Here is the same gnarled pinyon pine of the previous post, with a sky centered exposure revealing the silhouetted wonder.
ISO 250 1/1000 sec at f/7.1
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
The eastern approach Zion Canyon is a national park unto itself, route 9 passes through otherworldly landscapes.
ISO 250 1/1000 sec at f/2.8
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconis “Lone Pine.” Here the tortured existence of this organism is rendered plain.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Driving from the Petrified Forest National Park my son, Sean, and I arrived at Chinle, Arizona the evening of Monday, November 2, 2003. No time to rest or eat after checking into the Best Western he and I reached the White House overlook and trail head with the sun low in the sky, the sun sets 6:45 pm these last few days of Daylight Savings. The Navajo Reservation observes Daylight Savings, so the click jumps crossing the border from Arizona to Reservation.
I was 50 at the time and with Sean graduated from SUNY Maritime and fresh from a tour at sea we made good time to the canyon floor. I wanted to catch the White House in the setting sun.
One morning, 14 years later, I published a fine art photograph from that trip.
Looking along the canyon, over thick stands of Russian Olives, I caught the risen moon, in gibbous phase, against a mid-canyon freestanding fin of red sandstone of the southern canyon wall. Today, those trees are gone, removed as an invasive species.
Rainwater from distant thunderstorms on the vast Colorado Plateau emerge from a cliff wall, Zion Canyon. The fall will last for a few hours, we bore lucky witness as do my images shared below.
1/15 sec at f/8.0 ISO 160
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. I prefer the details of misting water at the widest lens aperture, focus is clear throughout the plane, excepting some foreground brush.
1/125 sec at f/2.8 ISO 160
Copyright 2021 Michael Stephen Wills All Rights Reserved