This yellow woody (also called tree) peony blooms later than our red varieties. The first set of three were photographed May 26, 2021 have unopened buds. Yet, these are early compared to those photographed June 6, 2019 used in the last still life.
These first photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, fitted with a 600EX-RT Speedlite (flash) and the Canon EF 70-300 mm (variable) f/4-5.6L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head.
Our Itoh yellow tree peony has flowers on stalks too slender to hold the heavy blooms upright. The flowers open hidden among thick leaves. Here they are a still life of cut blossoms and leaves. The cultivars of Paeonia, the mouton, or hua wang, king of flowers, are ofe of the classic ornamental genera of China. By the 11th and 12th centuries the center off cultivation was in Sichuan, and there yellow-flowered varieties appeared.
Canon EF 70 – 300 mm USM, ISO 400, 146 mm, 0.3 sec at f/6.3
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Crossbreeding of yellow-flowered P. delavayi with traditional double-flowered P. suffruticosa cultivars by Victor Lemoine in Nancy, France has led to the introduction of the color yellow into the cultivated double-flowered tree-peonies. These hybrids are known as the Paeonia × lemoinei group. In 1948 horticultulturist Toichi Itoh from Tokyo used pollen from ‘Alice Harding’ to fertilize the herbaceous P. lactiflora ‘Katoden’, which resulted in a new category of peonies, the Itoh or intersectional cultivars. These are herbaceous, have leaves like tree peonies, with many large flowers from late spring to early autumn, and good peony wilt resistance. I am guessing our Yellow Wooden Peony is a type of this hybrid because the long stems are more herbaceous than woody, the heavy flowers droop so the best form to capture them is the still life.
Canon EF 70 – 300 mm USM, ISO 400, 70 mm, 1/5 sec at f/5.0
Canon EF 70 – 300 mm USM, ISO 400, 70 mm, 1 sec at f/11
Click the pics to flip back and forth.
Compare the above two exposures to appreciate the effect of the f-stop and excellent bokeh of the Canon “L” lens.
This still life from the 2019 bloom was taken with a Canon EOS-1Ds Mark III dslr and the Canon EF 50 mm f/1.2L USM lens used above. Stabilization provided by a Manfrotto 3036 (studio) tripod with the 468MG hydrostatic ball head. That room is bright from large, east-facing windows. Late afternoon light is soaked up by the black velvet backdrop leaving the lemon yellow leaves to shine.
Canon EF 50mm f/1.2L USM, daylight, 1/8 sec at f/7.1
Click the pic to over a larger view
Copyright 2021 All Rights Reserved Michael Stephen Wills
References
Wikipedia “Paeonia × suffruticosa“
Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133
Spring 2021, though cold, is early. As I write this the peony blooms presented here, photographed May 20, 2021 are seeding, the gorgeous purple magenta petals strewn beneath the woody stems. In my last posting, from Memorial Day 2019, the plant is in full bloom the end of May.
These photographs were taken with a Canon EOS 5D Mark IV dslr, new for me as of 2020, and the Canon EF 50 mm f/1.2L USM lens stabilized with the Manfrotto BeFree Carbon Fiber tripod with ball head. Color results from the Canon dslr are impressive, the first time the unique purple magenta is accurately represented here. I found a slight under exposure captured the plum – fine burgundy wine nature of this Japanese cultivar, “Shimadaijin,” planted in the 1970’s or 1980’s.
Here is the last unopened bud of this season, enclosed by a calyx of 5 green sepals with reddish highlights . In the wild, woody (also called tree) peonies favored cliffs and scrub of western and central China, eastern Himalayas (southeastern Tibet).
Lens Canon EF 50mm f/1.2L USM. ISO 200 f5.0
The bud is toward the back, slightly out of focus, of this overview. The woody stems hold the profusion of large flowers each one erect. “Tree” is a misnomer as this plant is a shrub growing mid-thigh high. One of the classic ornamental genera of China, known there as moutan or hua wang “King of Flowers.”
Lens Canon EF 50mm f/1.2L USM. ISO 200 f5.0.
Cultivation in China began in Chekiang in the early 4th century AD. By the early Tang period (circa 700 AD) hundreds of varieties were grown.
