This afternoon’s sky was overcast, perfect for photographing wildflowers: clouds thin enough for light to pour through. In the clouds’ shadow there is not enough light for the plant to cast its own distracting shadows. Compare an earlier trillium photograph (click me to go there).
For the following photograph is a study in habitat. At f32, focusing on the trillium, the surroundings are clearly identifiable: several budding Foam Flower heads (Scientific Name: Tiarella), fern, rotting wood, the forest floor hidden by leaf clutter.
I released the shutter (with a 2 second delay) during a break in spring breezes, the overcast lighting bright enough for a speedy 1/8 second exposure. The focus on the opening trillium bloom is just as crisp in this exposure as the next.
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f32 / 1/8 second
At 4 f-stop, the entire plant is in focus while many habitat elements are a soft blur. An interesting point is the leaf on the left. It is in focus somewhat and is a distraction. This was an issue, in my opinion, for the first photograph.
Like the previous year, spring 2022, though cold, is early. As I write this the peony blooms presented here, photographed May, 2021 are seeding. Every year, Pam and I marvel at the color. 2019 this peony was in full bloom only by the end of May, around Memorial Day.
These photographs were taken with a Canon EOS 5D Mark IV dslr, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. Color results from the Canon dslr are impressive. In prior years I favored shooting late evening in the shade with a slight underexposure. This year I experimented with full sunlight. I found a slight under exposure captured the plum – fine burgundy wine nature of this Japanese cultivar, “Shimadaijin,” planted in the 1970’s or 1980’s.
This set brings out the petal’s fiery nature. In the wild, woody (also called tree) peonies favored cliffs and scrub of western and central China, eastern Himalayas (southeastern Tibet).
ISO 1600 f16 1/320 sec
By a happy accident our neighbor’s honeybees foraged the nectar and pollen of these newly opened blooms. The woody stems hold the profusion of large flowers each one erect. “Tree” is a misnomer as this plant is a shrub growing mid-thigh high. One of the classic ornamental genera of China, known there as moutan or hua wang “King of Flowers.”
ISO 1600 f16 1/320 sec
Cultivation in China began in Chekiang in the early 4th century AD. By the early Tang period (circa 700 AD) hundreds of varieties were grown.
ISO 1600 f16 1/320 sec
The bees happily rolled around among the stamens, notice their full pollen sacs.
ISO 1600 f16 1/320 secISO 1600 f16 1/250 sec
References
Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133
Wikipedia “Magenta” color
Copyright 2023 All Rights Reserved Michael Stephen Wills
Purple Trillium, a different species from the white, present different challenges. The purple blooms tend to dip down toward the ground. White flowers face upward toward the sky. My successful photographs of purple (Click me for another Purple Trillium posting) have the camera lower than the plant, say where there is a bank above the trail.
Shot from beneath, White Trillium project a hopeful air. Here is a comparison of the two species in the environmental and individual treatments.
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Peony species (scientific name Paeonia lactiflora) with plants that die back in cold weather to regrow each spring from a tuberous root are called “herbaceous,” from the latin word for grassy. The stems and branches remain soft and pliable, some stiff enough to hold the large, showy flowers. The first varieties introduced to Europe and named 1753 were white, “lactiflora” mean milk-white flower.
Reviewing my photography in preparation for this post I discovered not a single one for herbaceous peony, such was my interest in the woody varieties my in-laws planted around the property. Fortunately, they did not neglect the herbaceous varieties featured here.
These photographs were taken with a Canon EOS 5D Mark IV dslr and the Canon EF 50mm f/1.2L USM lens with a “BeFree” Manfrotto tripod with ball head. f-stop was tamped down to the maximum, f16 for this lens. Exposures were taken when the intermittent morning breeze abated.
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Paeonia lactiflora, in the family Paeoniaceae, contains around 30 species in Europe, across Asia and in western North America growing wild in scrub and woods, often in rocky places or on cliffs. Most species in Eastern Europe, others in the Caucasus, central Asia, the Himalayas, and Japan, mainly on limestone, and a species in dry parts of California.
