On Being Thankful

A garden, migrating geese, an unexpected balloon and flowers opening after dark remind me that gratitude begins by noticing the extraordinary within ordinary life.

There are times when gratitude arrives not as a grand revelation but quietly, almost unnoticed. It can begin by looking out a window, walking through a garden, hearing the calls of birds overhead, or watching something unexpected drift across an otherwise familiar sky. My video is made of such moments. It is a collection of things close at hand, yet when gathered together and accompanied by music, they become something more: a reminder of how extraordinarily rich an ordinary life can be.

I have much to be thankful for.

I am thankful, first, for home, a place on Earth intimately known to me. The opening views of the garden convey that sense wonderfully. There are great white clusters of hydrangea against deep green foliage, scattered pink blossoms, lawn, trees and the familiar boundaries of a yard. None of it is monumental. That is exactly the point. These are not the Alps or some distant wilderness. They are the landscape of everyday life, made beautiful by familiarity, care and the changing seasons.

A garden teaches gratitude because nothing in it remains still. Flowers arrive, flourish and disappear. Leaves that emerge with the almost translucent green of spring deepen through summer and eventually blaze red before falling. Brilliant red foliage is particularly striking, it carries within it both beauty and departure. Autumn diminishes and completes summer.

And then there are those remarkable white flowers opening in darkness—the extravagant, almost otherworldly blossoms of the night-blooming cactus. They seem fashioned from moonlight: long, narrow petals radiating from their centers, magnificent for such a brief interval. Their fleeting existence makes them more precious. To witness one requires being present at the right moment.

Perhaps that is true of much of life.

I am thankful that I have retained the impulse to notice.

There is a considerable difference between seeing something and noticing it. The world is filled with people who look at flowers, birds and skies every day without really seeing them. Curiosity changes that. It makes a flock of geese more than birds crossing the sky. they form their wavering lines beneath pale blue heavens shared with our moon. They are travelers following routes far older than our roads, houses or cities. Their passage reminds me that my home is part of a much larger landscape and that the seasons unfolding in my yard belong to rhythms extending across a continent.

I am thankful for the ability to look upward.

The balloon drifting above the neighborhood makes that thought almost literal. Suddenly an ordinary sky contains a great yellow, red and blue vessel, sometimes distant among the trees, sometimes passing wonderfully close overhead. We see the basket beneath it and the people aboard—human beings temporarily liberated from the ground, carried through the same air in which the geese travel.

There is something optimistic about a hot-air balloon. It accomplishes wonderfully nothing particularly urgent. It rises because people still want to know what the world looks like from somewhere else. Its presence in the video celebrates imagination, adventure and the persistence of wonder.

Yet gratitude also grows downward, into the earth.

The images of lush plants growing in raised beds and then harvested in abundance speak of another kind of wealth. Food does not simply appear. A seed becomes roots and leaves; sunlight is captured; water rises through stems; soil gives up minerals; human hands tend what is growing. Eventually the garden gives something back. To harvest food from plants one has watched develop is to participate, however modestly, in one of humanity’s oldest relationships with the living world.

I am thankful for that abundance—not abundance measured by possessions, but by experiences.

The sculpture of the young boy and girl quietly sharing a book adds a different note. Amid flowers, birds, harvests and skies is an image of companionship. Two figures sit close together, absorbed in the same story. It suggests affection, learning, intimacy and the pleasure of sharing something with another person. A life becomes immeasurably richer when its experiences are not ours alone.

That may be the deepest source of gratitude: the people with whom life has been shared. Family and friends give meaning to places and memories. A garden is more than plants when someone has walked through it with us. A meal is more than food when others sit at the table. A photograph becomes more valuable when it preserves something we want another person—or another generation—to see.

The music running through the video strengthens this sense of reflection. It does not demand attention so much as give the images emotional space. As the photographs succeed one another, the music turns observation into remembrance. The effect is almost like leafing through an album while realizing that the apparently unrelated pictures are chapters of the same story.

And perhaps that is why I find the video inspirational.

None of its subjects needs to be spectacular to matter. A flower opens. Geese cross the sky. Vegetables grow. Leaves turn red. Two children read together. A balloon unexpectedly floats over the neighborhood. Hydrangeas bloom beside a fence.

Meanwhile, time passes.

That last fact could make these images melancholy, but I do not think it does. Their transience is precisely what gives them value. Gratitude does not require pretending that beautiful things last forever. It comes from understanding that they do not—and loving them anyway.

I am thankful for the years behind me: for places visited, things learned, people loved, photographs made and memories accumulated. But I am equally thankful that the world still contains things capable of surprising me. There are still flowers I want to examine more closely, birds whose journeys I want to understand, stars I want to find through a telescope, landscapes I want to photograph, stories I want to tell, and mornings when I do not yet know what will appear outside my window.

That may be one of life’s greatest gifts: there is still something to look forward to.

The world does not owe us another summer, another migration overhead, another flower opening after dark, or another unexpected balloon sailing across a blue September sky. When such moments come, the proper response is not merely to record them.

It is to recognize them.

And to be thankful.

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Newgrange IX

Discover the mysteries of the Newgrange monument’s Entrance Stone, a showcase of exquisite Neolithic rock art. Explore spirals, lozenges, and geometric designs that define European megalithic art and delve into their potential meanings and cultural significance. Join me in uncovering the secrets of this ancient Irish wonder.

Continue reading “Newgrange IX”

Autumn Clouds

catching late light

This evening cirrus clouds filled the sky at sunset. View the following photographs to understand how these forms are named from the Latin word for a ringlet, or curl, of hair. Formed above 16,500 feet, on this day the cirrus glow with the light of a sun low in the sky.

Here is a wide view from our driveway that includes a deteriorating con trail and possibly a mixture of other cloud types, I am no expert. I used a Canon “zoom” lens for flexibility in framing. To minimize exposure time for a crisp capture of the moving object, ISO was set to to 1,000 and the f-stop minimized.

Click any image for a larger views. Then, click again to return to post.

Post production I needed to spend time removing dust spots (neglected to clean the image sensor), some of the images still have those annoying spots.

We enjoy looking west across the valley when the hills are glowing.

Click this link for another Autumn posting, “Thin Crescent Bowl Filled with Earthglow.”

References: search for Cirrus Cloud on Wikipedia.

Copyright 2021 All Rights Reserved Michael Stephen Wills

Firebush

slow burn

After we came home from the Underground Railroad excursion, with a camera and time on my hands, this Euonymus bush fringed with scarlet leaves caught my eye. Starting with a leaf here and there in September the flame-like color spreads until it takes on the character it is named for “Firebush.”

Springtime it is covered with tiny green flowers, each turns to a small, fleshy fruit encapsulating tiny seeds said to be loved by birds. As ours neglect the fruits, I’ve taken to collecting them to spread along the borders of our back property. Here and there some have sprouted around the bush, this year I marked a few to move this winter when the plant is dormant. I have high hopes for success of this project as the species is known as “invasive” in 21 states.

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We feel the planting is in an excellent place, though it is difficult to photograph for the clutter I was reluctant to resolve at that moment. In one of the following photographs is the gangly Cereus plant atop its water barrel.

All parts of the plant are toxic, causing severe discomfort when eaten. The name “Spindle plant” was given it in England for the corky wings that grow long the length of stems, not so pronounced with our Euonymus species.

Here are macros of the flaming leaves and fleshy berry.

Click this link for another Autumn posting, “Thin Crescent Bowl Filled with Earthglow.”

References: search Wikipedia for Euonymus alatus

Copyright 2021 All Rights Reserved Michael Stephen Wills