Valparaiso Connections IV

The O’Higgins Carrera Feud

“Valparaiso Connections III” brought us to Pedro Montt Avenue and the building of this imposing façade, Congreso Nacional de Chile (National Congress of Chile).  The very fact it is in Valparaiso is a recollection of the former National Congress, disbanded by the ruling Junta on September 13, 1973.  During the final years the Pinochet dictatorship chose Valparaiso for the site of a new congress building.  The former National Congress building still stands in Santiago, now housing the offices of both houses of congress.

I am fascinated the façade is shared by two founding fathers of Chile, Bernardo O’Higgins and José Miguel Carrera.  O’Higgins father never married his mother (in other words, Bernardo was a bastard).  Cared for by his mother’s privileged family, he used his mother’s family name until the death of his father.  Carrera, was also born of privilege, the acknowledge son of his father who attended the best schools, well positioned to lead the movement for Chilean independence.  Benefactors looked after O’Higgins, they sent the seventeen year old to Europe to finish his education.

In the chaos of war, in spite of ill-health and lack of military training, O’Higgins out performed Carrera as an officer through reckless bravery; surviving, he became an admired military leader through this example and ultimate victories. Carrera resented being overtaken (by a bastard), did not respect O’Higgins leadership and the two feuded. O’Higgins became the first head of the independent Chile while Carrera gathered a force.  Exiled in Paraguay, Carrera marched across the intervening wastes battling indigenous forces.  Eventually captured by those loyal to O’Higgins, Carrera suffered a mock trial and execution.

All five of Carrera’s legitimate offspring married and prospered, today his descendants number in the hundreds, being the majority of Chile’s ruling class.  Today, the followers of Carrera (Carreristas) fight for his recognition against the O’Higginistas, who they despise.  The balance is on display on the National Congress façade on Pedro Montt Avenue.  The building is next to Plaza O’Higgins.

Measured by acreage, O’Higgins is far ahead of Carrera.  The following photograph, from my posting “A Far Country VII: View of Tempanos Fjord” is from within Bernardo O’Higgins National Park, the largest protected land in Chile.

A large lake in Patagonia is named after General Carrera.

Valparaiso Connections III

Copper Cable and History

“Valparaiso Connections II” left us with these friendly Valparasians, if such a word can be used to describe residents of the city, chatting on Argentina Avenue.

It was Saturday, the happy occasion of the weekend street fair, kiosks sprouting like mushrooms, thinly attended this early morning.

We did not pause to wander, instead turned up a street known as Pedro Montt, named for a Chilean president of the early 2oth century.  Was we turned, monumental street sculpture, rising from the kiosks, caught my eye.

A creation of the great national artist Mario Irarrzabal, it invokes solidarity through the image of four thick copper cables twisted together to form one, the union that can happen to achieve bigger things.  Opened in 1995, crafted of iron, wood and copper, after Pinochet passed power to a new democratic constitution and still held office as a Senator, protected from extradition, in the National Congress located just to the west of the monument.

The imagery works on multiple levels.  Known as “Copper Cable Monument” or “Copper Column,” the monument also stands for Chilenización del cobre (Chileanization of copper), a movement began during the presidency of General Carlos Ibáñez del Campo.  Concluded in the presidency of Salvador Allende, the takeover of foreign owned mines lead to the isolation of Chile and was a component of the support of the USA, via the CIA, for the Pinochet 1973 Chilean coup d’état.  Pinochet retained state control of the mines in the face of strong popular support for the huge contribution to state coffers.  To this day CODELCO (in English National Copper Corporation of Chile) operates as a corporate entity.

As with our guide, Ricardo (“Valparaiso Departure I”) and the companions at the start of today’s post, Irarrzabal was profoundly affected by the Pinochet dictatorship.  Under its influence as well as the sculpture of Easter Island, the artist began work on monumental sculptures.  Pam and I visited one on the other side of the South America “cone,” Punta del Este, Uruguay.

Built from Brava beach at the height of the dictatorship, 1982, of concrete, steel rebar, mesh covered with a corrosion resistant coating, the artist title it “Man Emerging to Life.”  He was a young man at the time, the work built his reputation and he repeated the theme internationally as well as, in 1992, 1,181 miles away the “Hand of the Desert.”  At that time while Chile was emerging from the Pinochet dictatorship the palm as well as fingers are visible.  The “cone” of South American, Chile and Argentina, are encompassed by the left hand of the east, a right hand of the west.

