Improvements to Yesterday’s Post

Improvements to Yesterrday’s Post

Advertisements

Pam proofed yesterday’s post, “When the Moon Dined from a Stellar Mangar”and found some improvements, including adding text labels to aid in finding Cancer constellation elements.

Labels!!

You will find I replaced photographs in the original post and well, all the major elements of Cancer are labeled. Here is an explanation of the new elements.

You can now trace the “Y” constellation pattern, with Alpha and Beta Chancri (Latin for “of Cancer”) the two claws and Iota the tail. Both elemetns of Iota, a visual binary star system, are there. They are wonderful viewed with a telescope. Near Alpha is M67 (Messier Object 67), another galactic cluster of gravitationally bound stars. It is quite faint in this photograph.

Click photograph for a higher resolution version
Total Lunar Eclipse and Surrounding Sky with labels for primary element of the Cancer constellation

Click link for the first post of this series 

Copyright 2019 All Rights Reserved Michael Stephen Wills

When Moon Dined from a Stellar Manger

The Moon Dined from a Stellar Manger

Colored lights of our skies are a trigger for the imagination. The sky is a storybook to be written by the mind and passed along in language. The 3,000 observable stars and planets visible on any one moonless, clear night away from artificial lights draw on the human obsessional skill for pattern recognition.

Over millennia, stars along the path of the planets and sun through the sky held a special place for careful observers. Twelve patterns were imagined, each a named constellation. The word “constellation” means “to know from the stars.” Indeed, we can know much from the constellations. For example, it is winter in the northern hemisphere when the constellation “Cancer” (The Crab) is high in the night sky.

Click Photograph for my OnLine Galleries
Click photograph for my OnLine Galleries. Clicking the other photographs in this post will yield a larger image.

On the evening of January 20/21, 2019 the full moon climbed from the horizon (Click this link for the first post of this series “Total Lunar Eclipse of 2019…”) to a point high overhead were it appeared to float among the stars of Cancer, the crab. On the way, the disk darkened as its orbital path brought it into the earth’s shadow. The surrounding stars emerged from the darkening full moon glow. I captured the sight using a Canon dslr, the Canon EF 24 mm f/1.4L II USM lens mounted on a tripod by setting the ISO to 3200 to reduce the exposure to 1.3 second and placing the auto exposure area (a feature of the dslr/lens combination) away from the full moon.

Additionally, the moon is overexposed on the original image, for the following I used Photoshop to cut and paste the moon from the last photograph of this blog, reduced it to the approximate angular diameter of the moon and pasted it over the overexposed disk. There are better astrophotography images of this event, this image is mine to use and adequate for this purpose.

The Moon on the Crab’s back

Cancer is difficult to trace, the constituent stars are all dim. Hint: click on any of the following photographs and a new page will open with a larger resolution image. What is striking in the following photograph are the number of apparently paired stars. Our sun is an exception, it is not part of a star system; even so, most of these pairings are line of sight, not physical star systems. For example, starting from the “red” moon there is a faint star, “Delta” of Cancer. Trace an imaginary line between the moon and Delta, in your mind move the line down and a little to the right to a pair of dim stars, “Nu” and “Gamma” of Cancer (left to right). The two are not a system, being 390 and 181 light years away. Each is a multiple star system in itself as is Delta. The three are on the back of Cancer, with two stars on the upper right being “Alpha” and “Beta”.

A most interesting object of this photograph, well worth the price of binoculars, is between Nu and Gamma and a little higher, towards the moon. It was what I saw the first time viewing this photograph: a cluster of stars called “The Beehive.” This was how I identified the location of the moon on the back of this crab.

Click for more information about this view

Click photograph for a higher resolution version
Total Lunar Eclipse and Surrounding Sky with labels for primary element of the Cancer constellation

For the following photograph I cut/pasted/enlarged a square with the (enhanced) Moon, Delta. Nu and Gamma, below, with the Beehive between them. See that the stars, though “fuzzy”, have colors. Delta is a orange giant, also known as the “Southern Donkey”. Gamma, the “Northern Donkey,” and NU are white. The back of the Crab holds a two donkeys eating from a manger, a Galactic Stellar Cluster name “The Beehive.” This night the moon joined the feast.

Click photograph for a higher resolution image
“Beehive” with Total Lunar Eclipse with labels for primary elements of Cancer Constellation

The Beehive

With binoculars (or telescope with a wide field eyepiece), the Beehive is a glorious spectacle of 1,000 gravitationally bound stars, a mixture of colors from blue to red. It was one of the first objects Galileo viewed through the telescope, picking out 40 stars. In later years it was here we found the first planets orbiting sun-like (i.e. having the characteristics of our yellow star) stars within a stellar cluster. In spite of being 600+ light years distant the Beehive was known since ancient times, being visible without a telescope in clear, dark skies.

