Nature’s First Green….

…is gold, / her hardest hue to hold, / her early leaf’s a flower; / but only so an hour… Robert Frost

You walk alone by the waters of Cayuga Lake in Stewart Park, nestled in the heart of Ithaca’s Finger Lakes, where Salix alba, the white willow, stands proudly along the shoreline. You’re immediately drawn to the flurry of yellow flowers, a stark contrast to the still chilly early March air.

The white willow (Salix alba), with its rough, gray bark, is beginning to dress in its spring finery, its branches teeming with tiny, starburst-like flowers. Each one is a miniature sun, casting a glow against the intricate lattice of branches. These aren’t the soft catkins of the pussy willow but the yellow inflorescences that are characteristic of the white willow’s early bloom, a signpost that winter’s grip is loosening.

These trees, you learn, are dioecious, with separate male and female trees. The blossoms you see are likely the male flowers, their stamens dusting your fingers with pollen as you brush against them. It’s this pollen that will soon beckon the bees, urging them to emerge from their hives and begin the work that sustains the ecosystem. You can almost hear the faint buzz, a prelude to the symphony of life that summer will bring. Return in midsummer to find the female catkins comprise numerous small (4 mm) capsules, each containing numerous minute seeds embedded in silky white hairs, which aids wind dispersal.

As you wander further, you note the presence of the white willow’s kin, other deciduous companions some still bare and stretching into the sky and others leafing out. You stand there, at the cusp of seasonal change, where the slumbering trees are on the verge of awakening, and you feel a kinship with them. Like these trees, you have weathered the cold, dark months, and now you stand poised to greet the renewal that comes with spring.

The stark, knotted forms of the white willow branches against the clear sky speak to you of endurance and resilience. These trees have weathered storms and droughts; they have been companions to the lake, mirrors to its moods, and now they are beginning to celebrate the cycle of rebirth and growth.

You take a seat on a bench, the cool wood through your clothes a reminder of the lingering winter. You gaze out across the lake, the water reflecting the brilliance of the sun like a vast, rippling mirror, framed by the elegant silhouettes of the white willows. You feel the peace of the park seep into you, the slow, rhythmic lapping of the water syncing with your breath.

This is a moment of transition, from the sleeping to the awakening world. You think about the Salix alba, how its presence here is a testament to nature’s adaptability, thriving in the moist soil by the lake, offering shade in summer and shelter in winter, its branches a playground for the winds.

As you leave Stewart Park, you take with you the memory of the white willows in early March, the quiet guardians of Cayuga Lake. They remind you of the enduring beauty of nature, the seamless flow from one season to the next, and the quiet joy of standing witness to the first whispers of spring on the shores of the Finger Lakes.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Rough Surf

beyond belief

Waves built from onshore wind, fast, steady overnight, through the day from early morning until sunset. Pam and I adapted with a revisit to the Sands Space History Museum, Cape Canaveral just outside the Air Force Station. Click this link for a previous posting, “Cape Canaveral Lighthouse,” first of a series. This post header is a vintage gumball machine from the lobby.

By sunset the waves were roaring. Viewing from the safe distance of our condo porch we spied two surfers incredibly among the waves, taking rides. Waiting and attempting a ride. You can see for yourselves the two tiny dots of humanity, appearing and hidden among the waves. I spot them first and Pam does not believe me, I do not blame her. It is beyond my comprehension people are out there. I cannot recommend the quality of the video from my IPhone, our comments are humorous.

It is difficult, Pam is astounded when they come into view.

He rises briefly only to wipe out in this brief video.

One surfer emerges as his partner persists.

Click this link to visit “Cocoa Beach Kite Skating” on my blog.

Copyright 2024 All Right Reserved Michael Stephen Wills Photography

Saint Patrick’s Return to the Hill of Tara

The year 2000 AD return of Saint Patrick to the Hill of Tara. Happy Saint Patrick’s Day

To continue my posting “Climb Hill of Tara” my first submission of three Hill of Tara photographs to Getty Istock had two of the photographs returned for revision.

