“Florida ospreys (Pandion haliaetus) commonly nest on power poles, communication towers, water navigation devices, lighting fixtures, outdoor billboards and other man-made structures as well as in decaying or dead trees.” This quote from the Florida Fish and Wildlife Conservation Commission web site is a fitting introduction. For this, the fourth post of this series (Click me for the first post, “Endless Searching“), I explore images of Osprey nesting behavior.
Early morning winter Cocoa Beach walks offer a new experience with each dawn be it a change in wind, light, or beach-combing offerings. This looming crane was a consistent specter the entire month, poised over a downtown parking garage under construction.
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On the Lookout
Distant Figures
Each winter morning January 2019 I left our ocean side condo to walk the beach, taking equipment according to a whim. For this series I used the Sony Alpha 700 with a variable “Zoom” lens. In this next shot the focal length was set to maximum.
Searching the internet (“Florida Osprey behavior”), a link from http://www.naturesacademy.org states, in Florida, Osprey nesting season is December through February. The following series of photographs clearly show an Osprey with nesting material. The header image for this post clearly shows the markings of the individual holding a large branch.
The second individual is close to the same size, it is a reasonable conclusion the two are flying together. The series was taken in a 33 second time span.
The two were flying around the crane and it is beyond imagination they’d be successful building on an actively used crane. Would construction come to a halt until the nest was abandoned? I wonder.
In following days there were no signs of nesting behavior on the crane.
Copyright 2022, Michael Stephen Wills All Rights Reserved
“They walk among us” can evoke horror, still it is a fitting description for the many species successful in an ecological niche occupied by humans. This is the third post of a series featuring the Osprey of Cocoa Beach, Florida. The first post is “Endless Searching,” In this post we follow a householder on a shopping expedition.
Search internet references on Florida Osprey you find there is a mixture of year-round residents and migrants passing through spring/fall to points farther north. This being January, my brilliant conclusion is these are residents of Cocoa Beach, maintaining nests. My next post will have more on this.
Each winter morning January 2019 I left our ocean side condo to walk the beach, taking equipment according to a whim. For this series I used the Sony Alpha 700 with a variable lens. In this first shot, the watchful pose of the hunting Osprey is apparent, long glide with head slightly down.
Click any photograph for a larger view.
On the Lookout
Dive!!
Once these hawks entered my dim awareness and their habits understood, with a lot of luck I was able to click the button at the right time. You can see in the previous post, “Fishing Creatures,” how little time elapsed during a dive, the split second opportunity seen in the following photograph.
Committed
Wow, that is impact. The bird is poised to grab one fish, spotted under the water 50+ feet away, talons extended.
Into the Drink
Success rate? Those days in January, if the Osprey hit the water more than 50% of the time it flew away with a fish.
Our seven year old grandson is an enthusiastic fisherman and might be able to identify this catch. In the distance, on the horizon is Cape Canaveral Air Force Base, the lighthouse and space launch towers .
An image of Osprey / Human closeness. The long lens tends to bring objects closer together, the Osprey is far away from the early morning walkers.
A reader, “ekurie”, in observing Ospreys noticed the catch is oriented to aerodynamic, placed head first toward the direction of flight. The hawk is using the evolutionary adaptations of the fish, to reduce drag in the water, to flying through the air.
This snatch and grab shopper is headed straight home to a nest beyond the shore front condos.
A Well Deserved Meal.
Copyright 2019, Michael Stephen Wills All Rights Reserved
Over the years my selection of beach texture photography has expanded. Click this link or any photograph to visit my Textures Abstracts Patterns fine art gallery.
Setting off from the International Palms Resort Pam and I turned left, walking toward the pier, about 2.5 miles away. On the left is Lori Wilson (public) Park. One benefit of this location is the lifeguard station and “protected” swimming. We have reservations about ocean swimming: Sharks? Man ‘O War?
That hotel with the dark windows, on the north side of Lori Wilson Park is the Hilton. This sandcastle, washed out by high tide, caught in the dawn light, was in front of the Hilton. It brings to mind the interaction of nature and people.
There were strong on-shore winds that day. Dune grass driven by the wind made this pattern.
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The wind and tide washed ashore all sorts of man-mad junk.
These small pieces of plastic washes off distant islands by hurricanes, the plastic ground up into bits.
The branded drink holder, the “corn huskers” of the University of Nebraska Lincoln, does not speak well for the alumni as these are sold locally. Community-minded people walk the beach with bags, picking up the bigger stuff.
When the wind changed the small plastic washed out with the next high tide and the beach was cleared.
Corpse of a gull with ground up plastic bits.
The gull beak has the same cruel beauty in death as it does in life.
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The wind drove ashore living creatures, left them on the beach to dry out or as food for crabs and gulls. After a Man Of War washes up on a beach it is still dangerous. Long tentacles extend from the body and can deliver painful stings.
The person walking around these tentacles is wisely wearing shoes, as I can tell from the footprint shape.
Each such tentacle is threaded with stinging, venom-filled structures coiled, like a spring, ready to pump venom into the victim for the purpose of feeding, catching larval and small fishes and squids.
These structures, called nematocysts fire on contact and do not differentiate targets be it a human foot or a squid.
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The crest of the Portuguese Man of War is very visible in the water, the sac can be inflated/deflated to catch the wind or even sink the organism to escape surface feeders. The fanciful resemblance of the floating crest to a sailing ship is the origin of the organism’s popular name. The scientific name is Physalia physalis. While it appears to be a single creature, it is actually several working together for common benefit.
In Australia they call these baddies “blue bottles.” So descriptive.
We talked with life guards about first aid procedure, for the stings, and were not comforted by their ignorance. We had done the research ourselves. Be informed before you step onto the beach. Do not expect well informed assistance in the case of a sting, pre-arm yourself with knowledge.
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This is an especially dangerous configuration of a beached Man O’ War (also known at Floating Terror): a blue balloon with strings trailing from it. Young children will see the balloon and want to grab or play with it. If we see tourist families with young children, when these are around, we will go out of our way to warn them.
These disconcerting findings on the beach do not diminish our enjoyment of the environment, instead we are left with a greater appreciation and respect for the ocean.
Dunes welcome us home after a successful sunrise photo shoot.
With grandchildren in the Miami Area and a sister in Daytona Beach, Florida was on my mind this morning and memories of this beautiful experience on Cocoa Beach came to mind. After an eventful day touring the NASA launch control center, Pam and I took an evening walk during the golden hour, me with camera in hand.
Full in expectation of catching the passing scene with lots of shot I set to full size jpeg mode using a Sony Alpha 700 dslr with a DT 18-200mm f3.5-6.3 lens. The light was exceptional, so I did not expect much post production work.
My first impression was of the line of cruise ships heading south from Port Canaveral, the starboard side lit perfectly behind human denizens of the Cocoa Beach shore, in full enjoyment mode. A synergy of the images struck me. I took a few experimental shots then, as we progressed down the beach front this unusual tableau came into view.
Newlyweds on Cocoa Beach give rapt attention to a distant cruise ship, it looks like an elegant child’s toy.
The session proceeded smoothly and professionally, it was a pleasure to watch. I felt no compunction for capturing these private moments on a public beach, the transcendence of the images reflect well on all participants.
Bride and groom pose while photographer composes the shot, her assistant behind.
Thinking about the Aran Islands for my posts, “Killeany Bouy” and “Inisheer Welcomes the 2014 Gaeltacht Irish Football champions” brought me back to Isla Mocha.
Herman Melville’s thoughts were in and around this island off the central Chilean coast when he penned “Moby Dick” in the mid-nineteenth century while sitting in the city of Boston. He was brought Moby Dick not only by his own experiences on a whaling ship, almost certainly Melville owned a copy of Jeremiah N. Reynolds’ “Mocha Dick: Or The White Whale of the Pacific: A Leaf from a Manuscript Journal,” an true-life account of adventures around Isla Mocha. Sometime around 1810 Reynolds personally experienced encounters with Mocha Dick after the crew of an Antarctic expedition mutinied, stranding him at Valparaíso, Chile where he remained for two years.
