Tag: bird

The Hidden Songster of Ithaca: My Afternoon with a Gray Catbird

Amidst spruce needles, a Gray Catbird’s mew captivated me; a hidden minstrel whose dulcet mimicry and secretive charm turned my backyard in Ithaca into an amphitheater of nature’s most intricate symphonies.

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In my backyard, amidst the spruce trees that seem to touch the sky, I had a unique encounter with a little gray bird known as the Dumetella carolinensis, or more commonly, the Gray Catbird. I learned that “Dumetella” comes from the Latin word for “thorny thicket”, hinting at its penchant for skulking in dense underbrush, often hidden from sight. Its species name, “carolinensis”, pays homage to the Carolinas, though this bird has certainly made a comfortable home here too.

This particular visitor had a call reminiscent of a cat’s mew, a curious sound that first drew my attention. As I peeked through the window, I noticed it wasn’t just imitating felines; it was a veritable mimic, echoing the songs of other birds, even copying the croaks of tree frogs, and sometimes the mechanical noises of our own making. Its syrinx, a true marvel of nature, allows it to produce two sounds simultaneously – an impressive feat for such a small creature.

Unlike the showy northern mockingbird or the brown thrasher, which repeat their musical phrases several times, this Gray Catbird preferred to sing each of its phrases just once. Its song was a bit raspier, less melodic but still captivating in its own right.

It’s interesting that the Gray Catbird often chooses to remain hidden when it sings, favoring the inner sanctuary of bushes or trees like the spruce in my yard, a natural stage set by verdant leaves and branches. And while I watched, it seemed content in its concealment, a master of melody cloaked in foliage.

As I observed it, I recalled reading that the Gray Catbird’s diet is as varied as its repertoire of sounds. Fruits and berries make up about half of its diet. This little bird has quite the palate, enjoying a smorgasbord that includes mealworms, earthworms, beetles, and other insects, not to mention the bounty of summer offerings such as ants, beetles, grasshoppers, caterpillars, moths, and a selection of berries from holly, cherry, elderberry, poison ivy, bay, and blackberries.

I made a mental note of the date, captured in the metadata of the photograph I snapped: 2021, from my home in Ithaca. A simple image, yet it encapsulated a serene moment of connection with a creature so adept at concealment and mimicry, a moment I would treasure. The Gray Catbird, with its unique song and dietary habits, has become a beloved part of my backyard symphony.

Reference: wikipedia, Gray Catbird.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Dueling Songbirds

Witness a duel not of might, but of vibrant melodies between the cardinal and song sparrow. This 14-second video captures a fleeting yet profound moment in the Finger Lakes’ springtime chorus. Join us in unraveling the significance behind this avian serenade.

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In the serene backdrop of the Finger Lakes in upstate New York, an enchanting encounter unfolds as the first whispers of spring touch the air. It’s March 14th, a day that marks the gentle shift from the silent, introspective winter to the lively, expressive season of spring. On this day, a captivating spectacle takes place — a duel not of might, but of melody. Two distinguished songbirds, a male cardinal (Cardinalis cardinalis) with its vibrant red plumage that seems to capture the very essence of life itself, and a male song sparrow (Melospiza melodia), modest in color yet profound in voice, engage in an early springtime symphony.

This 14-second video, garnished with brevity, captures a fleeting moment in nature’s grand concert, where these feathered musicians compete, not for supremacy, but for the sheer joy of song and the chance to herald the new season. The cardinal, with its rich, whistling tunes, fills the air with a repertoire of songs that resonate with the promise of new beginnings. Meanwhile, the song sparrow, with its intricate melodies that vary dramatically from bird to bird, offers a counterpoint that is both complex and captivating.

This auditory duel, set against the tranquil beauty of the Finger Lakes, is more than just a display of vocal prowess. It’s a ritual that speaks to the heart of nature’s cycle, a testament to the resilience and adaptability of these species. As these songbirds vie for the attention of mates and assert their presence in the spring landscape, they also remind us of the enduring beauty and mystery of the natural world. You’ll also catch the call of a crow and, in the distance, another Cardinal.

This moment, brief yet infinitely rich, invites us to pause and listen, to lose ourselves in the simple yet profound joy of birdsong. It’s a reminder that, even in the quietest corners of the world, life thrums with vibrancy and the promise of renewal. Join us as we delve into the story behind this melodic encounter, exploring the significance of song in the lives of these birds and the heralding of spring in the Finger Lakes.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Woodland Shelters…

Here we have the harmony between humans and nature, represented through woodland shelters like lean-tos and birdhouses. It portrays these shelters as spaces of coexistence, mutualistic masterpieces blending function, form, and aesthetic in nature.