A statue of Saint Patrick fittingly welcomes visitors to the Hill of Tara, County Meath, Ireland. This statue of cast concrete was an existing statue donated by the Sisters of Charity, moved from an existing installation to the Hill of Tara in the year 2000 AD. The creator is anonymous, the is no plaque or other attribution on or around the statue.

The original statue was erected on the summit of the Hill of Tara shortly after Catholic emancipation in 1829, commemorated the events of 433AD when St. Patrick lit a bonfire on the nearby hill of Slane on the eve of Easter Sunday.

Lighting such a fire was contrary to the pagan laws of the time which dictated that the first fire lit that night be in Tara. Observing St. Patrick’s bonfire from afar, the chief druid of the ancient Gaelic capital predicted that if the flame were not extinguished that night, Christianity would never be extinguished in Ireland.
The saint’s bonfire continued burning and the next morning, Easter Sunday, St. Patrick entered Tara to convert the king and his followers to Christianity.

For the fenced statue of Saint Patrick the revieweR wrote:

Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.

Hmmmm….What I do while capturing a photograph of a statue is take photos of any plaque, sign, whatever to acquire the name of the creator, how it came to be there, community connections. There was nothing around the statue nor the very informative Office of Public Works placards at the entrance.  I was proud to submit the statue photograph, as it turned out so well, and hoped for the best.

Last week, I put in a query to Ireland’s Office of Public Works (OPW), the agency responsible for the Hill of Tara, and did not receive a response when, for other queries, they were helpful.  This Saturday and Monday mornings, several hours of internet research revealed this history.

The original statue was placed on Tara sometime after the 1829 Catholic emancipation.  It was molded concrete, created by Thomas Curry of Navan at his own expense to honor the connection of Saint Patrick to Tara.

The OPW removed Curry’s statue 1992 for repair of a century of wear.  During the removal the statue was damaged beyond repair and, afterwards, was further damaged by vandals who decapitated and used it for target practice.

Initially, the OWP decided not to replace Saint Patrick citing the “pagan” nature of the place. After an angry meeting of local people at the Skryne Parish Hall.  In this meeting the local Rathfeigh Historical Society formed the “Committee to Restore St. Patrick to Tara.”  In turn, pressure was put on Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht (and the OPW). It was decided a new statue was to be created, based on a competition, and instead of it former place at the hill summit (called Rath na Rí), it was to be near the entrance, outside the Interpretative Center, to offer a Céad Míle Fáilte to visitors and be seen on departure.

The outcome was the competition winner was rejected by locals.  The winning entry, by sculptor Annette Hennessy, did not follow competition rules that specified the statue incorporate traditional features to include shamrocks, harp, miter, a crozier and, perhaps, fleeing snakes. Hennessy’s design was of a shaven headed teenage boy in a short (“mini-skirt”) kilt, a handbag-shaped bell in hand.  She agreed hers was “not a traditional style statue” saying it “acknowledges our Pagan Celtic history.”

The rejection included a statement from Dr. Leo Curran, chairman of the Rathfeigh Historical Society, “We agreed that most of the monuments in Tara are from the pre-Christian era, but St. Patrick should be at the uppermost layer, representing Christian tradition extinguishing paganism.”

By this time, a new government and minister were in place.  The decision was made to search Ireland to find a suitable, existing, replacement statue.  By 2000 the present statue, donated by the Sisters of Charity, was in place at the Hill of Tara entrance.

At the end of this post I provide the two references from my internet research and from which many facts and all the quotes were used here.  I concluded the statue author was anonymous without copyright protection and submitted a revised image description, attaching a copy of my research.

What happened to my IStock photograph of Saint Patrick on the Hill of Tara? Getty accepted my application, published the photo and it is one of my top downloads, and earners.

Please browse my reasonably priced stock photography.  License a photograph, download and use it for your website or blog.  Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Ireland” Fine Art Gallery.

References :
“Should St Patrick stand again on Tara?” Independent, Dublin, Ireland March 17, 1999.
“Statue of Saint Patrick”, Meath Roots web site. The page includes photograph of the Thomas Curry statue.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Tidal Wetlands

The exposed mudflats on tidal wetlands attract a variety of shorebirds. Shorebirds are seasonal residents that make long migratory journeys between their breeding grounds in the Arctic and their wintering areas in South America. Merritt Island NWR provides an important resting and feeding area for this group of birds. Some stay for the winter, and others use the refuge as a fuel stop before continuing on their journey.

