Our “Night Blooming Cereus” is blooming earlier in 2021, blooms opened twice during nights of early August. I put the name in quotes because during the course of writing the first seven posts ( I through VII ) I learned this is NOT a member of the genus Cereus, it is actually an epiphyte of the Epiphyllum genus.
For those familiar with the early history of New York City and Hudson Valley it is easy to see why a common name of the plant is “Dutchman’s Pipe Cactus.”
Constant winds from thunderstorm updrafts, I brought along an umbrella just in case.
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Maple Tree
View from the South Rim Trail. The water flowing from Taughannock Falls to Cayuga Lake.
The steep, high gorge walls below the falls on a humid July morning.
gorge walls
My umbrella
Taughannock falls in distance
Taughannock Falls in distance
South Rim Stairs built by the Civilian Conservation Corps in the 1930’s
Pine Forest at foot of stairs
An interesting presentation at the Gorge entrance
Tiger Lilies
brown creek water meets Cayuga Lake (900 feet deep)
Last waterfall of Taughannock Gorge
wild roses
Wild rose blooms
camping on North Rim
North Rim Gorge view
Lobe leaved Hepatica
Mushroom and Moss on the “wetter” north rim
asters, an invasive species
The dramatic and virtually inaccessible gorge above Taughannock Falls
Click the “Watch on YouTube” for a larger format view and more information about each video.
Taughannock Falls Gorge on a humid summer morning
Hemlock Forest on South Rim Trail
Taughannock Falls Gorge from South Rim Trail
Taughannock Falls from South Rim trail
View of Taughannock Falls Gorge from the North Rim trail on a humid summer (July) morning. Turkey Vultures circle overhead…they are there most summer days.
View of the first waterfall of Taughannock Gorge from the railroad bridge linking the North and South Rim trails on a humid summer (July) morning. This large waterfall empties to the gorge above the 210+ foot Taughannock Falls.
Copyright 2021 All Rights Reserved Michael Stephen Wills
Three species of the genus Cotinus, commonly called “Smoke Tree,”in the family Anacardiaceae exist in North America, Europe and Asia. Ours is more like a shrub with numerous, long branches. Flowers with profuse filaments in clusters resembling whiffs of smoke. Here we see the flower filaments, interspersed with small drupes, each containing a single seed.
ISO 2500, 1/40 sec at f/13
The post header, and these photographs were made from the Canon EOS 5D Mark IV, Canon Lens EF 50mm f/1.2L USM stabilized with a Manfrotto 468ZMZ tripod with hydrostatic head. Late afternoons, evenings the tree is shaded by a hemlock hedge (line of trees running north/south) this is the shade here. This Canonn dslr excels in color rendition. The flower masses are a burgundy wine color, the leaves have a purple tinge. I do not directly fertilize, as the plant is said to do best with unfertile soil though the surrounding cedars do get fertilizer stakes.
ISO 800, 1/125 sec at f/5.0
Eight AM a following morning I followed up with a handheld session using a Sony DSLR-Alpha700, Sony Lens DT 18-200 mm F3.5-6.5. Took these two shots with a lower ISO and tweaked the images in Lightroom, reducing the exposure. The flower smoky effect is well captured, the color in bright sunlight is not as wine-like as in shade.
ISO 200, 1/250 sec at f/5.0
ISO 200, 1/200 sec at f/5.6
By the time I proceeded to macros, a morning breeze kicked up, handled by upping the ISO to 3200 for a faster shutter speed to stop the movement. The bright sun helped with this.
Fertilized flowers develop into fruit stalks with radiating filaments, the yellow dots are the drupes (fleshy bodies surrounding a single seed). Fresh leaves are purple, turning to dark green with age. The leaves are as unusual as the flowers: aromatic, simple and round on long stalks. Autumn, the leaves turn a stunning bright red-orange, a scarlet shade. In winter some stalks die off, new growth appears from the roots in spring.
Flower Filaments with drupes. ISO 3200, 1/100 sec at f20
New leaves with aged in background, ISO 3200, 1/320 sec at f20
References
“The Botanical Garden Vol 1 Trees and Shrubs”, Roger Phillips and Martyn Rix, Firefly Books, Buffalo NY, 2000, p 361
Wikipedia, “Smoke Tree”
Copyright 2021 Michael Stephen Wills All Rights Reserved
Back in 2007 I used a 100 mm Canon Macro lens on a Kodak slr along with a Sony DSC-F828 variable lens for this mix of macro and habitat captures presented as a gallery so you can flip back and forth among the larger images. Click any image to bring up a larger version.
