Beauty and Struggle: Flowering Rush in Stewart Park

Crossing the footbridge in Stewart Park, I encountered the graceful yet invasive Flowering Rush. Its delicate beauty hides a deeper story about nature’s resilience, human impact, and the fragile balance of our ecosystems.

While crossing the suspension footbridge over Fall Creek in Stewart Park, there’s a sense of stepping into a world that’s more peaceful and attuned to nature. The bridge is familiar to me—a steady, quiet companion—but each visit feels new, as though the park has secrets it only reveals in small whispers. In this photograph the green steel beams rise like sentinels, standing tall against the backdrop of shifting autumn colors. Below, the water reflects the vibrant reds, golds, and greens of the trees, creating an illusion of depth that draws me in.

Footbridge to the Fuertes Bird Sanctuary, Stewart Park, Ithaca, New York, October 2012

This past summer I stopped midway across, leaned against the railing, just listening. The creek moved slowly, like time itself decided to pause here for a while. That’s when I saw them: delicate pink blooms rising up from the water’s edge, their petals small and star-shaped, catching the light as they sway in the gentle breeze. There’s something striking about these plants—graceful, elegant, almost otherworldly in their simplicity. They reach up, as though trying to escape the confines of the water and the muddy banks.

My subsequent research revealed these to be Flowering Rush, or Butomus umbellatus. I often see them now, their soft pinks and slender leaves creating a quiet beauty that’s hard to ignore. They’re beautiful, but I have come to know they don’t belong here. This is one of those moments in nature that gives me pause—a reminder that not everything lovely is innocent.

Flowering Rush Growing in Fall Creek, Stewart Park, June 2024

Flowering Rush, a European import from centuries ago, was not meant to take root here. Brought to North America for ornamental ponds, its allure quickly became its danger. It spread, silently, like a secret carried on the wind, slowly overtaking the native species that have long called these waters home. And yet, standing here now, I cannot help but admire its tenacity, its quiet determination to thrive. Nature, in all its forms, has this incredible will to survive, even if that survival sometimes comes at a cost.

My mind drifts to the plant’s history. In its native lands Flowering Rush, or Grass Rush, was useful—its roots, though bitter, were harvested for food, and its fibrous stems woven into mats and ropes. How interesting that something as delicate as this has a rugged, practical side. This contradiction makes perfect sense when I think of the plant’s journey across continents, carried over oceans by human hands and curiosity. We are responsible for its presence here, and now, like so many other invasive species, it’s become a fixture of this landscape.

I think about the dual nature of this invasion. Flowering Rush is beautiful—there is no denying that. Its soft, pink flowers contrast sharply with the darker tones of the water and the dense green of the grasses that surround it. But its beauty masks a quiet destruction. It chokes out the native plants that once thrived here, altering the ecosystem in ways we cannot always see. I wonder what fish and aquatic life struggles beneath the surface, their food sources slowly disappearing. What birds find fewer insects and fewer safe places to nest?

And yet, is this plant a villain? Flowering rush is doing what it was meant to do—grow, spread, survive. That is what everything in nature does, after all. It does not have malice or intent; it just is. It is humans who have changed the balance, who introduced this species to a place where it didn’t belong, setting off a chain reaction we’re still trying to fully understand.

Today, as I walk across the bridge, heading toward the Fuertes Bird Sanctuary, path ahead invites quiet reflection, the chirping of birds and the rustle of leaves providing a peaceful soundtrack. But the Flowering Rush lingers in my mind. It reminds me of how interconnected everything is, how one small action—a plant brought from a distant land—can ripple out and affect entire ecosystems. It’s a lesson in responsibility for those willing to listen.

As I step into the sanctuary, the air feels lighter, filled with the sound of birds that dart between the trees. I think of the delicate balance of life here, and how easily it can be disrupted by the presence of something foreign, something invasive. Yet, there is a strange comfort in knowing that nature, for all its fragility, has its own resilience.

The Flowering Rush, with its roots deep in the muddy banks of Fall Creek, is a testament to that resilience. It may not belong here, but it has found a way to adapt, to make this place its home. And in that, I find both a warning and a kind of hope—hope that we, too, can learn to live more thoughtfully, more in tune with the world around us, before we upset the balance any further.

For now, though, I simply walk, grateful for the beauty around me, even if it comes with complications. Each step takes me deeper into this world, and I am reminded once again of the profound connection we have to the land, the water, the plants, and the creatures that share this space.

