Improvements to Yesterday’s Post

Improvements to Yesterrday’s Post


Pam proofed yesterday’s post, “When the Moon Dined from a Stellar Mangar”and found some improvements, including adding text labels to aid in finding Cancer constellation elements.


You will find I replaced photographs in the original post and well, all the major elements of Cancer are labeled. Here is an explanation of the new elements.

You can now trace the “Y” constellation pattern, with Alpha and Beta Chancri (Latin for “of Cancer”) the two claws and Iota the tail. Both elemetns of Iota, a visual binary star system, are there. They are wonderful viewed with a telescope. Near Alpha is M67 (Messier Object 67), another galactic cluster of gravitationally bound stars. It is quite faint in this photograph.

Click photograph for a higher resolution version
Total Lunar Eclipse and Surrounding Sky with labels for primary element of the Cancer constellation

Click link for the first post of this series 

Copyright 2019 All Rights Reserved Michael Stephen Wills

When Moon Dined from a Stellar Manger

The Moon Dined from a Stellar Manger

Colored lights of our skies are a trigger for the imagination. The sky is a storybook to be written by the mind and passed along in language. The 3,000 observable stars and planets visible on any one moonless, clear night away from artificial lights draw on the human obsessional skill for pattern recognition.

Over millennia, stars along the path of the planets and sun through the sky held a special place for careful observers. Twelve patterns were imagined, each a named constellation. The word “constellation” means “to know from the stars.” Indeed, we can know much from the constellations. For example, it is winter in the northern hemisphere when the constellation “Cancer” (The Crab) is high in the night sky.

Click Photograph for my OnLine Galleries
Click photograph for my OnLine Galleries. Clicking the other photographs in this post will yield a larger image.

On the evening of January 20/21, 2019 the full moon climbed from the horizon (Click this link for the first post of this series “Total Lunar Eclipse of 2019…”) to a point high overhead were it appeared to float among the stars of Cancer, the crab. On the way, the disk darkened as its orbital path brought it into the earth’s shadow. The surrounding stars emerged from the darkening full moon glow. I captured the sight using a Canon dslr, the Canon EF 24 mm f/1.4L II USM lens mounted on a tripod by setting the ISO to 3200 to reduce the exposure to 1.3 second and placing the auto exposure area (a feature of the dslr/lens combination) away from the full moon.

Additionally, the moon is overexposed on the original image, for the following I used Photoshop to cut and paste the moon from the last photograph of this blog, reduced it to the approximate angular diameter of the moon and pasted it over the overexposed disk. There are better astrophotography images of this event, this image is mine to use and adequate for this purpose.

The Moon on the Crab’s back

Cancer is difficult to trace, the constituent stars are all dim. Hint: click on any of the following photographs and a new page will open with a larger resolution image. What is striking in the following photograph are the number of apparently paired stars. Our sun is an exception, it is not part of a star system; even so, most of these pairings are line of sight, not physical star systems. For example, starting from the “red” moon there is a faint star, “Delta” of Cancer. Trace an imaginary line between the moon and Delta, in your mind move the line down and a little to the right to a pair of dim stars, “Nu” and “Gamma” of Cancer (left to right). The two are not a system, being 390 and 181 light years away. Each is a multiple star system in itself as is Delta. The three are on the back of Cancer, with two stars on the upper right being “Alpha” and “Beta”.

A most interesting object of this photograph, well worth the price of binoculars, is between Nu and Gamma and a little higher, towards the moon. It was what I saw the first time viewing this photograph: a cluster of stars called “The Beehive.” This was how I identified the location of the moon on the back of this crab.

Click for more information about this view

Click photograph for a higher resolution version
Total Lunar Eclipse and Surrounding Sky with labels for primary element of the Cancer constellation

For the following photograph I cut/pasted/enlarged a square with the (enhanced) Moon, Delta. Nu and Gamma, below, with the Beehive between them. See that the stars, though “fuzzy”, have colors. Delta is a orange giant, also known as the “Southern Donkey”. Gamma, the “Northern Donkey,” and NU are white. The back of the Crab holds a two donkeys eating from a manger, a Galactic Stellar Cluster name “The Beehive.” This night the moon joined the feast.

Click photograph for a higher resolution image
“Beehive” with Total Lunar Eclipse with labels for primary elements of Cancer Constellation

The Beehive

With binoculars (or telescope with a wide field eyepiece), the Beehive is a glorious spectacle of 1,000 gravitationally bound stars, a mixture of colors from blue to red. It was one of the first objects Galileo viewed through the telescope, picking out 40 stars. In later years it was here we found the first planets orbiting sun-like (i.e. having the characteristics of our yellow star) stars within a stellar cluster. In spite of being 600+ light years distant the Beehive was known since ancient times, being visible without a telescope in clear, dark skies.

The Total Eclipse

A glorious moon at full totality is captured in the following two photographs. I used the dslr at 3200 ISO with the Canon EF 70-300mm f/4-5.6L lens at 300 mm. Setting the exposure area to the Moon, the exposure was 3.2 seconds.

In the first photograph, I especially enjoy the effect modeling of the shadows does to make the disk appear round. The field of view does not include Delta, Gamma, Nu or the Beehive. At this time I was not aware how close the Beehive was, or even that the Moon was in Cancer. The beauty of the moon floating among the stars is apparent.

