Tides of Discovery: A Hawser’s Journey to Cocoa Beach

Discover the mysterious journey of an ocean-worn hawser on Cocoa Beach. Join me in unraveling its sea-tossed tales and the profound messages the tides bring to our shores.

A Serendipitous Morning


As I strolled along the familiar expanse of Cocoa Beach, a silver mist hung over the horizon, blurring the line where the Atlantic whispered to the skies. My footsteps, a quiet percussion against the hush of dawn, were the only sound until the waves added their chorus. I was here to greet the sunrise, a ritual that never failed to ground me, but today, the ocean had laid out a surprise – a hawser, heavy and worn, beached like a leviathan of the deep.

Cocoa Beach, Brevard County, Florida on the Space Coast

The Relic of the Sea


There it lay, a colossal rope, its many fibers frayed and clinging to sand, a testament to its battle with the ocean’s might. This hawser, a lifeline once to vessels that dared to navigate treacherous waters, was now at the mercy of the tides that once heeded its command. I approached, curious, reverence growing within me for this unexpected relic of human endeavor.

The High Tide’s Offering


The hawser’s journey to my path was a story written in the ebb and flow of the tides. The high tide, under the pull of the moon’s invisible hands, had surged with purpose, pushing this massive rope to the shore as its offering. High tides are nature’s way of reaching out, touching the land, and sometimes, they bring gifts from the depths, each with a tale to tell.

A Tapestry of Experiences


Touching the hawser, I felt connected to the lives it must have touched, the storms it weathered, and the unspoken histories it held. Each thread was a narrative, a voyage, a storm survived. The macro images of the hawser’s frayed ends resembled the intricate work of a natural tapestry – artful, chaotic, yet purposeful. It was a mosaic of experience, and now, it was a part of Cocoa Beach’s landscape.

The Dance of Man and Nature


The hawser at the foot of the lifeguard station stood as a symbol of humanity’s interaction with the mighty sea. We build structures, craft vessels, and forge hawsers, asserting our presence. Yet, the tides remind us of our place within the grand tapestry of nature. Tides dance around our creations, sometimes reclaiming them, other times presenting them back to us, reshaped, redefined.

Reflecting on the Tides


As I sat by the hawser, the sun broke free from the horizon, casting golden hues over the beach. The tide was retreating, pulling back into the ocean’s embrace, leaving behind patterns on the sand, and the hawser – a silent sentinel of the shore. It was a moment of reflection on the power of the tides, the constant cycle of giving and taking, and the marks they leave upon both the earth and our lives.

Conclusion: The Tides of Life


The tides had brought the hawser to Cocoa Beach, and with it, a moment of connection to the vastness of the sea and the shared journeys of all who traverse it. As I walked away, the hawser remained – a fixture until the tide would rise again, perhaps to claim it back or offer another token of the ocean’s depths. The power of the tides is a powerful metaphor for life’s ebb and flow, each wave a new beginning, each retreat a chance to reflect on the imprints left behind.

Copyright 2024 Michael Stephen Wills All Rights Reserved

The Impermanence of Human Constructs and the Forces of Nature

Discover the fleeting artistry of sand castles and the mighty forces of tides sculpted by the moon’s dance. Explore the impermanent intersection of human endeavor and nature’s rhythm.

Introduction


The photographs of a sand castle at Cocoa Beach, Florida, present a clear depiction of the transitory nature of human-made structures in the face of natural forces. This discourse will explore the before and after states of a sand castle through high tide, examining the interplay between human endeavors, the tides influenced by the moon’s phases, and the inevitable passage of time.

The Sand Castle: A Testament to Human Creativity


The initial photograph captures a sand castle in its pristine condition, with detailed turrets, walls, and the decorative placement of shells. This creation is a testament to human creativity, ingenuity, and the desire to imprint our presence on the natural world. Sand castles, often built by children or families, represent the joy of craftsmanship and temporary beauty.

Tides and the Moon: Celestial Influence on Earth’s Waters


Tides are long-period waves that move through the oceans in response to the gravitational pull exerted by the moon and sun. The gravitational forces of these celestial bodies generate tidal forces, which cause Earth—and its water—to bulge out on the side closest to the moon and the side directly opposite. This bulging of water results in high tides.

