another migration overhead, another flower opening after dark, or another unexpected balloon sailing across a blue September sky. When such moments come, the proper response is not merely to record them.

It is to recognize them.

And to be thankful.

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Ode to a January Sunrise at Cocoa Beach

Awake to the radiant grace of dawn, where golden light adorns the sky and the ocean reflects its splendor. Witness the serene dance of nature in a peaceful, inspiring January sunrise at Cocoa Beach.

Awake, my soul, to morning’s radiant grace, as dawn’s first light adorns the sky’s embrace. Behold the scene where heaven meets the sea, a tapestry of hues, divinely free.

The eastern sky ignites with golden fire, each ray a herald of the sun’s desire. In softest pinks and boldest crimsons cast, the night retreats, and day arrives at last.

The ocean, kissed by dawn’s ethereal light, reflects the splendor of the coming sight. Waves gently lap upon the sandy shore; their whispered secrets speak of days of yore.

The palm trees sway in rhythmic, gentle dance, their silhouettes in morning’s light enhance. A peaceful stillness wraps the world in awe, as nature’s beauty strikes the heart with awe.

The scattered clouds, with edges tinged in gold, Frame the horizon as the day unfolds. They drift like dreams upon the waking breeze, in harmony with rustling leaves of trees.

And as the sun ascends its royal throne, Its warmth and light through every vein is known. A new day born, with promise in its wake, invites the heart to rise and dreams to take.

Imagine, seagulls soar on wings of pure delight, their cries a chorus to the morning’s light. They glide and dive with effortless grace, their freedom echoes in this sacred space.

On distant sands, the footprints of the few mark early risers greeting morning’s hue. Their presence, fleeting, soon to be erased, by tides that sweep the shore in gentle haste.

Oh, glorious dawn, thy beauty so profound, Inspire the soul where peace and love abound. Let hearts be lifted by thy gentle hand, to cherish all that’s wondrous in this land.

For in this moment, all the world is still, the chaos of the night’s dark dreams to kill. A symphony of light and life begins, as morning’s joy through every fiber sings.

So let us honor this celestial show, where sky and sea in radiant colors glow. In silent reverence, we stand and gaze, at dawn’s first light, and marvel at its blaze.

Awake, my soul, and bask in morning’s gleam, embrace the beauty of this waking dream. For in the sunrise, hope and peace reside, a timeless gift the heavens do provide.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Venus at dawn

Planet Thoughts

Since 1500 B.C. until today…..

The planet we call Venus has ancient associations with fertility goddesses. The link has persisted at least from the 1600 century B.C. inscribed on Sumerian cuneiform tablets. Three thousand years later the Italian artist Botticelli created in tempura paint on canvas the image of Venus rising from the sea, as the planet Venus does today.

Venus Rising

Here is Venus rising from the sea at dawn January 2022, at its brightest and most beautiful. Some mistake this new light in the east for airplane lights; the bright disk of Venus is 25 times brighter than Sirius, enough to cast shadows at night. As Venus proceeds in its orbit, the planet alternately sets after the sun and rises before it, seemingly appearing new each time.

This February I caught a newly risen Venus in this IPhone 7 video, reflected in the waves. It seemed to be a flashing headlight on the beach, the Venus reflection came and went with the passing waves. Venus is the upper, the reflection is beneath. Use the lower right control for the full view.

Looking from his window June 1889, Vincent VanGogh included Venus in his “Starry Night” painting, seen to the right of the Cypress tree.

Here is a closer view of Venus last January, the planet disk is apparent, unlike even the closest stars, Venus is seen as a whole object. Click on image for a full view.

Venus and Mars

Venus and Mars shared 2022’s pre-dawn winter sky. Click on the first image for a full-size view. Mars is seen above the palm tree stump, on the right. In this photograph, from early February, Venus and Mar apparently moved closer. The closeness is an illusion, the planets are millions of miles apart, on either side of Earth’s orbit. Click on the photograph for a full-size view, Mars can just be made out to the right and above Venus.

This crop clearly shows the brightness of Venus compared to Mars.

Growth and Beauty

a exploration of logarithmic spirals and symmetry

Growth

An early thought of mine, as a child, was to wonder, “How large does a person grow?” If growth was perpetual, there was no end to how large I will become; yet, tested against observed reality, “Why was it the case this was unlikely?” Years later, when recalling this, I understood my intuition touched upon the logarithmic spiral and mollusk shell.

Three Scallops and One Tallin

Sea Oat stalk, photographed above, after it dries slowly in the sun and wind, curls into a logarithmic spiral. One two dimensional spiral may be compared to another by measuring the rate and direction of opening, the increase in distance between the part closer to the source and the outer swirl. The growth of all shells follow a logarithmic spiral in three dimensions where the progression from a staring plane, as well as the direction, up or down from the plane, is an element.

Sea shells give evidence to my question of “how large can one grow.” The size of each of the millions encountered on a beach is an example of a life ended. Each of record of the length and character of the organism. For example, a close inspection of the bottom shell of the above photograph, a tellin of the family Tellinidae, reveals the spiral is growing toward the surface of the sand. Imagine wrapping your hand around the outer edge of the tellin with your thumb pointed down.

Each of the four shells of the above photograph had a mate, were one of a pair. Types of shells share characteristic pair symmetries. For example, a pair of tellins display a type of asymmetry called chirality, also called “handed-ness” after the same property of your right and left hands. One shell half (from the same individual) is the mirror image of the other, each unbalanced as the growth spirals toward opposite directions.

Asymmetry, halves from different individuals

When I started beachcombing, examining collected shells I did not have a pair from the same individual and incorrectly concluded direction of growth was unique to an individual. The ribbing of the above two shells illustrate three concepts: the logarithmic spiral growth pattern, chirality, as well as how I came to that wrong conclusion: that two individuals can grow in different directions. It was a logical hop to understand how, to make two shells hinged at the source of the growth spiral, each individual requires two halves, each a mirror image of the other. That every member of the species demonstrated the same asymmetry, each half grows in the opposite direction.

Asymmetry, attached matching halves

The above photograph shows attached matching halves. The attachment point was a surprise: the apparent source point is not attached to the ligament joining the halves? I have yet to understand this. Do you?

Beauty

The association of beauty with scallop shells bridges thousands of years. For example, a fresco of the Roman goddess Venus, born from the ocean riding a shell, was unearthed from Pompeii. The living organism is not part of the story, just the shell. Why the scallop? My answer is, “Each half is completely, in itself, symmetrical.”

The top three shells of the first photograph are scallops. The first and last, broken by the waves, are missing parts. The middle scallop, small and off-white, is complete. Place an imaginary line down the center and each side is identical. Applying the real world (i.e., physics) to myth, a scallop shell allows the goddess to move forward in a straight line. Sailing an asymmetrical shell, she moves in an eternal circle.

An object with symmetry is visually complete unto itself, self-contained; functionality aside, one scallop does not required a partner. The paired shells are interesting in they do not match, one is deeper, it encloses more volume. The deeper side rests under the surface, allowing the top halve to present a lower profile the better to hide from predators.

Calico Scallop Shell

The scallop echoes the beauty of Venus. Symmetry enhances human features (earch “Venus (mythology)” for images of her face through the ages), though it does not define beauty. An overly symmetrical face seems strange. I will close with an extreme example, the other day I came upon this beach crab wandering around in the daylight. Symmetry does NOT enhance the alien eyestalks, menacing claws, a pallid, tough exterior. Safe travels, little one.