Peonies have long been cultivated for their spectactular flowers as well as for their medicinal preoperties, particularily in China
Reference: “The Botanical Garden” by Phillips and Rix, Volume I (2002, Firefly Books, Buffalo, New York and Willowdale, Ontario
Copyright 2022 All Rights Reserved Michael Stephen Wills
See my previous May Woody Peony postings for background on this peony variety.
These photographs were taken with a Canon EOS 5D Mark IV dslr and the Canon EF 50mm f/1,2L USM lens. I opted for handheld exposures; the morning was absolutely still.
Copyright 2022 All Rights Reserved Michael Stephen Wills
See my May Woody Peony postings for background on this peony variety.
These photographs were taken with a Canon EOS 5D Mark IV dslr and the Canon EF 100mm f/2.8 Macro USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head.
The morning breezes of May caused me to “up” ISO to 1600 for a faster shutter speed at higher f-stop.
ISO 1600 f32 1/6 sec
Taking full advantage of the macro lens, the higher ISO helped to maintain sharper focus on the highlighted feature, in this case the stamens.
ISO 1600 f5.6 1/400 sec
A gallery of macros with various settings and aspects of the bloom.
ISO 1600 f32 1/6 sec
ISO 100 f32. 1/6 sec
ISO 1600 f5.6 1/320 sec
ISO 1600 f5.6 1/400 sec
Copyright 2021 All Rights Reserved Michael Stephen Wills
“It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.” Asphodel that Greeny Flower WC Williams
Here is a Sunny Sunday reader assignment. Which handling of this woody peony blossom do you prefer? Please leave your preferences in the comments section with details of your reasoning. Thank you!!
These photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. This setup allowed me to fiddle with camera settings, here you see a variation in the width of the shutter diaphragm opening, or F-stop. The smaller the opening (higher F-stop) less light is let through to the image sensor, longer exposure time (allowing the subject to move, as in the morning breeze) offset by greater depth of field, more of which provides sharp focus as the subject elements are further from the lens.
In this first photograph, the F-stop is moderately high. The entire blossom and plant are in focus, the background moderately blurred though still recognizable.
ISO 200 1/6 sec f/16
For the second photograph F-stop is low, opening up the shutter diaphragm, allowing more light in for a faster shutter release, less time for the morning breeze to rise up and ruin the shot. The beautiful background blurring, bokeh, is a feature of this 50 mm lens. At the same time, at F/4.0 the shutter diaphragm is not wide open. The blossom is entirely in focus, many plant leaves and the other blossom, to left, are out of focus. This places emphasis on the primary subject of the photograph while providing a feel for the surroundings.
ISO 200 1/100 sec F/4.0
Here are the same photographs, click on one to open a gallery for you to flip back and forth to compare.
ISO 200 1/6 sec f/16
ISO 200 1/100 sec F/4.0
Copyright 2021 All Rights Reserved Michael Stephen Wills
This yellow woody (also called tree) peony blooms later than our red varieties. The first set of three were photographed May 26, 2021 have unopened buds. Yet, these are early compared to those photographed June 6, 2019 used in the last still life.
These first photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, fitted with a 600EX-RT Speedlite (flash) and the Canon EF 70-300 mm (variable) f/4-5.6L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head.
Our Itoh yellow tree peony has flowers on stalks too slender to hold the heavy blooms upright. The flowers open hidden among thick leaves. Here they are a still life of cut blossoms and leaves. The cultivars of Paeonia, the mouton, or hua wang, king of flowers, are ofe of the classic ornamental genera of China. By the 11th and 12th centuries the center off cultivation was in Sichuan, and there yellow-flowered varieties appeared.