Lens Canon EF 50mm f/1.2L USM. ISO 200 f16
Copyright 2021 All Rights Reserved Michael Stephen Wills
References
Wikipedia “Magenta” color
Roger Philips and Martyn Rix, “The Botanical Garden, Vol 1, Trees and Shrubs” p 133
Pam and I headed out to Treman Park for a walk to the Lucifer Falls overlook. The Gorge Trail is not yet open due to the danger of rock falling from the gorge walls — the park maintenance staff needs to survey winter damage and knock down material in danger of falling.
Our first stop was the mill waterfall. This was was directed to the mill stream to power the mill where grain was ground to order.
Here is an overview of the Mill, now a museum not yet opened post-Covid. The millstone stands at the start of the foot trails. All media on this post is from my IPhone 7, lightweight equipment for this hike. The automatic upload to ICloud is convenient.
Round trip is four-plus miles, with several hundred feet elevation change. Pam and I discussed a car caravan for our next visit, to support a one-way downhill hike (still plenty of uphill hiking). We need to work up to the round trip after our winter inactivity.
Trillium are in bloom!!
Multiple overlooks into the gorge grace this trail.
More trillium before we reached the overlook. Lucifer falls and the incredible path etched into the cliff by the Civilian Conservation Corps (Roosevelt’s Tree Army during the Depression).
After the Lucifer Falls overlook is this stupendous view from the top of the Cliff Stairs, 224 steps continue to link to the Gorge and South Rim trails.
As we lingered on the top steps the flowering plants slowly revealed themselves.
I captured this tragic image on the return trip….a trillium discarded on the trail. Stiff fines await anyone caught doing this.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Our day of touring Kinsale and environs, the last day of May 2014, continues with our morning visit to the “Old Head of Kinsale.” Head is short for headland, a narrow strip of land projecting into the sea.
Road to the Old Head of Kinsale
Old Head of Kinsale
On May 7th, 1915 the Cunard liner Lusitania was torpedoed 16 km (10 miles) off the Old Head of Kinsale, 40 km (25 miles) west of Queenstown. Of the 1,959 people on board, 1,198 died. Those who survived were brought to Queenstown and Kinsale by rescue vessels and cared for in local hotels and hospitals. Many of those who died were buried at Old Church cemetery, 3 km (2 miles) north of Queenstown. The first class Queen’s Hotel cared for some of the survivors. The elegant Edwardian atmosphere of the hotel was shattered by the horrific news of the loss of the ship. This is the setting for the story of Queenstown’s role in the Lusitania disaster. –text from Cobh Heritage Center poster, see image below.
The Old Head is notable, in the contest of the Lusitania attack, for being the land closest to the incident. Cobh, then named “Queenstown”, was the focus of rescue operations. See text below, from a display of the Cobh Heritage Museum.
from Cobh Heritage Museum.
The Kinsale tower is just over nine meters high, with walls up to 80 cm thick. Records show a signal crew was in place in 1804 and the tower finished the following year, though severely affected by dampness. When Napoleon was defeated by Wellingtons forces at Waterloo, 1815. With the diminished threat these expensive installations were neglected. The 1899 Ordnance Survey map lists the site as being in ruins. During our 2014 visit the local community was renovating the tower and the work appears complete sometime before 2021.
The morgue under the Town Hall was filled with corpses, and many were placed in the premises of the Cork and Blackstock Railway Company. Undertakers were working at high pressure night and day to provide coffins. But hundreds of victims found graves in the broad Atlantic Ocean. –Newspaper reporter at Queenstown. See images in the above gallery for more.
Cobh Heritage Center exhibit of survivor recovery, Queen’s Hotel
I did not see and/or recall much emphasis in the museum for pillorying Germany, after all a German U-boat was responsible. Curious, I did a Wikipedia search and found this text. The topic of Ireland, Germany and World War I is complicated.
On the afternoon of 7 May, a German U-boat torpedoed Lusitania 11 miles (18 km) off the southern coast of Ireland inside the declared war zone. A second internal explosion sank her in 18 minutes, killing 1,198 passengers and crew. The German government justified treating Lusitania as a naval vessel because she was carrying 173 tons of war munitions and ammunition, making her a legitimate military target, and they argued that British merchant ships had violated the cruiser rules from the very beginning of the war. The internationally recognized cruiser rules were obsolete by 1915; it had become more dangerous for submarines to surface and give warning with the introduction of Q-ships in 1915 by the Royal Navy, which were armed with concealed deck guns. The Germans argued that Lusitania was regularly transporting “war munitions”; she operated under the control of the Admiralty; she could be converted into an armed auxiliary cruiser to join the war; her identity had been disguised; and she flew no flags. They claimed that she was a non-neutral vessel in a declared war zone, with orders to evade capture and ram challenging submarines.
