On Being Thankful

A garden, migrating geese, an unexpected balloon and flowers opening after dark remind me that gratitude begins by noticing the extraordinary within ordinary life.

There are times when gratitude arrives not as a grand revelation but quietly, almost unnoticed. It can begin by looking out a window, walking through a garden, hearing the calls of birds overhead, or watching something unexpected drift across an otherwise familiar sky. My video is made of such moments. It is a collection of things close at hand, yet when gathered together and accompanied by music, they become something more: a reminder of how extraordinarily rich an ordinary life can be.

I have much to be thankful for.

I am thankful, first, for home, a place on Earth intimately known to me. The opening views of the garden convey that sense wonderfully. There are great white clusters of hydrangea against deep green foliage, scattered pink blossoms, lawn, trees and the familiar boundaries of a yard. None of it is monumental. That is exactly the point. These are not the Alps or some distant wilderness. They are the landscape of everyday life, made beautiful by familiarity, care and the changing seasons.

A garden teaches gratitude because nothing in it remains still. Flowers arrive, flourish and disappear. Leaves that emerge with the almost translucent green of spring deepen through summer and eventually blaze red before falling. Brilliant red foliage is particularly striking, it carries within it both beauty and departure. Autumn diminishes and completes summer.

And then there are those remarkable white flowers opening in darkness—the extravagant, almost otherworldly blossoms of the night-blooming cactus. They seem fashioned from moonlight: long, narrow petals radiating from their centers, magnificent for such a brief interval. Their fleeting existence makes them more precious. To witness one requires being present at the right moment.

Perhaps that is true of much of life.

I am thankful that I have retained the impulse to notice.

There is a considerable difference between seeing something and noticing it. The world is filled with people who look at flowers, birds and skies every day without really seeing them. Curiosity changes that. It makes a flock of geese more than birds crossing the sky. they form their wavering lines beneath pale blue heavens shared with our moon. They are travelers following routes far older than our roads, houses or cities. Their passage reminds me that my home is part of a much larger landscape and that the seasons unfolding in my yard belong to rhythms extending across a continent.

I am thankful for the ability to look upward.

The balloon drifting above the neighborhood makes that thought almost literal. Suddenly an ordinary sky contains a great yellow, red and blue vessel, sometimes distant among the trees, sometimes passing wonderfully close overhead. We see the basket beneath it and the people aboard—human beings temporarily liberated from the ground, carried through the same air in which the geese travel.

There is something optimistic about a hot-air balloon. It accomplishes wonderfully nothing particularly urgent. It rises because people still want to know what the world looks like from somewhere else. Its presence in the video celebrates imagination, adventure and the persistence of wonder.

Yet gratitude also grows downward, into the earth.

The images of lush plants growing in raised beds and then harvested in abundance speak of another kind of wealth. Food does not simply appear. A seed becomes roots and leaves; sunlight is captured; water rises through stems; soil gives up minerals; human hands tend what is growing. Eventually the garden gives something back. To harvest food from plants one has watched develop is to participate, however modestly, in one of humanity’s oldest relationships with the living world.

I am thankful for that abundance—not abundance measured by possessions, but by experiences.

The sculpture of the young boy and girl quietly sharing a book adds a different note. Amid flowers, birds, harvests and skies is an image of companionship. Two figures sit close together, absorbed in the same story. It suggests affection, learning, intimacy and the pleasure of sharing something with another person. A life becomes immeasurably richer when its experiences are not ours alone.

That may be the deepest source of gratitude: the people with whom life has been shared. Family and friends give meaning to places and memories. A garden is more than plants when someone has walked through it with us. A meal is more than food when others sit at the table. A photograph becomes more valuable when it preserves something we want another person—or another generation—to see.

The music running through the video strengthens this sense of reflection. It does not demand attention so much as give the images emotional space. As the photographs succeed one another, the music turns observation into remembrance. The effect is almost like leafing through an album while realizing that the apparently unrelated pictures are chapters of the same story.

And perhaps that is why I find the video inspirational.

None of its subjects needs to be spectacular to matter. A flower opens. Geese cross the sky. Vegetables grow. Leaves turn red. Two children read together. A balloon unexpectedly floats over the neighborhood. Hydrangeas bloom beside a fence.

Meanwhile, time passes.