Located 38°21’45.62″S, 73°55’6.91″W, around 8 miles in size north to south, 3.5 miles east to west Isla Mocha is surprisingly simple to find. A ridge of mountains run the north south axis, just 20 miles off the coast, a ship following the coast will find it easily, as I did from the balcony of the Oceania Regatta during a “sea day” of travel between Valparaiso and Puerto Montt.
Since waking that day I was on the lookout for Isla Mocha. In preparation for our month-long cruise around South America every mile of our itinerary was scoured for interesting sights, experiences and information. When I first learned of Isla Mocha (Mocha Island in English) and the connection with Melville reading about it in Boston, just as I was in Ithaca, one of my goals for that day was to catch sight of Isla Mocha as it rose from the horizon.
My goal was made easier for the cloud formation from the island mountains. Here is my first photograph, taken from our balcony on the port side. I chose the port side just for the landward view as the ship progressed southward on the western coast of South America. The Canon EOS-1Ds Mark III was tripod mounted with an EF 70-300 f4-5.6L variable lens set to 70 mm. We are northwest of the island with the coast just visible.
Another view with 188 mm focal length. The ship must have turned eastward, as the view progressed the island came closer. It was a fantastic thought to cruise above the subduction zone where the Nazca plate dives beneath the South American Plate. In the distance, on a clear day, the volcanic cones Villarrea and Quertrupillan are visible.
With the island due east, only a few miles away, the lens at 221 mm focal length. A fisherman is having an easier day in a calm sea. The indigenous people told stories of the souls of the dead travelling west to Isla Mocha. Pirates used the island as a resupply base. The fishing boat was the only sign of life.
That was February 14th Valentine’s Day. With Isla Mocha passing into the distance I changed for an evening with Pam. Here we are headed to dinner, somewhere off the coast of Chile’s Lakes (and volcano) region.
Trundled along within our bubble, the Mercedes tour bus proceeded up Avenue Montt when Ricardo pointed out this statue for ridicule. A depiction of the Chilean national bird, the Condor, porteños derisively call it “The Chicken,” and in truth the wingspan is undersized. From the vantage of the above photograph, the statue form does capture an impression of soaring among the hills of Valparaiso. Keep in mind, beyond those hills is Aconcagua, the highest mountain of the western hemisphere, home to Condors.
A reason for writing multiple Varparaiso “connection” posts is to better understand the jumbled impressions from that day. In a previous post I coined the term Varparasians for natives of the city. I found in researching this post the residents, as for Buenos Aires, call themselves porteños (people of the port). This cast iron statue speaks to the contributions of French immigrants to the city and nation.
Gift of the French Colony for the Centennial of Chile – Valparaíso, 1810 – 1910.
Here the view is south towards (what I believe is) Cerro Florida (Florida Hill). France Avenue continues, beyond the monument, following a steep and winding path up the hills, at the crest intersecting with German Avenue. Adjacent, on the right, is Park Italia where we’ll visit in part VI. Above a cast iron basin, at each corner of the commemorative column base is a female mask, above them a gold band inscribed (from the) “The French of Valparaiso” with 1810 – 1910 to denote the centennial. A condor with outspread wings surmounts the column.
The artist, Nicanor Plaza, born in Santiago, Chile was living in Florence, Italy at the time of this commission. He was a natural choice for the commission. Trained in Chile and Paris, Plaza taught for the Academy of Fine Arts of Santiago. It is of cast iron, produced by the French company Val Osne, an art foundry dating back to 1835. The owner, Jean Pierre Andre Victor, invented a cast iron ornamental technique originally used to produce street furniture.