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A tripod held the composition steady and the timer was set to 2 seconds for extra stability. With the leaf body worn away by time, the remaining veining turns the form lacy.
Here is a slideshow today’s and previous wildflowers.
Copyright 2021 All Rights Reserved Michael Stephen Wills
These icicles were formed along Fall Creek during the coldest months of February in the Finger Lakes Region of New York State.
The transient nature of these forms is suggested by the thinness of the pedicle joining each bell to the ice lobe of the ledge. Note the golden crystals in the ice lobe.
A visualization of the symbolic power of the numeral three, reflected on itself. Question: what do “threes” mean to you?
Captured with the Sony DSLR-A700, DT 16-105mm F3.5-5.6 lens, hoya circular polarizing filter, mounted on the Manfrotto tripod with ball head.
Click the photograph for my online gallery Ice Bells listing.
Where would we be without Saint Patrick? He was a force, to be sure. A favorite story, is the landing of his return to the island 432 AD. The tides on the eastern coast of the Irish Sea can be strong. His plan was to sail up to coast further north than what we call today Strangford Lough. On passing this inlet the boat was swept into the lough tidal narrows. Circumstances called for a landing, rather than wait for the tide. Patrick came ashore where the Slaney River enter the lough and “quickly converted” the local chieftan, Dichu, who provided a barn for holding services. The name of the town “Saul” in Irish is Sabhall Phádraig, translated as “Patrick’s Barn.”
In this posting I’ll go lighter on descriptions of technique. Leave it to say I held to the Canon fixed lens EF 50mm f1.2L USM throughout. Some, like the photograph of Saint Patrick, used a tripod. Others, like the latter two of the following Irish Themed Cross set were handheld. Generally a flash was used to supplement ambient sunlight from a large north-facing bay window.
Here the “celtic” cross is converted to an Irish theme through a substitution of a shamrock with golden decoration inspired by pagan neolithic petroglyphs for the nimbus (circle) intersecting the central intersection of arms and stem.
For the first three I played with aperture, taking advantage of the stability of a tripod. The final two of the set are handheld.
Note the fanciful leprechaun snowman with pot o’ gold, on the left.
Blown glass Irish dancers.
“Travel memories”
the suitcase for our 2014 tour of the island and re-connection with family. Also a symbol of our ancestors travel across the Atlantic ocean to North America.
My dear wife Pam is the heart of Christmas in our home. Over the years we have collected a treasure of ornaments and knick-knacks she crafts into displays around our one. Pam completed the project well in advance of our grandchild holiday visits, before card writing and gift wrapping.
My contribution is a photographic time capsule. Here is some of my artistic output from this work.
This grouping of five cozy snowmen (three males, two females) are warmly dressed in knit sweaters and stocking caps; the women with long skirts. The five hold hands in a ring, rising from a common platform. We place a cup and devotional candle in the center.
The tiny group evokes community, harmony, amity. I captured them with a Canon EOS 1Ds Mark III dslr, a fixed Canon EF 100mm f/2.8L macro lens mounted on a Manfrotto studio tripod and hydrostatic ball head. Fixed lenses provide the sharpest macros. The mounting allowed precise framing and use of the widest aperture and a low ISO. The light sources were sunlight from a large north facing bay window, a Canon Speedlite 600Ex-Rt and the candle. When used, the flash was angled in various ways toward the ceiling.
I start with a tight shot, maximum aperture. A single figure is in clear focus, the remaining gradually lost in the bokeh. The flash was used. I can almost see then circling around the candle in a winter wind.
Here the candle is lighted, aperture narrow to f8 using only the candle and ambient light (no flash). The group is visible within surrounding figures. I backed away and the viewpoint is higher.
The candle light enhances the perception of community.
Viewpoint is closer, still only the candle and ambient light. Aperture widened to 3.5. I must remove the hair in lightroom.
I backed off, aperture at the max with only the candle and ambient light. The figures are placed in a tableau with other snowmen and a structure, a birdhouse.
For this overview I swapped in a Canon 24mm f/1.4L II USM with a flash, aperture f2.2.
Christmas 2017 snowman display laid out in our den on top of the entertainment cabinet.
Copyright 2020 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 