The Total Eclipse

A glorious moon at full totality is captured in the following two photographs. I used the dslr at 3200 ISO with the Canon EF 70-300mm f/4-5.6L lens at 300 mm. Setting the exposure area to the Moon, the exposure was 3.2 seconds.

In the first photograph, I especially enjoy the effect modeling of the shadows does to make the disk appear round. The field of view does not include Delta, Gamma, Nu or the Beehive. At this time I was not aware how close the Beehive was, or even that the Moon was in Cancer. The beauty of the moon floating among the stars is apparent.

Click photograph for larger image
Click photograph for larger image

Click link for the first post of this series 

Copyright 2019 All Rights Reserved Michael Stephen Wills

Waterfall Textures

Unrestrained chaos at the foot of Arizona’s highest waterfall

I received notice of IStock acceptance of select photographs from my last posting,  “Wilderness Textures”, was accepted.  Click to view my IStock Portfolio, including  photographs from today’s posting included in the acceptance notice.

In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls.  With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons.  The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.

Click Any Photograph for my Fine Art Gallery 

Reavis Creek Water and Light – CLICK ME for more abstract photography.

In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet. 

Talus is the geological term for this formation.  Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.” 

 

Click Any Photograph for my Fine Art Gallery
Reavis Falls and Talus – CLICK ME for more abstract photography.

The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle.  The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle.  I was alone and very careful to check each rock for stability before putting my weight on it.

A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens.  All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head.  The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens.   I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point.  The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

My goals was a composite photo of the falls.  I have yet to succeed with this project.  Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

I find in this series the vertical aspect is more artistic.  The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist.  The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.

In the following version I experimented with color, moving from the narrow range of hues, to more contrast.

Click Any Photograph for my Fine Art Gallery Foot of Reavis Falls from Talus Pile – CLICK ME for more abstract photography.

Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.

Here’s another of my Arizona wilderness adventures, “Racing the Sun.”

Copyright 2018 Michael Stephen Wills All Rights Reserved

A Secretive and Failed Zuma SpaceX Mission

Driving to Cocoa Beach from Ithaca, Pam and I missed a horrendous storm because we did a side trip to Louisville, Kentucky, avoiding I95 January 4th and 5th and a rare and treacherous ice storm.

We met people who were stranded overnight near Savannah, Georgia while, on the same days, we drove Kentucky Hill Country for an overnight at Macon, Georgia all in excellent, dry, cold weather.
The storm itself, was a stroke of luck.  The first Space X launch of 2018 was delayed by the weather until the evening of Sunday, January 7th.
I was in place, in the dark, on Cocoa Beach with my Canon DSLR on bulb mode, securely mounted on a travel tripod.  My choice of lens was the 24 mm “wide angle.”

Proximity to the Kennedy Space Center is a reason we return to Cocoa Beach.  A year ago, March 2007, we did the “Launch Director Tour” offered once a month (if at all) and had a fantastic day. I’ll need to blog about it.

For now, here is a shot from the former Space Shuttle launch room.

Launch Control Center

I planned camera placement well for this night launch.  The view held the entire parabola of the trail. Camera placement was based on researching the launch complex, finding it on Google Earth, using the line feature to determine the orientation of the complex from my location on Cocoa Beach.

Live, the start of the launch is like a dawn in the northern sky.  I broke off the exposure to somewhat capture the effect.

Secretive and Failed Zuma Mission

The human eye, only the Falcon 9 flame is visible, as a single point of bright light ever rising, lighting the beach and clouds in a soft glow.

Secretive and Failed Zuma Mission

The long exposure blends the flame into a bright parabola, at one point the rocket engines throttle back, eventually the color changed to reddish from bright white.  I held the exposure until the rocket flame, in the image, turned to blue and faded away.

We waited for six (6) or so minutes, the camera mount and orientation unchanged, and then the incredible returning booster briefly lit up to land at Cape Canaveral Air Force Station. I missed the beginning of the burn.  In retrospect, I should have timed the launch and opened the shuttle 5 minutes or so after “blast off.”

Secretive and Failed Zuma Mission

Followed by a TWO sonic boom finale. Kabooom….Kabooom.

We read in the news the secret military satellite, named “Zuma”, on top of the Falcon crashed into the Indian Ocean.  SpaceX claimed the launch was a success (??), that the protective fairing jettisoned successfully.  No mention was made of the secret payload. The failure was with the Northup Grumman built “Zuma” satellite?  Hmmmmm.

