Hatch, Birth, Good Luck!

If you ever feel like you’re struggling with independence, just remember these creatures who start life with the ultimate “figure it out yourself” kit.

Introducing the “Self-Service Buffet” of the animal kingdom, where the motto is “Hatch, Birth, Good Luck!” These creatures don’t stick around for cuddles or parenting classes:

Sea Turtles – The Ultimate Sand Sprinters: These little guys burst from their eggs and make a mad dash for the ocean, dodging seagulls and crabs. It’s like the world’s most stressful obstacle course, where the prize is simply survival.

Salmon – Swimmers on a Solo Mission: After hatching, young salmon are on their own, navigating the perilous waters without a GPS or even a pep talk. They’ve got more instinct in their little fins than most of us have in our entire body!

Praying Mantises – The Loner Ninjas: These insects hatch ready to rumble, with no parental guidance on how to be the ultimate predator. It’s a tough world where your siblings might just see you as their first meal. Talk about family drama!

Kangaroo Rats – Desert Hoppers Inc.: Born in the harsh desert, these tiny rodents are all about the solo journey from the get-go. No room service or guided tours here; just a lot of hopping and hoping.

Octopuses – The Brainy Solitaires: Octopus moms are the epitome of “do it yourself,” laying their eggs and then, well, signing off. The babies hatch fully equipped with all the smarts and skills they need, making them the envy of every overbooked parent.

Komodo Dragons – The Scaly Independents: These formidable lizards hatch ready to take on the world, with a fierce look in their eye that says, “I didn’t choose the dragon life, the dragon life chose me.”

Butterflies – The Winged Wanderers: From caterpillar to chrysalis, and then to butterfly, these creatures do it all on their own. If butterflies had social media, their status would perpetually be “Just transformed. Who dis?”

So, if you ever feel like you’re struggling with independence, just remember these creatures who start life with the ultimate “figure it out yourself” kit. They might just inspire you to tackle your own obstacles – though hopefully, with fewer predators involved.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Passing…..

…remembering our time on the cusp of the pandemic

After 2 pm check in we interrupted unpacking for a sundown beach walk, IPhones and Sony Alpha 700 camera in hand on the last evening of 2019. There is a business on A1A, the main road through town, advertising “beach weddings” and “elopements.” Here, using the 18 – 200 mm f3.5-6.2 lens, I spied this grouping of a mature couple holding hands, minister in attendance, for a wedding ceremony witnessed by young adult children on the right, parents (?) left. The groom’s shorts contrast with the bride’s white gown.

Sunlight, low in the western sky, was perfect for mirror-like reflections in the retreating surf.

A given of the Atlantic beach is the late afternoon light, best for capturing figures against the ocean.

Written below the high tide mark, a message inscribed, impermanent in spite of the deep cuts.

I have practice framing sunsets against beach development. Cannot complain as we enjoy our beach side condo.

A slide show of these images.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Dueling Songbirds

Witness a duel not of might, but of vibrant melodies between the cardinal and song sparrow. This 14-second video captures a fleeting yet profound moment in the Finger Lakes’ springtime chorus. Join us in unraveling the significance behind this avian serenade.

In the serene backdrop of the Finger Lakes in upstate New York, an enchanting encounter unfolds as the first whispers of spring touch the air. It’s March 14th, a day that marks the gentle shift from the silent, introspective winter to the lively, expressive season of spring. On this day, a captivating spectacle takes place — a duel not of might, but of melody. Two distinguished songbirds, a male cardinal (Cardinalis cardinalis) with its vibrant red plumage that seems to capture the very essence of life itself, and a male song sparrow (Melospiza melodia), modest in color yet profound in voice, engage in an early springtime symphony.

This 14-second video, garnished with brevity, captures a fleeting moment in nature’s grand concert, where these feathered musicians compete, not for supremacy, but for the sheer joy of song and the chance to herald the new season. The cardinal, with its rich, whistling tunes, fills the air with a repertoire of songs that resonate with the promise of new beginnings. Meanwhile, the song sparrow, with its intricate melodies that vary dramatically from bird to bird, offers a counterpoint that is both complex and captivating.