From 1854 to 1895 immigration from France burgeoned, from a country total of 1,654 to 8,266. This cohort is credited with developing the vineyards of the Central Valley, still famous today. The Chilean president Augusto Pinochet descended on his father’s side from an 18th-century French Breton immigrant from Lamballe and his mother was a descendant from 17th century immigrants, partially Basque. Pinochet’s legacy can only be attributed to himself and the ruling Junta. What is of concern is (1) Pinochet was protected against prosecution throughout his life. (2) The same people who protected him still hold power. A case in point is the Esmeralda, still in service.
The Naval Training Vessel Esmeralda
I took this photograph at dawn from our stateroom balcony, it is the Esmeralda, a four-masted top sail schooner, from Spain, christened May 12, 1953. From 1973 to 1980 it was a floating torture chamber where up to 100 persons were subjected to hideous treatment by the Pinochet regime. Protests erupt wherever it docks in a foreign port yet it remains in service. A relatively small part of the puzzle, yet it serves as an unacknowledged monument to the failure of Chile’s ruling elite to come to terms with the recent past.
“Valparaiso Connections III” brought us to Pedro Montt Avenue and the building of this imposing façade, Congreso Nacional de Chile (National Congress of Chile). The very fact it is in Valparaiso is a recollection of the former National Congress, disbanded by the ruling Junta on September 13, 1973. During the final years the Pinochet dictatorship chose Valparaiso for the site of a new congress building. The former National Congress building still stands in Santiago, now housing the offices of both houses of congress.
I am fascinated the façade is shared by two founding fathers of Chile, Bernardo O’Higgins and José Miguel Carrera. O’Higgins father never married his mother (in other words, Bernardo was a bastard). Cared for by his mother’s privileged family, he used his mother’s family name until the death of his father. Carrera, was also born of privilege, the acknowledge son of his father who attended the best schools, well positioned to lead the movement for Chilean independence. Benefactors looked after O’Higgins, they sent the seventeen year old to Europe to finish his education.
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In the chaos of war, in spite of ill-health and lack of military training, O’Higgins out performed Carrera as an officer through reckless bravery; surviving, he became an admired military leader through this example and ultimate victories. Carrera resented being overtaken (by a bastard), did not respect O’Higgins leadership and the two feuded. O’Higgins became the first head of the independent Chile while Carrera gathered a force. Exiled in Paraguay, Carrera marched across the intervening wastes battling indigenous forces. Eventually captured by those loyal to O’Higgins, Carrera suffered a mock trial and execution.
All five of Carrera’s legitimate offspring married and prospered, today his descendants number in the hundreds, being the majority of Chile’s ruling class. Today, the followers of Carrera (Carreristas) fight for his recognition against the O’Higginistas, who they despise. The balance is on display on the National Congress façade on Pedro Montt Avenue. The building is next to Plaza O’Higgins.
Measured by acreage, O’Higgins is far ahead of Carrera. The following photograph, from my posting “A Far Country VII: View of Tempanos Fjord” is from within Bernardo O’Higgins National Park, the largest protected land in Chile.
A large lake in Patagonia is named after General Carrera.
Copyright 2018 All Rights Reserved Michael Stephen Wills
“Valparaiso Connections II” left us with these friendly Valparasians, if such a word can be used to describe residents of the city, chatting on Argentina Avenue.
It was Saturday, the happy occasion of the weekend street fair, kiosks sprouting like mushrooms, thinly attended this early morning.
We did not pause to wander, instead turned up a street known as Pedro Montt, named for a Chilean president of the early 2oth century. Was we turned, monumental street sculpture, rising from the kiosks, caught my eye.
A creation of the great national artist Mario Irarrzabal, it invokes solidarity through the image of four thick copper cables twisted together to form one, the union that can happen to achieve bigger things. Opened in 1995, crafted of iron, wood and copper, after Pinochet passed power to a new democratic constitution and still held office as a Senator, protected from extradition, in the National Congress located just to the west of the monument.
