Walking up University Avenue toward Lib Slope, listening to the noon concert from the McGraw Tower carillion (a tuned set of bells), below the Johnson Museum turn left onto a footpath, follow to the steep trail down to the Gorge Overlook along Fall Creek. Look up at the suspension bridge and water powered electric plant. Climb back, turn right and down to Stewart Avenue for the view of Fall Creek Gorge, Cayuga Lake, the former studio of Carl Sagan, built into the gorge wall. In researching this topic I learned Google Maps shows the trail and you can “walk” the trail, Google brought the camera down into the gorge.
An IPhone 7 and video editing software were used for this post.
Copyright 2021 Michael Stephen Wills All Rights Reserved
From this angle the Pinyon Pine is backed by Checkerboard Mesa slickrock.
ISO 250 1/800 sec at f/2.8
For humans travelling on foot this weather worn sandstone is anything but slippery, If we wore iron horseshoes the sense of slippery, or slick, rock becomes apparent. It was ranchers mounted on horses who coined the name slickrock.
For this shot we approached Zion National Park from the east, via route 9, past Checkerboard Mesa.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Here is a gallery of the four Lone Pine images.
Copyright 2021 Michael Stephen Wills All Rights Reserved
What is a Lone Pine without the sky? This specimen somewhat less gnarled than numbers 1 and 2. Here we see more of the beetling crag, layered up sediment of eons.
ISO 250 1/400 sec at f/4.0
For this shot we approached Zion National Park from the east, via route 9, past Checkerboard Mesa. Our lodging was to the east, probably the Best Western in Mt. Carmel on Rt 89. Meaning there were four opportunities for capturing memorable East Zion images over two days.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
Here is the same gnarled pinyon pine of the previous post, with a sky centered exposure revealing the silhouetted wonder.
ISO 250 1/1000 sec at f/7.1
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
The eastern approach Zion Canyon is a national park unto itself, route 9 passes through otherworldly landscapes.
ISO 250 1/1000 sec at f/2.8
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconis “Lone Pine.” Here the tortured existence of this organism is rendered plain.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Rainwater from distant thunderstorms on the vast Colorado Plateau emerge from a cliff wall, Zion Canyon. The fall will last for a few hours, we bore lucky witness as do my images shared below.
1/15 sec at f/8.0 ISO 160
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. I prefer the details of misting water at the widest lens aperture, focus is clear throughout the plane, excepting some foreground brush.
1/125 sec at f/2.8 ISO 160
Copyright 2021 Michael Stephen Wills All Rights Reserved
One weekend my nephew Chris and I backpacked to Peaked Mountain Pond, the Adirondacks wilderness, in the rain. My son, Sean, was to meet us later. The constant rain made the easy trek into a slog. Our attitude improved after the tents setup and the fire. The skies clear to a brilliant display of the Milky Way away from light pollution.
Peaked Mountain in the light of an August dawn taken from the west pond shore. Siamese Ponds Wilderness, Adirondack Park, New York State. At 2,919 feet, Peaked Mountain is a modest height though it rises an impressive 675 feet in 0.4 mile.
Looking north across Peaked Mountain Pond from the west shore shortly after dawn.
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We used the canoe as a punt, using a solid branch to push around the shallow pond for short distances, after bailing.
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Mid-morning, we headed up the trail to the peak. I caught this orb-weaver spider web on the way.
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…and a detail. Technically, this is a macro. Did not wait around for the owner.
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Later, in the afternoon, Chris caught some Zzzzz’s in a time out from water gathering. We pumped water through a filter, this is necessary throughout New York State to avoid giardia infection.
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The ultimate in peace and tranquility, though disturbing a hornet pollinator can lead to excitement. This water lily bloom was caught with a tripod mounted long lens. Look closely for the hornet at work inside the flower. HHealthy water lily leaves are the epitome of tranquility because they are always clean, giving the illusion of tranquility. Scientists study water lily leaves to learn how the leaf surface sheds dirt. Imagine self-cleaning cloths.
Correction: it is the Lotus leaf, not lily pad, that is self cleaning.
