Ode to a January Sunrise at Cocoa Beach

Awake to the radiant grace of dawn, where golden light adorns the sky and the ocean reflects its splendor. Witness the serene dance of nature in a peaceful, inspiring January sunrise at Cocoa Beach.

Awake, my soul, to morning’s radiant grace, as dawn’s first light adorns the sky’s embrace. Behold the scene where heaven meets the sea, a tapestry of hues, divinely free.

The eastern sky ignites with golden fire, each ray a herald of the sun’s desire. In softest pinks and boldest crimsons cast, the night retreats, and day arrives at last.

The ocean, kissed by dawn’s ethereal light, reflects the splendor of the coming sight. Waves gently lap upon the sandy shore; their whispered secrets speak of days of yore.

The palm trees sway in rhythmic, gentle dance, their silhouettes in morning’s light enhance. A peaceful stillness wraps the world in awe, as nature’s beauty strikes the heart with awe.

The scattered clouds, with edges tinged in gold, Frame the horizon as the day unfolds. They drift like dreams upon the waking breeze, in harmony with rustling leaves of trees.

And as the sun ascends its royal throne, Its warmth and light through every vein is known. A new day born, with promise in its wake, invites the heart to rise and dreams to take.

Imagine, seagulls soar on wings of pure delight, their cries a chorus to the morning’s light. They glide and dive with effortless grace, their freedom echoes in this sacred space.

On distant sands, the footprints of the few mark early risers greeting morning’s hue. Their presence, fleeting, soon to be erased, by tides that sweep the shore in gentle haste.

Oh, glorious dawn, thy beauty so profound, Inspire the soul where peace and love abound. Let hearts be lifted by thy gentle hand, to cherish all that’s wondrous in this land.

For in this moment, all the world is still, the chaos of the night’s dark dreams to kill. A symphony of light and life begins, as morning’s joy through every fiber sings.

So let us honor this celestial show, where sky and sea in radiant colors glow. In silent reverence, we stand and gaze, at dawn’s first light, and marvel at its blaze.

Awake, my soul, and bask in morning’s gleam, embrace the beauty of this waking dream. For in the sunrise, hope and peace reside, a timeless gift the heavens do provide.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Asleep among Skelligs

a road like no other

View southwest from R559 looking across pasture over the Dunberg Promontory Fort. In the foreground a large ram with curled horns rests. In the distance is the mouth of Dingle Bay and the North Atlantic Ocean with the Little Skellig and Skellig Michael Islands.

Skellig is a word for a sliver of rock. Here is another post about these islands.

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Copyright 2024 All Rights Reserved Michael Stephen Wills

Thunderhead Sunset 3

the rest of the story

Here are the rest of the images captured in that August 2014 sunset.

Copyright 2023 Michael Stephen Wills All Rights Reserved

Thunderhead Sunset 2

a highly idealized fantasy world

The combination of water vapor in all its forms and the sun dipping below the horizon combined to form these magical images.

Maxfield Parrish refined his art to duplicate these effects in oil.

Parrish’s art is characterized by vibrant colors; the color Parrish blue was named after him. He achieved such luminous color through glazing. This process involves applying layers of translucent paint and oil medium (glazes) over a base rendering. Parrish usually used a blue and white monochromatic underpainting.

His paintings/illustrations were unique in that they depicted a highly idealized fantasy world that was accessible to the public. Although you will rarely see a glimpse of that color in reality, he was and still is linked with a particularly bright shade of blue that coated the skies of his landscapes. And it was not an easy task for him to complete. He invented a time-consuming process that involved a cobalt blue base and white undercoating, which he then coated with a series of thin alternating coatings of oil and varnish. When exposed to ultraviolet light, the resins he employed, known as Damar, fluoresce a shade of yellow-green, giving the painted sky its distinctive turquoise tint.

Reference: “Maxfield Parrish” from Wikipedia

Copyright 2023 Michael Stephen Wills All Rights Reserved

Thunderhead Sunset 1

Just the Facts

Cumulonimbus (from Latin cumulus ‘heaped’, and nimbus ‘rainstorm’) is a dense, towering vertical cloud, typically forming from water vapor condensing in the lower troposphere that builds upward carried by powerful buoyant air currents.

Above the lower portions of the cumulonimbus the water vapor becomes ice crystals, such as snow and graupel, the interaction of which can lead to hail and to lightning formation, respectively. When occurring as a thunderstorm these clouds may be referred to as thunderheads. Cumulonimbus can form alone, in clusters, or along squall lines.

Graupel also called soft hail, hominy snow, or snow pellets, is precipitation that forms when supercooled water droplets in air are collected and freeze on falling snowflakes, forming 2–5 mm (0.08–0.20 in) balls of crisp, opaque rime.

Graupel is distinct from hail and ice pellets in both formation and appearance. However, both hail and graupel are common in thunderstorms with cumulonimbus clouds, though graupel also falls in winter storms, and at higher elevations as well.

These clouds can produce lightning and other dangerous severe weather, such as tornadoes, hazardous winds, and large hailstones. Cumulonimbus progresses from overdeveloped cumulus congestus clouds and may further develop as part of a supercell. Cumulonimbus is abbreviated Cb.

