Father and Daughter
These people clambered up for a shot while I was set up to capture the scene at the perfect light. They wasted my precious moments of light. Luckily, I managed captures while the child was out of sight, shared in yesterday’s post. These photos were accepted by Getty as “editorial” content.
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at sunset
Here is a formation seemingly created to capture the human imagination. I spent time attempting to get it right. At one point, the setting sun emerged from the clouds to light the scene.
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Baby-Finn
For Pam’s return trip I recall a favorite episode of Finn McCool’s, the mythical hunter-warrior associated with the Giant’s Causeway. Fearing a match with an opponent sure to defeat him, Finn relied on the wits of his wife, Oona, who dressed him up as a baby. She made griddle cakes, hiding an iron skillet in one or two. The giant, given the iron cakes, suffered broken teeth. Baby-Finn wolfed his cakes down. Overawed, the giant fled back to Scotland, fearing to face the man who’d grow from a baby such as that, tearing up the road (The Giant’s Causeway) behind him, to prevent Finn from following.
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The Far Extent
Pam hiked as far as the Red Cliffs. Click me for more information about these deposits of weathered volcanic rock.
The cliff trail ended at a barrier, with sunlight running out Pam turned around.
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Dangerous Cliffs
We know of the danger of cliffs from our Finger Lakes Gorges. That solid edge can be anything but.
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Walking the Giant’s Causeway
Pam continued past the Causeway, exploring other features on a path along a broad, rocky beach.
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Walking the Giant’s Causeway
While I was living the dream on the pile, Pam took a long walk up the cliff. Here is a series of photographs she snapped with the Samsung Galaxy.
Pam explores the entry (click for my post “Volcanic Dike”) and walks by the Causeway. We see it here from the back side. The lines of columns is striking.
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Wave Motion
Consider these photographs of waves interacting with the basalt columns of Giant’s Causeway at low time to be a sequel to “Kelp” “Tide”. “Movement,” and “Movement Redux.”
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concave vs. convex
Canon’s 24 mm “L” lens saw first light on this tour, was indispensable towards the end of our round of the island. Here the camera is mounted on a Manfrotto studio tripod with a hydrostatic ball head. A 0.6 neutral density graduated filter brought out the sky details though I could not catch the foreground polygons without darkening the far basalt columns.
My position is close to the photographs of all the posts since “Basalt Columns.” Here are two photograph of the pavement effect, walking across column tops. Notice the concave facings, identified by dried seawater pools (white circles), the boss of convex surfaces.
I released the tripod “panning” control, searching for the best aspect.
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Which predominates in this series: movement or rest?
Full series of kelp in the waves. In these images I heightened the contrast of yellow-brown algae strands against dark water.
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Copyright 2020 All Rights Reserved Michael Stephen Wills
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