Brown Pelicans (Pelecanus occidentalis) fly as linear flocks of a few individuals, at altitude over the shore, and low over the surf line as seen here. Taken January 27, 2020 with the IPhone 8, there is a the insertion of the modern world as a cruise ship comes into view. The ship departs Cape Canaveral Cruise port for parts unknown.
Pelicans, when skimming the waves solo, fly even closer, and do wipe-out when a wingtip hits the water. This bird successfully negotiates a path through the surf.
If you ever feel like you’re struggling with independence, just remember these creatures who start life with the ultimate “figure it out yourself” kit.
Introducing the “Self-Service Buffet” of the animal kingdom, where the motto is “Hatch, Birth, Good Luck!” These creatures don’t stick around for cuddles or parenting classes:
Sea Turtles – The Ultimate Sand Sprinters: These little guys burst from their eggs and make a mad dash for the ocean, dodging seagulls and crabs. It’s like the world’s most stressful obstacle course, where the prize is simply survival.
Salmon – Swimmers on a Solo Mission: After hatching, young salmon are on their own, navigating the perilous waters without a GPS or even a pep talk. They’ve got more instinct in their little fins than most of us have in our entire body!
Praying Mantises – The Loner Ninjas: These insects hatch ready to rumble, with no parental guidance on how to be the ultimate predator. It’s a tough world where your siblings might just see you as their first meal. Talk about family drama!
Kangaroo Rats – Desert Hoppers Inc.: Born in the harsh desert, these tiny rodents are all about the solo journey from the get-go. No room service or guided tours here; just a lot of hopping and hoping.
Octopuses – The Brainy Solitaires: Octopus moms are the epitome of “do it yourself,” laying their eggs and then, well, signing off. The babies hatch fully equipped with all the smarts and skills they need, making them the envy of every overbooked parent.
Komodo Dragons – The Scaly Independents: These formidable lizards hatch ready to take on the world, with a fierce look in their eye that says, “I didn’t choose the dragon life, the dragon life chose me.”
Butterflies – The Winged Wanderers: From caterpillar to chrysalis, and then to butterfly, these creatures do it all on their own. If butterflies had social media, their status would perpetually be “Just transformed. Who dis?”
A Monarch butterfly freshly emerged from the chrysalis after expanding its crumpled wings.
So, if you ever feel like you’re struggling with independence, just remember these creatures who start life with the ultimate “figure it out yourself” kit. They might just inspire you to tackle your own obstacles – though hopefully, with fewer predators involved.
Copyright 2024 Michael Stephen Wills All Rights Reserved
After 2 pm check in we interrupted unpacking for a sundown beach walk, IPhones and Sony Alpha 700 camera in hand on the last evening of 2019. There is a business on A1A, the main road through town, advertising “beach weddings” and “elopements.” Here, using the 18 – 200 mm f3.5-6.2 lens, I spied this grouping of a mature couple holding hands, minister in attendance, for a wedding ceremony witnessed by young adult children on the right, parents (?) left. The groom’s shorts contrast with the bride’s white gown.
Sunlight, low in the western sky, was perfect for mirror-like reflections in the retreating surf.
A given of the Atlantic beach is the late afternoon light, best for capturing figures against the ocean.
Written below the high tide mark, a message inscribed, impermanent in spite of the deep cuts.
I have practice framing sunsets against beach development. Cannot complain as we enjoy our beach side condo.
A slide show of these images.
Mature Love / Beach VowsCruise Ships Depart Cape Canaveral Late AfternoonTo Each His Own PassionSurf CastingBlack Skimmer Going His Own WayGull ReflectionLast Sunset of 2019Messages in the Sand Washed Away Twice Daily at High Tide
Copyright 2024 All Rights Reserved Michael Stephen Wills
Witness a duel not of might, but of vibrant melodies between the cardinal and song sparrow. This 14-second video captures a fleeting yet profound moment in the Finger Lakes’ springtime chorus. Join us in unraveling the significance behind this avian serenade.