In tidal areas, shorebird feeding schedules are influenced by the cycle of the tides. Changes in tidal cycles expose foraging areas in mudflats for a period during the day. At other points during the cycle, the water in these same areas becomes too deep or the ground too dry for shorebirds to feed effectively.

Shorebirds of different species can and do forage together. Because bill length and shape varies from species to species, birds can pursue different prey in the same area at the same time without competing with each other. Because of varying bill lengths, the different bird species find their food at different depths in the substrate. Mixed species of shorebirds are a common sight.

Reference: the text of this blog was transcribed from signage along the Blackpoint Wildlife Drive of Merritt Island National Wildlife Refuge, Brevard County, Florida

Copyright 2024 Michael Stephen Wills All Rights Reserved.

Avian Exploration

Join us in the tranquility of Merritt Island National Wildlife Refuge as we observed avian life, reflecting on nature’s beauty and resilience.

As my wife, Pam, and I entered the breezy expanse of the Merritt Island National Wildlife Refuge, the world seemed to slow down, allowing us to savor every moment of my journey along Blackpoint Drive. The sky, a sprawling canvas of muted greys, reflected in the wind ruffled waters, enhancing the tranquility of this haven.

Our first encounter was with the elegant Roseate Spoonbills (Platalea ajaja), their vibrant pink feathers a stark contrast against the earthy tones of the marsh. They waded with purpose, their spoon-shaped bills sifting through the water, a dance of survival that was both methodical and beautiful.

In the company of the spoonbills were the stoic Great Egrets (Ardea alba), statuesque in their white plumage. They stood motionless, like sentinels guarding the water’s edge, only to strike with lightning speed when prey ventured too close.

We watched as the Glossy Ibises (Plegadis falcinellus) dipped their curved bills into the water, each movement a study of precision, their dark feathers glistening with an iridescent sheen when caught by the light.

Amongst these avian aristocrats, the unassuming American White Ibises (Eudocimus albus) went about their business. Their red beaks probed the shallows, unperturbed by the presence of their more colorful neighbors or by my watchful eyes.

As we ventured further, the landscape shifted, the water opening up to reveal a gathering of Spoonbills and White Ibises, a community united by the need to feed and the safety of numbers. The occasional flap of wings and contented calls created a symphony that celebrated life in these wetlands.

Isolation took on a new meaning when I spotted a solitary Roseate Spoonbill, its reflection a perfect mirror image on the water’s surface. It was a moment of quiet introspection, the bird and I alone in our thoughts.

Another scene captured my attention as a single spoonbill foraged alongside a Glossy Ibis. The two species, different in appearance and yet similar in their quest for sustenance, shared the space in harmonious coexistence.

Further along, the vista opened up, and we were greeted by a panoramic view of spoonbills dotted along the distant shoreline, the greenery forming a lush backdrop to their pink hues. The expanse of the refuge unfolded before me, a reminder of the vastness and the wild beauty that had drawn us here.

On another stretch, the spoonbills perched in the green embrace of the mangroves, their pink feathers a burst of color among the leaves. It was a scene of natural artistry, the birds blending yet standing out against their verdant stage.

In the final leg of our journey, I found spoonbills perched high in the shrubbery, a testament to the refuge’s diversity. Even in the dense foliage, life thrived, and these birds, usually seen wading, now adorned the treetops like living ornaments.

This drive along Blackpoint was more than a mere observation; it was a passage through a world where time held little sway, and nature was the sole architect. Each bird, each ripple on the water, and each whisper of the grass told a story of existence, resilience, and the intricate web of life. Here, in this secluded corner of the world, we found a connection to the earth and its inhabitants that would stay with us long after.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Otherworldly Assembly?