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…on the Dam Pond at Fillmore Glen.

Hint: click image for larger view. Ctrl/+ to enlarge / Ctrl/- to reduce

…vines running free.

In the dappled sanctuary of the woodlands, where the rustle of leaves is a constant whisper and the breeze carries the secrets of the earth, there lies an unspoken harmony between the realm of the rooted and the realm of the roving. Here, the art of shelter is not just necessity but poetry—a dialogue between man and nature, bird and branch, leaf and sky. It is in the woodland shelters—those humble lean-tos and the charming birdhouses—that this conversation finds its most enchanting expressions.

A lean-to, a simple structure, a slant of sanctuary against the embracing trunk of a venerable oak or the crook of a steadfast pine, rises like an ode to minimalist refuge. It is both a testament to human ingenuity and a bow to the grandeur of the forest. Constructed from the very bones of the woods, with limbs that have fallen in the last tempest’s dance, it is clad in the textures of the wild—a tapestry of bark, a patchwork of leaves. It does not impose but rather suggests, whispering, “Here, rest awhile, where the earth holds you and the canopy cradles the sky.”

Within this woodland embrace, the lean-to is the hermit’s haven, the hiker’s pause, the dreamer’s alcove. It is the place where one can commune with the murmur of the brook, the chitter of the squirrel, and the silent flight of the owl at twilight. It is here that the smoke of a small fire mingles with the mist of dawn, where stories unfold to the rhythm of the crackling embers and the forest listens.

And what of the birdhouses, those quaint dwellings that pepper the woodland tableau? They are not mere shelters but the grand stages for the aerial ballet of wings and the morning serenades of feathered minstrels. Each is a mansion of possibility, an invitation etched in wood and lovingly placed among the boughs. They are the outposts of avian dreams, where the pulse of tiny hearts beats in time with the dripping of rain and the warmth of the sun’s caress.

The birdhouse is a symbol of the generosity of the woodsman’s spirit, a gift to the skyborne, a token of respect to the delicate denizens of the firmament. Here, the chickadee, the finch, the nuthatch, and the wren find respite and nurture the next generation of sky dancers. Each hole is a portal to a home, each perch a threshold to the warmth within, and every departure and return is witnessed by the vigilant trees, the silent sentinels of the forest.

Lean-tos and birdhouses, these woodland shelters, are the chorus of the sylvan symphony, the unseen chords that bind human to habitat, life to life. They are proof that in the quiet places of the world, where humanity treads lightly and the wild holds sway, there can be a beautiful coexistence, a mutualistic masterpiece painted on the canvas of the wilderness. They stand as symbols of the beauty that arises from the marriage of function and form, purpose and aesthetic, the innate and the crafted.

In the woodland shelters, there is a rhapsody played in the key of nature—a song of simplicity, of connection, of the perpetual dance between the earth and its many children. It is here, in the lean-tos and birdhouses, that the heart of the woods beats strongest, beneath the watchful eyes of ancient trees and the endless sky.

Copyright 2023 Michael Stephen Wills All Rights Reserved MichaelStephenWills.com

Among Fallen Leaves

The red berries of the Jack-in-the-Pulpit plant play a key role in seed dispersion, wildlife sustenance, and fueling its energy storage organ, the corm.

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As the crisp air of autumn settles in and the leaves begin their spectacular transformation into hues of red, orange, and yellow, the forest floor comes alive with a myriad of hidden wonders. Among these wonders, the Jack-in-the-Pulpit (Arisaema triphyllum) stands out for its striking red berries and the role they play in the fall glory of the woodland ecosystem. In this essay, we will explore the beauty and significance of these red berries and how they are intrinsically linked to the plant’s corm.

mysterious flower
Equipped with a Canon dslr / variable lens and Manfrotto carbon fiber (light) tripod, these macro still lifes were possible by keeping to shadow pools on a cloudless early October weekday

The Jack-in-the-Pulpit, a native perennial herbaceous plant of North America, is known for its distinctive appearance, featuring a hood-like structure known as the spathe and a tall, slender stalk called the spadix. It is during the fall season that the plant’s fascinating red berries make their appearance, contrasting vividly against the backdrop of autumn’s colors. These berries are the result of a process that begins in the spring, when the plant first emerges from its underground corm.

Throughout the growing season, the Jack-in-the-Pulpit devotes its energy to producing these striking red berries, which serve several important ecological functions. The red berries are not only visually appealing but also function as a means of reproduction for the plant. They contain seeds that, once mature, can be dispersed to establish new Jack-in-the-Pulpit plants. These seeds are often transported by animals that consume the berries, such as birds and rodents, which then disperse them in their droppings, contributing to the plant’s spread throughout the forest.