Valparaiso Connections II

the Chilean difference

Ricaro’s name tag reads, “Oceania Cruises, your world, your way.”  I began my two previous blogs with Ricardo, “Valparaiso Separation” and “Valparaiso Connections I.” There’s a lot to be said for the Oceania tours.  Every one lead by a knowledgeable native of the host country, fluent in English, we became familiar, some more than others, with them personally, one non-representative example.  As were progressed down the coast from Iquique to Cape Horn we met a cross section of Chileans.  Unlike other countries, in Chile we met only unsmiling guards on the streets, no protest rallies.


As the tour bus is about to turn down Varparaiso’s Argentina Avenue, here is a flash forward to an elaborate demonstration tableau in the Plaza de Mayo, the Casa Rosada as a backdrop, rose as in the color of bull’s blood used as pigment.  The protest was in support for veterans and causalities of the ill considered 1982 Falklands War.  We zoomed by the Parque De La Memoria, dedicated to the 30,000 people “disappeared” by the same military dictatorship of the Falklands War debacle.

http://bit.ly/MichaelsGalleries

Our entry to both Valparaiso and Buenos Aires was a cruise over the secret graves of thousands dropped, alive, into the ocean from military aircraft.

What is most chilling is the silence about this throughout our travels in Chile.  No memorials, no protests, silence, only stone faced military guards.

The following is from Basílica y Convento de San Francisco de Lima, beneath which are catacombs piled with disarticulated skeletons buried and cared for in the Catholic tradition .

In Lima’s Plaza de Armas we witnessed this peaceful demonstration by pensioners protesting low payments.  To be honest, around this time, in Chile, there were huge demonstrations, hundreds of thousands in Santiago, about the same issue.

The Lima crowd was peaceful.

Watched by a heavy contingent of armed police supported by large “paddy wagons” to cart people away.  The vehicle marked “Prodegur” (i.e., prosecution) was one of them.  Given the history of government disappearances in the region, how brave the demonstrators must be.

Our vehicle turns onto Argentina Avenue, passing under Spanish Avenue and these supports bruiting the “Patrimony of Humanity” status of Valparaiso.

Turning onto Argentina Avenue, the overpass support columns announce Valparaiso’s status as a World Heritage Site. It is the old city around the port which holds this designation.

Other murals feature the zinc panels of the Old Town and cultural opportunities.  I noticed the pictured flooring is identical that of Hotel Brighton, see “Our Fifteen Minutes of Fame on Conception Hill.”

I wonder how a man of a certain ago scrapes his knees, these appear to be homeless people.

Two men carry on conversation on Avenue Argentina, Valparaiso during the weekend Avenue Argentina street fair.

They gives us big smiles and waves when they spotted me / us.  The people were open and friendly.

Valparaiso Connections I

The Albatross and Valparaiso

We’ll start in the parking lot of the Valparaiso Passenger Terminal, introduced in my last posting, “Valparaiso Old and New”.  The terminal was our first stop in Valparaiso, it services cruise ship passengers, it was in the parking lot we met Ricardo, a guide and city native.  In his late sixties, Ricardo lived through numbing changes:  the political turn left and election of Allende, followed by a military coup d’état (called golpe de estado in Spanish) and rise of a military officer, Pinochet, to dictator.  From the 70’s through 80’s Pinochet ruled, abolishing the congress in Santiago, enjoying ruthless suppression of opponents with the full support and assistance of the military.  In the late 80’s Pinochet allowed a return to democracy, a new constitution with a bi-cameral (two houses) congress in Valparaiso and elected president.  Ricardo was quiet about these times, as are most Chileans and we did not press him.

Click any photograph to open my Fine Art Gallery.

The bus passed a carved wooden statue of the albatross, near the terminal entrance.  A bird of the southern ocean, familiar to mariners for the habit of following ships, this aspect of soaring the a familiar posture.

Here is a specimen in this posture following the Regatta on February 22 as we traversed the Southern Atlantic between the Falkands and Punta del Este.  That day, many albatross soared among the 20+ foot waves, the wingtips very close to the water surface.


The day before, February 21, the Regatta approached the southern most point of the western hemisphere, Cape Horn, coming within a mile of the landing point and monument.  At the top you can see the steel sculpture of the outline of an albatross set in a stone plinth.

A cropped version of the above image, the albatross outline is easier to see.  Also visible, at the cliff base, the landing, stairs, a platform painted as a Chilean flag, the railings leading up to the Albatross Monument.