On the winding Blackpoint Wildlife Drive, Pam and I were spellbound by a ballet of Roseate Spoonbills and Wood Storks, a wild canvas coming alive, revealing the magic bestowed by our cherished Senior Passport

As Pam and I embarked on our journey along the Blackpoint Wildlife Drive we found ourselves privy to an otherworldly marshland assembly. Our eyes were drawn to the stately Wood Storks, or Mycteria americana, standing with a poise that belied their somewhat awkward appearance. Their towering figures were hunched in contemplation, their bald heads surveying the waters for a potential feast.

Beside them Roseate Spoonbills (Platalea ajaja) painted the landscape with strokes of vivid pink. Their spoon-shaped bills, an evolutionary masterpiece, skimmed the shallow waters. It was a delightful contrast, the elegant pink plumage among the grasses, like a splash of paint on a raw canvas.

Companion to these gentle giants, the diminutive Tricolored Heron, Egretta tricolor, stalked the shallows. Its slender form was a study in grace, and the blue-gray feathers shimmered with a hint of lavender as it moved with stealthy precision, a silent hunter amidst the reeds.

The discovery felt like stumbling upon a secret meeting, a council of the feathered kind, where each bird played its role in the delicate balance of the ecosystem. Pam and I shared a look of awe, our whispered words lost in the gentle rustling of the wind. There was a sense of unity, of different species coexisting in harmony, and we were the transient witnesses to their world.

Our journey within Merritt Island National Wildlife Refuge was not just a passage through land but through time. Each turn of the drive revealed another chapter of this living story, and our hearts raced with the excitement of what we might find next. The National Park Service Senior Passport, which we clutched like a treasure map, granted us the privilege to explore this bounty of nature. It was more than a pass; it was a key to worlds unseen and adventures untold.

As senior citizens, this passport to nature’s sanctuaries was a reminder that wonderment has no age. It afforded us the freedom to explore, to learn, and to lose ourselves in the beauty of our nation’s natural heritage. Each stamp in our passport was not just a mark of where we had been, but a memory etched into our lives, a story waiting to be told.

This drive, with Pam by my side, was more than birdwatching. We communicated with nature, laying testament to the beauty that lay in the simple things, the everyday miracles of life that often go unnoticed. We left the Blackpoint Wildlife Drive with a renewed sense of purpose and a reminder of our place in this vast, interconnected web of life.

We returned home with our spirits lifted and our minds filled with the colors of the birds—the Wood Storks, the Roseate Spoonbills, the Tricolored Heron—and the many unnamed creatures that had crossed our paths. It was a mosaic of life, each creature a piece that completed this intricate puzzle of existence. Our encounter with this unusual congregation was a gift, a moment of pure, unadulterated joy, a chapter in our ongoing adventure, one we would recount with smiles and a sparkle in our eyes for years to come.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Luminous Tension

Beneath the brooding storm clouds moving with silent intent, I stood, the air electric with the storm’s approach. Yet, turning east, the Sun’s Eye winked at the horizon, igniting the sky in defiance—a fleeting warmth against the impending tempest’s chill.

Amidst the sprawling canvas of Cocoa Beach, a beachcomber such as I stands witness to the theater of the skies, a stage upon which the sun and storm perform their eternal dance. The dawn of this particular February morning brought with it a spectacle of dual realms, a chiaroscuro of the celestial drama that unfolds in minutes and lingers in the heart.

To the east, ‘the Sun’s Eye’—a fierce, glowing orb—peered over the horizon, its gaze cutting through the cool morning mist. The sea, a mirror of the skies, blushed with the hues of a blooming peach, its waves whispering secrets as they lapped the shore. Each frothy crest reflected the sun’s burgeoning fire, a symphony of light that sang of the world’s awakening. It was a moment of birth and beginning, the kindling of a day where the potential hung ripe as the citrus in the Floridian groves.

This radiance, however, was but a half of the morning’s tale. As I turned, facing west, the sky told a different story. Here, the heavens grew heavy with brooding storm clouds, a tumultuous sea of gray above the green. These undulating specters crept forward, a procession of ashen waves threatening to swallow the day’s young light. The air, charged with the tension of an impending tempest, hummed with the promise of nature’s fury.

Twenty-one minutes—a mere breath in the lifespan of the cosmos—was all it took for the scenery to shift, the mood to transform. To the east, the promise of warmth and the whisper of daylight’s caress; to the west, the cold omen of a storm’s embrace. This juxtaposition, this confrontation of fire and shadow, was a testament to the Earth’s ephemeral beauty.