In the serene backdrop of the Finger Lakes in upstate New York, an enchanting encounter unfolds as the first whispers of spring touch the air. It’s March 14th, a day that marks the gentle shift from the silent, introspective winter to the lively, expressive season of spring. On this day, a captivating spectacle takes place — a duel not of might, but of melody. Two distinguished songbirds, a male cardinal (Cardinalis cardinalis) with its vibrant red plumage that seems to capture the very essence of life itself, and a male song sparrow (Melospiza melodia), modest in color yet profound in voice, engage in an early springtime symphony.
This 14-second video, garnished with brevity, captures a fleeting moment in nature’s grand concert, where these feathered musicians compete, not for supremacy, but for the sheer joy of song and the chance to herald the new season. The cardinal, with its rich, whistling tunes, fills the air with a repertoire of songs that resonate with the promise of new beginnings. Meanwhile, the song sparrow, with its intricate melodies that vary dramatically from bird to bird, offers a counterpoint that is both complex and captivating.
This auditory duel, set against the tranquil beauty of the Finger Lakes, is more than just a display of vocal prowess. It’s a ritual that speaks to the heart of nature’s cycle, a testament to the resilience and adaptability of these species. As these songbirds vie for the attention of mates and assert their presence in the spring landscape, they also remind us of the enduring beauty and mystery of the natural world. You’ll also catch the call of a crow and, in the distance, another Cardinal.
This moment, brief yet infinitely rich, invites us to pause and listen, to lose ourselves in the simple yet profound joy of birdsong. It’s a reminder that, even in the quietest corners of the world, life thrums with vibrancy and the promise of renewal. Join us as we delve into the story behind this melodic encounter, exploring the significance of song in the lives of these birds and the heralding of spring in the Finger Lakes.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Ever wondered about the iconic robotic arms that gracefully danced in space, tethered to the Space Shuttle? Meet Canadarm, a marvel of engineering that transformed space missions. Born from a NASA invitation to Canada in 1969, this robotic arm did more than just move payloads; it became a symbol of international collaboration in space exploration. After the Columbia disaster, its role expanded, ensuring the safety of astronauts with critical inspections. Dive into the captivating journey of Canadarm, where technology meets the stars. Click to discover how a Canadian innovation became a pivotal part of space history.
The Canadarm is here extended in the foreground and docked in background
The Canadarm, or Canadarm1, officially known as the Shuttle Remote Manipulator System (SRMS) and sometimes referred to as the SSRMS, represents a series of robotic arms utilized aboard the Space Shuttle orbiters. These arms were instrumental in deploying, manipulating, and retrieving payloads. Following the tragic Space Shuttle Columbia disaster, the use of Canadarm became invariably linked with the Orbiter Boom Sensor System (OBSS). The OBSS played a crucial role in examining the shuttle’s exterior for any damages to its thermal protection system, enhancing the safety of subsequent missions.
The genesis of Canada’s involvement in the Space Shuttle program dates back to 1969 when the National Aeronautics and Space Administration (NASA) extended an invitation to Canada. At the outset, the specifics of Canada’s role were unclear, though the need for a manipulator system was immediately recognized as vital. The Canadian firm DSMA ATCON had previously made strides in robotics with the development of a robot designed to load fuel into CANDU nuclear reactors, capturing NASA’s interest. By 1975, a formal agreement was reached between NASA and the Canadian National Research Council (NRC), under which Canada would undertake the development and construction of the Canadarm.
The NRC subsequently awarded the contract for the manipulator to Spar Aerospace (currently known as MDA), under which three distinct systems were to be developed: an engineering model to aid in design and testing, a qualification model for environmental testing to ensure the design’s suitability for space, and a flight unit destined for use in missions. This collaborative effort marked a significant milestone in the use of robotics in space exploration, showcasing international cooperation in advancing space technology.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Imagine yourself floating in the vast cargo bay of the Space Shuttle Atlantis, surrounded by the essentials of space exploration. Here, in this dynamic space, the dreams of astronauts and scientists converge, where each mission reshapes our understanding of the universe. Curious? Discover more inside.