That last fact could make these images melancholy, but I do not think it does. Their transience is precisely what gives them value. Gratitude does not require pretending that beautiful things last forever. It comes from understanding that they do not—and loving them anyway.

I am thankful for the years behind me: for places visited, things learned, people loved, photographs made and memories accumulated. But I am equally thankful that the world still contains things capable of surprising me. There are still flowers I want to examine more closely, birds whose journeys I want to understand, stars I want to find through a telescope, landscapes I want to photograph, stories I want to tell, and mornings when I do not yet know what will appear outside my window.

That may be one of life’s greatest gifts: there is still something to look forward to.

The world does not owe us another summer, another migration overhead, another flower opening after dark, or another unexpected balloon sailing across a blue September sky. When such moments come, the proper response is not merely to record them.

It is to recognize them.

And to be thankful.

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Memories of Valentine’s Day: Family Beginnings and a Lifetime of Shared Journeys

A Valentine’s Day reflection spanning childhood, family, and partnership—where a homemade cake, a living room, and an ocean voyage reveal love’s enduring thread.

Our culture insists that Valentine’s Day is about hearts and chocolates, about gestures that can be wrapped, written, or eaten. My memories tell a longer and more intricate story. Valentine’s Day is thread that runs through decades—binding childhood, family, and shared journeys into a single, evolving narrative.

An early Valentine’s Day memory of mine is anchored in a living room at 107 Deepdale Parkway in Albertson, New York. It is 1959. The room is familiar and ordinary, yet in memory it glows with a particular warmth. My sister Theresa is two, Christine is four, and I am five. We are gathered together, small figures in a modest suburban home, unaware that this fleeting domestic moment will outlast nearly everything else in the room. What I remember most is not an event, but a feeling: the sense of being held within something stable and loving, a family rhythm that proved enduring.

Theresa (2), Michael (5), Christine (4) in the livingroom of 107 Deepdale Parkway, Albertson, New York on Valentines Day 1959

As the years passed, Valentine’s Day shifted its shape, as it does for everyone. Childhood gave way to adolescence, and later to adulthood, when the holiday began to carry expectations and interpretations shaped by romance and partnership. Yet even then, my earliest associations lingered beneath the surface. Valentine’s Day was was beyond an exchange between two people; it was about continuity, about the quiet reassurance that one was part of a larger story.

A part of our celebration this Valentine’s Day cake—chocolate, homemade, and unapologetically generous.  Baked by my wife, Pamela, whose acts of care often expressed themselves through the kitchen. The cake was not elaborate by modern standards, but it does not need to be. Its value lay in what it represented: time taken, effort given, and love made tangible. Long after the plates are washed, the memory of that cake remains inseparable from the idea of Valentine’s Day itself. Love, I learned early, could be simple, nourishing, and shared.

Chocolate Valentines Day cake by Pamela Wills

That understanding deepened over time, especially through my life with Pam. One Valentine’s Day memory stands apart not for its extravagance, but for its improbability. Pam and I found ourselves aboard the Oceania ship “Regatta”, sailing the Pacific Ocean off the coast of Chile. The vastness of the water, the steady rhythm of the ship, and the sense of being suspended between sky and sea created a striking contrast to the small living room of my childhood. Yet the emotional register was remarkably similar. Once again, Valentine’s Day was marked not by spectacle, but by presence.

The following day we reached Puerto Montt, a port city framed by water and volcanoes. The journey itself became a metaphor for the way love matures. Where childhood love had been rooted in home and routine, this later expression unfolded through shared experience and mutual trust. Standing on the deck together, watching the coastline emerge, I was struck by how Valentine’s Day had come to encompasses where we had been and where we were going.

Pam and I aboard the Oceania Regatta sailing the Pacific Ocean off Chile. The following day we reached Puerto Montt.

In that sense, Valentine’s Day functions much like memory itself. It selects certain moments and holds them fast, allowing others to fade. A cake, three young children in a living room, two partners standing together on the open sea. These are not scenes one could have predicted would endure, yet they do, because they are threaded with care, attention, and shared time.

Now, looking back across the span of years, I understand Valentine’s Day as a recurring prompt that asks us to remember where love first took root, how it was tended, and how it has carried us forward. The details change, but the essence remains remarkably constant.

In the end, Valentine’s Day does not demand grand gestures or perfect words. It asks only that we recognize the quiet continuity of love as it moves through our lives—sometimes in a childhood living room, sometimes on the open ocean, always leaving its mark in ways we only fully understand in retrospect.