In the presence of such a display, I—a mere beachcomber—was a sentinel between two worlds. The sunrise spoke to me of hope, of the unyielding rhythm of time that brings renewal each day. Its golden fingers painted the world in a palette of possibility, a reminder that each dawn brings its own story, its own song to be sung.

The approaching storm, in contrast, murmured of respect for the forces beyond our grasp, the humbling power that nature wields with indifferent grace. Its darkening clouds, layered like the furrowed brows of ancient gods, were a canvas of the world’s raw strength, its capacity for change, for washing the old away with a torrent.

Here, on this stretch of sand, the universe seemed to converge—a meeting point of opposing forces, a confluence of light and darkness, creation and destruction. In the face of such majesty, I found a profound tranquility, a sense of my place in the grand tapestry. For what are we but observers, participants in the grand design, bearing witness to the moments when the world reveals its contrasting character?

This morning’s display was a parable of life itself, written in the language of the skies. The Sun’s Eye, ever-watchful, ever-prescient, promised the comfort of the familiar, the steady passage of time marked by the constancy of its rise and fall. The storm, brooding and unpredictable, was a reminder of life’s uncertainty, the inevitability of change and the beauty found within it.

As the light grew and the darkness encroached, I stood at the crossroads of day and night, life and experience. With the sand beneath my feet and the salt air filling my lungs, I embraced the duality of existence, knowing well that each sunrise heralds not just the day, but the inescapable storm that follows. In Cocoa Beach, on the Space Coast, the universe had unfolded its dual nature before me, an eternal beachcomber, in the span of a single, breathtaking morning.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Near and Far — the last day of 2023

Discover a heartfelt story woven from the sands of Cocoa Beach on New Year’s Eve, where shells and stars intertwine, inviting you to ponder the delicate dance of near and far.

On the last day of 2023, as the sun began its descent on Cocoa Beach, I found myself tracing the contours of a heart laid out in Ark Clam shells. Each shell, with its ridges and grooves, felt like a chronicle of the ocean’s whispers. This artful mosaic, set against the granular canvas of the beach, was a testament to the playful hands of time and tide. I marveled at the intention behind it, the human desire to create and connect, to leave a mark, however fleeting, on the vastness of nature.

I found this beach heart while walking on Cocoa Beach on the last day of 2023. It is composed of the various shade of Ark Shells. Ark clam is the common name for a family of small to large-sized saltwater clams or marine bivalve molluscs in the family Arcidae. These are the most common shells found there.

The shells were cool and firm under my fingertips, each one a unique piece of the year’s mosaic. Some were a pristine white, while others bore the earthy tones of the sea’s floor. I pondered the journeys they had taken, tumbling in the ocean’s embrace before resting here, on the threshold of a new year. The act of arranging them into a symbol of love felt like an ode to the past year’s collective joys and sorrows, an offering to the unknown adventures of the year to come.

As the day waned, my gaze shifted from the shells to where the water met the sky. There, a sailboat floated serenely, a silent sentinel between two worlds. It was a picture of solitude, a single vessel on the brink of the infinite sea, beneath the expanding dome of the heavens. On the horizon, the silhouette of a cargo ship whispered stories of distant lands and the ceaseless pulse of commerce and exploration that defined our modern era.

On New Years Eve 2023 this sailboad moored off North 1st Street, Cocoa Beach, Brevard County, Space Coast, Florida.

The beach was quiet, the sounds of the day giving way to the evening’s peaceful lull. The sailboat’s stillness was a stark contrast to the perpetual motion of the cargo ship, each representing different paths on the water’s vast canvas. One was an emblem of leisure and simplicity, the other of industry and complexity. Both near and far, they were the day’s quiet companions, their stories part of the fabric of the Space Coast.

As twilight deepened into night, the stars began to emerge, one by one, until the sky was a tapestry of celestial wonder. With my iPhone 14 Pro Max, I captured this cosmic dance, the constellation of stars that had been the silent witnesses to Earth’s revolutions. The constellations, those mythic shapes that have long sparked human imagination, seemed to hold the secrets of what had been and what was to come. They were distant suns, their light traveling unfathomable distances to reach me, to reach us, as we stood on the brink of a new beginning.