This auditory duel, set against the tranquil beauty of the Finger Lakes, is more than just a display of vocal prowess. It’s a ritual that speaks to the heart of nature’s cycle, a testament to the resilience and adaptability of these species. As these songbirds vie for the attention of mates and assert their presence in the spring landscape, they also remind us of the enduring beauty and mystery of the natural world. You’ll also catch the call of a crow and, in the distance, another Cardinal.

This moment, brief yet infinitely rich, invites us to pause and listen, to lose ourselves in the simple yet profound joy of birdsong. It’s a reminder that, even in the quietest corners of the world, life thrums with vibrancy and the promise of renewal. Join us as we delve into the story behind this melodic encounter, exploring the significance of song in the lives of these birds and the heralding of spring in the Finger Lakes.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Post WWII Launch Complexes on Cape Canaveral

Ghosts from the future?

Here is the fifth in a series of photographs centered on the early history of space flight on Cape Canaveral mostly taken during a tour organized by the Cape Canaveral Lighthouse Foundation. “Google” the foundation for details of future tours. Here we explore the sites of the first launches on the Cape, Launch Complexes 1, 2, 3, 4. (LC 1 – 4).

From Vengeance To Space

Our bus proceeded east on Lighthouse Road past Launch Complexes 21 and 22 in less than half a mile we were within the first sites of the United States Space age, sites with the lowest numbers, LC 1 – 4.

Click Any Image for a larger viewe

If, instead of distance, the bus traveled back in time 68 years to July, 1950 we would be witness to the first United States space launch of the two-stage “Bumper 8”, a former “V2” missile topped by a WAC Corporal that reached 248 miles above the earth, about where the International Space Station circles now.

July 1950 Bumper 8 Launch
By NASA/U.S. Army – NIX 66P-0631, GPN-2000-000613; http://solarsystem.nasa.gov/multimedia/display.cfm?IM_ID=385, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2892820

Almost certainly, the man who designed and directed the production of the Nazi V2, Werner vonBraun, was perched on the lighthouse a half-mile distant.

Cape Canaveral Lighthouse from Launch Complex 3

The Nazi “vengeance weapon 2”, the V2, a device so horrifying British authorities claimed the first V2 attacks to be “gas explosions” rather than admit a Nazi weapon descended without warning. Beginning September, 1944, over 3,000 V2’s landed on London, Antwerp and Liège resulting in an estimated 9,000 deaths, mostly civilians. 12,000 forced labor and concentration camp slaves died in the construction of the production facilities captured by the Soviet Union during the collapse of the Nazis. These victims, arms linked, will form a circle 15.9 miles in circumference around the Bumper 2 launch.

The 21,000 V2 victims, linked arm in arm, make a circle 15.9 miles in circumference.

von Braun and key V2 personnel surrendered to the Americans and, along with enough parts to construct 80 V2s, were taken to the United States. His direction of US missile development lead eventually to the enormous Saturn rocket that lifted three men to the moon, so good came from our bet on vonBraun and the V2.

Observation Bunker

In January, 2018, firmly in the present, our bus approached these now “deactivated” sites driving down Lighthouse Road. Confined to the bus, I used my Canon EOS 1Ds Mark III and the EF 70-300mm f/4-5.6 IS USM lens to capture these scenes.

Looking across Launch Complexes 1 and 2 to Lighthouse Road and the tower. An observation bunker
Observation Bunker from Launch Complex 3, looking across Launch Complex 1.

I can almost see someone behind the glass, enjoying a blast of air-conditioned air, dry and cool.

