Effects of these dual waterfalls is deeply refreshing for the people on the narrow walkway underneath.
ISO 160, 1.3 sec at f/ 8.0
Photograph two of this Hanging Garden series has the aspect shifted slightly to include the sheer cliff hovering over the waterfalls. A low ISO and tamped down diaphragm (f/8) resulting in longer exposure (1.3 sec) impart a presence for two low volume waterfalls.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon EF 50 mm f/1.4 lens stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Each flower produces a seed capsule with an uncountable profusion of minuscule seeds. Germination is only possible if a fungus is present, mycorrhizal symbiosis the scientific term from the root words myco (fungus) and rhiz- as in rhízōma “mass of roots.”
Click photograph for a larger view and use Ctrl-x to zoom in closer.
This photograph minimizes the clutter of this rose garden site, lost in a beautiful bokeh, at a cost of much flower detail. Many of the numerous blooms are out of focus. F-stop is set to wide open, f1.2. The apparent image distortion, upper left hand quadrant, is the blurred arc of a juniper bush limb.
Today’s header image is from yesterday’s post, by way of comparison.
A few years back we fenced in the rose garden as protection against marauding deer. This orchid specimen thrived within the enclosure, possibly turbocharged by rose fertilization.
The number of tiny flowers on a single stalk give a freakish, monstrous impression.
Click photograph for a larger view and use Ctrl-x to zoom in closer.
Here, the tripod is moved to the fully illuminated side, at f9 the details of the interesting leaves, entire flower stalk including the top bent toward the view, are in focus. The background fencing is a distraction.
Visitors to Zion on a narrow path beneath this vast overhanging cliff of Navajo sandstone.
ISO 160, 0.8 sec at f/ 8.0
Changing the camera angle from the last “Hanging Garden” photograph, with visitors, here the visitors are less apparent, overawed by the waterfall. A low ISO and tamped down diaphragm (f/8) resulting in longer exposure (0.8 sec) captures and blurs just enough the fine waterfalls.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon EF 50 mm f/1.4 lens stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Using this information, I found the plant growing in our yard as a persecuted weed, observed closely a specimen surviving in a neglected nook and discovered the tiny face of an orchid flower.
2020, on my request, germinating plants with the same leaf form were spared weeding, even allowed to grow among the roses were the specimen of today’s photographs thrived.
Click photograph for a larger view and use Ctrl-x to zoom in closer.
I captured this and all following (posts) photographs of this orchid in late afternoon light, after the sun was behind the hemlock hedge to the west, mounting on a portable tripod made the shot possible in this light.
This specimen benefited from the ample fertilizer applied to the surrounding roses. Compare with the specimen photographed in Fillmore Glen, in post header. I needed to fit into a tight space, so the smaller tripod was used. The lens is a 50 mm, f-stop 5.6. I could open up the diaphragm to 1.2, though the additional blur would not improve the background very much (over f 5.6) at a cost of much of the plant out of focus. Each orchid is smaller than a “pinky” fingernail.
..to be continued.
Copyright 2019 Michael Stephen Wills All Rights Reserved
Visitors enjoying a waterfall mist (upper left) in the summer desert heat.
ISO 160, 1.3 sec at f/ 8.0
Notice a combination of low ISO and tamped down diaphragm (f/8) resulting in longer exposure (1.3 sec) has the facial features of two visitors blurred, the third was transfixed by the experience of Zion Hanging Gardens.
The header photograph is myself, at work beneath Zion cliffs, taken by Pamela Wills.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon EF 50 mm f/1.4 lens stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Three species of the genus Cotinus, commonly called “Smoke Tree,”in the family Anacardiaceae exist in North America, Europe and Asia. Ours is more like a shrub with numerous, long branches. Flowers with profuse filaments in clusters resembling whiffs of smoke. Here we see the flower filaments, interspersed with small drupes, each containing a single seed.