The cargo bay of the Space Shuttle Atlantis was an extensive, empty compartment located at the shuttle’s aft end, acting as the main storage area for mission payloads. A significant portion of the cargo was housed within a sizable cylindrical module named Raffaello, which contained a year’s supply of necessities—food, clothing, water, replacement parts, and scientific gear.
The dimensions of the payload area were roughly 4.6 meters (15 feet) in width and 18 meters (60 feet) in length. This spacious area enabled the shuttle to transport a diverse array of payloads, ranging from satellites to complex scientific experiments.
Exploring the Cargo Bay
Envision yourself drifting through the cargo bay of Atlantis, encircled by a maze of wires, equipment, and neatly arranged payloads. Astronauts, tethered securely and clad in their voluminous space suits, would navigate this area, ensuring the payloads were fastened correctly for either launch or retrieval operations.
The cargo bay’s configuration was highly adaptable, tailored to meet the specific needs of each mission. It played a pivotal role in the deployment of satellites, execution of repairs, or the transportation of scientific apparatus, adapting its setup as necessary.
The Hubble Servicing Mission
One of the most notable missions involving Atlantis was the Hubble Space Telescope Servicing Mission 4 (SM4). For this mission, Atlantis was loaded with essential items for the Hubble, including new instruments, batteries, and gyroscopes, all carefully organized within the cargo bay for safe transport to and into orbit.
Legacy
The cargo bay of Atlantis bore witness to a myriad of significant events: the release of satellites, the construction of the International Space Station, and numerous scientific investigations. Its design and flexibility were instrumental to the Space Shuttle program’s achievements.
Copyright 2024 Michael Stephen Wills All Rights Reserved
With the thermometer in the 60’s on March 10, 2020 the “buttercups” of yesterday are open. When we first moved here, the plants were much thinner. I used fertilizer spikes on the Magnolia tree around which they grow. Each early the flowers pollinate, forming seeds and spreading.
A tripod held the composition steady, and the timer was set to 2 seconds for extra stability at the f25 setting.
Here is a slideshow of yesterday and today’s shots.
Copyright 2021 All Rights Reserved Michael Stephen Wills
To continue my posting “Climb Hill of Tara” my first submission of three Hill of Tara photographs to Getty Istock had two of the photographs returned for revision.
A statue of Saint Patrick fittingly welcomes visitors to the Hill of Tara, County Meath, Ireland. This statue of cast concrete was an existing statue donated by the Sisters of Charity, moved from an existing installation to the Hill of Tara in the year 2000 AD. The creator is anonymous, the is no plaque or other attribution on or around the statue.
The original statue was erected on the summit of the Hill of Tara shortly after Catholic emancipation in 1829, commemorated the events of 433AD when St. Patrick lit a bonfire on the nearby hill of Slane on the eve of Easter Sunday.
Lighting such a fire was contrary to the pagan laws of the time which dictated that the first fire lit that night be in Tara. Observing St. Patrick’s bonfire from afar, the chief druid of the ancient Gaelic capital predicted that if the flame were not extinguished that night, Christianity would never be extinguished in Ireland. The saint’s bonfire continued burning and the next morning, Easter Sunday, St. Patrick entered Tara to convert the king and his followers to Christianity.
For the fenced statue of Saint Patrick the revieweR wrote:
Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.
Hmmmm….What I do while capturing a photograph of a statue is take photos of any plaque, sign, whatever to acquire the name of the creator, how it came to be there, community connections. There was nothing around the statue nor the very informative Office of Public Works placards at the entrance. I was proud to submit the statue photograph, as it turned out so well, and hoped for the best.
Last week, I put in a query to Ireland’s Office of Public Works (OPW), the agency responsible for the Hill of Tara, and did not receive a response when, for other queries, they were helpful. This Saturday and Monday mornings, several hours of internet research revealed this history.
The original statue was placed on Tara sometime after the 1829 Catholic emancipation. It was molded concrete, created by Thomas Curry of Navan at his own expense to honor the connection of Saint Patrick to Tara.
The OPW removed Curry’s statue 1992 for repair of a century of wear. During the removal the statue was damaged beyond repair and, afterwards, was further damaged by vandals who decapitated and used it for target practice.