Reference: “Cumulonumbus Cloud” and “Graupel” from Wikipedia

Copyright 2023 Michael Stephen Wills All Rights Reserved

View from Loughcrew, South

Loughcrew history

In more recent centuries Loughcrew became the seat of a branch of the Norman-Irish Plunkett family, whose most famous member became the martyred St Oliver Plunkett. The family church stands in the grounds of Loughcrew Gardens. With its barren isolated location, Sliabh na Caillí became a critical meeting point throughout the Penal Laws for Roman Catholics. Even though the woods are now gone an excellent example of a Mass Rock can still be seen on the top of Sliabh na Caillí today. The Plunketts were involved in running the Irish Confederacy of the 1640s and were dispossessed in the Cromwellian Settlement of 1652. Their estate at Loughcrew was assigned by Sir William Petty to the Napier Family c.1655. The Napiers are descended from Sir Robert Napier who was Chief Baron of the Exchequer of Ireland in 1593.

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Copyright 2023 Michael Stephen Wills All Rights Reserved

View from Loughcrew, South by Southwest

Cairnbane East in Ireland, part of the Loughcrew Cairns complex, combines historical significance and folklore, particularly about a witch shaping these megalithic structures.

Here we are looking south, southwest from the north side of Slieve na Calliagh (aka Cairnbane East) toward Cairnbane West. Flowering yellow whin bush is in foreground, white flowering hawthorn trees in distance.

Cairnbane East hill is topped by a fine and accessible passage tomb, Cairn T. 

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Introduction

Cairnbane East of the Loughcrew Cairns, known colloquially as “Hag’s Mountain,” nestled amidst the rolling hills of County Meath, Ireland, is a site of profound antiquity that beckons the curious traveler with its enigmatic charm. In this beguiling corner of the world, where history and folklore converge like two ethereal streams, the Loughcrew hills with their cairns rise, sentinels of a bygone age, each with its own tale to tell. But it is the myth of the witch, the “Hag of Loughcrew,” that lend a haunting aura to these ancient megalithic structures, invoking a world where magic and reality danced together in a mesmerizing waltz.

The Loughcrew Cairns

The Loughcrew Cairns, those hallowed remnants of an era long past, are monuments that defy the erosion of time. Constructed during the Neolithic period, they bear witness to the ingenuity of ancient minds and the profound spiritual significance these structures held. These tombs, hewn from the earth and stone, were not mere resting places for the departed, but sacred vessels of cosmic alignment, paying homage to the celestial dance of the heavens.

The Witch’s Role

One of the most enduring legends surrounding Hag’s Mountain is the story of a powerful witch who was said to have constructed the cairns. Cairn T includes a kerbstone known as “the hag’s chair.” According to folklore, this enigmatic figure, known as the “Hag of Loughcrew” or the “Cailleach,” commanded supernatural abilities and controlled the forces of nature. The Cailleach, which translates as ‘old woman’, ‘hag’, and ‘veiled one’, exists in both Irish and Scottish Gaelic, and is an expression of the hag or crone archetype found throughout world cultures. Related words include the Gaelic caileag and the Irish cailín (‘young woman, girl, colleen’), the diminutive of caile ‘woman’, and the Lowland Scots carline/carlin (‘old woman, witch’). The Cailleach is associated with winter, and it is believed that she uses her staff to create the winter snows. In some folk tales it is said that she carried massive stones from distant quarries to build the cairns, working tirelessly through the night and completing tasks that would have been impossible for ordinary mortals.

In these legends the Cailleach’s role in the construction of the cairns is believed to explain their precision and alignment with celestial events. The Cailleach used her magical powers to ensure that the cairns’ passageways perfectly aligned with the sun’s rays during the equinoxes, illuminating the inner chambers in a spectacular display of light and shadow.

Conclusion

Slieve na Calliagh weaves a tapestry where history’s threads intertwine with the shimmering strands of folklore. In its stony silence, it echoes the time when myths and reality were inseparable, when the land bore witness to the otherworldly. As we wander amidst the Loughcrew Cairns, gazing upon the ancient stones, we become travelers in a world where the mystical and the corporeal coalesce, and the stories of the witch endure as whispers in the wind, carried through the ages.

Copyright 2023 Michael Stephen Wills All Rights Reserved

View from Loughcrew, northeast, Megalithic Ruin

On the Ground in County Meath

On a May afternoon my dear wife, Pam, and I climbed to the summit of in Irish “Sliabh na Caillí” anglicized as “Slieve na Calliagh” translated to the english language as “Hag’s Mountain”, the site of 5000+ year old megalithic monuments. Here you are looking to the northeast with a collapsed tomb to the right foreground. In closeup is a curbstone, one of many laid side to side to form the outer tomb margin. In the middle distance is a hill with additional megalithic ruins, not visible.

Megalithic is an architectural style used throughout the world, between 6,000 and 4,000 years ago in the Neolithic and Bronze Ages. Megalithic ruins are scattered throughout the island and County Meath is especially noted for them.

We stand in Corstown townland, the townlands of Ballinvally is to your left, ahead and to the right is Patrickstown, all in County Meath, Ireland.

Copyright 2023 Michael Stephen Wills All Rights Reserved

Blasket Islands with Clouds

a road like no other

On the Dingle Peninsula, County Kerry, Ireland photograph taken from Slea Head Drive (R559), looking west down the cliff toward the North Atlantic Ocean breaking on the rocks. In the distance, Slea Head and the Blasket Islands. In the forground, the wildflower of Red Clover (Scientific Name: Trifolium pretense) (Irish Name: Seamair dhearg).

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Blasket Islands with Clouds I

Blasket Islands with Clouds II

BlasketsFromSleaHead2014-1