Copyright 2018 Michael Stephen Wills All Rights Reserved.

Christmas Tableau

Cozy Snowmen dance round the candle

My dear wife Pam is the heart of Christmas in our home. Over the years we have collected a treasure of ornaments and knick-knacks she crafts into displays around our one. Pam completed the project well in advance of our grandchild holiday visits, before card writing and gift wrapping.

My contribution is a photographic time capsule. Here is some of my artistic output from this work.

This grouping of five cozy snowmen (three males, two females) are warmly dressed in knit sweaters and stocking caps; the women with long skirts. The five hold hands in a ring, rising from a common platform. We place a cup and devotional candle in the center.

The tiny group evokes community, harmony, amity. I captured them with a Canon EOS 1Ds Mark III dslr, a fixed Canon EF 100mm f/2.8L macro lens mounted on a Manfrotto studio tripod and hydrostatic ball head. Fixed lenses provide the sharpest macros. The mounting allowed precise framing and use of the widest aperture and a low ISO. The light sources were sunlight from a large north facing bay window, a Canon Speedlite 600Ex-Rt and the candle. When used, the flash was angled in various ways toward the ceiling.

I start with a tight shot, maximum aperture. A single figure is in clear focus, the remaining gradually lost in the bokeh. The flash was used. I can almost see then circling around the candle in a winter wind.

Cosy Christmas Snowmen

Here the candle is lighted, aperture narrow to f8 using only the candle and ambient light (no flash). The group is visible within surrounding figures. I backed away and the viewpoint is higher.

The candle light enhances the perception of community.

Cosy Christmas Snowmen

Viewpoint is closer, still only the candle and ambient light. Aperture widened to 3.5. I must remove the hair in lightroom.

Cosy Christmas Snowmen

I backed off, aperture at the max with only the candle and ambient light. The figures are placed in a tableau with other snowmen and a structure, a birdhouse.

Cosy Christmas Snowmen

For this overview I swapped in a Canon 24mm f/1.4L II USM with a flash, aperture f2.2.

Christmas Snowman Display
Christmas 2017 snowman display laid out in our den on top of the entertainment cabinet.

Copyright 2017 Michael Stephen Wills All Rights Reserved

A Far Country X: Hanging Valley

amazing resolution with the Canon 24 mm lens

(Click any photograph to visit my online gallery)

The resolution of the Canon EF 24mm f/1.4L II USM makes this lens a favorite of mine for landscape work.  Let me show you why.

In the previous post of this series you learned about a wonderfully shaped tree, a branch really, of Tempanos fjord.

The valley today’s posting lies behind the tree.  It is a broad valley shaped by ancient glaciers.

Here is the Google Earth view, from an elevation of 9,400 feet, with the ship position marked.  Northwest is a pushpin titled, “Hanging Valley and Waterfall.”

A Far Country X– CLICK ME!!!!

The waterfall marking the hanging valley is visible in the following photograph.   All photographs in this posting are from a Canon EOS-1Ds MarkIII, 24 mm lens (see above for complete name), on a Manfrotto travel tripod.  ISO 500, f5.6 or f6.3.

With a point of view about 50 feet above the water the valley bottom is hidden behind an 800 foot hill and the water fall is just above the hill.  See it?  …..I didn’t think so.

There is the island with the tree, to the left.  The following image is the same photograph, with the central section enlarged.

Fjord Island and Broad Valley– CLICK ME!!!!

The enlargement brings out the play of light, the low clouds, deep in the valley.  To provide scale, know those are full sized pines on the hillside, foreground.  The waterfall is just about visible.  I will enlarge the image one more time.

Fjord Island and Broad Valley– CLICK ME!!!!

There it is!!  I stepped up contrast, as well.

Fjord Island and Broad Valley– CLICK ME!!!!

Here is another version of the original view.  That patch of sky had opened up seconds after the first shot and, as a result, the 3,000 door mountain and waterfalls, on right, are better lit.  Notice the bare rock face on the mountain slope, marking a landslide.

Click this image for a high resolution version, in your browser.

Fjord Island and Broad Valley– CLICK ME!!!!

A different landslide Scar is featured in two previous blogs,

A Far Country V: Landslides!!

A Far Country VI: View of Tempanos Fjord

The Regatta’s course brought us closer for the two following shots.

The lovely sky is still visible…..

Mountain and Waterfalls

….one minute later the clouds gather and relative darkness returns.

Fjord and Valley

The contents of this blog are Copyright 2017 Michael Stephen WillsThe lovely sky is still visible…..The lovely sky is still visible…..