The moon’s phases, from new moon to full moon and back, play a crucial role in the magnitude of tides. During the full moon and new moon—times known as spring tides—the sun, moon, and Earth form a line, resulting in the combined gravitational pull of the moon and sun, causing higher than average tides. In contrast, during the first and third quarters of the moon, or neap tides, the sun and moon are at right angles to each other, which moderates the tidal effect.

The High Tide: Reclaiming and Reshaping


The second photograph shows the aftermath of a high tide on the sand castle. The rising water has eroded the structure, diminishing its form and washing away its distinct features. The tide does not discriminate in its impact; it is a natural, cyclic event that reshapes coastlines and affects human and ecological systems alike. The high tide symbolizes nature’s reclaiming of human-made imprints, demonstrating the impermanence of our works against the relentless forces of nature.

Passing Time: The Ultimate Sculptor


Time is the ultimate sculptor, working incessantly through agents like wind, water, and biological processes. The eroded sand castle in the second photograph is a reminder of the ephemeral nature of all things. The structures we build, no matter how strong or well-designed, are subject to decay and dissolution over time. The sand castle’s fleeting existence underscores the concept that time, coupled with natural forces, will eventually return human creations back to their elemental forms.

Conclusion


The before and after states of the sand castle serve as a poignant illustration of the dialogue between human endeavors and the immutable forces of nature. While the tides, governed by the moon’s gravitational pull, are predictable, their effects are a constant reminder of the transient nature of human constructs in the grand scheme of time and nature’s cycles. As we appreciate the beauty of temporary creations like sand castles, we also learn to respect the power of the natural world and the passage of time that shapes our existence.

Bullet Dodge Series 3

Not quite murmuration

Today, enjoy two videos of shorebirds taking flight at once. Starlings can flock and swarm in clouds of birds, called murmuration. My videos of a shorebird colony taking fright, at something unknown as the beach was empty, are from my IPhone 7.

This is a still image, high resolution, similar to the view of the second video. A repeat from yesterday.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

With a tripod it is simpler to achieve a level horizon….

December 3, 2014 President Obama warned of the coming pandemic and passed along plans and a team to the incoming Trump administration. By December 2019, the pandemic unleashed in China, Trump gutted this capability and, while Pam and I were planning out January 10th Walt Disney World trip, hid the truth from United States Citizens.

We were keeping an eye on China, by January 10th the Chinese communist government was lying, “there is no human-to-human” transmission they told the WHO (World Health Organization). Knowing the truth, our plans for that day would be different.

Click to open video in a new browser tab for better experience and also more information about the context.

Sunrise, January 109, 2020 Cocoa Beach, Florida

Click to open the next video in a new browser tab for better experience and also more information about the context.

Copyright 2020 All Rights Reserved Michael Stephen Wills

References:

CNN YouTube, “Hear what Barack Obama said in 2014 about pandemics.”

Daily KOS, “How the Obama administration tried to save us from what Trump is doing right now.”

FOX News, “WHO haunted by January tweet saying China found no human transmission of coronavirus.”

Bullet Dodge Series 2

Shroomed (Happy May Day)

One week before January 10, the dawning of the day photographed here, “the CDC Director Robert Redfield was notified by a counterpart in China that a “mysterious respiratory illness was spreading in Wuhan [China]”. Redfield notified HHS Secretary Alex Azar shortly thereafter, who shared his report with the National Security Council (NSC). According to The Washington Post, warnings about the virus were included in the President’s Daily Brief in early January, an indicator of the emphasis placed on the virus by the intelligence community.” December( and maybe October/November), 2019 through January, 2020: COVID-19 was spreading across the USA as visitors from Wuhan disembarked from planes.

The following images compare IPhone 7 to a dslr mounted on a tripod.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

With a tripod it is simpler to achieve a level horizon….

I heard the word “shroomed” (as a verb) used in Episode 1, Season 6, of Bosch. As in “the Federal Government treats us like mushooms”: grown in excrement and kept in the dark.

Click to open video in a new browser tab for better experience.

Sunrise, January 10, 2020 Cocoa Beach, Florida

Want to see more? Click me to visit my Florida photography on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Reference: the quote is from the Wikipedia article “Timeline of the 2020 coronavirus pandemic in the United States.”

Bullet Dodge Series 1

First of a looooonnnngggg series

One day after my “Sunrise Texture” series as the sun rose on Cocoa Beach I was waiting with the same photographic kit. It was perfect weather for a visit to Walt Disney World, planned for that day: unsettled.

