silhouette
This branch of spent, lancate leaves with hanging seeds grows wild on the slopes above Treman Gorge in the Finger Lakes Region of New York State.
Assistance with identification of this tree is requested. Please leave your suggestions as comments to this post. Thank You, everyone.
A Wall with Moss Padding
A Finger Lakes Trail footbridge crosses Fish Kill on the edge of Treman State Park.
These are images of the sky reflected on Fish Kill from that footbridge on August 24, 2022.
Robert H. Treman State Park, Enfield, Tompkins County, Finger Lakes Region, New York State
Climb down the cliff stair, 223 of them, to this quiet place.
A sole individual views Lucifer Falls from the Gorge Trail footbridge.
Climb down the cliff stair, 223 of them, to this quiet place.
A place for quiet contemplation within the Treman Gorge, only accessible via a 15 minute hike. Robert H. Treman New York State Park on a late October afternoon.
Autumn hills
Standing on Enfield Gorge rim above Lucifer Falls on a clear October afternoon, the slopes of the far gorge cloaked in shades of green, yellow and red.
Below, the Gorge Trail runs below a sedimentary rock cliff.
Anything but devilish
A full sweep of Lucifer Falls on an autumn evening, the sun hidden behind the gorge walls. Here the Gorge Trail emerges from the shelter of the gorge, emerging into a dizzying view.
Look Around
Standing on the trail alongside Lucifer Falls, crane your neck, up and up to the cliff top. Look closely to see the protective rock wall of the overlook.
The Rim Trail includes this overlook of Lucifer Falls with, upstream, the Devil’s Kitchen waterfall, the path of the Gorge Trail in between.
The full sweep of Lucifer Falls on an autumn evening, the sun hidden behind the gorge walls. Here the Gorge Trail emerges from the shelter of the gorge, emerging into a dizzying view.
On the way to “Devil’s Kitchen”
This trail, built into the slate/sandstone gorge wall, follows the descent of Lucifer Falls. Here we view the brink and the path alongside. Follow this trail to Devil’s Kitchen, up and around the corner.
Unrestrained chaos at the foot of Arizona’s highest waterfall
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.
Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.
Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
Abstract Beauty of the Superstition Wilderness of Arizona
These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness. For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders. There is no trail. The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.
My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head. The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a Kodak dSLR body, allowing me to take crisp shots. The tripod legs can be adjusted to precise positions for stability.
I can feel the bright afternoon desert spring sunshine in this photos. It was after the spring floods, the flow of Reavis Creek and ample still but slow. Gathering in pools over the rough stones of the creek bed, the water absolutely clear.
I held the shot over many minutes, capturing ever changing diffraction patterns.
We see in all these photos, not a homogenous blend of stones from a shared geology. Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.
This is a series of photographs of smooth, white igneous boulders with shadows of still leafless sycamore and cottonwood trees.
Graceful shadows
Strong, demonstrative shadows.
A leaning cairn, not a trail marker….
A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.
A metamorphic conglomerate stone….
Another metamorphic conglomerate.
Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.
Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.
Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
Michael Stephen Wills Photography 
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