Litter on and around Launch Complex 4

Missile Housing without Engine
Radar Parabola Fragment
Cement Blacked by Rocket Launch Blasts

Aerostat

From 1950 into the 1960’s LC 1-4 saw launches of cruise missiles, some of which were able to maneuver and land on the “skid strip” you can pick out on the “21,000 V2 Victims” image, above. A positive discovery from my research on wikipedia the weapon systems tested here were not fired in anger. Continued development in other places lead to production of generations of cruise missiles launched by Presidents Clinton and Bush against Afghanistan, Iraq and (??) other targets. What victim ghosts, arms linked in ever growing circles, are lurking in our future?

A building on LC 4 has the designation “Aerostat”, one of the last projects supported. I saw an aerostat in action in the early 2000’s over Fort Huachuca, Arizona near the border with Mexico. An aerostat is a flying craft that does not rely on moving air to achieve lift, balloons for example.

The Goodyear blimp is a memory from my childhood on Long Island, the Fort Huachuca aerostat was a smaller version, outfitted with advanced technology for monitoring the surrounding environment. “Google” aerostat mexican border to learn more about the current deployment.

Another view of the abandoned aerostat building on LC 4

With the development of Intercontinental Ballistic Missiles (ICBMs) the facilities of LC 1 – 4 became obsolete. ICBMs are a theme of the next installment of this series.

ClickMe for another post in this series, “Mercury 7 Pre-Launch Facilities.”

ClickMe for the first post in this series, “Cape Canaveral Lighthouse.”

Sources of information for this post: I used information from the Wikipedia site for the key words V-2, Launch Complex 1, Launch Complex 2, Launch Complex 3, Launch Complex 4. The Bumper 8 launch photograph caption includes a source citation.

Copyright 2024 Michael Stephen Wills All Rights Reserved.

Cruise Missiles

Decoys and Cruise Control

Here is the fourth in a series of photographs centered on the early history of space flight on Cape Canaveral mostly taken during a tour organized by the Cape Canaveral Lighthouse Foundation. Google the foundation for details of future tours. Here we explore the sites closests to the Lighthouse: Launch Complex 21 and 22.

“Vengance Weapons” re-purposed

Vergeltungswaffe 1 (Vengance Weapon 1 AKA V-1), produced at Peenemünde on the Baltic Sea was first used against Great Britan by Germany one week after the D-day landings. 8,025 of these flying bombs, the first cruise missles, caused the death of 22,892 people, mostly civilians. The first cruise missles for the USA were developed less than 1,000 feet away from the lighthouse. After touring the lighthouse we boarded the bus to visit these sites, Launch Complex 21 and 22.

Click Any Image for a larger viewe
Launch Complex 21 and 22 are marked with a labled “pin” on this image from Google Earth.

Nature abounds in Cape Canaveral Air Force Station. This ibis hunted near the lighthouse on our way to Launch Complexes 21,22.

We passed close to the blockhouse first viewed in my post, “Lighthouse and Rockets,” and I captured this detail of the long abandoned structure. The last test launch of a Mace missle was June, 1960.

This wreckage photograph was part of my,“Lighthouse and Rockets” post. It was taken from a lighthouse portal. It is a type of cruise missle, although I cannot identify the exact type, comparing the engine, on the right, with available photographs of the “Bull Goose” and “Mace” missles developed here.

Bull Goose and Mace

Rail launched, as was the German V-1, the missles developed here were called “Bull Goose” and “Mace.” Bull Goose was a delta winged craft intended as a decoy, to appear on radar as a strategic bomber during a nuclear attack. At that time, the rails were in the open. The building here was a revampment of the site for development of the Mace. The other side of this structure is open, the launch rail pointed up from the rear. There are two launch rails, numbered 1 and 2. The building placard is “05961,” the numeral “1” designates site 1. The use of numbers of designate a site is unusual. Letters are used elsewhere on Cape Canaveral and Kennedy Space Center.

The powerful rocket exhause was directed though these pipes. Site 1 is on the right.

Guidance or “Cruise Control”

Navigation is a crucial requirement for cruise missles. The Bull Goose used a gyroscope with no reference to surroundings. The guidance system held the launch bearings, a successful flight was completed within 115 nautical miles of the target.