However, the ship was not armed for battle and was carrying thousands of civilian passengers, and the British government accused the Germans of breaching the cruiser rules. The sinking caused a storm of protest in the United States because 128 American citizens were among the dead. The sinking shifted public opinion in the United States against Germany and was one of the factors in the declaration of war nearly two years later. After the First World War, successive British governments maintained that there were no munitions on board Lusitania, and the Germans were not justified in treating the ship as a naval vessel. In 1982, the head of the Foreign Office’s American department finally admitted that, although no weapons were shipped, there is a large amount of ammunition in the wreck, some of which is highly dangerous and poses a safety risk to salvage teams.
T
The original memorial to the Lusitania was unveiled on the 80th anniversary of the May 7th, 1915 sinking (May 7, 1995), Old Head of Kinsale, County Cork Ireland. The imemorial nscription reads “In memory of the 1198 civilian lives lost on the Lusitania 7th May 1915 off the Old Head of Kinsale.”
The inscription of the commemoration plaque accompanying the memorial reads, “This memorial was unveiled by Hugh Coveney D Minister of Defense and The Marine on 7 May 1995.” Around the edge of the medallion reads, “Brian Little Sculptor” “This (cannot read) donated by Lan and Mary Buckley”
The Magnolia genus has been around for eons, come characteristics are protective from beetles as they existed before bees and relied upon beetles for fertilization. Our’s may be the species Magnolia dawsoniana (Dawson’s Magnolia), it shares many of the published characteristics: among them tolerance to our hardiness zone 5, flower color and shape, tree growth pattern.
This was an exceptional year for blooms. starting late April, lasting into May. The fence around trunks is for protection against bucks (male deer), from rubbing their horns in autumn.
Canon 50 mm f1.2
For most of these 2021 photographs I used the lens Canon 24 mm f/1.4L II USM, the one captioned 50 mm I used Canon 50mm f/1.2L USM. The Canon EOS 5D Mark IV dslr with the Manfrotto Studio tripod with hydrostatic ball head for all.
The last great year was 2018……
Canon 100 mm “macro” lens
For these 2018 photographs the Canon 24 mm and Canon EF 100mm f/2.8L “Macro” lenses with Canon’s EOS-1Ds Mark III dslr.
Copyright 2021 All Rights Reserved Michael Stephen Wills
Number six of six from the Kerry County side on the descent Healy Pass, R574. Here we move away from, say goodbye (hopefully, for now) to these marvelous views, our first sight of County Kerry.
Two more strange, conical hills come into view, repeating those in the distance. These have a long story.
Beara Peninsula, Coolcreen townland, County Kerry, Republic of Ireland.
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Copyright 2021 Michael Stephen Wills All Rights Reserved
Number three of six from the Kerry County side on the descent Healy Pass, R574. I enhanced view three to level the horizon. A side by side comparison is provided, below.
Beara Peninsula, Coolcreen townland, County Kerry, Republic of Ireland.
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Visible from this point on R574, Healy Pass, is Glenmore Lake, the Rivers Drunminboy, Glanstrasna flowing into a sheltered inlet of the Atlantic Ocean. In 1911, the Irish National Census lists nineteen (19) persons of five (5) families listed with the names O’Sullivan, Sullivan and Shea. From this view this is a puzzle until the map is examined. The land transitions from this rock to a steep, then leveling slope down to Glanmere Lake and a stream running from the heights with plenty of reasonably level, fertile acreage. There is a glimpse of a lake. Like many of the Irish place names, Glenmore Lake has a connection to the Irish Language name, Loch an Ghleanna Mhóir. Roughly translated the name means Large Lake of the Glen. The names in use today, in English, are derived from the sounds of the Irish. It happens the Irish Ghleanna sounds link Glen (or in another version, Glan, roughly the same). Beara Peninsula, Coolcreen townland, County Kerry, Republic of Ireland.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Number four of six from the Kerry County side on the descent Healy Pass, R574. Here I turn the camera on the Manfrotto studio tripod with hydrostatic ball head to the original view, a little less lit with a better leveling of the horizon.
Number three of six from the Kerry County side on the descent Healy Pass, R574. I turned the camera a few more degrees into the gathering darkness, under the cloud, for an almost complete view of Glanmore Lake.