Discovering Trillium Species: Beauty in Diversity

A reflective springtime journey through Robert H. Treman and Fillmore Glen State Parks reveals the quiet beauty and botanical mysteries of red and white trilliums—exploring their species differences, color shifts, and the wonder of their ephemeral blooms.

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Late April – Robert H. Treman State Park

I follow a winding trail through hemlock and maple woods, the air cool and earthy after a spring rain. Under the canopy of budding leaves, I spot a flash of deep burgundy among the moss. Kneeling, I find a red trillium blooming at the base of an old oak. Its three velvety petals are a rich wine color against the green moss and damp leaf litter. A faint musky scent wafts from the flower – no wonder some call it “Stinking Benjamin.” Nearby stands another trillium, but this one is a pristine white star facing upward toward the light. Its broad petals have a gentle wavy edge and no noticeable odor. The red flower droops modestly while the white one opens itself to the sky. Different in color and posture, I realize these are two distinct species1 sharing the same springtime stage.

Red trilliums (Trillium erectum) and white trilliums (Trillium grandiflorum) thrive side by side on the mossy roots of a tree. The maroon “wake robin” flowers nod toward the earth, while the white blooms stand upright to catch the light.

Seeing the red and white blooms side by side feels like meeting two woodland siblings – each unique yet part of the same family. The white trillium is almost luminous in the forest gloom, while the red trillium blends into the shadows with its dark hues. Both emerge from the soil after long, cold months, timing their bloom for the brief sunny window before the trees fully leaf out. Knowing how slowly these perennials grow and how long they live makes their yearly return even more special to witness. Their resilience in coming back each spring fills me with quiet awe.

Early May – Fillmore Glen State Park

A week later, I wander the lush gorge of Fillmore Glen. The trail is alive with birdsong and the rush of a creek. Dappled sunlight slips through the greening canopy, illuminating patches of the forest floor. Rounding a bend, I catch my breath — the hillside ahead is blanketed with hundreds of white trilliums, a breathtaking constellation of blooms across the ground that feels almost sacred. Careful not to tread on any, I step closer to admire them at eye level.

Up close, one large white trillium reveals a surprise: a delicate wash of pink across its aging petals, as if it were blushing. It’s known that after pollination the snow-white petals of Trillium grandiflorum often turn rose-pink with age2. Indeed, many blossoms here wear a faint pink tint, especially those that have been open for a while. This blush of maturity gives the colony a quietly celebratory air – fresh ivory blooms mingling with older siblings tinted softly rose.

The petals of a white trillium take on a soft pink blush as the flower ages, adding a new hue to the spring palette. Fresh white trilliums bloom in the background while older ones show a rosy tint.

In a shaded nook at the edge of the colony, a lone red trillium blooms among the white. I wonder if the red and white trilliums ever hybridize. I see no intermediate colors and recall that the white trillium rarely hybridizes with other species3. The red trillium, by contrast, can swap pollen with certain close relatives, yielding various forms elsewhere. But a true red–white cross never occurs here – each species keeps to its own.

Trillium bloom April through May in central New York State. I found these blooming on the rim of Fillmore Glen near Owasco Lake and the town of Moravia.

The red trillium even has a rare white-petaled form4 easily mistaken for its white-flowered cousin. I linger a bit longer among these graceful “trinity flowers,” my questions answered and my appreciation deepened. As I turn to go, a sunbeam breaks through and illuminates one last trillium by the trail, its white petals touched with pink. I smile, grateful for the chance to witness this woodland wonder.

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Footnotes

  1. Different species: Red trillium and white trillium are separate species (Trillium erectum and Trillium grandiflorum, respectively), distinguished by traits like flower orientation and petal shapeidentifythatplant.com.
  2. White petals turn pink: The large white trillium’s petals are pure white upon opening but gradually develop a rose-pink or purple tint as the flower agesnj.gov.
  3. Rare hybridization: Unlike some trilliums that hybridize readily, Trillium grandiflorum (white trillium) is not known to form hybrids with other speciesen.wikipedia.org. Trillium erectum can hybridize with its close relatives, but a red–white trillium cross is not observed in nature.
  4. White form of red trillium: Trillium erectum (normally red) has a variety with white petals, classified as T. erectum var. album, which can be mistaken for a white trillium at a glancemidatlanticnature.blogspot.com.

The Myths and Beauty of Wood Anemones

The wood anemone, Anemone nemorosa, symbolizes beauty and resilience, captivating observers with its elegant blooms and rich folklore.

As I wander through our yard, my gaze is irresistibly drawn to a mesmerizing carpet of white blossoms, illuminated by the dappled sunlight filtering through the graceful boughs of our hemlocks. Each bloom, delicate and intricately ruffled, resembles a cluster of tiny, pure clouds resting gently atop a vibrant sea of green. These are Anemone nemorosa, affectionately known as wood anemone or windflower. This particular patch, adorned with a double-flowered variety, owes its presence to the thoughtful hands of our parents, who landscaped the property during the 1970s and 1980s. Their vision continues to bloom each spring, as the cascading petals exude an understated elegance that feels both luxurious and unpretentious—a living legacy woven into the fabric of this place we call home.

The wood anemone is a perennial plant, its rhizomatous growth weaving an intricate tapestry under the dappled sunlight of the forest floor. Each flower arises on its slender stem, surrounded by finely divided trifoliate leaves, their fresh green hue amplifying the purity of the blossoms. The flowers themselves, with their many layers of petal-like sepals, are a marvel of nature’s design, combining elegance and resilience.

