Wandering Glider: The Far-Traveling Dragonfly of Ithaca’s July Skies

A sun-worn dragonfly rests at journey’s end, its amber wings whispering of distant winds, silent skies, and the untold grace of nature’s farthest travelers.

I found it trapped in the surface tension of standing water, motionless, its wings curled and clouded with the memory of flight. A dragonfly—worn, delicate, yet still resolute in form—lay before me like a token of the warm midsummer air that had lifted it through the fields and over the waters. July in Ithaca brings with it such winged travelers, borne on breezes scented with milkweed and bee balm, and this one, though grounded now, seemed still to carry the echo of great distances.

The dragonfly is not of the brooding sort; it lives neither in shadows nor secret places. It claims the sky as its own, ranging wide and far with a grace born of ceaseless motion. This particular specimen, its body some two inches in length and its wings veined like the bare branches of winter trees, bore the telltale marks of the Wandering Glider—Pantala flavescens. Each wing was tipped with a black bar, as though the artist who made it had laid down a final, definitive stroke to balance the creature in the air. Near the base, a wash of amber yellow glowed softly, like the last light of evening behind thin clouds.

There is something unquiet about the dragonfly. It does not hover long nor does it dawdle. It darts, it glides, it shimmers in and out of sight. It is a creature of action and of space. The glider, especially, seems to belong not to any one stream or meadow, but to the wind itself. Naturalists tell us this species is among the most traveled of all insects, crossing oceans, riding monsoons, appearing in lands where no memory of its departure remains. What must it see? What sunrises shimmer from its compound eyes, what shorelines flash beneath its outstretched wings?

In the dragonfly’s manner, I find no sign of labor, only the silent art of survival. It patrols its airspace like a hawk, yet it bears no menace, only the precise and relentless hunger of a born predator. With each dart and glide it performs a service to the air—clearing it of gnats and mosquitoes, feeding itself without waste. Nature, in her economy, grants no idle beauty, and the dragonfly is both elegant and essential.

As I gazed at the delicate carcass, I thought of the old philosophy that linked the soul’s journey to the flight of birds. But here, perhaps, is a more fitting image: this dragonfly, which lives but a brief summer, yet might travel farther in its span than many creatures do in a lifetime. We are apt to call it “wandering,” as though it lacked aim or anchor. But I think it follows a thread of purpose invisible to us—something stitched into the weave of wind and weather, of season and sun.

It had come far, and its journey was complete. My wife provided an empty saffron spice box to preserve and display it—for the grandchildren to marvel over.

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The Secret Life of Woodland Plants: Jack-in-the-Pulpit Insights

In the hush of the forest, Jack-in-the-Pulpit speaks—not with sound, but with form and patience, reminding us that some sermons rise quietly from the earth.

You could walk past it a hundred times and never notice. There, beneath the low canopy of midsummer, where light is sifted through green, Arisaema triphyllum stands with the discretion of a shadow. Jack-in-the-Pulpit, they call it—a name as strange and gentle as the plant itself. But neither common name nor scientific binomial quite captures the feeling that you are being addressed when you encounter one.

A young Jack-in-the-pulpit under its leaf canopy along the gorge trail of Filmore Glen.

A mature Jack-in-the=pulpit flower with purple trillium, Fillmore Glen.

Earlier in the year, it raised a hooded spathe above the forest floor, curving protectively over a pale central spadix—the “Jack.” It looked like a figure delivering a sermon to the moss and littered leaves. Now, that sermon has passed, and the speaker has fallen silent. What remains is a column of tight green berries, glinting softly in the dappled light. They are not yet ripe, but the promise is there. In time, they will glow red like embers in the undergrowth.

Summertime, Sapsucker Woods. I might use a colloquialism and call this plant a “Jill”….and the real twist? Jack might’ve started out giving sermons but give them a good season and a strong root system, and Jack becomes Jill. It’s sequential hermaphroditism at its finest—Mother Nature’s version of career flexibility.

There is something ancient about this plant, as if it remembers a forest before our footsteps came. Its roots delve deep, not just into the soil, but into time. A corm, nestled beneath the leaf mold, waits out the harsh seasons, unseen but enduring. It is not a showy plant. It is a plant that trusts quiet. That survives on patience.

A closer look at the unripe berries.

The forest is full of these secret lives—beings that do not shout to be known. Jack-in-the-Pulpit speaks softly, in a dialect of leaf and shade and seasonal return. It is a plant you find when you have slowed down enough to belong again to the forest’s rhythm, when you’ve traded the voice in your head for the breath of leaf litter underfoot.

From Fillmore Glen

Some would call it just another spring ephemeral, a curiosity among many. But to walk away from it without feeling a kind of reverence would be to miss the point. It is not there to impress. It is there to remind.

That not all things are revealed at once.
That sermons come in many forms.
And that in the hush of the forest, something is always speaking—if only we remember how to listen.

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