If deployed, the plan was for thousands of these missles to launch 1 hour before the attack craft set out and 1 hour after. The missles were not armed, but would descend in the thousands around the targets. Similar to what the Germans did to civilians in England.

After three years and 136.5 million dollars the Bull Goose was cancelled because it could not simulate either the B-47 Stratojet or B-52 Stratofortress nuclear bomb delivery aircraft. Not a single decoy was fired in anger.

The building sign “05912” identifies this exhaust tube as being launch site 2.

The Mace, for which this building was created, used a guidance ATRAN (Automatic Terrain Recognition And Navigation, a radar map-matching system). The map was produced on a 35 mm film strip carried on the missle, the live radar returns were “matched” against the film with course correction made for differences. The Mace was of limited usefulness due to the lack of radar maps for target areas within the Soviet Union. The Mace was deployed to Germany and South Korea until phase out in 1969.

ClickMe for the first post in this series, “Cape Canaveral Lighthouse.”

Sources of information for this post: I used information from the Wikipedia site for the key words V-1, Launch Complex 21, Launch Complex 22, Mace, Bull Goose.

Copyright 2024 Michael Stephen Wills All Rights Reserved.

Lighthouse and Rockets

from Roman Numerals to Rockets

Here is the third in a series of photographs centered on the early history of space flight on Cape Canaveral mostly taken during a tour organized by the Cape Canaveral Lighthouse Foundation. Google the foundation for details of future tours. Here we start with Roman Numerals and end with Rocket Research.

Inscribed Roman Numerals

We were lucky to be on this tour, for a period of time the Air Force closed off the Lighthouse. The Lighthouse Foundation obtained permission to start this tour in 2016 (this was January 2018) and I happened to discover it while poking around in preparation for the SpaceX “Falcon Heavy” launch in early February 2018.

As Pam and I climbed, each floor docent (volunteer guide) was so helpful with information and hospitality. At the last floor, the stairway to the upper floors was roped off. Top levels were closed, Cape Canaveral Lighthouse is operational. Here is a photograph of the closed off staircase. There is a roman numeral “6” (VI) inscribed in the staircase column. This is the numbering system described in the first post, “Cape Canaveral Lighthouse,” by which the entire 151-foot lighthouse can be disassembled/reassembled as was done in the 19th century.

Stairway to Upper Floors

The fine finish of the handrail termination for the stairs to upper floors is an example of 19th century attention to detail.

Macro of numeral inscription on a lower floor stairway column.

Roman Numeral 43 on staircase column of lower floor

View of Space History from the Portals

The lower staircase support column was much wider with space for illustrations and displays. Here is a reproduction of a watercolor of the lighthouse from the earliest days of rocketry on the cape. The lighthouse keeper, assistant and their families lived alongside the tower. The housing was later razed. The Lighthouse Foundation is raising money to build reproductions of the housing.

I put my copyright on the photograph to control copying. The copyright does NOT refer to the artwork.

The painting is an accurate representation of the tower. The dark spots are the windows, or portals, captured in my last post, “Lighthouse Details.” Every portal offered a view of historical or current rocketry. In the following photograph, beyond the outbuilding, is a blockhouse, protection for the early rocket scientists, now abandoned. The structure services launch complex 21 and 22. More in a later post.

Wreckage with Recollections of Werner von Braun

Depending on your viewpoint, the landscape around the tower is either littered with or graced by relics such as the wreckage in the following photograph.

As we stood on the exterior staircase, looking toward the building in the following photograph, the docent told a story of Werner von Braun, how he loved to smoke cigarettes and watch rocket tests from the top of the lighthouse. After some spectacular failures, for reasons of personal safety he was excluded from the tower. His office during the development of the Minute Man and Persing missiles was in this building.

Building next to the lighthouse where Werner VonBraun had an office during the early days of USA rocket research.

This view overlooks the former sites of Minute Man and Persing rocket development. Beyond the launch towers is Port Cape Canaveral, visible to the right are large cruise ships.