Jack-in-the-Pulpit Berries
Jack-in-the-Pulpit Berries

The bright red color of the berries is a key feature that attracts birds, making them an essential food source during the fall and early winter months. Birds like thrushes, cardinals, and robins are known to feed on the Jack-in-the-Pulpit berries, aiding in seed dispersal while benefiting from the nutrient-rich fruits. This mutualistic relationship between the plant and its avian dispersers showcases the interconnectedness of the forest ecosystem, where each species relies on the other for survival and propagation.

The significance of the Jack-in-the-Pulpit’s red berries extends to the corm beneath the surface. The corm serves as an energy storage organ for the plant, helping it survive through the harsh winter months when the above-ground parts of the plant wither and die. During the fall, as the plant directs its energy toward producing berries, it also transfers nutrients to the corm, ensuring its vitality and readiness for the following spring.

Furthermore, the corm itself can serve as an energy reserve for the production of future berries and the growth of new shoots. As the plant enters dormancy, it relies on the stored energy in the corm to fuel its growth when conditions become favorable in the next growing season. In this way, the corm and the red berries are intricately linked, with the berries representing the culmination of a year-long process of energy accumulation and reproduction.

In conclusion, the red berries of the Jack-in-the-Pulpit are a captivating and vital component of the fall glory that graces our woodlands. Their vibrant color and ecological role in seed dispersal highlight the plant’s contribution to the forest ecosystem’s richness and diversity. Moreover, these berries are a testament to the interconnectedness of nature, as they are not only visually stunning but also an essential food source for wildlife. As we marvel at the beauty of fall and explore the wonders of the natural world, let us take a moment to appreciate the significance of the red berries of the Jack-in-the-Pulpit and their role in the intricate web of life that surrounds us.

Copyright 2023 Michael Stephen Wills All Right Reserved MichaelStephenWills.com

Cagey Character

On a splayed perch

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A Great Blue Heron spotted from Bear Trail during a family hike, perched on a splayed root of a tree undercut by flooding, fallen into Buttermilk Creek bed.

A heron recurves its long neck while perched. Adult herons have few natural predators and are rarely preyed upon due to their large size and sharp beak, but bald eagles (Haliaeetus leucocephalus) are known to attack great blue herons at every stage of their lifecycle from in the egg to adulthood.

Copyright 2023 Michael Stephen Wills All Rights Reserved

Feeding Frenzy

Nine videos taken the same morning, February 5, 2022

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A multi-day hatch of small fry around the time of a new moon triggered this Black Skimmers (scientific name: Rynchops niger) feeding behavior surf off Cocoa Beach, Brevard County on Florida’s Atlantic Coast.

Copyright 2022 Michael Stephen Wills All Rights Reserved

Lady Feeding Gulls, Cocoa Beach Dawn

unflappable lady hand feeds seagulls

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When Pam read my post “Black Skimmers Feeding” she asked, “Where is the photo of resting Skimmers?”

To answer her question, I looked through Cocoa Beach photographs and discovered I did NOT capture the Skimmers resting.  Instead, here are a related species, the Royal Tern (scientific name: Thalasseus maximus), whose behavior is similar in that it exclusively feeds from the water. There was a wind that morning and these individuals face into it.  These birds are, from a human point of view, well behaved, unlike the opportunistic gull.

Royal Terns at rest

I searched around the web for identification of this gull without success.

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It dines on a dead fish washed up by the surf.  In my previous posting I used the word “grifting” to describe gull behavior, again this is from the human point of view.  Gulls are notorious for stealing food from unwary beach goers, brazening walking over to unguarded chips (any kind), for instance, grabbing them and flying off.  If the chip stash is large, this sets off a nasty feeding frenzy when tens of gulls swoop in and grab.

Here is a series of photographs, demonstrating this behavior.

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The dawn flowed over Cocoa Beach as a lady attracted a crowd of hungry gulls, reminiscent of scenes from Hitchcock’s “The Birds.”

Lady and Gulls

She is obviously an experienced gull feeder, unflappable with a steady hand

Lady and Gulls – CLICK ME for more Florida photography.

She had come to the shore at dawn for a photo shoot.  Her male companion (husband?) was there with a camera.

Lady and Gulls – CLICK ME for more Florida photography.

Pam and I were there for the dawn, me with the Sony camera.

Lady and Gulls – CLICK ME for more Florida photography.

At first, I stood there amazed at the spectacle.  She was in such control of the situation, not a victim, more like a lion tamer.

Then, Pam said, “You have to get this.”  And I did.

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