In town for a University of Arizona event I gazed from the Marriott before dawn to remember painting “A” mountain with the Sophos service club a half century ago. The tradition continues.
The view to the southwest includes University Neighborhood, downtown Tucson skyscrapers, “A” Mountain (painted red, white and blue November 2010), Tucson Mountains.
Life for me changed September 1971 with my matriculation at the University of Arizona. The next five years (4 for a BS degree and 1 year dietetics internship) were busy with study and supporting myself leaving minimal time for travel. Then came 27 years of work and family until in my 49th year of life, with the graduation of my son, Sean, from college planned for January 2003, I anticipated having time and resources to see more of the world. The Arizona postings here flowed the outcomes of this decision that spanned the years 2003 through my Mother breaking her hip just before New Years Day 2009.
Click the links for previous Arizona postings related to the post text.
November 2003 saw our first Arizona tour. Sean was scheduled to be home from USS Observation Island. He served as an engineering officer working for Maersk contracted by the US Navy to operate the ship. We flew into Phoenix and headed north for a tour of the Mogollon Rim onto Winslow, the Painted Desert, Canyon del Chelly, Monument Valley, the Grand Canyon South Rim, the western edge of the Painted Desert north of Flagstaff to finish up at University of Arizona Homecoming.
Homecoming 2003
My 2003 homecoming schedule including a meeting with the head of the Department of Nutrition Sciences, Dr. Houtkooper. We talked of ways to re-connect with the University, leading to an invitation to serve on the College of Agriculture and Life Sciences (CALS) Alumni Board of Directors beginning November 2005. From then until November 2008 I flew to Tucson two to three times a year for planning and educational meetings: planning fund raising activities, learning how CALS benefits and connects with the people of Arizona.
These baskets from our home are reminders of my original Arizona connection and of one story of re-connection. The larger, birds, design is from my student years from a first trip to Kitt Peak. It was a gift to my parents and for decades was in their china cabinet, I’d see it each holiday visit and recall driving desert with friends, the road up the mountain, seeing the newly constructed Mayall Telescope building loom over us, the smells and views of the Sonora desert.
Meeting Native American Artists
Working for the CAL Alumni Board the first time, November 2005, I had an idea to approach Native American artists for donations of their work for student scholarships. My first outing to meet artists was to an event at the Saguaro National Monument, west of Tucson, where I met Olvera and Simon Valenzuela. They were a happy couple devoted to continuing a tradition of basket weaving. Olvera was the youngest active weaver from generations of Tohono O’odham women. Her husband, Simon, a Pascua Yaqui, learned weaving from Olvera and her family. I purchased the turtle basket, upper left, and obtained contact information.
Click either photograph for a larger view.
From the bottom clockwise. Birds by Anmelia Juan of Geawuk (Kitt Peak 1972), Turtle by Olvera and Simon Valenquela (Sqguaro National Monument 2005) Stars by Simon Valenzuela for hsi daughter Pasquala Valenquela 16th Birthday (2018). Simon is of the Pascua Yaqui tribe who Learned basketmaking from his wife’s family.
Over the course of months, communicating with Arizona contacts, I came to the conclusion donations by Native American artists was not a sustainable model for financing donations. The individuals were not prosperous enough and there were too few of them. Instead, during the travels documented here, I made contacts. In the Chiricahua National Monument I met Linda Kelly the owner of Triangle T Ranch who donated stays there. The Searcher had a side farrier (care of horses feet) and donated services.
With the permission of Simon and family we started the Olvera Valenzuela Memorial Scholarship. The application is an essay on the subject: “A Proposal for Native American Cultural Conservation.” The qualified applicants are Native Americans enrolled at the University of Arizona College of Agriculture and Life Sciences (CALS) in a course of study leading to a baccalaureate. The designation “Native American” is defined for the purposes of these criteria as being a documented member of a North American tribe. It was an annual award of $500 to the successful applicant. To start I contributed $1,000 to fund it for two years.
Over the next year, Simon and I contacted potential donors, but were unsuccessful in funding the scholarship beyond two years. In the meantime, when I visited Tucson for CALS board meetings Simon and I would do outings with his daughters. Here is one from the 2006 University of Arizona Homecoming football game. This is after the game, a win for the team, with the field covered in celebrating fans.
The third basket of the photograph, a stars design, was raffled to fun Pascuala’s sixteen birthday celebration in 2018 and I won!!!!
Cheers!!
Copyright 2022 All Rights Reserved Michael Stephen Wills
In my last post, Homecoming Parade 2003, I described my initial reconnection with the University of Arizona (U of A) as a 1975 graduate and alumnus. This personal project of involvement with U of A and Arizona continued through 2011 with annual autumn trips to coincide with Homecoming. The travel was as a CALS (College of Agriculture and Life Sciences) Alumni Board of Directors member, a primary responsibility was raising funds for scholarships.
The Amerind Foundation and weathered boulders of Texas Canyon granite. Beyond are the Dragoon Mountains
I met, Linda Kelly, the owner of the Triangle T Guest Ranch, while camping in the Chiricahua Mountains. I arrived a week before homecoming to photograph the landscape, nature and rock formations of the Chiricahua National Monument. Click this link for my Arizona Online gallery, including some work from that time. Linda and a friend were visiting that day and we struck up a conversation about the area and her Triangle T Guest ranch. The next day I was scheduled to guest lecture a class at the U of A, as an alumnus of CALS. The ranch was on the way and I needed a place to stay, so Linda gave me directions and I checked in.