The scientific name, Anemone nemorosa, carries echoes of ancient understanding. The genus name Anemone originates from the Greek word ánemos, meaning “wind.” According to classical mythology, these flowers were said to spring forth from the tears of the goddess Venus as she mourned the death of Adonis. The appellation of “windflower” ties to this myth, suggesting that the blooms open only at the bidding of the wind. The species name nemorosa comes from the Latin nemorosus, meaning “of a wooded grove,” aptly describing its preferred habitat.

There is a certain humility in the way the wood anemone thrives—spreading slowly but persistently through deciduous woodlands, forming colonies that greet the spring with their pristine blooms. While the double-flowered variety lacks the simplicity of the single-layered wild form, it retains all the grace that has inspired poets and naturalists alike. It is as if each bloom whispers its secrets to the passing breeze, stories of centuries gone by when druids and herbalists revered the plant as a symbol of protection and healing.

Culturally, the wood anemone has deep roots. In folklore, it was believed to bring luck to those who carried it, while others regarded it as a harbinger of illness if picked prematurely. The flowers were said to close tightly in response to rain, a trait lending them an air of sentience as they interact with their environment.

In medieval herbalism, the plant was thought to possess medicinal properties, though its potent compounds also rendered it toxic if mishandled. It was used cautiously to treat ailments such as rheumatism and respiratory issues. Modern understanding has largely relegated these medicinal uses to history, but the plant’s ability to captivate the senses remains undiminished.

Looking at this verdant patch before me, I am reminded of the transient beauty of spring. Anemone nemorosa emerges briefly, a fleeting celebration of life before retreating into its quiet dormancy beneath the soil. It thrives in the undisturbed spaces of the world, reminding us of the importance of preserving the ecosystems that allow such delicate wonders to flourish.

Today, as the soft May sunlight streams through the trees, illuminating each ruffled blossom, I am filled with gratitude for the enduring gift left by our parents, who lovingly planted these flowers decades ago. The wood anemone, whether viewed as a mythological symbol, a natural marvel, or a fleeting delight, offers a gentle reminder to cherish the beauty that surrounds us. Its ephemeral blooms, returning each spring, stand as a testament to nature’s quiet yet profound artistry—a living masterpiece and a poignant connection to the legacy of those who shaped this cherished landscape here in Ithaca, New York.

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From Myths to Medicine Unraveling the Tales of False Solomon’s Seal

Step into Treman Gorge and discover the enchanting world of False Solomon’s Seal. Unveil the myths, medicinal uses, and ecological wonders of Smilacina racemosa as it flourishes beneath the forest canopy.

In the shaded woodland of Treman Gorge, near the tumbling waters of Lucifer Falls, the understory blooms with the intriguing presence of Smilacina racemosa, commonly known as false Solomon’s seal. This perennial wildflower’s identity is as layered as the forest floor it adorns, its names—both scientific and common—woven with historical and cultural threads.

Smilacina racemosa—the plant’s scientific name—offers a botanical breadcrumb trail to its identity. “Smilacina” derives from a diminutive form of the Latin word for smile, “smilax”, a reference not to the plant’s demeanor but to its resemblance to the related sarsaparilla plants, which belong to the genus Smilax. The species name “racemosa” speaks directly to its form, describing the characteristic raceme or cluster of flowers that gracefully arch at the end of its stalk, each blossom a delicate dot along the green wand.

The common name, false Solomon’s seal, tells a tale of mistaken identity and botanical homage. The name playfully suggests a sibling rivalry of sorts with its look-alike, the true Solomon’s seal (Polygonatum), which bears its flowers and fruits along the stem, rather than at the tip as in Smilacina. The term “Solomon’s seal” itself is steeped in lore, supposedly referring to the circular seals from King Solomon’s ring—a mark of wisdom and an echo in the circular scars on the rhizome of the true Solomon’s seal. Here, in this false version, the legacy is mimicked in form but remains uniquely distinct in its flowering finale.

As for its cultural tapestry, false Solomon’s seal holds its own chapter in Native American ethnobotany. The plant was not merely a forest decoration but a source of sustenance and medicine. Its young shoots and leaves were often harvested in spring, a woodland asparagus of sorts, eaten raw or cooked. The roots served a more medicinal role, employed in treatments from stomachaches to rheumatic pains, revealing a deep-rooted reverence for this plant’s healing potential.

Beyond its uses, false Solomon’s seal paints a broader stroke in the ecological canvas of Treman Gorge. Flowering in May, its creamy white blossoms are a ballet of light in the dappled shade, attracting a suite of spring pollinators. By autumn, the flowers give way to speckled red berries, a feast for the eyes and a banquet for birds and mammals, knitting itself into the life threads of its woodland home.

Thus, the journey of understanding Smilacina racemosa is as much about unearthing its etymological roots as it is about appreciating its ecological and cultural resonance. A plant of beauty and utility, it stands as a silent sentinel in the history-laden woods of Treman Gorge, its presence a whispered tale in the symphony of spring. As it stretches beneath the towering trees, it invites those who wander to delve deeper into its story, a tale woven through the very fabric of the forest floor.

Copyright 2024 Michael Stephen Wills All Rights Reserved