ISO 2500, 1/40 sec at f/13
The post header, and these photographs were made from the Canon EOS 5D Mark IV, Canon Lens EF 50mm f/1.2L USM stabilized with a Manfrotto 468ZMZ tripod with hydrostatic head. Late afternoons, evenings the tree is shaded by a hemlock hedge (line of trees running north/south) this is the shade here. This Canonn dslr excels in color rendition. The flower masses are a burgundy wine color, the leaves have a purple tinge. I do not directly fertilize, as the plant is said to do best with unfertile soil though the surrounding cedars do get fertilizer stakes.
ISO 800, 1/125 sec at f/5.0
Eight AM a following morning I followed up with a handheld session using a Sony DSLR-Alpha700, Sony Lens DT 18-200 mm F3.5-6.5. Took these two shots with a lower ISO and tweaked the images in Lightroom, reducing the exposure. The flower smoky effect is well captured, the color in bright sunlight is not as wine-like as in shade.
ISO 200, 1/250 sec at f/5.0
ISO 200, 1/200 sec at f/5.6
By the time I proceeded to macros, a morning breeze kicked up, handled by upping the ISO to 3200 for a faster shutter speed to stop the movement. The bright sun helped with this.
Fertilized flowers develop into fruit stalks with radiating filaments, the yellow dots are the drupes (fleshy bodies surrounding a single seed). Fresh leaves are purple, turning to dark green with age. The leaves are as unusual as the flowers: aromatic, simple and round on long stalks. Autumn, the leaves turn a stunning bright red-orange, a scarlet shade. In winter some stalks die off, new growth appears from the roots in spring.
Flower Filaments with drupes. ISO 3200, 1/100 sec at f20
New leaves with aged in background, ISO 3200, 1/320 sec at f20
References
“The Botanical Garden Vol 1 Trees and Shrubs”, Roger Phillips and Martyn Rix, Firefly Books, Buffalo NY, 2000, p 361
Wikipedia, “Smoke Tree”
Copyright 2021 Michael Stephen Wills All Rights Reserved
The first photograph is the myriad fractures within the Zion Navajo sandstone, hidden water transits from rainfall miles away.
ISO 250, 1/8 sec at f/22
The second photograph, water emerging as a blessed sacrament, bestowal of life nourishing wildflowers, ferns, mosses, trees.
ISO 250, 1/320 sec at f/4.0
For this third photograph the first two were merged in photoshop for a revelation. I did not take time to smooth the transition, visible as a line. I graduated from this merge technique with the purchase of a wide angle (24 mm) lens. It is so difficult to organize all the angles and exposures, plus time to bring it together.
All photographs from the Kodak DSC Pro SLR/c, Canon Lens EF 200mm 1:2.8 L II stabilized via a Manfrotto 468MG with Hydrostatic Ball Head.
Can you spot the foot path?
Here is a gallery of the three photographs, to flip back and forth.
Copyright 2021 Michael Stephen Wills All Rights Reserved
“Water seeping out of the Navajo sandstone creates tranquil springs and the unique “hanging gardens” for which Zion is famous, full of ferns, wildflowers, and mosses.”
ISO 250, 1/6 sec at f/22
Here are three exposures of the same scene.
ISO 250, 1/4 sec at f/22
Click on an image for a closer view.
ISO 250, 1/13 sec at f/22
Can you spot the foot path?
Here is a gallery of the three photographs, to flip back and forth. the primary difference is the exposure within the shadow under the projecting cliff face.
ISO 250, 1/6 sec at f/22
ISO 250, 1/4 sec at f/22
ISO 250, 1/13 sec at f/22
Copyright 2021 Michael Stephen Wills All Rights Reserved
Wandering Zion canyon I spied three visitors seemingly trying their luck on the cliff edge, where the water drops.
ISO 250, 1/8 sec at f/22
Look closely and the rope barrier can be picked out. Can you see the three figures? Click on the image for a larger view.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 