Evening breezes brought to a halt my series of hibiscus bloom photographs, that bloom faded and shriveled, to be replaced by another. I captured the images of this post on a very quiet summer evening. This bloom was facing up closer to vertical that the previous.
A key identification for all 300 species of hibiscus is the long stamen tube. I have yet to see a local insect interacting with the stamen, always they are in the flower throat. In the tropics, pollination is thought to proceed from large butterflies and birds.
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ISO 100, 1/10 sec at f / 14
ISO 100, 1/6 sec at f / 14
Here are three macro photographs of this bloom, all from the Canon 100 “macro” lens. I learned by experience to tamp down the diaphragm to the smallest setting, f / 32 for this lens. The different aspects were achieved by moving the lens objective closer to the bloom. This is a “fixed” lens, it has one focal length.
ISO 100, 1.0 sec at f / 32
ISO 100, 1.3 sec at f / 32
ISO 100, 1.3 sec at f / 32
References
Wikipedia – “hibiscus.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
In the nature of fame, today Watkins Glen is the best known of the Finger Lakes State Parks. The International Speedway of that name enhanced and amplified name recognition during the post war years. Founded in 1948, the course used public roads of the town until the inevitable happened, an accident and the death of a seven year old child in a group of sidewalk spectators when a racer lost control.
The glen predates the race by 12,000+ years formed at that time from glaciation using materials from distant eons . Watkins Glen was known as a tourist attraction from the 19th century for the resort hotel on the south gorge rim, acquired and developed by New York State in the first years of the 20th century.
From a gate off “Lovers Lane” a sturdy flight of concrete steps with custom made handrails lead to an observation platform over the gorge. This feature will be known to many future generations……
…….the fine grained concrete is worthy of a Roman wall, the heavy iron handrails were built to specification as flowing curves unlike what is done today: built as modules and accommodated on site.
In the 20th century the fame of Watkins Glen attracted the road race, the popularity of racing enhanced park attendance. Today, the gorge trail of crowded summer weekends. On Tuesday, August 1, 2017 Pam packed a picnic lunch and we made a late start for a weekday visit. The upper entrance is enhanced by mature trees, oak, elm, hemlocks. We had our picnic under these on a moldy picnic table enhanced with a green striped table cloth and fresh coffee.
Pam is my personal photographer. Here is an example of her work.
To give me my due, I did the driving and carried the 30+ pound pack into the gorge.
Pam captured me in position downstream from Rainbow Falls with a Manfrotto tripod with hydrostatic ball head on which is mounted a Canon EOS 1Ds Mark III and Canon EF 24mm f1.4 II USM lens, Tiffen nd 0.9 filter.
It was coming up to 4 pm eastern daylight savings time, the sun still high overhead. I needed to carefully choose a position for a frame in the wide angle lens without hot spots. Here are two results.
The sun was just of the gorge rim, to the right. Rainbow Falls forms from the tributary to Glen Creek cascading over the gorge walls.
Visitors walk under the falls where falling water eroded the soft, underlying stone to form an overhang.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Nyctinasty (flower response to light: opening with or closing without light) in hibiscus plants is a mechanism to protect against adverse conditions such as cool temperatures that can be damaging. Through a lack of light stimulus and circadian rhythms the plant is able to trigger the molecular movement of ions to allow for the closing of the flower.
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ISO 100, 1.3 sec at f / 29
Here are three macro photographs of this bloom, all from the Canon 100 “macro” lens. I start with the shutter diaphragm open at 4.0 (“F-stop”), a little narrower at 4.5 and a bit more at 9.0. For this lens the maximum opening is at 2.8, the narrowest is 32. As the opening narrows (F-stop increases) the exposure time needed to capture enough light lengthens and the range of the image in focus increases.
