My photographic style centers on the use of natural light to visualize emotion and evoke memory. The evolution of my style began early in the year 2002, with an imperative to capture personal and fleeting memories.
My son and I traveled to New York City, to view the first Saint Patrick's Day parade after September 11, 2001. My work from that parade was so successful and satisfying (see "New York Fire Department, Saint Patrick's Day 2002") I just never stopped.
Up Blackpoint Wildlife Drive, about two miles from the entrance, we came to the parking area for Wild Bird Trail Head where I spent an hour or so admiring the sights. This Mangrove sprouting from brackish water is one of three known to grow here.
I’d say it is a Black Mangrove from the color of the bark. “Unlike other mangrove species, it does not grow on prop roots, but possesses pneumatophores that allow its roots to breathe even when submerged. It is a hardy species and expels absorbed salt mainly from its leathery leaves.”
The text in quotes is from the Black Mangrove wikipedia article.
Merritt Island National Wildlife Refuge, Titusville, Brevard County, Florida
Copyright 2022 Michael Stephen Wills All Rights Reserved
Up Blackpoint Wildlife Drive about two miles from the entrance we came to the parking area for Wild Bird Trail Head where I spent a hour or so admiring the sights.
This Tricolor Heron taking advantage of a perch provided by Black Mangrove growing from the brackish water. I assume it is resting as this heron stalks its prey in shallow or deeper water, often running as it does so. It eats fish, amphibians, crustaceans, gastropods, leeches, worms, spiders, reptiles, and insects.
Merritt Island National Wildlife Refuge, Titusville, Brevard County, Florida
Copyright 2022 Michael Stephen Wills All Rights Reserved
In November 2004, a visit to Canyon de Chelly with guide Hadley Tsosie revealed ancient petroglyphs and ruins, highlighting Navajo culture and the canyon’s unique beauty.
On November 3, 2004 my son, Sean, and I made our way to Chinle, Arizona on the Navajo Reservation at the mouth of Canyon de Chelly.
The next day, driving a rented 4 wheel drive, we arrived at the visitor center, at dawn, and there met Hadley Tsosie who worked as a guide. This is how you do it, if learning about the Canyon is your goal. It is possible to walk, unaccompanied, into the canyon to view the “White House” and this I highly recommend. Tourists can also drive around the rim to various overlooks. This is what most people do.
The canyon is still farmed and the tribe only allows visitors when accompanied by a guide. Only Diné (Navajo) are certified as guides. They know the rights of way and the preferences of the landowners.
We negotiated with Hadley to take us for half a day for our interest in petroglyphs and ruins. It is important to start early when the sun is low in the sky, when directly overhead the details of ruins and petroglyphs are washed out by the light. Catching the late afternoon/evening sun is also an approach that requires detailed knowledge of the route, taking into account the time of year.
Hadley was an excellent choice, though he was our only option on that day. He was fluent in Navajo beliefs, the lore of the canyon and generous in sharing what he knew.
Here is Hadley, approximately 6.2 miles into the canyon with the “Ledge Ruin” behind. We arrived at the junction just in time, before the sun was high enough to wash out the ruin. It is slow going into the canyon what with the deep sand and water that must be negotiated. Hadley did the driving and was expert. We passed other parties bogged down in the wet sand. I do not believe it was luck that kept us moving . We stopped many times to talk and admire the petroglyphs and pictographs.
Petroglyphs are symbols incised, or cut, into the surface (the name means petro, “rock”, glyph, “symbol”). In the desert climate of the southwestern USA a thin, dark pigment forms on rock surfaces of overhanging cliffs. The pigment forms from infrequent precipitation, in the form of water, flowing downward over the surface or even dew. The high heat of the desert drives a chemical reaction between water, clays, iron and manganese oxide to form a coating on the rock surface. The dark coating, called “desert varnish”, contrasts with the underlying rock. When it is scraped away a line forms. Many of the petroglyphs were of this form. Others were carved into the rock itself, more time consuming and durable. No one knows when the petroglyphs were made, they were always there are respected. People have inhabited Canyon de Chelly for over a thousand years. The word pictograph has a different meaning when used to describe prehistoric art. The earliest writing were symbols incised in wet clay, then allowed to harden. The pictographs we viewed was prehistoric art, mostly white pigment on the red rock, outlines of hands. There were also kokopelli, the outline of a flute player and jagged lines, symbolizing, Peter told us, lightening.
