Wave Sequence

Wave Motion

Consider these photographs of waves interacting with the basalt columns of Giant’s Causeway at low time to be a sequel to “Kelp” “Tide”. “Movement,” and “Movement Redux.”

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Copyright 2020 All Rights Reserved Michael Stephen Wills

Point of View

concave vs. convex

Canon’s 24 mm “L” lens saw first light on this tour, was indispensable towards the end of our round of the island. Here the camera is mounted on a Manfrotto studio tripod with a hydrostatic ball head. A 0.6 neutral density graduated filter brought out the sky details though I could not catch the foreground polygons without darkening the far basalt columns.

My position is close to the photographs of all the posts since “Basalt Columns.” Here are two photograph of the pavement effect, walking across column tops. Notice the concave facings, identified by dried seawater pools (white circles), the boss of convex surfaces.

I released the tripod “panning” control, searching for the best aspect.

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Copyright 2020 All Rights Reserved Michael Stephen Wills

Beauty and Infection

Cutting Trees to Fight Disease

White Hawthorne tree blooms grace hedgerows of the rural hillside facing Glenariff Forest Park. The other white is grazing sheep. The North Channel of the Irish Sea is visible at the foot of the glen, with the shore of Scotland just visible.

Foreground are the stumps of mature trees cut by the forest service to control the oomycete plant pathogen Phytophthora ramorum. We visited June 2014, the year before, October 2013, the Belfast Telegraph reported “Northern Ireland is close to the point where it will be impossible to eradicate a virulent disease from the forests where it has taken hold.” Glenariff Forest part was one of those forests and the tree stumps are victims of that struggle.

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Here is a link to this photograph on Getty.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Getting My Work Out There

A Blessed Easter to Everyone

Comparing this view with the first of this series, first glance, with the camera held steady on a Manfrotto studio tripod, it is identical but from the play of light and cloud. My model Pam walked a few feet to sit in quiet contemplation of the beautiful surroundings.

To produce stock photography I research the details of the image, to write an informative caption. For example, in the post “Another Glenariff View” my identification of the Rowan was from a two volume atlas, paging through page after page.

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Here is a link to my Glenariff photographs on Getty.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Another Glenariff View

…with a flowering bush.

After photographing the broad expands of a wide Glenariff valley, moving the tripod on that same eminence, here is a near and far view.

The foreground white flowering bush of pinnate leaves is Rowan (Sorbus in the family Rosaceae subfamily Maloideae). In Irish it is crann caorthainn, a plant considered sacred in ancient times by both Celts and Vikings. The fruit is made into preserves, jellies. The pinnate leaves are similar to Ash, the reason it is also known as Mountain Ash, Rowan is not botanically related to Ash.

The Canon lens EF 24mm f/1.4L II USM was mounted on the Canon EOS-1Ds Mark III camera. The graduated neutral density filter was perfect for the setting. Notice, between the hills in the distance, is a patch of the Northern Channel (of the Irish Sea), and just visible the Scottish Coast, a tilted horizon uncorrected.

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Here is a link to this photograph on Getty.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Going backward….

….to Glenariff

Here is the first stop on our tour of the Antrim Glens and coast, Glenariff Forest Park. These blogs have gone backward from Torr Head towards the started our day with breakfast in Coleraine, proceeding south along the plain to the head of Glenariff. The name, in Irish Gleann Airimh, means “Glen of arable land.” The Glenariff River flows from the height of Tievebulliagh, a 1,300 foot mountain, to form the broad valley of Glenariff. Arable, means tillable, and the land is tillable because the valley is wide.

This is one of my most popular photographs, it is from that day. I set up the tripod on an eminence overlooking the glen and a park path. Pam, in her red raincoat, headed down. The Canon lens EF 24mm f/1.4L II USM was mounted on the Canon EOS-1Ds Mark III camera. The graduated neutral density filter was perfect for the setting.

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Here is a link to this photograph on Getty.

Copyright 2020 All Rights Reserved Michael Stephen Wills