This image couple demonstrates the effect of long / short exposure without using filters. I changed the ISO and F-stop to achieve these effects.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

With a tripod it is simpler to achieve a level horizon….

I turned around to observe the colonies of shore birds…..

Click to open video in a new browser tab for better experience.

Want to see more? Visit this my “Sunrise Textures” series on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Sunrise Texture Series 7

Final Series, Sunrise Completion

Betelgeuse, AKA “Alpha Orionis”, was the first star disk, other than our Sun, measured. One hundred years ago the apparent size of Betelgeuse was then as now 0.003% of the sun. I bring this up because this “red” star at the end of its life cycle, is in the news, being now 40% of its brightness last year.

Betelgeuse is so far away this dimming is 700 year old news, the time it takes for light span the distance. News of our sun is more recent, sunlight informs us of the Sun’s surface from 8.33 minutes ago. Sunlight bursts from clouds to the camera in an instant of a second. In comparison my reactions to capture it are glacial. Sixteen seconds passed since the images of Series 6, time for three exposures at a slowed pace now the sun breaks free from the clouds.

Twelve minutes, fifty four seconds elapsed from the first images of this series. Seventy nine exposures taken with 16 selected moments, these last without the sand mirror.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

A Willet feeds in the new day. This is a species sandpipers, a cousin of the Sanderling of yesterday’s post.

All sixteen Sunrise Texture moments are presented below.. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.

Want to see more? Visit this series on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Sunrise Texture Series 6

Sunburst

Two minutes pass from Series 5, and not because I have stopped snapping. My routine is to insert a (automated) sequential number into each filename. Using this it is possible to calculate the number of exposures in a series. Since Series 5, 16 were snapped before the first I could use in Series 6. Ten exposures between the first and last of Series 6, during which a minute, twenty eight seconds elapsed..

The sun disk is above the horizon, bursting from clouds.

Ten minutes, eighteen seconds elapsed from the first images of this series. Seventy one exposures taken with 14 selected moments of shining sand mirror, a strong curving return flow.

The small bird feeding, of the first image, is a Sanderling, one of the smallest species of Sandpipers.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

In this second image, the mirror is erased as sand absorbs surf. I needed to show the developing sun burst.

A slide show of these images. This set compares short exposure with open aperture (f 4.5) to a much longer exposure driven by a narrow aperture (f 22) and the lowest film sensitivity of the camera (ISO 50). Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.

Want to see more? Visit this series on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Sunrise Texture Series 5

a paradox

A scant five seconds pass from Series 4, with the sun above the horizon I strive to catch the moment.

The sun disk is above the horizon, shining behind the clouds.

Seven minutes, 34 seconds elapsed from the first images of this series.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

I selected moments of shining sand mirror, a strong curving return flow with a continuing mark of a southeast wind of seventeen miles per hour, with bursts above twenty. Wind, waves, even the rounded particles of sand all created from the energy of the celestial body I am waiting to appear.

A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.

Want to see more? Visit this series on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Sunrise Texture Series 4

a paradox

Thirty three seconds pass from Series 3, the high clouds shine less bright, the sun disk now blocked by those clouds on the horizon, the rising sun brings darkness yet a first hint of sunburst.

Seemingly, the first image foam-wave swath will erase the mirror.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

Fifty seconds later, instead of erasure the new water brings clarity.

Six minutes, 39 seconds elapsed from the first images of this series.

A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.

Want to see more? Visit this series on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills

Sunrise Texture Series 3

Gathering Light

You will notice the sky changing, compared to the first set published here , Almost 6 minutes have passed, 4 minutes from the last image from Sunrise Texture Series 2. From behind the horizon, the first rays of sunlight catch the sky undersides. Unseen. the sun disk broaches the horizon.

Working fast, I used the dial to change from aperture-priority to shutter-priority with settings saved from the last use. In this way the duration is only twelve seconds between shots. The sun disk is near to/passed the horizon hidden behind those distant clouds.

Click photograph for larger image. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

Breaking of a small wave.

A slide show of these images. Suggestion, for this series in a larger format, open a separate browser tab for each post. At series end you will then have eight (including the very first post a few weeks ago) landscapes to compare.

Want to see more? Visit this series on Getty IStock.

Copyright 2020 All Rights Reserved Michael Stephen Wills