Viewed from the Cape Canaveral lighthouse, the port i is in the distance with cruise ships.

Looking from portals facing northeast is this view across ICBM road and its many launch sites. We will visit these in a future post.

Viewed from the Cape Canaveral lighthouse, these are active launch sites.
ClickMe for the first post in this series, “Cape Canaveral Lighthouse.”

Copyright 2024 Michael Stephen Wills All Rights Reserved.

Sea Turtle Portrait

Portrait of a Sea Turtle with fish, sea floor and a rocket launch. 541 Washington Ave, Cape Canaveral, FL 32920 Near Cheri Down Park, Brevard County, Florida

Portrait of a Sea Turtle with fish, sea floor and a rocket launch. 541 Washington Ave, Cape Canaveral, FL 32920 Near Cheri Down Park, Brevard County, Florida

Along the bottom margin is the artist’s signature, “David Roth 2022.”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Tidal Wetlands

The exposed mudflats on tidal wetlands attract a variety of shorebirds. Shorebirds are seasonal residents that make long migratory journeys between their breeding grounds in the Arctic and their wintering areas in South America. Merritt Island NWR provides an important resting and feeding area for this group of birds. Some stay for the winter, and others use the refuge as a fuel stop before continuing on their journey.

In tidal areas, shorebird feeding schedules are influenced by the cycle of the tides. Changes in tidal cycles expose foraging areas in mudflats for a period during the day. At other points during the cycle, the water in these same areas becomes too deep or the ground too dry for shorebirds to feed effectively.

Shorebirds of different species can and do forage together. Because bill length and shape varies from species to species, birds can pursue different prey in the same area at the same time without competing with each other. Because of varying bill lengths, the different bird species find their food at different depths in the substrate. Mixed species of shorebirds are a common sight.

Reference: the text of this blog was transcribed from signage along the Blackpoint Wildlife Drive of Merritt Island National Wildlife Refuge, Brevard County, Florida

Copyright 2024 Michael Stephen Wills All Rights Reserved.

Avian Exploration

Join us in the tranquility of Merritt Island National Wildlife Refuge as we observed avian life, reflecting on nature’s beauty and resilience.

As my wife, Pam, and I entered the breezy expanse of the Merritt Island National Wildlife Refuge, the world seemed to slow down, allowing us to savor every moment of my journey along Blackpoint Drive. The sky, a sprawling canvas of muted greys, reflected in the wind ruffled waters, enhancing the tranquility of this haven.

Our first encounter was with the elegant Roseate Spoonbills (Platalea ajaja), their vibrant pink feathers a stark contrast against the earthy tones of the marsh. They waded with purpose, their spoon-shaped bills sifting through the water, a dance of survival that was both methodical and beautiful.

In the company of the spoonbills were the stoic Great Egrets (Ardea alba), statuesque in their white plumage. They stood motionless, like sentinels guarding the water’s edge, only to strike with lightning speed when prey ventured too close.

We watched as the Glossy Ibises (Plegadis falcinellus) dipped their curved bills into the water, each movement a study of precision, their dark feathers glistening with an iridescent sheen when caught by the light.

Amongst these avian aristocrats, the unassuming American White Ibises (Eudocimus albus) went about their business. Their red beaks probed the shallows, unperturbed by the presence of their more colorful neighbors or by my watchful eyes.

As we ventured further, the landscape shifted, the water opening up to reveal a gathering of Spoonbills and White Ibises, a community united by the need to feed and the safety of numbers. The occasional flap of wings and contented calls created a symphony that celebrated life in these wetlands.

Isolation took on a new meaning when I spotted a solitary Roseate Spoonbill, its reflection a perfect mirror image on the water’s surface. It was a moment of quiet introspection, the bird and I alone in our thoughts.

Another scene captured my attention as a single spoonbill foraged alongside a Glossy Ibis. The two species, different in appearance and yet similar in their quest for sustenance, shared the space in harmonious coexistence.

