Visitors enjoying a waterfall mist (upper left) in the summer desert heat.
ISO 160, 1.3 sec at f/ 8.0
Notice a combination of low ISO and tamped down diaphragm (f/8) resulting in longer exposure (1.3 sec) has the facial features of two visitors blurred, the third was transfixed by the experience of Zion Hanging Gardens.
The header photograph is myself, at work beneath Zion cliffs, taken by Pamela Wills.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon EF 50 mm f/1.4 lens stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head.
Copyright 2021 Michael Stephen Wills All Rights Reserved
The first photograph is the myriad fractures within the Zion Navajo sandstone, hidden water transits from rainfall miles away.
ISO 250, 1/8 sec at f/22
The second photograph, water emerging as a blessed sacrament, bestowal of life nourishing wildflowers, ferns, mosses, trees.
ISO 250, 1/320 sec at f/4.0
For this third photograph the first two were merged in photoshop for a revelation. I did not take time to smooth the transition, visible as a line. I graduated from this merge technique with the purchase of a wide angle (24 mm) lens. It is so difficult to organize all the angles and exposures, plus time to bring it together.
All photographs from the Kodak DSC Pro SLR/c, Canon Lens EF 200mm 1:2.8 L II stabilized via a Manfrotto 468MG with Hydrostatic Ball Head.
Can you spot the foot path?
Here is a gallery of the three photographs, to flip back and forth.
Copyright 2021 Michael Stephen Wills All Rights Reserved
“Water seeping out of the Navajo sandstone creates tranquil springs and the unique “hanging gardens” for which Zion is famous, full of ferns, wildflowers, and mosses.”
ISO 250, 1/6 sec at f/22
Here are three exposures of the same scene.
ISO 250, 1/4 sec at f/22
Click on an image for a closer view.
ISO 250, 1/13 sec at f/22
Can you spot the foot path?
Here is a gallery of the three photographs, to flip back and forth. the primary difference is the exposure within the shadow under the projecting cliff face.
ISO 250, 1/6 sec at f/22
ISO 250, 1/4 sec at f/22
ISO 250, 1/13 sec at f/22
Copyright 2021 Michael Stephen Wills All Rights Reserved
Wandering Zion canyon I spied three visitors seemingly trying their luck on the cliff edge, where the water drops.
ISO 250, 1/8 sec at f/22
Look closely and the rope barrier can be picked out. Can you see the three figures? Click on the image for a larger view.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
Walking up University Avenue toward Lib Slope, listening to the noon concert from the McGraw Tower carillion (a tuned set of bells), below the Johnson Museum turn left onto a footpath, follow to the steep trail down to the Gorge Overlook along Fall Creek. Look up at the suspension bridge and water powered electric plant. Climb back, turn right and down to Stewart Avenue for the view of Fall Creek Gorge, Cayuga Lake, the former studio of Carl Sagan, built into the gorge wall. In researching this topic I learned Google Maps shows the trail and you can “walk” the trail, Google brought the camera down into the gorge.
An IPhone 7 and video editing software were used for this post.
Copyright 2021 Michael Stephen Wills All Rights Reserved
From this angle the Pinyon Pine is backed by Checkerboard Mesa slickrock.
ISO 250 1/800 sec at f/2.8
For humans travelling on foot this weather worn sandstone is anything but slippery, If we wore iron horseshoes the sense of slippery, or slick, rock becomes apparent. It was ranchers mounted on horses who coined the name slickrock.
For this shot we approached Zion National Park from the east, via route 9, past Checkerboard Mesa.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Here is a gallery of the four Lone Pine images.
Copyright 2021 Michael Stephen Wills All Rights Reserved
What is a Lone Pine without the sky? This specimen somewhat less gnarled than numbers 1 and 2. Here we see more of the beetling crag, layered up sediment of eons.
ISO 250 1/400 sec at f/4.0
For this shot we approached Zion National Park from the east, via route 9, past Checkerboard Mesa. Our lodging was to the east, probably the Best Western in Mt. Carmel on Rt 89. Meaning there were four opportunities for capturing memorable East Zion images over two days.
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
Here is the same gnarled pinyon pine of the previous post, with a sky centered exposure revealing the silhouetted wonder.
ISO 250 1/1000 sec at f/7.1
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconic “Lone Pine.”
Copyright 2021 Michael Stephen Wills All Rights Reserved
The eastern approach Zion Canyon is a national park unto itself, route 9 passes through otherworldly landscapes.
ISO 250 1/1000 sec at f/2.8
Captured with a Kodak DCS Pro SLE/c dslr and a Canon lens EF 200 mm 1:2.8 L II stabilized with the Manfrotto Studio Tripod model 475 and the 468 Hydrostatic ball head. This series explores the possibility of the iconis “Lone Pine.” Here the tortured existence of this organism is rendered plain.
Copyright 2021 Michael Stephen Wills All Rights Reserved
Imagine walking across the ranch house ruin towards where I described the former pond. Looking to the east and north from the elevation you see this sight.
In the near distance a grass pasture slopes into Reavis Creek. The creek has flowing water in all but the longest dry seasons. By the way, the trail from Pine Creek is on the slopes of that conical feature in the distance, to the left.
Click any photograph for a larger version.
Looking from the former house site towards the Arizona Trail running beneath the distant red rock ridge. Not the fence rails on the left and apple trees in bloom.
From the ruin, walk down the Arizona Trail, south, for a few hundred feet and turn left into the fields to encounter the same apple tree, and a close up of pure white apple blossoms.
Portrait of a Blooming Apple Tree
At Rest and History
This tree is an outlier of a thick stand of several hundred trees to the north. The Searcher and I rode into the middle of the grove for a rest and chat. The horses were allowed to graze in the abundant new grass brought on by the winter rains.
The Searcher told me the story of the valley and that it was a man named Clemans who planted 600+ apple trees, trees in bloom all around us. The Reavis Valley was long a site of agriculture, starting in the 19th century with Elisha Reavis, who passed away in 1896 and is buried on the slopes of White Mountain, and continued with a series of ranchers and entrepreneurs in the 20th: John Fraser, William Clemans, who planted the trees, and John A. “Hoolie” Bacon, then Bacon’s son-in-law Floyd Stone who sold the land to the U.S. Department of Agriculture in 1967.
We talked about some earthwork I noticed, in the southern part of the valley. It was part of a water system that diverted Reavis creek flow at the head of the valley to the ranch house. We decided that strange hexogonal structure on the elevation above the house ruin was the site of water storage. At that location the structure would provide a pressure feed for the house and much else.
Abandoned Hay Rake
A mix of winter rains and fertile soil were exploited in the Reavis Valley for a handful of decades, the enterprise now is set aside. This abandoned hay rake and chassis, used to harvest grass in seasons past, is evidence of the work. The apple trees produce to this day without irrigation.
The Searcher touched upon the subject of the “Circlestone” ruin he mentioned on our morning ride. He had never been there, but mentioned some books on the subject. It is a wide circle of rough stone wall enclosing mysterious structures. At this point, I was hooked, and decided to check Circlestone on a later trip. Here are some photographs from one of those trips, in November 2006.
Reavis Ranch Apple Orchard Tree
Reavis Ranch Apples Yellow
Reavis Ranch Apples Red
In my next post The Searcher and I return to Pine Creek, Colorado gives me some trouble and we visit a stand of wild oats in the Reavis Gap.
Michael Stephen Wills Photography 