ISO 100, 1/30 sec at f / 4.0
ISO 100, 1/25 sec at f / 4.5
ISO 100, 1/6 sec at f / 9.0
References
Wikipedia – “hibiscus.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
This long exposure blurs the two distant human figures looking downstream toward junction of Orderville Canyon, around corner. Narrows of Zion National Park, Utah
Copyright 2021 Michael Stephen Wills All Rights Reserved
This is a perennial, commonly known simply as “hibiscus”, or less widely known as rose mallow. Other names include hardy hibiscus, rose of sharon, and tropical hibiscus.
The hibiscus flower is traditionally worn by Tahitian and Hawaiian girls. If the flower is worn behind the left ear, the woman is married or has a boyfriend. If the flower is worn on the right, she is single or openly available for a relationship.
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ISO 800, 1//8 sec at f / 32
Here are the three photographs of this bloom, all from the Canon 100 “macro” lens. Two with “sweat bees” and one without.
ISO 800, 1//8 sec at f / 32
ISO 800, 1//8 sec at f / 32
ISO 800, 1//8 sec at f / 32
References
Wikipedia – “hibiscus.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
Yellow hibiscus, the state flower of Hawaii was recorded in ancient Greece. In the photograph is captured several unopened buds, behind the flower, and a bee in the flower throat, attracted by nectar there. It is a small bee, of the Halictidae family, that lives alone in a ground nest and also called a “sweat bee,” from being attracted to perspiration.
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The pronounced cross-bedding (diagonal layering) of this Navajo Sandstone wall exposed by Virgin river erosion is the effect of wind drifting sands of the largest known sand desert formed in the Jurassic era lasting for 56 million years (185 million years ago). This photograph contrasts the ever new Virgin River with this ancient rock, deepening shadows suggest the depth of time.
Copyright 2021 Michael Stephen Wills All Rights Reserved
My research for Zion Narrows I included a useful map. Perusing the the National Park Service web site I could find nothing for the Narrows. This week, while perfecting the three file merge, I kicked around in “google” and found this map hidden away in a section devoted to dedicated canyoneers planning multiple day backpacks through the entire canyon. These trips are from the “top down” and, I suppose, they do not want to expose the information to day trippers.
Anyway, I downloaded the map and present it here. You can either click on the hyperlink or click “download” to view the map. The file is a 2.5 MB pdf, if you want to download it. The trail accessible from the park proper starts from the bottom. Pam and I made it to just beyond where Ordway canyon joins, about 2 hours from the start. Note there are NO places to escape a flash flood beyond this point and, below, we learned from observation there are few places and many of these were for hikers more, lets say, nimble than Pam and myself.
Our first day was spent hiking up to the narrowest section of Zion Canyon, called “Wall Street,” where the gorge walls are 1,000 feet high. There, the river is 20 feet across in places and not much wider anywhere. There is NO high ground to escape flash floods, only the high, unforgiving canyon walls.
As we were planning to venture beyond the tame sidewalk of “The Riverside Walk”, our first stop was to an outdoor supply store in Springdale to rent canyoneering shoes, to wade the river comfortably and safely, a sturdy stick to improve stability and free advice on current conditions for the potential of flash floods. You can see the stick in this portrait, mid-narrows. This was July, with a danger of torrential downpours, and we were nervous about this; however, proceeded anyway.
Several miles in, I set up the Manfrotto 468Mg studio tripod with the Kodak DSC pro SLR-c (the “c” specifies compatibility with Canon lenses) and the Canon 50 mm f/1.4 USM lens. Here we look downstream, the way we came. I waited for a clear shot w/o fellow hikers coming up from behind. This was before investing in a wide-angle lens. My plan was to stitch the three shot together.
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Bottom
Middle
Top
Rough draft of the combination.
The work remaining on the rough draft are to match the edges as close as possible, smooth out the differences until the joins are indiscernible.
Here are the same photographs as a slide show. I enjoy how the long exposure blurred water lead the viewer into the gorge walls.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon EF 50 mm f/1.4 lens stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 