In November the cottonwoods were in fall foliage, a brilliant yellow under a cloudless sky. The sun is lower in the south and rises later. The Navajo Reservation follows daylight savings time, unlike Arizona. This November morning the sun rose around 7:45 am, so if you are not an early riser this time of year is an excellent choice for a Canyon de Chelly tour.
Looking southwest from the Canyon de Chelly visitor center toward the eastern escarpment of Black Mesa of the Hopis.
The village of Chinle is a “census designate place”, in other words it only exists because people live there, it was not formally recorded in “official” records. On the Navajo reservation, people lived here beyond recorded time. It is called in their language “flowing out”, where live giving water flows out from the canyons.
There is a fine Best Western in Chinle, better than most of that brand and the only choice for mile and miles and miles.
This is a cribbed log hogan. The domed earthen roof keeps the interior cool in hot weather and, along with a fire, warm in the winter. The Navajo hogan entrance faces east.
In Junction Ruin Musings, the previous post, a ruin from the Anasazi people was contemplated. Above is a traditional Navajo dwelling from a later, more secure, time.
A good place to cook, read and sleep in hot weather. The entrance faces east and, for this one, the view was superb.
Ouch!! Everywhere in the southwest, watch where you tread.
A Native American, seeing the flute playing Kokopelli, hears in the mind the sonorous melodies of their native flutes carried in as if on the wind. The hands waving in rhythm, “Here we are.”
Canyon de Chelly symbol carved into red sandstone cliff representing a clan sign.
I recall our guide, Peter, describes this as a scorpion.
Canyon de Chelly petroglyph, desert varnish over red sandstone. Image is dated by representation of horses, brought by europeans.
The feeling of movement and the story invoked viewing this drawing etched carefully on the rock demonstrates we are in the presence of an accomplished artist. The story of the times for us to learn from.
Red sandstone formation on ridgeline, north side of Canyon de Chelly is remember by the Navajo for the story of the Raven Woman.
A Navajo woman, fleeing Apache captors, flew over this cliff, or seemed to. Survival depended on knowing how to run over slickrock without stumbling and to know where and how to disappear into the rocks.
Canyon de Chelly below the first division into tow arms, the junction. This is looking south east. The cottonwoods are in autumn foliage.
Cahyon de Chelly is is possible here to climb out of the canyon over these lower slopes over what is called slickrock. In the foreground is a juniper tree.Canyon de Chelly vista from a slickrock ledgeA two inch dung beetle crawls up sandstone slickrock, the origin of this stone apparent from the visible sand granules within an apparent clay matrix. The stone grain, described as cross bedded, suggests this was a former dune of wind blown sand composed of remnants of the Ancestral Rock Mountains.
A half mile footpath, marked in red on the following Google Earth view, leads from the Charles fort sallyport, along the shoreline cliffs, surmounted by working farmland and looks toward the Celtic Sea.
To “sally” is to suddenly charge out from a besieged place against the enemy. The word is also used as a noun. It can also be used to describe our walk, as a sally to an unusual place.
The town above the walk is named Sallyport
Here is a view of the Celtic Sea from the Sallyport
From Wikipedia: “The Celtic Sea receives its name from the Celtic heritage of the bounding lands to the north and east. The name was first proposed by E. W. L. Holt at a 1921 meeting in Dublin of fisheries experts from Great Britain, France, and Ireland. The northern portion of this sea was considered as part of Saint George’s Channel and the southern portion as an undifferentiated part of the “Southwest Approaches” to Great Britain. The desire for a common name came to be felt because of the common marine biology, geology and hydrology of the area. It was adopted in France before being common in the English-speaking countries; in 1957 Édouard Le Danois wrote, “the name Celtic Sea is hardly known even to oceanographers.”[3] It was adopted by marine biologists and oceanographers, and later by petroleum exploration firms. It is named in a 1963 British atlas.. A 1972 article states ‘what British maps call the Western Approaches, and what the oil industry calls the Celtic Sea […] certainly the residents on the western coast [of Great Britain] don’t refer to it as such.'”