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Harvest Views

One October Evening

When Pam and I lived in an converted mill house on Malloryville Road one walk we’d take with cameras was out the front door, turn right and walk the road to the hilltop to take in the views.

“October Evening on Fall Creek Farmland”

Ripe corn on Malloryville Road from a hill above the Fall Creek valley.

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“Into the Distance”

Fall Creek Valley view from Malloryville Road looking southwest.  In the far distance is Connecticut Hill.  You can see the towers of Ithaca College from here, but not in this photograph.

“Harvested Field”

Here are more views from this Harvest View evening.  Click the link to go there.

“Celestial Geese”

“Antique Silo Apple Harvest?”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Native American Dance Demonstration

A native American village among the crowds

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Newgrange IX

Discover the mysteries of the Newgrange monument’s Entrance Stone, a showcase of exquisite Neolithic rock art. Explore spirals, lozenges, and geometric designs that define European megalithic art and delve into their potential meanings and cultural significance. Join me in uncovering the secrets of this ancient Irish wonder.

Continue reading “Newgrange IX”

The Three Laughers of Tiger Glen

The Sound of Laughter Among Friends

In the midst of a pine forest

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Juniper Sunrise

crack of dawn

In this post we start the day of my posting “Family Trek, July 19, 2008, when, well before the sun rose at 6:23 am Mountain Daylight Time (the Navajo Reservation observes daylight savings, the rest of Arizona does not), Pam and I were at the Spider Rock Overlook.

Most visitors to the canyon make use of a system of roads and parking lots next to strategic views.  There is the White House Overlook we visited our first day, July 18, to hike from the trailhead into the canyon.  There are also, on the south side of the canyon:

  • Tsegi Overlook, taken from a Navajo word that translates directly to “between the rocks” and usually refers to a deep canyon with steep cliffs.
  • Junction Overlook above the point where Canyon Del Muerto (see my posting “Sun and Shade, Canyon Del Muerto”, and Canyon De Chelly intersect.  There is an Anasazi ruin in the south-facing cliff across the canyon.
  • Sliding House Overlook, another Anasazi run across the canyon.
  • Face Rock Overlook, to view the eponymous formation.
  • Spider Rock Overlook, the most stunning rock formation. 
Sunrise Canyon De Chelly
Looking east from the Spider Rock overlook, Canyon De Chelly.

While getting ready I scoped out the location for interesting visual tropes.  Utah Junipers are exceptionally hardy shrubs, stressed individual plants grow into compelling forms shaped by hardship.  As the sun rose, this specimen emerged from the gloom and caught the first sun rays.

Juniper Sunrise
A distressed Utah Juniper on the edge of Canyon De Chelly overlooking Needle Rock a few moments after sunrise.

Enjoy!!

Click for the first posting of this series, “Portrait of a Navajo Guide.”
 

Long Island Sakura (Cherry Blossoms)

Clouds of Blossoms

A Japanese flowering cherry tree in bloom on an early May day. Called a Shirofugen (Secientific name: Prunue serrulata, of the Rosaceae family this is the species planted around National Tidal Basin, Washington D.C. and around which the National Cherry Blossom Festival is celebrated commemorating the 1912 gift of Prunus serrulata Japanese cherry trees from Tokyo to the city of Washington.

The tree over Pam is called a Shirofugen (Scientific name: Prunus serrulata, of the Rosaceae family) and is one species planted around National Tidal Basin, Washington D.C. Shirofugen blossoms are described “Flowers double, deep pink at first, fading to pale pink.”

 

Click any photograph for my Getty portfolio.Pam with a Shirofugen Flowering Cherry in bloom – CLICK ME for my Getty Portfolio.

In Japan, since the 8th century, “Hanami” is the centuries-old practice of picnicking under a blooming sakura or ume tree. Here in the United States, the National Cherry Blossom Festival is celebrated commemorating the 1912 gift of Prunus serrulata Japanese cherry trees from Tokyo to the city of Washington.

Traditionally cherry blossoms remind the Japanese of clouds, the blooms come out en mass, the tree changes shape with the breeze.  Viewing sakura brings to mind thoughts of the transience of existence, the fragility and transience of the exquisite blooms leads one to appreciate the moment.  The following photograph of Pam was taken a month before my Mother’s sudden decline and passing in 2013.  We’d travel to Long Island several times a year to visit her, then take in familiar sights.