Orion

I couldn’t help but feel a connection to the stars, a kinship with their ancient light. They reminded me that we, too, are part of this grand cosmic design, our lives stitched into the universe’s expansive quilt. On the beach, with the shells at my feet and the stars overhead, I was caught in the delicate balance of near and far—the tangible reality of the shells I could touch and the distant glow of starlight from ages past.

Orion, the belt and sword in center.

As the year ticked closer to its end, I stood between the intimate artistry of the shell heart and the boundless majesty of the star-filled sky, a lone observer of time’s relentless march. The Space Coast, with its unique blend of earthly beauty and human aspiration, was the perfect stage for this reflection. Here, on Cocoa Beach, I embraced the last moments of 2023, ready to welcome the new year, with its promise of continuance and change, its constant dance of near and far.

Copyright 2024 Michael Stephen Wills All Rights Reserved

“Some Enchanted Evening” Riff

Discover the charm of Cocoa Beach’s enchanted sunset where Olaf, the endearing snowman from “Frozen,” joins athletes in a celebration of imagination and sport on Florida’s magical Space Coast.

Olaf, with his carrot nose and coal-button smile, is the epitome of the whimsy and innocence that fills the hearts of those who dare to dream. He’s the spark of childlike wonder that persists even as the day gives way to night. As the sun dips below the horizon at Cocoa Beach, the playful contrast of a snowman who loves warm hugs stands out against the backdrop of Florida’s Space Coast—a place known for its rocket launches as much as its sun-soaked shores. It’s here, on this stretch of sand, that imagination and reality dance in the twilight, blurring the lines between a tale from the silver screen and the tangible joy of a beach evening.

The presence of Olaf in this coastal setting is an unexpected delight, akin to the wonder of snowflakes in summer. He is more than a snowman; he is the manifestation of Elsa’s magic, a symbol of enduring friendship and the embodiment of the happiness that comes from simply being alive. His creation, a whimsical result of Elsa’s ice powers, speaks to the capacity we all have for creation and transformation. The Olaf suit, worn by a young athlete, represents not just a beloved character, but a beacon of joy and the power of sportsmanship that enlivens the USSSA National All State Championship.

Don DeDonatis, CEO of USSSA, speaks of the excitement of hosting a tournament that is a “celebration of talented softball players from around the country.” Indeed, it’s a parallel to the celebration of life that Olaf represents—where each athlete, like each snow crystal, is unique and contributes to the beauty of the whole. The tournament at the Space Coast Complex in Viera, Florida, is a tribute to the hard work and dreams of young athletes, much like the dream that brought Olaf to life.

The sunset photograph of Cocoa Beach, snapped in December 2023, is not just a capture of a moment in time, but a timeless reminder of the enchantments that life offers. The beach becomes a stage where each footprint tells a story, and each wave sings a song. It’s a place where memories are made, where the spirit of characters like Olaf can leap out of their fictional realms and into our world, if only for an evening.

Brevard County’s Space Coast is a junction where the vastness of space meets the intimacy of earth, where shuttles launch into the cosmos while children build sandcastles, and where a snowman can stand on a beach without melting, embraced by the warmth of the setting sun rather than the chill of winter. It’s a testament to the human spirit’s boundless creativity and our ability to find joy in the juxtaposition of opposites.

This enchanted evening is a tapestry woven from the threads of fantasy and reality, sport and art, the cosmos and the coastline. It’s where the horizon kisses the sea, where the sky becomes a canvas for the sun’s parting masterpiece, and where Olaf, our friend from “Frozen,” reminds us that magic is not just in the realm of fairytales but all around us, in every grain of sand, in every sunset, and in every heart that believes in the wonder of one enchanted evening.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Rose Gold


Threaded with bird call

Folded sails greet the first light

A new year takes flight

The first sunrise of 2024 from Cocoa Beach, Brevard County, Florida.

Copyright 2024 Michael Stephen Wills All Rights Reserved