Views of the wall from previous photograph. The vines were separated from roots to preserve the walls, leaving interesting patterns.
The distant land to the right, beyond the walls, is the Old Head of Kinsale.
Informational placards along the walk give background to the views enjoyed by hikers.
Here is the above view.
SONY DSC
Pam, at start of our walk. Poking above the walls is the Charles Fort Lighthouse. “This lighthouse is a directional light marking the way to safe anchorage close to Kinsale. In 1665 King Charles II granted letters patent to Sir Robert Reading to erect six lighthouses on the coast of Ireland, including one at Barry Oge’s castle, near Kinsale later to become Charles Fort. The original structure would have had a coal fire on its roof. In 1810 powers given to the Commissioners for Barracks and others between 1767 and 1806 were all vested in the Corporation for Preserving and Improving the Port of Dublin or the Ballast Board. This board took over the general lighting and marking of the coast when fourteen lighthouses were transferred to it including that at Charles Fort. This lighthouse, built in 1929, is one of the more recent to be found along the coast, with most dating to the nineteenth century. A new mains powered light at Charles Fort Lighthouse was put into operation on the 14 April 2004 marking the end of a long era of gas and oil powered lights in Ireland.” Quote is from the link provided in references.
May 30, 2014 outside of Charles Fort, Kinsale, County Cork, Republic of Ireland
This series of wading shorebirds are from a mash alongside Blackpoint Wildlife Drive.
This Anhinga basked on a marsh bush just off Blackpoint Wildlife Drive on a January morning. Soaking in sunlight is most important for this waterbird as Anhinga features are not waterproof, after a session of diving, the bird is soaked through to the skin and need to warm up and dry off.
“The Anhinga sometimes called snakebird, darter, American darter, or water turkey, is a water bird of the warmer parts of the Americas. The word anhinga comes from the Brazilian Tupi language and means “devil bird” or “snake bird”. The origin of the name is apparent when swimming: only the neck appears above water, so the bird looks like a snake ready to strike. They do not have external nares (nostrils) and breathe solely through their epiglottis. Anhinga species are found all over the world in warm shallow waters.”
The American anhinga has been subdivided into two subspecies, Anhinga anhinga anhinga and Anhinga anhinga lleucogaster, based on their location. Anhinga anhinga anhinga can be found mainly east of the Andes in South America and also the islands of Trinidad and Tobago. Anhinga anhinga lleucogaster can be found in the southern United States, Mexico, Cuba, and Grenada.
“A kettle of Anhingas often migrate with other birds and have been described as resembling black paper gliders.”
The text in quotes is from the Anhinga wikipedia article.
Merritt Island National Wildlife Refuge, Titusville, Brevard County, Florida
Copyright 2022 Michael Stephen Wills All Rights Reserved
This video of a Common gallinule feeding was taken from Blackpoint Wildlife Drive.
The family Rallidae (aka rails) includes crakes, coots, and this member of the gallinules. Found worldwide, this species, Gallinula galeata, was recognized in 2011 as separate from the closely related “Old World” Moorhens.
Here it is in a favored habitat, feeding on underwater vegetation of the Florida marsh in sight of rockets launching from Kennedy Space Center. The exceptional lighting, bright reflective water, are created by the low winter sun and southern exposure of the location just north of the road.
The taxonomic Order is derived from the Latin word Gallinula meaning a small hen or chicken that, since the 13th century at least, as revealed in the names “Moorhen,” “Waterhen,” and “Swamp Chicken.”