Growing up, our family visited the Planting Fields, a state park, several times in the spring and summer. As an adult with a growing family in Glen Cove, right around the corner, the Planting Fields were a welcome outing and visited several time times a year. The following photograph, taken that same May 2013 day, was a favorite park scene.

The two flowering cherry trees in the foreground are a type of Japanese sakura called Yoshino, one the most popular flowering cherries in temperate climates worldwide. All Yoshinos are clones from a single grafting and propagated throughout the world. The scientific name outlines the cross breeding of this variety, Prunus X Yeaoensis. Behind the cherries is an Oak tree, new leaves a bright green, and a pink child’s playhouse cottage.

A changing scene of the park is the now frequent visits by wedding parties and photographers, groups of Asian people, the bride and groom posing under the clouds of blossoms. By frequent I mean a steady stream, one after the other, when the blossoms are full.

Click any photograph for my Getty portfolio.Playhouse with Flowering Cherry and Oak trees – CLICK ME for my Getty Portfolio.

In 2007 I spent hours framing and capturing the following photograph on a Saturday, the day before Mother’s Day, during a visit to my Mother, who was widowed December, 1995. I used an inexpensive tripod, a Kodak DCS Pro slr/c camera body with the Canon 50mm f 1.4 USM lens, a UV filter and lots of time. There were no interruptions that day, at 5:30 pm I had the area to myself.

This child’s garden playhouse, framed by an ancient oak, pink Japanese cherry blossoms and gracious lawn was awarded a Photographic Society of American, Pictorial Print Division, Print of the Month award, published in the society magazine for that month.

Click any photograph for my Getty portfolio.Playhouse – CLICK ME for my Getty Portfolio.

Please browse my reasonably priced stock photography.  License a photograph, download and use it for your website or blog.  Click this link to browse all my Getty IStock Photography offerings.

Or click this link to purchase a print of “Playhouse” with optional custom framing from my Fine Art Gallery.

Copyright 2023 Michael Stephen Wills All Rights Reserved

Ice Bells on Fall Creek

from multiple thaw-freeze cycles

Captured outside our former Malloryville home on Fall Creek of the Finger Lakes Region of New York.

I used a Canon 100mm “macro” lens.

SONY DSC

Cheers on this January morning.

Click this link to check out “Ice Bells” on my Fine Art Photography gallery.

Lady Feeding Gulls, Cocoa Beach Dawn

unflappable lady hand feeds seagulls

When Pam read my post “Black Skimmers Feeding” she asked, “Where is the photo of resting Skimmers?”

To answer her question, I looked through Cocoa Beach photographs and discovered I did NOT capture the Skimmers resting.  Instead, here are a related species, the Royal Tern (scientific name: Thalasseus maximus), whose behavior is similar in that it exclusively feeds from the water. There was a wind that morning and these individuals face into it.  These birds are, from a human point of view, well behaved, unlike the opportunistic gull.

Royal Terns at rest

I searched around the web for identification of this gull without success.

Scavenging Gull – CLICK ME for more Florida photography.

It dines on a dead fish washed up by the surf.  In my previous posting I used the word “grifting” to describe gull behavior, again this is from the human point of view.  Gulls are notorious for stealing food from unwary beach goers, brazening walking over to unguarded chips (any kind), for instance, grabbing them and flying off.  If the chip stash is large, this sets off a nasty feeding frenzy when tens of gulls swoop in and grab.

Here is a series of photographs, demonstrating this behavior.

Click Me for more Florida photos from my IStock offerings.
The dawn flowed over Cocoa Beach as a lady attracted a crowd of hungry gulls, reminiscent of scenes from Hitchcock’s “The Birds.”

Lady and Gulls

She is obviously an experienced gull feeder, unflappable with a steady hand

Lady and Gulls – CLICK ME for more Florida photography.

She had come to the shore at dawn for a photo shoot.  Her male companion (husband?) was there with a camera.

Lady and Gulls – CLICK ME for more Florida photography.

Pam and I were there for the dawn, me with the Sony camera.

Lady and Gulls – CLICK ME for more Florida photography.

At first, I stood there amazed at the spectacle.  She was in such control of the situation, not a victim, more like a lion tamer.

Then, Pam said, “You have to get this.”  And I did.

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