Further along, the vista opened up, and we were greeted by a panoramic view of spoonbills dotted along the distant shoreline, the greenery forming a lush backdrop to their pink hues. The expanse of the refuge unfolded before me, a reminder of the vastness and the wild beauty that had drawn us here.

On another stretch, the spoonbills perched in the green embrace of the mangroves, their pink feathers a burst of color among the leaves. It was a scene of natural artistry, the birds blending yet standing out against their verdant stage.

In the final leg of our journey, I found spoonbills perched high in the shrubbery, a testament to the refuge’s diversity. Even in the dense foliage, life thrived, and these birds, usually seen wading, now adorned the treetops like living ornaments.

This drive along Blackpoint was more than a mere observation; it was a passage through a world where time held little sway, and nature was the sole architect. Each bird, each ripple on the water, and each whisper of the grass told a story of existence, resilience, and the intricate web of life. Here, in this secluded corner of the world, we found a connection to the earth and its inhabitants that would stay with us long after.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Otherworldly Assembly?

On the winding Blackpoint Wildlife Drive, Pam and I were spellbound by a ballet of Roseate Spoonbills and Wood Storks, a wild canvas coming alive, revealing the magic bestowed by our cherished Senior Passport

As Pam and I embarked on our journey along the Blackpoint Wildlife Drive we found ourselves privy to an otherworldly marshland assembly. Our eyes were drawn to the stately Wood Storks, or Mycteria americana, standing with a poise that belied their somewhat awkward appearance. Their towering figures were hunched in contemplation, their bald heads surveying the waters for a potential feast.

Beside them Roseate Spoonbills (Platalea ajaja) painted the landscape with strokes of vivid pink. Their spoon-shaped bills, an evolutionary masterpiece, skimmed the shallow waters. It was a delightful contrast, the elegant pink plumage among the grasses, like a splash of paint on a raw canvas.

Companion to these gentle giants, the diminutive Tricolored Heron, Egretta tricolor, stalked the shallows. Its slender form was a study in grace, and the blue-gray feathers shimmered with a hint of lavender as it moved with stealthy precision, a silent hunter amidst the reeds.

The discovery felt like stumbling upon a secret meeting, a council of the feathered kind, where each bird played its role in the delicate balance of the ecosystem. Pam and I shared a look of awe, our whispered words lost in the gentle rustling of the wind. There was a sense of unity, of different species coexisting in harmony, and we were the transient witnesses to their world.

Our journey within Merritt Island National Wildlife Refuge was not just a passage through land but through time. Each turn of the drive revealed another chapter of this living story, and our hearts raced with the excitement of what we might find next. The National Park Service Senior Passport, which we clutched like a treasure map, granted us the privilege to explore this bounty of nature. It was more than a pass; it was a key to worlds unseen and adventures untold.

As senior citizens, this passport to nature’s sanctuaries was a reminder that wonderment has no age. It afforded us the freedom to explore, to learn, and to lose ourselves in the beauty of our nation’s natural heritage. Each stamp in our passport was not just a mark of where we had been, but a memory etched into our lives, a story waiting to be told.

This drive, with Pam by my side, was more than birdwatching. We communicated with nature, laying testament to the beauty that lay in the simple things, the everyday miracles of life that often go unnoticed. We left the Blackpoint Wildlife Drive with a renewed sense of purpose and a reminder of our place in this vast, interconnected web of life.

We returned home with our spirits lifted and our minds filled with the colors of the birds—the Wood Storks, the Roseate Spoonbills, the Tricolored Heron—and the many unnamed creatures that had crossed our paths. It was a mosaic of life, each creature a piece that completed this intricate puzzle of existence. Our encounter with this unusual congregation was a gift, a moment of pure, unadulterated joy, a chapter in our ongoing adventure, one we would recount with smiles and a sparkle in our eyes for years to come.

Copyright 2024 Michael Stephen Wills All Rights Reserved