The spread of Gallinula is attributed to breeding habits. “Laying starts in spring, between mid-March and mid-May in Northern hemisphere temperate regions. About 8 eggs are usually laid per female early in the season; a brood later in the year usually has only 5–8 or fewer eggs. Nests may be re-used by different females. Incubation lasts about three weeks. Both parents incubate and feed the young. These fledge after 40–50 days, become independent usually a few weeks thereafter, and may raise their first brood the next spring. When threatened, the young may cling to the parents’ body, after which the adult birds fly away to safety, carrying their offspring with them.”
The text in quotes is from the Wikipedia article for “Common Moorhen.”
Copyright 2022 Michael Stephen Wills All Rights Reserved
50 recycled flip flops were used by Ocean Sole Africa Project artists to create each Reef Fish sculpture from a 2019/2020 exhibit hosted by McKee Botanical Gardens, Vero Beach, Indian River County, Florida.
Coral reef fish live among or in close relation to coral reefs. Coral reefs form complex ecosystems with tremendous biodiversity. Among the myriad inhabitants, the fish stand out as colorful and interesting to watch. Hundreds of species can exist in a small area of a healthy reef, many of them hidden or well camouflaged.
Reef fish have developed many ingenious specializations adapted to survival on the reefs. Safe habitats, many different species of fish inhabit coral reefs where they are protected from predators and find food. In turn, reef fish eat algae, preventing overgrowth and smothering of the coral animals. Common fish in Caribbean reefs have interesting names: parrot, angel, puffer, surgeon and clown.
Coral reefs occupy less than 1% of the surface area of the world oceans but provide a home for 25% of all marine fish species. Reef habitats are a sharp contrast to the open water habitats that make up the other 99% of the world oceans. Loss and degradation of coral reef habitat, increasing pollution, and overfishing including the use of destructive fishing practices, are threatening the survival of the coral reefs and the associated reef fish.
Copyright 2022 Michael Stephen WillsAll Rights Reserved
This series of wading shorebirds are from a mash alongside Blackpoint Wildlife Drive.
“The exposed mudflats on tidal wetlands attract a variety of shorebirds. Shorebirds are seasonal residents that make long migratory journeys between their breeding grounds in the Artic and their wintering area in South America. Merritt Island National Wildlife Refuge provides an important resting and feeding area for this group of birds. Some stay for the winter, others use the refuge as a fuel stop before continuing on their journey.”
“In tidal areas, shorebird feeding schedules are influenced by the cycle of tides. Changes in tidal cycles expose foraging areas in mudflats for a period during the day. At other points during the cycle, the water in these same areas becomes too deep or the ground too dry for shorebirds to feed effectively.”
The text in quotes is from a roadside information placard, Merritt Island National Wildlife Refuge, Titusville, Brevard County, Florida
Copyright 2022 Michael Stephen Wills All Rights Reserved
This Common gallinule was feeding from the mash alongside Blackpoint Wildlife Drive.
The family Rallidae (aka rails) includes crakes, coots, and this member of the gallinules. Found worldwide, this species, Gallinula galeata, was recognized in 2011 as separate from the closely related “Old World” Moorhens.
Here it is in a favored habitat, feeding on underwater vegetation of the Florida marsh in sight of rockets launching from Kennedy Space Center. The exceptional lighting, bright reflective water, are created by the low winter sun and southern exposure of the location just north of the road.
The taxonomic Order is derived from the Latin word Gallinula meaning a small hen or chicken that, since the 13th century at least, as revealed in the names “Moorhen,” “Waterhen,” and “Swamp Chicken.”
The spread of Gallinula is attributed to breeding habits. “Laying starts in spring, between mid-March and mid-May in Northern hemisphere temperate regions. About 8 eggs are usually laid per female early in the season; a brood later in the year usually has only 5–8 or fewer eggs. Nests may be re-used by different females. Incubation lasts about three weeks. Both parents incubate and feed the young. These fledge after 40–50 days, become independent usually a few weeks thereafter, and may raise their first brood the next spring. When threatened, the young may cling to the parents’ body, after which the adult birds fly away to safety, carrying their offspring with them.”
The text in quotes is from the Wikipedia article for “Common Moorhen.”
Copyright 2022 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 