Initially, the OWP decided not to replace Saint Patrick citing the “pagan” nature of the place. After an angry meeting of local people at the Skryne Parish Hall. In this meeting the local Rathfeigh Historical Society formed the “Committee to Restore St. Patrick to Tara.” In turn, pressure was put on Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht (and the OPW). It was decided a new statue was to be created, based on a competition, and instead of it former place at the hill summit (called Rath na Rí), it was to be near the entrance, outside the Interpretative Center, to offer a Céad Míle Fáilte to visitors and be seen on departure.
The outcome was the competition winner was rejected by locals. The winning entry, by sculptor Annette Hennessy, did not follow competition rules that specified the statue incorporate traditional features to include shamrocks, harp, miter, a crozier and, perhaps, fleeing snakes. Hennessy’s design was of a shaven headed teenage boy in a short (“mini-skirt”) kilt, a handbag-shaped bell in hand. She agreed hers was “not a traditional style statue” saying it “acknowledges our Pagan Celtic history.”
The rejection included a statement from Dr. Leo Curran, chairman of the Rathfeigh Historical Society, “We agreed that most of the monuments in Tara are from the pre-Christian era, but St. Patrick should be at the uppermost layer, representing Christian tradition extinguishing paganism.”
By this time, a new government and minister were in place. The decision was made to search Ireland to find a suitable, existing, replacement statue. By 2000 the present statue, donated by the Sisters of Charity, was in place at the Hill of Tara entrance.
At the end of this post I provide the two references from my internet research and from which many facts and all the quotes were used here. I concluded the statue author was anonymous without copyright protection and submitted a revised image description, attaching a copy of my research.
What happened to my IStock photograph of Saint Patrick on the Hill of Tara? Getty accepted my application, published the photo and it is one of my top downloads, and earners.
In February 2020, I captured images of the first flowers to bloom on their property with a Canon 5D Mark IV DSLR and a macro lens. The flowers belong to the Eranthis genus, known for early flowering.
These flowers are the first to bloom on our property, around the magnolia tree, and are also the first wildflowers photographed with my then new Canon 5D Mark IV dslr . Each year these “buttercups” grow thicker and spread. The latin scientific name Eranthis hyemalis proclaims the early nature of its flowering both in the genus, “Eranthis” – composed of two Greek language roots meaning “spring flower”, and species, “hyemalis” – a term from the Latin language meaning, “winter flowering.” The genus encompasses eight species, all early flowering plants with the common name winter aconite. These can also rightly be called Buttercups as the plant belongs to family Ranunculaceae, buttercups.
To capture the intricate details possible with the Canon EF 100 mm f/2.8 Macro lens I used here, it’s often necessary to adjust the camera settings to allow for a longer exposure time. This adjustment ensures that enough light reaches the sensor, particularly in macro photography or low-light situations, which helps in producing sharper and more detailed images. All these photographs are from f25. Setting a longer exposure compensates for the reduced light that might be a consequence of using a smaller aperture (higher f-number) for greater depth of field, a common technique in macro photography.”
It’s important to note that while setting a longer exposure can improve image quality by allowing more light to hit the camera’s sensor, it can also introduce the risk of motion blur if the camera or subject moves during the exposure. To minimize camera shake and achieve the best results, I used a Manfrotto “BeFree” tripod and the camera’s built-in timer set to a 2 second delay after a manual shutter release.
With the thermometer hovering above freezing, these blooms did not open today. The calendar says “late winter”, these Aconite are singing “early spring.”
Reference: Wikipedia “Eranthis hyemalis” and “Eranthis.”
Copyright 2024 All Rights Reserved Michael Stephen Wills
Portrait of a Sea Turtle with fish, sea floor and a rocket launch. 541 Washington Ave, Cape Canaveral, FL 32920 Near Cheri Down Park, Brevard County, Florida
Portrait of a Sea Turtle with fish, sea floor and a rocket launch. 541 Washington Ave, Cape Canaveral, FL 32920 Near Cheri Down Park, Brevard County, Florida
Along the bottom margin is the artist’s signature, “David Roth 2022.”
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 