She gave me a tour of the incredible weather granite rock formations of Texas Canyon and, meanwhile, shared stories of the history of Texas Canyon. It is appropriate for the Amerind Foundation to be here (see first photograph), the winter camp of an Apache tribe for generations.
Weathered granite boulders greet visitors to the Triangle T Ranch.
That night, my request was for a room storied to be haunted by a spirit they call “Grandma,” as in when her foot steps wake you from a sound sleep you say, “It’s all right, Grandmother.” She woke me that night, footsteps in the dark, hollow on the wood floor, the room filled with a hard cold. I talked to her, without a response, while swinging my legs out of bed to reach the gas heater in the wall. I turned on the heat and the sound of expanding metal heat fins lulled me to sleep.
I call this pair, “Father and Son.” The restaurant is built around a round boulder.
It made a good story for the students. They were surprised I could fall back asleep, but after all I had to be there the following morning.
Your imagination roams among the natural forms.
I gave Linda a few of my photographs from that day and we made arrangements for the Triangle T to supply a two night package for the CALS “Dean’s Almost World Famous Burrito Breakfast” silent auction during 2008 homecoming.
A tableau of figures keep silent watch with the ghosts of Texas Canyon.
Copyright 2021 Michael Stephen Wills All Rights Reserved
In 2003 I was 50 years old, my son Sean graduated college and started his first job and we made time for a tour of Arizona together in November. The timing was perfect for me to take in the University of Arizona (U of A) Homecoming, my first since graduating 1975.
One absolutely positive memory from my time at the U of A was trying out for freshman cheer squad when I first arrived in Tucson, somehow being chosen and then serving for the fall and spring terms. So, when I received an invitation of the cheer alumni events I accepted and planned to be there in Tucson for November 7 and 8.
November 7 there was a reception for cheer alumni and current squad members. Everyone was welcoming and friendly, as you would expect, and I learned a bit about the younger members, how many were on academic scholarships.
The squad advisor, Phoebe Chalk, and I chatted briefly. She responded, “We have photographers,” and I floated the idea of my taking photographs during the parade so I let that drop with the intention of doing it, anyway.
I came prepared the next day with a Sony Cybershot F828. It was “Sony’s flagship prosumer digital camera” at the time. It worked well that day, the variable lens was especially helpful.
At the staging site I encountered a problem. The cheer squad headed the parade, behind the University President with the cheer alumni well behind. My solution was to approach Peter Linkins, the outgoing University President, with a request to photograph the cheer squad.
He said, “OK”, made a phone call and I walked up to the squad. They remembered me from the reception and I was on my way, “embedded” for the parade.
I walked alongside and on the alert. As we crossed passed the Flandrau Science Center and Planetarium and into the intersection with Cherry Avenue the squad broke formation for a stunt. Three men formed the “base”, they were J. Justin VandenBerg, Ricardo Abud (captain) and Robert Scoby, around a “flyer”, Taylor Hendrickson, and launched her into the air, above the pavement.
My sense of amazement, awe and concern is reflected in the reactions of the team members. Taylor was thrown more than 15 feet high for a complete flip to land in the arms of the three base members. I call this image, “Mind.”
They did it again and I was more prepared to capture the instant of launch. “Aerialists,” is the title of this image. The next flyer to launch was Kristen Ortega, here standing on the shoulders of her partner.
Kristen was launched in front of the review stand. “Grace,” is the image title. The three base members are the same.
In 2003 I was 50 years old, my son Sean graduated college and started his first job and we made time for a tour of Arizona together in November. The timing was perfect for me to take in the University of Arizona (U of A) Homecoming, my first since graduating 1975.
One absolutely positive memory from my time at the U of A was trying out for freshman cheer squad when I first arrived in Tucson, somehow being chosen and then serving for the fall and spring terms. So, when I received an invitation of the cheer alumni events I accepted and planned to be there in Tucson for November 7 and 8.
November 7 there was a reception for cheer alumni and current squad members. Everyone was welcoming and friendly, as you would expect, and I learned a bit about the younger members, how many were on academic scholarships.
The squad advisor, Phoebe Chalk, and I chatted briefly. She responded, “We have photographers,” and I floated the idea of my taking photographs during the parade so I let that drop with the intention of doing it, anyway.
I came prepared the next day with a Sony Cybershot F828. It was “Sony’s flagship prosumer digital camera” at the time. It worked well that day, the variable lens was especially helpful.
At the staging site I encountered a problem. The cheer squad headed the parade, behind the University President with the cheer alumni well behind. My solution was to approach Peter Linkins, the outgoing University President, with a request to photograph the cheer squad.
He said, “OK”, made a phone call and I walked up to the squad. They remembered me from the reception and I was on my way, “embedded” for the parade.
I walked alongside and on the alert. As we crossed passed the Flandrau Science Center and Planetarium and into the intersection with Cherry Avenue the squad broke formation for a stunt. Three men formed the “base”, they were J. Justin VandenBerg, Ricardo Abud (captain) and Robert Scoby, around a “flyer”, Taylor Hendrickson, and launched her into the air, above the pavement.
My sense of amazement, awe and concern is reflected in the reactions of the team members. Taylor was thrown more than 15 feet high for a complete flip to land in the arms of the three base members. I call this image, “Mind.”
They did it again and I was more prepared to capture the instant of launch. “Aerialists,” is the title of this image. The next flyer to launch was Kristen Ortega, here standing on the shoulders of her partner.
Kristen was launched in front of the review stand. “Grace,” is the image title. The three base members are the same.
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