All of this to emphasize the unique position and reason for being of Valparaiso of the eastern South Pacific, made evident by the recurring motif of an albatross soaring among the waves.  This retired anchor, close to the albatross sculpture, on our way to Argentina Avenue and the weekend street fair (to be continued).

Valparaiso Old and New

Stray Thoughts on Labeling, Valparaiso Port

Shortly after breakfast Pam and I were among a gathering of travelers, several friends made in the last ten days among them, waiting in the Regatta lounge for tour assignments.  In my previous posting, “Valparaiso Separation, you can see exactly where the Regatta was docked among the orderly chaos of the port as seen from the Ascensor Conception.  “Valparaiso Separation” also includes several photographs from my early morning hours on our port side stateroom terrace photographing the approach to Valparaiso and the city itself.

Walking down the gang plank, our bus assignment in hand, number 17, we boarded a shuttle to take us through the port, to customs.  See the upper left corner?  Here is part of a loading crane, seemingly the underside of a bridge.  In “Valparaiso Departure I”  you saw it loading rolls of wire.

The structure labeled TCVAL is called the Gottwald, a mobile harbor crane from the TEREX based in Dusseldorf, Germany.  TCVAL is an acronym, “Terminal Cerros de Valparaíso” (Hills Terminal of Valparaiso), and stands for the port management company.

I caught two overviews of the area from our stateroom balcony.

Looking along the port side of the Regatta.  Our room was on the same level as the bridge, visible on the right with several Regatta officers enjoying the Valparaiso port view.  From here, the shipping containers (“Hamburg SUD”) are loaded onto semi-tractor trailers for points all around South America, they call the southern most land “The Cone.”

We are surrounded by labels, the #17 in our hands, “Regatta” on the ship bow, all with a story to tell.

Unlabeled from this side, two towers covered with multi-colored panels, shades of green and blue with white, the Hotel ibis Valparaiso.  I looked it up on Google Maps.

To the right is AIEP Valparaiso, a technical college, founded just three years before, 2013.  We are seeing them from behind, the side that faces the harbor, both the hotel and school front a street named Errázuriz.

Take note of the lower floors with the large, crisscrossed supporting struts.

Back on the shuttle, we pass along those lower floors.  Look to the right of the Gandara Chile, SA truck….dinosaur models.  The floor above seems to be retail displays of bulk packaged products.

Everywhere stacked shipping containers….

…throngs of busy workers.  This fellow works for “Building Services”, a cleaner.

We’ve looked right.  To the left a view of the port opens.  War ships in the distance.  Foreground is a general cargo ship, the crane midship is used for unloading in smaller ports.  Currently unloaded, we can tell by how high it is riding.  There is a rope ladder on the visible starboard side, a landing boat with an outboard motor along side.  One person is visible on the upper deck, wearing a baseball cap.

Named “Danstar” home port Valparaiso, the Chilean flag hangs stern side.  A general cargo ship, I looked it up.  On the day I started this post, it was sailing the southern pacific heading from Hanga Roa, Easter Island.  The label on the bridge, CA 4392, is the radio call sign.  The bilge pump is working….wonder how strict the pollution stands are for Valparaiso harbor?

Back to the left, an unpromising aspect.  No labels here.  Shortly after the transport unloaded us for customs.  I generally do not photograph those workings, no use being pulled aside for questioning by unsympathetic officers.  Just a precaution, the entire trip the customs people were friendly and the inspections cursory.

Here is where our slip of paper, #17, is used just in case we forget the number.  Here is wonderful guide, Ricardo, holding a loft the #17 flag in from of bus #17.  The wonderful city of Valparaiso laid out for us in the morning sun, the sky cloudless.

New buses, nice!!!

Ricardo introduces himself.  His name tag “Oceania, Your World, Your Way.”  Cannot help getting some humor from that.

German Club “To the Watermill”

Nostalgia and Great Food

Our tour of Chilean Lake Country and Volcanoes began from the harbor of Puerto Montt, in the tender we boarded from the ship Regatta. This is a small boat carried in the hold and deployed to transport passengers to ports without docking facilities. Once on land, we met our guide for the day and boarded the bus.

I have yet to post about our first stop, Puerto Varas, a 20 minute ride and our first exposure to the influence of 19th Century German settlers seen, from our bus windows, in the architecture. Today’s post is about our lunch stop, a restaurant half way between Puerto Varas and Ensenada.

Click any photograph for a larger view.