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“Out in the meadow, I picked a wild sunflower, and as I looked into its golden heart,such a wave of homesickness came over me that I almost wept. I wanted Mother, withher gentle voice and quiet firmness; I longed to hear Father’s jolly songs and to see his twinkling blue eyes; I was lonesome for the sister with whom I used to play in the meadow picking daisies and wild sunflowers.”
from “Laura Ingalls Wilder, Farm Journalist, Writings from the Ozarks” edited by Stephen W. Hines”
Photography Copyright 2021 Michael Stephen Wills All Rights Reserved
Rounding the Aysen Region headland of the Penas Gulf. Next land will be the Magellian Region extending to Cape Horn. In the Penas Gulf we will enter the Messier Channel and the fjords.
Taken with a tripod mounted Sony DSLR A 700 DT 18-200 variable lens set to 18 mm. 1/40 second at f4.5 ISO 6400. The sun was still low, after sunrise with gathering storm clouds from the terrace of our state room (a moving ship).
Our early morning traverse of the Penas Gulf was smooth sailing in route for Tarn Bar, entrance to the Messier Channel. We’ll pass Wager Isle where May 14, 1741 the H.M.S. Wager wrecked, stranding the crew. Speaking to the conditions on board, immediately some of the crew broke into the “Spirit Room, got drunk, armed themselves and began looting, dressing up in officers’ clothes and fighting,” many drowning the next day when the Wager flooded and sank.
The original fronts piece to Byron’s Narrative; “Being an Account of the Shipwreck of The Wager and the Subsequent Adventures of Her Crew.”
The remaining 140 officers and crew manned the boat to make for shore in the Patagonian winter. Five years later, midshipman John Byron, grandfather to the poet Lord Byron, made it back to England with the Captain David Cheap. Just west of Wager Isle is the larger Byron Isle, named in his honor.
On this south heading our cabin on the port side faced east. In these early morning hours, I set up on the stateroom balcony, so for better or worse there is no views of either Wager or Byron Isle.
The Dry Creek dam is across the upper, eastern, end of Fillmore Glen. Historical records of the dam construction must exist someplace. My opinion is, somewhere in the federal bureaucracy there is a record proving this dam was constructed by Roosevelt’s Civilian Conservation Corps in the 1930’s. That is when the gorge trails were dramatically improved and it is logical a dam was necessary to control water flow during times of heavy rainfall and the spring thaw, to allow a full appreciation of the gorge beauty. It is a substantial concrete structure with cast iron controls, two spillways: one never, the second always flowing. This day the reservoir is full, frequented by beavers, stocked trout, herons, blue jays, crows, hermit thrush. The reservoir banks are thick with wildflowers of the season. This afternoon I noticed purple flowering raspberries: a past prime bloom or two, ripe fruit growing in the late afternoon shade on the south side of the dam.
Unlike its name, Dry Creek is perennial, fed by a broad drainage of pastures, cornfields and forests. Year round the spillway runs, feeding into the gorge a constant, reliable supply of water for the many waterfalls for which Fillmore Glen State Park is known. The very first waterfall is on the rocks supporting the north side of the dam, formed where water from the spillway flows over these rocks into a deep, east west gorge overhung on the south side by mature hemlock trees.
I first encountered Fillmore Glen in the 1980’s with my young son, Sean. On Sundays he and I walked as far as he tolerated, about half way to the dam site, where the gorge makes a turn to the south, the trail on an unstable clay bank against a crumbling shale cliff. Rediscovering the park in the early 2000’s, along with my interest in photography, I noticed the waterfall just below the dam many times and admired it for how the water caught late afternoon light over the many grace points created by rock crags like a wedding cake. The angle from the dam path is wrong for capturing this effect. Today was a first for me to leave the safety of the dam path to climb into the gorge, on the south gorge wall, for a shot.
Here is a view of the spillway fall on a mid-August afternoon, 2017. My photography kit for this walk with my wife, Pam, was minimal: a Sony Alpha 700 with a variable lens, the flash and a Manfrotto carbon fiber tripod. For this version of the spillway I climbed into the gorge on the south wall, about 40 feet above the creek. A hemlock tree branch fell across the view, incorporated into the composition. These hemlocks are not a biological relative of the Socratic, poisonous, hemlock. The relationship is a similar aroma when the leaves are crushed. The f stop is cranked to 36, ISO set to 100 so slow exposure time to 1.6 second. Post shot processing via Photoshop.
Michael Stephen Wills Photography 