Click photograph for larger image
Click photograph for larger image

Click link for the first post of this series 

Copyright 2019 All Rights Reserved Michael Stephen Wills

Growth and Beauty

a exploration of logarithmic spirals and symmetry


An early thought of mine, as a child, was to wonder, “How large does a person grow?” If growth was perpetual, there was no end to how large I will become; yet, tested against observed reality, “Why was it the case this was unlikely?” Years later, when recalling this, I understood my intuition touched upon the logarithmic spiral and mollusk shell.

Three Scallops and One Tallin

Sea Oat stalk, photographed above, after it dries slowly in the sun and wind, curls into a logarithmic spiral. One two dimensional spiral may be compared to another by measuring the rate and direction of opening, the increase in distance between the part closer to the source and the outer swirl. The growth of all shells follow a logarithmic spiral in three dimensions where the progression from a staring plane, as well as the direction, up or down from the plane, is an element.

Sea shells give evidence to my question of “how large can one grow.” The size of each of the millions encountered on a beach is an example of a life ended. Each of record of the length and character of the organism. For example, a close inspection of the bottom shell of the above photograph, a tellin of the family Tellinidae, reveals the spiral is growing toward the surface of the sand. Imagine wrapping your hand around the outer edge of the tellin with your thumb pointed down.

Each of the four shells of the above photograph had a mate, were one of a pair. Types of shells share characteristic pair symmetries. For example, a pair of tellins display a type of asymmetry called chirality, also called “handed-ness” after the same property of your right and left hands. One shell half (from the same individual) is the mirror image of the other, each unbalanced as the growth spirals toward opposite directions.

Asymmetry, halves from different individuals

When I started beachcombing, examining collected shells I did not have a pair from the same individual and incorrectly concluded direction of growth was unique to an individual. The ribbing of the above two shells illustrate three concepts: the logarithmic spiral growth pattern, chirality, as well as how I came to that wrong conclusion: that two individuals can grow in different directions. It was a logical hop to understand how, to make two shells hinged at the source of the growth spiral, each individual requires two halves, each a mirror image of the other. That every member of the species demonstrated the same asymmetry, each half grows in the opposite direction.

Asymmetry, attached matching halves

The above photograph shows attached matching halves. The attachment point was a surprise: the apparent source point is not attached to the ligament joining the halves? I have yet to understand this. Do you?


The association of beauty with scallop shells bridges thousands of years. For example, a fresco of the Roman goddess Venus, born from the ocean riding a shell, was unearthed from Pompeii. The living organism is not part of the story, just the shell. Why the scallop? My answer is, “Each half is completely, in itself, symmetrical.”

The top three shells of the first photograph are scallops. The first and last, broken by the waves, are missing parts. The middle scallop, small and off-white, is complete. Place an imaginary line down the center and each side is identical. Applying the real world (i.e., physics) to myth, a scallop shell allows the goddess to move forward in a straight line. Sailing an asymmetrical shell, she moves in an eternal circle.

An object with symmetry is visually complete unto itself, self-contained; functionality aside, one scallop does not required a partner. The paired shells are interesting in they do not match, one is deeper, it encloses more volume. The deeper side rests under the surface, allowing the top halve to present a lower profile the better to hide from predators.

Calico Scallop Shell

The scallop echoes the beauty of Venus. Symmetry enhances human features (earch “Venus (mythology)” for images of her face through the ages), though it does not define beauty. An overly symmetrical face seems strange. I will close with an extreme example, the other day I came upon this beach crab wandering around in the daylight. Symmetry does NOT enhance its features.

Success: IStock Accepted Beach Textures

This photograph of an expired (freshly dead) Speckled Swimming Crab washed up by the surf onto Cocoa Beach one January morning is now available on Getty IStock for your creative usages.

Click the photograph, below, to visit the listing.Speckled Swimming Cram, dead – CLICK ME for the IStock Listing.

It is one of the thirteen (13) images accepted in set with the theme “Beach Textures.” During our winter visits to Florida our routine is to rise in the pre-dawn darkness, enjoy the emerging sun, different every day. Then, I take off for a beach walk in the dawn, early morning light.

The view of the first photograph is frontal including eye stalks and antennae above the mouth. The main body, called cephalothorax, is speckled. The mouth is the large opening in the center of the leading edge of cephalothorax. To the right and left are the arms with pincers. Scientific Name: Arenaeus cribarius.

This view from the rear is also available. Click the photograph to view listing.Speckled Swimming Cram, dead – CLICK ME for the IStock Listing.

It is a rear view of the walking legs extended from the cephalothorax.

This gull feather, below, was the inspiration for the series. You might remember my posting of the feather as “Beach Dreams” back in January, shortly after I captured the image.

Click the photograph for the Gull Feather IStock Listing.
Gull Feather – CLICK ME for the IStock Listing.

The sand castle, at the top of this post, is also in the series.

Here is the link to browse the entire series on IStock. License my photographs for an affordable fee to use on your blog, website or other creative venues.

Thank You for visiting.

Copyright 2018 Michael Stephen Wills All Rights Reserved