Club Aleman Molino de Agua

Club Alemans (German Clubs) are found in Puerto Montt, Puerto Varas, and here. Each is a gathering place for locals to celebrate their heritage, a feeling somewhat diluted over time to where, now, they speak of themselves as “Chileans of German extraction” and the great majority speak Spanish at home and are exposed to the German language as school courses.

For past generations, the link was stronger, German was the language spoken at home and there was homesickness for the cultural traditions left behind and somewhat alleviated by the similarity of Chilean Lake Country to foothills of the Alps. Once established, the settlers duplicated the architectural features using local wood. Notably, many houses are clad with shingles from the Alerce (also known as Fitzroya cupressoides), a type of Cypress native to southern Chile and Argentina. The roof shingles of Club Aleman, seen below, were of this type.

The sign translates to “German Club: to the watermill” from the two languages used: Spanish and German. The sign reads “lunch, dinner, late night.” “Onces means Late Night.

The “watermill” is a nostalgic, sentimental reference echoed in architectural and decorative details throughout the property, such as this series of posted set to suggest a device used to control water flow. There is no water flowing through the property.

Our lunch was excellent Chilean fare, but I don’t recall what it was, exactly and I didn’t photograph the interior. For us, an plus of using these cruise tours is all the details are taken care of, releasing us to maximize our enjoyment of the surroundings.

A dark side to these settings was the attraction the area had to un-remorseful Nazis fleeing war crime prosecution. In Chile and Argentina they found refuge in the 1940’s, 50’s and were supporters of the Pinochet dictatorship. None of this history was presented by our excellent guide, nor was it reflected in these rustic charms.

I was fascinated, for some reason, by the two dormers of the main building root with the wheel-like decoration.

The Garden

A native plant encountered frequently in our travels, growing wild, and here.
Close-up of the shrub growing to either side of those large leaves.

Selfie Sticks and Petrohué Waterfalls

the selfie and me, me, me

Petrohué Waterfalls are on the tourist track, traffic on the walkway was heavy on the southern hemisphere summer day, February 2016, of our visit. People were relaxed and friendly, the walkway well designed and safe. The wide angle lens was mounted on my Canon dslr, with a circular graduated neutral density filter. This is a filter with the upper third restrictive to light fading gradually to clear and mounted on a ring to rotated to cover the bright portion of the view. I used this successfully in the previous postings to obtain an exposure of the bright sky and darker land (for example, “Orsorno Volcano and Tourists.”). I could not resist capturing our fellow tourists. With a wide angle lens it is easy to do candid shots, such as the following. Most people are unaware of the capability of the 24 mm wide angle lens.

Click any photograph for a larger view.

Unfortunately, in the rush of the crowd and moment the dual use of a configuration for landscape and (candid) street photography lead to mistakes. I did not have the lens hood attached correctly, you can see the hood in each corner. Then there is the circular, graduated filter. In the above photograph, the shaded portion runs across the lower left to the upper right. The subject is watching me photograph the water.

Here, I turned around from photographing the Orsorno Volcano to capture these selfie fans leaning against the railing to capture themselves and the volcano through they are in the minority. The trail is a “dead end”, rising to the point above the falls, where I am standing.

Selfie Stick

We started back down towards the point over the incredible emerald green water. There were three teenagers having fun with a selfie stick. Around them are people entranced by the water, as we werel.

Smile!! You’re on Candid Camera

Headed back, I thought that curving tree was a good subject. Turned out, a fellow tourist heightened the interest of the shot. You see him, leaning against the railing next to the tree in the mid-distance of the following shot.

Here I am, looking back toward the child of Orsorno and the entire length of the observation walkway filled with people.

Moll’s Gap on Getty

Happy New Year….starting it off right

We are near Molls Gap on the Ring of Kerry. At our feet is Eric townland, there’s an eponymous Bog Nature Reserve down there. At our feet is Eric townland, there’s an eponymous Bog Nature Reserve down there.

Click me for the two (2) Molls Gap photographs accepted and published by Getty.

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Copyright 2021 Michael Stephen Wills All Rights Reserved

Seven Ladies View Accepted by Getty

My wife, Pam, at Ladies View, on the Ring of Kerry

Here we are, on the road from Kenmare to Killarney, N71, part of the Ring of Kerry around the Iveragh Peninsula. The view was celebrated by Queen Victoria’s Ladies-in-Waiting during an 1861 tour of Ireland

Click me for the seven (7) Ladies View photographs accepted and published by Getty.

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Copyright 2021 Michael Stephen Wills All Rights Reserved