Copyright 2024 Michael Stephen Wills All Rights Reserved

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224 Steps

Each wall is support for the next flight of stairs

The stairs are cut into a cliff, using switchbacks with landings and strategically placed benches.

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This work was accomplished by the Civilian Conservation Corps in the 1930’s, during the Great Depression.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

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Copyright 2024 All Rights Reserved Michael Stephen Wills

So Like A Christmas Tree

Icicles Catch The Light

Approaching the Cliff Stair after a sudden April frost.

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Lucifer Falls in spring flood is a constant roar.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

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Copyright 2024 All Rights Reserved Michael Stephen Wills

April Freeze Slideshow

Here is a recapitulation of my latest posts in the form of a slideshow.

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Robert H. Treman New York State Park.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Through a Veil

A Hemlock Curtain

Early April the Gorge Trail along Lucifer Falls is closed, here we look up to the falls in flood from a safe distance.

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The Rim Trail gate to the Cliff Stairs is open. We are headed that way.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Up the Rim Trail

Key words: steep, icy

It is the Gorge Trail that’s closed for the cold months, November through April. The Rim Trail remains open for those who dare icy, steep paths Unlike Gorge Trail, Rim Trail climbs above the dangerous cliffs from which rocks are wedged free by ice to fall on the trail. On an early spring day, after a sudden frost, we walked the Rim Trail to capture the moment.

Here is the steep start, climbing up from the Upper Park where a footbridge crosses Fish Kill. Kill is the old Dutch word for creek. Fish Kill mergers with Enfield Creek a few hundred feet downstream.

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This north facing slope stays frozen into May. Here layers of the sedimentary rock shale, laid down in a shallow warm sea over 350 million years ago, are slowly pried apart. Hemlock tree roots wedge between rock layers, slowly growing. The action of ice, water expands in volume at the point of freezing, aids the process.

In places the rock face appears to be a hastily made dry stone wall, the rock layers are so disrupted by plant and frost.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills

Ascent

Andrew Wyeth effect

Here the Rim Trail climbs out of the flats beneath the Cliff Stairs, away from Enfield Creek, onto the upper slopes of the gorge.

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Early spring snow highlights the path, threading between hemlocks. The American realistic painter Andrew Wyeth comes to mind with I see the mottled texture of this light snow. He captured some of this in landscape paintings such as “Snow Flurries.”

Here is more of this effect……

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Fertile Flats sequence.
Copyright 2024 All Rights Reserved Michael Stephen Wills

Periwinkle

Source of life-saving drug

A broad, fertile flat between gorge walls supports a dense growth of invasive creeping myrtle. Springtime there is a sprinkling of small blue flowers, this may be the source of another name, periwinkle, or lesser periwinkle.

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Periwinkle is an evergreen and in early times vinca vine (another name we call it, from the scientific name Vinca Minor) was planted in graveyards and cemeteries. The isolated growth of vinca vine in this section of the gorge maybe from such a planting on a lost grave.

Today, the park practices leaving fallen trees in place, here they are covered in years of moss, a memory of headstones. Lesser Perriwinkle is significant for the living as the source of vincamine, from the leaves. A synthetic form of this compound is a potent vasodilator, a therapeutic treatment for stroke and other brain disorders.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Source: Wikipedia, “Vinca Minor.”

Click for a slideshow of this Fertile Flats sequence.
Copyright 2024 All Rights Reserved Michael Stephen Wills

Ephemeral

Amphibian haven, breeding place

Melting snow, spring rains, gather in hollows of the forest floor to form ephemeral pools important for the development of amphibian life.

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Also named vernal pools, from the Latin word for spring or the time of the equinox. The pools are ephemeral in the sense of being temporary, disappearing in the warmer, dryer late spring and summer months, a characteristic important for amphibian live in being devoid of predatory fish.

Here the pool forms on a flat beneath the walls of Enfield Gorge. Here is another photograph featuring the ephemeral winter theme, “The Cave.”

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Sources: Wikipedia, “Vernal Pool” and Merriam Webster online.

Click for a slideshow of a few photographs published recently.
Copyright 2024 All Rights Reserved Michael Stephen Wills

Gully vs. Ravine

I love the early spring light filtering through the hemlocks.

Rim trail traverses gullies. These creases in the gorge walls were formed by small streams flowing to Enfield Creek.

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Some passages require a wade, others have elaborate walkways with bridges. I initially wanted to call these ravines. Upon researching the term discovered while ravines are formed by erosion, the scale here is much smaller. I could rename Enfield Gorge, to Enfield Ravine.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills