My last post, “Frozen Fall Creek I”, ended with macros of Ice Crystals on a bed of frost over creek ice within sight of our former home, a restored water mill. I continued on the ice, following the creek to this spot were the stream bed turns 90 degrees, changing from a southerly to a western flow.
Here I encountered an open course where constant water motion resisted freezing. A few frigid days later, the course had an amazing transformation.
Last To Freeze, Fall Creek
The transparent ice of the now frozen space retained the impression of movement, the surface rippled by current. In the following photograph, motionless ice crystals reveal the truth.
Ice Crystals on Water Frozen while Supercooled
In the intervening days, the constant motion resisted freezing while the water temperature dropped well past freezing to achieve a supercooled state. As the water temperature continued to drop, a fast transition from fluid to solid happened so quickly the movement of the water surface was preserved.
Ice Crystals on Water Frozen while Supercooled
Here is the matching “after” photograph to the “before” that started this post.
Channel of Water Frozen while Supercooled
Copyright 2023 All Rights Reserved Michael Stephen Wills
Winter 2020 I posted “Winter People Watching” featuring the Sony F828 and candid street photography.
What I love about this place, a unique feature, is the size and different vantage points making it possible to view the same place from different angles. November 2019, readers were shown “The Bend,” a place with Taughannock gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here are photographs from spot overlooked by that post.
Here the camera faces away from the sun, the graduated neutral density filter allowing me to capture the cloudless blue sky, a little milky the way it is here February with a hint of spring.
The gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here is am in the creek bed facing east.
This little one is studying the information placard with rapt attention, learning how the African continent, pushing against North America, across the eaons, formed the right angle fractures mirrored by this dramatic change in Taughannock Gorge. For the Big Bend photographs I was standing behind them, along the stream bed.
Here is a broader slice of that sky.
The gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here is am in the creek bed facing east.
Can you see the tiny figures of hikers, dwarfed by the frozen cliff?
The gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here is am in the creek bed facing east.
Copyright 2023 All Rights Reserved Michael Stephen Wills
Purling of the water beneath this foot high waterfall was enhanced by reducing ISO to 100, tamping down the aperture to f/22 resulting in an shutter speed of 1/10th second. I set the graduated Neutral Density filter to shade the left side.
On the cliffs ahead is where the observation platform is cut into the rock. It has a great view of the waterfall, in some ways the experience of the falls is enhanced, compared to hiking the 3/4 mile path and standing below.
The Gorge Walls, hundreds of feet above the creek are very dangerous to stand below.
A marvelous forest grows on talus from the high gorge walls.
A sign on a disused pier warns waders to leave the creek bed. Ahead the gorge walls tower above the creek. Rocks dislodge and crash down unexpectedly, crushing foolish waders. It is appalling to see, in warmer months, people walking below those cliffs gathering the fallen rocks to make delicately balanced cairns.
Copyright 2023 All Rights Reserved Michael Stephen Wills
The glacial marls through which this water flows to emerge here clear and pure were under threat from development in the 1980’s and 1990. Thanks to the efforts of the landowner, the uniqueness of this environment was preserved.
The first two photographs are combined and enhanced in photoshop to yield the third, combination, photograph.
Winter ShadowsWinter Shadows
All were from a tripod mounted Kodak DSC pro SLR-C with the Canon lens EF 50mm f/1.4 USM
Winter Shadows
Copyright 2023 All Rights Reserved Michael Stephen Wills
This water emerges from glacial marls, pure and clear, before flowing into a kettle pond. Here we see it on a winter afternoon meandering across a meadow before joining the Fall Creek of the previous postings of this week.
The first two are the same photograph. One has been enhanced in Photoshop. The other was perfected in Lightroom. The third is a different photograph taken about the same time, also peracted in Lightroom.
Winter ShadowsWinter Shadows
All were from a tripod mounted Kodak DSC pro SLR-C with the Canon lens EF 50mm f/1.4 USM
Winter Shadows
Copyright 2023 All Rights Reserved Michael Stephen Wills
Sunday, Pam and I travelled across the peneplanes, past three Finger Lakes, to reach the Dr. Konstantin Frank winery where we subscribe to the “Wine Club,” a quarterly release of three 750 ml wines along with a newsletter with information and recipes. For 2018/2019 we elected to “pickup” our selections, looking forward to these drives through the country and villages between Ithaca and the winery perched on the west side of Keuka Lake, just below the “branch.”
Preeviously, I posted “Glacier!!” and today there is this photograph of glacial topography 10,000+ years after the melt. Keuka Lake is shaped like a “Y” chromosome, here we are looking northeast across the “foot” of the “Y” from the west lakeside. Above the evergreens, to the left, is the headland separating the “arms” of the “Y”.
Spread out below our viewpoint are row upon row of grapevines, enjoying the microclimate surrounding the deep lake.
My dear wife Pam is the heart of Christmas in our home. Over the years we have collected a treasure of ornaments and knick-knacks she crafts into displays around our home. Pam completed the project well in advance of our grandchild holiday visits, before card writing and gift wrapping.
My contribution is a photographic time capsule. Here is some of my artistic output from this work.
This grouping of five cozy snowmen (three males, two females) are warmly dressed in knit sweaters and stocking caps; the women with long skirts. The five hold hands in a ring, rising from a common platform. We place a cup and devotional candle in the center.
The tiny group evokes community, harmony, amity. I captured them with a Canon EOS 1Ds Mark III dslr, a fixed Canon EF 100mm f/2.8L macro lens mounted on a Manfrotto studio tripod and hydrostatic ball head. Fixed lenses provide the sharpest macros. The mounting allowed precise framing and use of the widest aperture and a low ISO. The light sources were sunlight from a large north facing bay window, a Canon Speedlite 600Ex-Rt and the candle. When used, the flash was angled in various ways toward the ceiling.
I start with a tight shot, maximum aperture. A single figure is in clear focus, the remaining gradually lost in the bokeh. The flash was used. I can almost see then circling around the candle in a winter wind.
Here the candle is lighted, aperture narrow to f8 using only the candle and ambient light (no flash). The group is visible within surrounding figures. I backed away and the viewpoint is higher.
The candle light enhances the perception of community.
Viewpoint is closer, still only the candle and ambient light. Aperture widened to 3.5. I must remove the hair in lightroom.
I backed off, aperture at the max with only the candle and ambient light. The figures are placed in a tableau with other snowmen and a structure, a birdhouse.
For this overview I swapped in a Canon 24mm f/1.4L II USM with a flash, aperture f2.2.
Christmas 2017 snowman display laid out in our den on top of the entertainment cabinet.
Copyright 2022 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 