The imagery works on multiple levels. Known as “Copper Cable Monument” or “Copper Column,” the monument also stands for Chilenización del cobre (Chileanization of copper), a movement began during the presidency of General Carlos Ibáñez del Campo. Concluded in the presidency of Salvador Allende, the takeover of foreign owned mines lead to the isolation of Chile and was a component of the support of the USA, via the CIA, for the Pinochet 1973 Chilean coup d’état. Pinochet retained state control of the mines in the face of strong popular support for the huge contribution to state coffers. To this day CODELCO (in English National Copper Corporation of Chile) operates as a corporate entity.
As with our guide, Ricardo (“Valparaiso Departure I”) and the companions at the start of today’s post, Irarrzabal was profoundly affected by the Pinochet dictatorship. Under its influence as well as the sculpture of Easter Island, the artist began work on monumental sculptures. Pam and I visited one on the other side of the South America “cone,” Punta del Este, Uruguay.
Built from Brava beach at the height of the dictatorship, 1982, of concrete, steel rebar, mesh covered with a corrosion resistant coating, the artist title it “Man Emerging to Life.” He was a young man at the time, the work built his reputation and he repeated the theme internationally as well as, in 1992, 1,181 miles away the “Hand of the Desert.” At that time while Chile was emerging from the Pinochet dictatorship the palm as well as fingers are visible. The “cone” of South American, Chile and Argentina, are encompassed by the left hand of the east, a right hand of the west.
Copyright 2022 All Rights Reserved Michael Stephen Wills
Ricaro’s name tag reads, “Oceania Cruises, your world, your way.” I began my two previous blogs with Ricardo, “Valparaiso Separation” and “Valparaiso Connections I.” There’s a lot to be said for the Oceania tours. Every one lead by a knowledgeable native of the host country, fluent in English, we became familiar, some more than others, with them personally, one non-representative example. As were progressed down the coast from Iquique to Cape Horn we met a cross section of Chileans. Unlike other countries, in Chile we met only unsmiling guards on the streets, no protest rallies.
As the tour bus is about to turn down Varparaiso’s Argentina Avenue, here is a flash forward to an elaborate demonstration tableau in the Plaza de Mayo, the Casa Rosada as a backdrop, rose as in the color of bull’s blood used as pigment. The protest was in support for veterans and causalities of the ill considered 1982 Falklands War. We zoomed by the Parque De La Memoria, dedicated to the 30,000 people “disappeared” by the same military dictatorship of the Falklands War debacle.
Our entry to both Valparaiso and Buenos Aires was a cruise over the secret graves of thousands dropped, alive, into the ocean from military aircraft.
What is most chilling is the silence about this throughout our travels in Chile. No memorials, no protests, silence, only stone faced military guards.
The following is from Basílica y Convento de San Francisco de Lima, beneath which are catacombs piled with disarticulated skeletons buried and cared for in the Catholic tradition .
In Lima’s Plaza de Armas we witnessed this peaceful demonstration by pensioners protesting low payments. To be honest, around this time, in Chile, there were huge demonstrations, hundreds of thousands in Santiago, about the same issue.
The Lima crowd was peaceful.
Watched by a heavy contingent of armed police supported by large “paddy wagons” to cart people away. The vehicle marked “Prodegur” (i.e., prosecution) was one of them. Given the history of government disappearances in the region, how brave the demonstrators must be.
Our vehicle turns onto Argentina Avenue, passing under Spanish Avenue and these supports bruiting the “Patrimony of Humanity” status of Valparaiso.
Turning onto Argentina Avenue, the overpass support columns announce Valparaiso’s status as a World Heritage Site. It is the old city around the port which holds this designation.
Other murals feature the zinc panels of the Old Town and cultural opportunities. I noticed the pictured flooring is identical that of Hotel Brighton, see “Our Fifteen Minutes of Fame on Conception Hill.”
I wonder how a man of a certain ago scrapes his knees, these appear to be homeless people.
Two men carry on conversation on Avenue Argentina, Valparaiso during the weekend Avenue Argentina street fair.
They gives us big smiles and waves when they spotted me / us. The people were open and friendly.
Copyright 2018 All Rights Reserved Michael Stephen Wills
Michael Stephen Wills Photography 