Canon EF 70 – 300 mm USM, ISO 400, 146 mm, 0.3 sec at f/6.3
Click the pic for a larger view
Crossbreeding of yellow-flowered P. delavayi with traditional double-flowered P. suffruticosa cultivars by Victor Lemoine in Nancy, France has led to the introduction of the color yellow into the cultivated double-flowered tree-peonies. These hybrids are known as the Paeonia × lemoinei group. In 1948 horticultulturist Toichi Itoh from Tokyo used pollen from ‘Alice Harding’ to fertilize the herbaceous P. lactiflora ‘Katoden’, which resulted in a new category of peonies, the Itoh or intersectional cultivars. These are herbaceous, have leaves like tree peonies, with many large flowers from late spring to early autumn, and good peony wilt resistance. I am guessing our Yellow Wooden Peony is a type of this hybrid because the long stems are more herbaceous than woody, the heavy flowers droop so the best form to capture them is the still life.
Canon EF 70 – 300 mm USM, ISO 400, 70 mm, 1/5 sec at f/5.0
Canon EF 70 – 300 mm USM, ISO 400, 70 mm, 1 sec at f/11
Click the pics to flip back and forth.
Compare the above two exposures to appreciate the effect of the f-stop and excellent bokeh of the Canon “L” lens.
This still life from the 2019 bloom was taken with a Canon EOS-1Ds Mark III dslr and the Canon EF 50 mm f/1.2L USM lens used above. Stabilization provided by a Manfrotto 3036 (studio) tripod with the 468MG hydrostatic ball head. That room is bright from large, east-facing windows. Late afternoon light is soaked up by the black velvet backdrop leaving the lemon yellow leaves to shine.
Canon EF 50mm f/1.2L USM, daylight, 1/8 sec at f/7.1
Click the pic to over a larger view
Copyright 2021 All Rights Reserved Michael Stephen Wills
References
Wikipedia “Paeonia × suffruticosa“
Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133
Spring 2021, though cold, is early. As I write this the peony blooms presented here, photographed May 20, 2021 are seeding, the gorgeous purple magenta petals strewn beneath the woody stems. In my last posting, from Memorial Day 2019, the plant is in full bloom the end of May.
These photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. Color results from the Canon dslr are impressive, the first time the unique purple magenta is accurately represented here. I found a slight under exposure captured the plum – fine burgundy wine nature of this Japanese cultivar, “Shimadaijin,” planted in the 1970’s or 1980’s.
Here is the last unopened bud of this season, enclosed by a calyx of 5 green sepals with reddish highlights . In the wild, woody (also called tree) peonies favored cliffs and scrub of western and central China, eastern Himalayas (southeastern Tibet).
Lens Canon EF 50mm f/1.2L USM. ISO 200 f5.0
The bud is toward the back, slightly out of focus, of this overview. The woody stems hold the profusion of large flowers each one erect. “Tree” is a misnomer as this plant is a shrub growing mid-thigh high. One of the classic ornamental genera of China, known there as moutan or hua wang “King of Flowers.”
Lens Canon EF 50mm f/1.2L USM. ISO 200 f5.0.
Cultivation in China began in Chekiang in the early 4th century AD. By the early Tang period (circa 700 AD) hundreds of varieties were grown.
Lens Canon EF 50mm f/1.2L USM. ISO 200 f16
Copyright 2021 All Rights Reserved Michael Stephen Wills
References
Wikipedia “Magenta” color
Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133
May 2019 Pam and I visited the New York State historical site of Olana, the former home of Fredrick Church of the Hudson River School of painting. Off the walk was a small planting of flowers, among them a type of “woody” peony in full bloom on Memorial Day weekend, well before the “herbaceous” type that is setting flower buds at that time. These were a striking reddish hue.
On returning home we were pleased to find our own “woody” peonies of the same hue in full bloom as well. On Memorial Day I used the Canon EF 100mm f/2.8 Macro USB lens and a tripod to capture the following two macros of the flower center with the lens aperture fully open (f 2.8) and at its smallest (f 32).
Question for readers: Which do you prefer, and why?
Click either photograph for a larger version.
f 32f 2.8
Copyright 2019 All Rights Reserved Michael Stephen Wills
Michael Stephen Wills Photography 