Canon’s 24 mm “L” lens saw first light on this tour, was indispensable towards the end of our round of the island. Here the camera is mounted on a Manfrotto studio tripod with a hydrostatic ball head. A 0.6 neutral density graduated filter brought out the sky details though I could not catch the foreground polygons without darkening the far basalt columns.
My position is close to the photographs of all the posts since “Basalt Columns.” Here are two photograph of the pavement effect, walking across column tops. Notice the concave facings, identified by dried seawater pools (white circles), the boss of convex surfaces.
I released the tripod “panning” control, searching for the best aspect.
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